Adrian Wilson 212.729.7077
Elegant dining room photo in New York with white walls

Tiltshift Studio
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Pool, bench and patio area
Inspiration for a small modern backyard landscaping in Philadelphia.

Mid-century modern exterior home photo in Other

The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

Photo: Angela Flournoy © 2018 Houzz
Mid-century modern kitchen photo in Dallas

Visit Our Showroom 8000 Locust Mill St. Ellicott City, MD 21043 Metrie True Craft Interior Door - Designer: Donna Guerra, ASID Dallas, Texas, USA This room invokes a cozy, rustic feel with the beautiful look of vertical grain Fir from the True Craft Scene III elements. Large, wedge-shaped mouldings create a unique style around the room, including the crafting of the fireplace treatment. The custom oil finish was applied using a dry brush technique which highlights the Fir’s natural graining. The chair rail installed vertically, creates a unique wainscot that draws in your gaze. Finishing Details Gray finish uses a "white" oil and a dry brush gray stain technique Panel Moulding and inverted baseboard were layered together to form header over barn door hardware Doors painted in a grey satin finish with a muted green undertone The warmth and honesty of authentic, utilitarian design. There’s nothing quite like the aesthetic created by the Craftsman, Mission and Prairie Style movements. Simple, linear, direct. Use these elements as the setting to create a Southwest Style with sun-washed tones. Go Mountain Modern by dry brushing a cool grey stain. Create a mid-century Bungalow feel by letting the Fir grain show through a warm whitewashed paint. So many places to land when you start here.

Photo: Corynne Pless Photography © 2014 Houzz
Home office - eclectic home office idea in New York

A minimal insertion into a densely wooded landscape, the Collector’s Pavilion provides the owners with an 8,000 sf private fitness space and vintage automobile gallery. On a gently sloping site in amongst a grove of trees, the pavilion slides into the topography - mimicking and contrasting the surrounding landscape with a folded roof plane that hovers over a board formed concrete base. The clients’ requirement for a nearby room to display a growing car collection as well as provide a remote area for personal fitness carries with it a series of challenges related to privacy and security. The pavilion nestles into the wooded site - finding a home in a small clearing - and merges with the sloping landscape. The building has dual personalities, serving as a private and secure bunker from the exterior, while transforming into a warm and inviting space on the interior. The use of indirect light and the need to obscure direct views from the public right away provides the client with adequate day light for day-to-day use while ensuring that strict privacy is maintained. This shifting personality is also dramatically affected by the seasons - contrasting and merging with the surrounding environment depending on the time of year. The Collector’s Pavilion employs meticulous detailing of its concrete to steel to wood connections, exploring the grounded nature of poured concrete in conjunction with a delicate wood roof system that floats above a grid of steel. Above all, the Pavilion harmonizes with it’s natural surroundings through it’s materiality, formal language, and siting. Overview Chenequa, WI Size 8,000 sf Completion Date May 2013 Services Architecture, Landscape Architecture, Interior Design

How to help a young couple who loved the location and bones of a traditional home, but wanted a decisive shift in its decor and vibe to modern luxe? Begin by pulling down the 2-story walls of oak paneling, heavy fireplace mantle, and scraping out the dimly lit kitchen. Opening the kitchen into the family room and reworking the architecture of the space was the solution to creating the fresh feeling we were after. Photos by John Bessler

Example of a transitional dark wood floor and brown floor great room design in New York with white walls

The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

A minimal insertion into a densely wooded landscape, the Collector’s Pavilion provides the owners with an 8,000 sf private fitness space and vintage automobile gallery. On a gently sloping site in amongst a grove of trees, the pavilion slides into the topography - mimicking and contrasting the surrounding landscape with a folded roof plane that hovers over a board formed concrete base. The clients’ requirement for a nearby room to display a growing car collection as well as provide a remote area for personal fitness carries with it a series of challenges related to privacy and security. The pavilion nestles into the wooded site - finding a home in a small clearing - and merges with the sloping landscape. The building has dual personalities, serving as a private and secure bunker from the exterior, while transforming into a warm and inviting space on the interior. The use of indirect light and the need to obscure direct views from the public right away provides the client with adequate day light for day-to-day use while ensuring that strict privacy is maintained. This shifting personality is also dramatically affected by the seasons - contrasting and merging with the surrounding environment depending on the time of year. The Collector’s Pavilion employs meticulous detailing of its concrete to steel to wood connections, exploring the grounded nature of poured concrete in conjunction with a delicate wood roof system that floats above a grid of steel. Above all, the Pavilion harmonizes with it’s natural surroundings through it’s materiality, formal language, and siting. Overview Chenequa, WI Size 8,000 sf Completion Date May 2013 Services Architecture, Landscape Architecture, Interior Design

View of the Master Bath from the Entry - A pebble accent path leads you into this tranquil space; which includes a large vanity, additional storage cabinetry, shower enclosure, and a bubble tub! Photo: Bob Narod

In the beach-side town of Asbury Park, New Jersey, stands Palomino Blackwing, a newly renovated 1920s Art Deco building. Now home to 23 modern duplex apartments, the building was designed with sustainable living in mind. Rather than seeking more space, the ideal design was shifted to using space ingeniously. Some highlights of each unit include: The Atoll 000 sofa/wall bed system transforms the living room into a guest bedroom for two when needed. A Lollisoft bunk bed system with a desk, which allows the downstairs flex space to function in multiple ways as needed: a home office/work space, lounge, or bedroom for two. The two steel frame, single beds easily fold down and comfortably accommodate two children or adults. Goliath transforming Console/Dining Table eliminates the need for a separate dining room, yet can easily accommodate up to 10 people. Folding Pocket Chairs that are less than 1” deep when closed; 8 chairs are stored on a rack less than 5.5” deep and hung on the wall above the Goliath.

Example of a small transitional bathroom design in Los Angeles

The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

Bruce Cole Photography
Example of a mid-sized cottage open concept light wood floor living room design in Other