©toddhaiman2014
Example of a mid-sized trendy rooftop deck container garden design in New York with no cover

Photography by Lucas Henning.
Inspiration for a coastal garage remodel in Seattle

The project began with a 1970's, split-level ranch, on a spectacular hilltop site with a view to Mt. Hood. The house was transformed and updated by expanding the living room, renovating the kitchen and interior surfaces, and adding a second level master bedroom suite it now sits comfortably on the narrow site and takes full advantage of natural light and distant views. Improvements to the site include new terraces, walls and stairs, wrought iron railings and a long, linear reflecting pool. The new entry garden and pool provide a quiet transition from the street to the newly canopied teak entry doors. This residence was undertaken by Jim as project architect with Richard Brown Architects, AIA, LLP.

Brad + Jen Butcher
Inspiration for a large contemporary open concept medium tone wood floor and brown floor living room library remodel in Nashville with gray walls and a stone fireplace

A minimal insertion into a densely wooded landscape, the Collector’s Pavilion provides the owners with an 8,000 sf private fitness space and vintage automobile gallery. On a gently sloping site in amongst a grove of trees, the pavilion slides into the topography - mimicking and contrasting the surrounding landscape with a folded roof plane that hovers over a board formed concrete base. The clients’ requirement for a nearby room to display a growing car collection as well as provide a remote area for personal fitness carries with it a series of challenges related to privacy and security. The pavilion nestles into the wooded site - finding a home in a small clearing - and merges with the sloping landscape. The building has dual personalities, serving as a private and secure bunker from the exterior, while transforming into a warm and inviting space on the interior. The use of indirect light and the need to obscure direct views from the public right away provides the client with adequate day light for day-to-day use while ensuring that strict privacy is maintained. This shifting personality is also dramatically affected by the seasons - contrasting and merging with the surrounding environment depending on the time of year. The Collector’s Pavilion employs meticulous detailing of its concrete to steel to wood connections, exploring the grounded nature of poured concrete in conjunction with a delicate wood roof system that floats above a grid of steel. Above all, the Pavilion harmonizes with it’s natural surroundings through it’s materiality, formal language, and siting. Overview Chenequa, WI Size 8,000 sf Completion Date May 2013 Services Architecture, Landscape Architecture, Interior Design

This Beautiful 5,931 sqft home renovation was completely transformed from a small farm bungalow. This house is situated on a ten-acre property with extensive farmland views with bright open spaces. Custom beam work was done on site to add the “rustic” element to many of the rooms, most specifically the bar area. Custom, site-built shelving and lockers were added throughout the house to accommodate the homeowner’s specific needs. Space saving barn doors add style and purpose to the walk-in closets in the ensuite, which includes walk-in shower, private toilet room, and free standing jet tub; things that were previously lacking. A “great room” was created on the main floor, utilizing the previously unusable living area, creating a space on the main floor big enough for the family to gather, and take full advantage of the beautiful scenery of the acreage.

The beautiful, old barn on this Topsfield estate was at risk of being demolished. Before approaching Mathew Cummings, the homeowner had met with several architects about the structure, and they had all told her that it needed to be torn down. Thankfully, for the sake of the barn and the owner, Cummings Architects has a long and distinguished history of preserving some of the oldest timber framed homes and barns in the U.S. Once the homeowner realized that the barn was not only salvageable, but could be transformed into a new living space that was as utilitarian as it was stunning, the design ideas began flowing fast. In the end, the design came together in a way that met all the family’s needs with all the warmth and style you’d expect in such a venerable, old building. On the ground level of this 200-year old structure, a garage offers ample room for three cars, including one loaded up with kids and groceries. Just off the garage is the mudroom – a large but quaint space with an exposed wood ceiling, custom-built seat with period detailing, and a powder room. The vanity in the powder room features a vanity that was built using salvaged wood and reclaimed bluestone sourced right on the property. Original, exposed timbers frame an expansive, two-story family room that leads, through classic French doors, to a new deck adjacent to the large, open backyard. On the second floor, salvaged barn doors lead to the master suite which features a bright bedroom and bath as well as a custom walk-in closet with his and hers areas separated by a black walnut island. In the master bath, hand-beaded boards surround a claw-foot tub, the perfect place to relax after a long day. In addition, the newly restored and renovated barn features a mid-level exercise studio and a children’s playroom that connects to the main house. From a derelict relic that was slated for demolition to a warmly inviting and beautifully utilitarian living space, this barn has undergone an almost magical transformation to become a beautiful addition and asset to this stately home.

Photo: Camille Simmons © 2014 Houzz
Bedroom - eclectic bedroom idea in San Francisco

An Arts & Crafts Bungalow is one of my favorite styles of homes. We have quite a few of them in our Stockton Mid-Town area. And when C&L called us to help them remodel their 1923 American Bungalow, I was beyond thrilled. As per usual, when we get a new inquiry, we quickly Google the project location while we are talking to you on the phone. My excitement escalated when I saw the Google Earth Image of the sweet Sage Green bungalow in Mid-Town Stockton. "Yes, we would be interested in working with you," I said trying to keep my cool. But what made it even better was meeting C&L and touring their home, because they are the nicest young couple, eager to make their home period perfect. Unfortunately, it had been slightly molested by some bad house-flippers, and we needed to bring the bathroom back to it "roots." We knew we had to banish the hideous brown tile and cheap vanity quickly. But C&L complained about the condensation problems and the constant fight with mold. This immediately told me that improper remodeling had occurred and we needed to remedy that right away. The Before: Frustrations with a Botched Remodel The bathroom needed to be brought back to period appropriate design with all the functionality of a modern bathroom. We thought of things like marble countertop, white mosaic floor tiles, white subway tile, board and batten molding, and of course a fabulous wallpaper. This small (and only) bathroom on a tight budget required a little bit of design sleuthing to figure out how we could get the proper look and feel. Our goal was to determine where to splurge and where to economize and how to complete the remodel as quickly as possible because C&L would have to move out while construction was going on. The Process: Hard Work to Remedy Design and Function During our initial design study, (which included 2 hours in the owners’ home), we noticed framed images of William Morris Arts and Crafts textile patterns and knew this would be our design inspiration. We presented C&L with three options and they quickly selected the Pimpernel Design Concept. We had originally selected the Black and Olive colors with a black vanity, mirror, and black and white floor tile. C&L liked it but weren’t quite sure about the black, We went back to the drawing board and decided the William & Co Pimpernel Wallpaper in Bayleaf and Manilla color with a softer gray painted vanity and mirror and white floor tile was more to their liking. After the Design Concept was approved, we went to work securing the building permit, procuring all the elements, and scheduling our trusted tradesmen to perform the work. We did uncover some shoddy work by the flippers such as live electrical wires hidden behind the wall, plumbing venting cut-off and buried in the walls (hence the constant dampness), the tub barely balancing on two fence boards across the floor joist, and no insulation on the exterior wall. All of the previous blunders were fixed and the bathroom put back to its previous glory. We could feel the house thanking us for making it pretty again. The After Reveal: Cohesive Design Decisions We selected a simple white subway tile for the tub/shower. This is always classic and in keeping with the style of the house. We selected a pre-fab vanity and mirror, but they look rich with the quartz countertop. There is much more storage in this small vanity than you would think. The Transformation: A Period Perfect Refresh We began the remodel just as the pandemic reared and stay-in-place orders went into effect. As C&L were already moved out and living with relatives, we got the go-ahead from city officials to get the work done (after all, how can you shelter in place without a bathroom?). All our tradesmen were scheduled to work so that only one crew was on the job site at a time. We stayed on the original schedule with only a one week delay. The end result is the sweetest little bathroom I've ever seen (and I can't wait to start work on C&L's kitchen next). Thank you for joining me in this project transformation. I hope this inspired you to think about being creative with your design projects, determining what works best in keeping with the architecture of your space, and carefully assessing how you can have the best life in your home.

Built in 1949, this Edina home had a strong horizontal presence on the site, but through subsequent renovations the overall massing was lacking clarity and refinement and the entry was diminutive and uninviting. The roof and siding materials were aging, and important interior spaces were cramped and closed in. The house needed better light, better connection internally and out, and exterior updates to clarify and enhance the strengths of the home. The primary design evolved out of a celebration of the existing horizontality of the home and a recognition that a bigger home was not needed. By layering materiality and color, a new identity was created. A new cedar entry canopy slips out from under the previous roof line, extending further towards the street. This added warmth at the entry is echoed along the facade, creating a graceful rhythm and texture. The previous additions were re-clad with a darker material palette in order to anchor and unify the ends of the home. As the grade slopes down towards the back yard, horizontal bands are exposed, revealing the layering top to bottom. Combined, these few shifts in color and materiality allowed for a complete transformation of the home. The interior is reflective of the material and color palette used outside. The main living spaces are opened up and connected while strengthening the original symmetry of the more formal linear alignment of rooms. A whole new kitchen relocates the center of the home and makes more fluid the daily life of this young family. The house is fully transformed inside and out, all without adding more square feet. Project Team: Ben Awes, AIA, Principal-in-Charge Nate Dodge

Small space living solutions are used throughout this contemporary 596 square foot tiny house. Adjustable height table in the entry area serves as both a coffee table for socializing and as a dining table for eating. Curved banquette is upholstered in outdoor fabric for durability and maximizes space with hidden storage underneath the seat. Kitchen island has a retractable countertop for additional seating while the living area conceals a work desk and media center behind sliding shoji screens. Calming tones of sand and deep ocean blue fill the tiny bedroom downstairs. Glowing bedside sconces utilize wall-mounting and swing arms to conserve bedside space and maximize flexibility.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Located on a sprawling 50-acre equestrian estate in Bucks County, Pennsylvania, a historic barn ruin was meticulously transformed into a luxurious, one-of-a-kind residence. This exquisite home beautifully marries the rustic charm of traditional post-and-beam construction with the elegance of modern luxury. Central to the design is a deep respect for the site’s heritage. The home incorporates reclaimed wood and stone salvaged from the property alongside new materials, carefully integrated into the architecture to preserve the narrative of a Pennsylvania bank barn. The thoughtful use of materials ensures the legacy of the barn is honored while elevating it to meet the standards of modern living. Serving as a testament to timeless craftsmanship, the converted barn residence features post-and-beam construction. The home’s design offers a harmonious blend of intimate living spaces and expansive entertaining areas. Four comfortable bedrooms provide ample accommodation, while the open concept main level seamlessly connects to a lower level entertainment space. The lower level opens to the courtyard and pool deck, creating a resort-like retreat within the estate’s pastoral landscape. Indoor-outdoor flow makes it an ideal setting for gatherings and large-scale entertaining, all set against the backdrop of rural Bucks County’s serene surroundings.

Located on a sprawling 50-acre equestrian estate in Bucks County, Pennsylvania, a historic barn ruin was meticulously transformed into a luxurious, one-of-a-kind residence. This exquisite home beautifully marries the rustic charm of traditional post-and-beam construction with the elegance of modern luxury. Central to the design is a deep respect for the site’s heritage. The home incorporates reclaimed wood and stone salvaged from the property alongside new materials, carefully integrated into the architecture to preserve the narrative of a Pennsylvania bank barn. The thoughtful use of materials ensures the legacy of the barn is honored while elevating it to meet the standards of modern living. Serving as a testament to timeless craftsmanship, the converted barn residence features post-and-beam construction. The home’s design offers a harmonious blend of intimate living spaces and expansive entertaining areas. Four comfortable bedrooms provide ample accommodation, while the open concept main level seamlessly connects to a lower level entertainment space. The lower level opens to the courtyard and pool deck, creating a resort-like retreat within the estate’s pastoral landscape. Indoor-outdoor flow makes it an ideal setting for gatherings and large-scale entertaining, all set against the backdrop of rural Bucks County’s serene surroundings.

modern mountain home captures the essence of rustic-meets-industrial in a minimal yet impactful way. Starting with a color palette inspired by our client’s love of white, gray and black, we created a home that is cool and hip for entertaining and family lake-side living. Industrial elements and rustic details coexist side by side, such as the striking black metal fireplace facing off against a custom oversized sectional and an antler chandelier in the central great room, while sheepskin throws casually top sleek mid-century-inspired dining chairs. Every room has a “wow” factor element, and the playful interiors are filled with graphic accents that express the family’s personality and history: a pantry door adapted from a shipping container lists family birth dates in place of the usual ports of call, a sliding door calls out the site’s original greenhouse, and IPhone photos are transformed into very personal bedroom murals. This is a mountain home, so durable outdoor fabrics abound, and a “snack shack” made from a glass garage door opens up to reveal an indoor/outdoor bar.

Located on a sprawling 50-acre equestrian estate in Bucks County, Pennsylvania, a historic barn ruin was meticulously transformed into a luxurious, one-of-a-kind residence. This exquisite home beautifully marries the rustic charm of traditional post-and-beam construction with the elegance of modern luxury. Central to the design is a deep respect for the site’s heritage. The home incorporates reclaimed wood and stone salvaged from the property alongside new materials, carefully integrated into the architecture to preserve the narrative of a Pennsylvania bank barn. The thoughtful use of materials ensures the legacy of the barn is honored while elevating it to meet the standards of modern living. Serving as a testament to timeless craftsmanship, the converted barn residence features post-and-beam construction. The home’s design offers a harmonious blend of intimate living spaces and expansive entertaining areas. Four comfortable bedrooms provide ample accommodation, while the open concept main level seamlessly connects to a lower level entertainment space. The lower level opens to the courtyard and pool deck, creating a resort-like retreat within the estate’s pastoral landscape. Indoor-outdoor flow makes it an ideal setting for gatherings and large-scale entertaining, all set against the backdrop of rural Bucks County’s serene surroundings.

Located on a sprawling 50-acre equestrian estate in Bucks County, Pennsylvania, a historic barn ruin was meticulously transformed into a luxurious, one-of-a-kind residence. This exquisite home beautifully marries the rustic charm of traditional post-and-beam construction with the elegance of modern luxury. Central to the design is a deep respect for the site’s heritage. The home incorporates reclaimed wood and stone salvaged from the property alongside new materials, carefully integrated into the architecture to preserve the narrative of a Pennsylvania bank barn. The thoughtful use of materials ensures the legacy of the barn is honored while elevating it to meet the standards of modern living. Serving as a testament to timeless craftsmanship, the converted barn residence features post-and-beam construction. The home’s design offers a harmonious blend of intimate living spaces and expansive entertaining areas. Four comfortable bedrooms provide ample accommodation, while the open concept main level seamlessly connects to a lower level entertainment space. The lower level opens to the courtyard and pool deck, creating a resort-like retreat within the estate’s pastoral landscape. Indoor-outdoor flow makes it an ideal setting for gatherings and large-scale entertaining, all set against the backdrop of rural Bucks County’s serene surroundings.

Located on a sprawling 50-acre equestrian estate in Bucks County, Pennsylvania, a historic barn ruin was meticulously transformed into a luxurious, one-of-a-kind residence. This exquisite home beautifully marries the rustic charm of traditional post-and-beam construction with the elegance of modern luxury. Central to the design is a deep respect for the site’s heritage. The home incorporates reclaimed wood and stone salvaged from the property alongside new materials, carefully integrated into the architecture to preserve the narrative of a Pennsylvania bank barn. The thoughtful use of materials ensures the legacy of the barn is honored while elevating it to meet the standards of modern living. Serving as a testament to timeless craftsmanship, the converted barn residence features post-and-beam construction. The home’s design offers a harmonious blend of intimate living spaces and expansive entertaining areas. Four comfortable bedrooms provide ample accommodation, while the open concept main level seamlessly connects to a lower level entertainment space. The lower level opens to the courtyard and pool deck, creating a resort-like retreat within the estate’s pastoral landscape. Indoor-outdoor flow makes it an ideal setting for gatherings and large-scale entertaining, all set against the backdrop of rural Bucks County’s serene surroundings.

This stunning modern farmhouse residence in Columbia, Tennessee, sits atop a transformed hilltop parcel, originally raw land that was expertly excavated to create a level 2-acre plateau. The site development included installing essential infrastructure such as paved roads, water lines, and electrical systems, turning an undeveloped ridge into a private, family-friendly haven with panoramic valley and mountain views. The home features a crisp white board-and-batten and horizontal siding exterior, accented by natural stone foundations and stained timber beams for a perfect blend of rustic charm and contemporary edge. Dramatic black-framed windows flood the interior with natural light, while the dark asphalt shingle roof with gabled peaks adds depth and contrast. An expansive covered front porch, supported by cedar posts and topped with metal roofing, invites relaxation with seating areas overlooking the sunset. Additional highlights include an oversized two-car garage with white doors, a lower-level walkout basement ready for expansion, and smart-home-ready elements like energy-efficient construction. Twilight lighting accentuates the clean lines, making the house glow against the evening sky. The landscaped yard is thoughtfully designed for everyday enjoyment, with manicured green lawns, gravel pathways, and low-maintenance shrubs lining the foundation. A circular asphalt driveway provides easy access and ample parking, curving gracefully around the property. In the backyard, a gravel patio area with a fire pit offers a cozy spot for gatherings, while a covered rear deck extends living space outdoors. The setup includes potential for additions like a pool, outdoor kitchen, or expanded entertaining zones, with features like a satellite dish and HVAC units discreetly placed for functionality without compromising aesthetics. Perched on a scenic hilltop surrounded by wooded forests, the 2-acre lot provides plenty of flat, open space for children and dogs to play safely—ideal for games, picnics, or simply running free amid the fresh air. The elevated position ensures unobstructed, layered views of rolling hills, distant valleys, and seasonal foliage, creating a serene rural retreat feel. In summer, lush green trees frame the property; in fall and winter, bare branches reveal even broader vistas. This custom-developed site balances privacy, accessibility, and natural beauty, making it a true dream property for those seeking a luxurious escape in Tennessee's countryside.