Search results for "Small rustic cabin" in Home Design Ideas

Shaker kichen cabinets, tile floor and stainless steel appliances
Minimalist l-shaped ceramic tile, gray floor and exposed beam kitchen photo in Other with shaker cabinets, brown cabinets, quartz countertops, ceramic backsplash, stainless steel appliances and no island
Minimalist l-shaped ceramic tile, gray floor and exposed beam kitchen photo in Other with shaker cabinets, brown cabinets, quartz countertops, ceramic backsplash, stainless steel appliances and no island

Haas Habitat Room: COOK (kitchen)
F2FOTO
Inspiration for a mid-sized rustic concrete floor and gray floor eat-in kitchen remodel in Burlington with an undermount sink, flat-panel cabinets, light wood cabinets, recycled glass countertops, stainless steel appliances and an island
Inspiration for a mid-sized rustic concrete floor and gray floor eat-in kitchen remodel in Burlington with an undermount sink, flat-panel cabinets, light wood cabinets, recycled glass countertops, stainless steel appliances and an island

leather chairs, carpet and dark hardwood floors, SW Shoji wall color, ski decor and paintings barn and animals. Decor flagstone rock fireplace surround with rustic wood beam and metal accents. Small workspace desk.
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Roger Wade Studio - This kitchen was done by the Workshops of David T Smith. It features hidden refrigerator & dish washer, soap stone sink, curly maple top & cabinets. The original floor was refinished & made of 2" thick planks of Poplar wood.

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

Sponsored
Columbus, OH
Structural Remodeling
Franklin County's Heavy Timber Specialists | Best of Houzz 2020!

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

Photography: Hixson Studio
Mid-sized mountain style brown two-story wood exterior home photo in Other
Mid-sized mountain style brown two-story wood exterior home photo in Other

This tiny kitchen located on the Main Line is hidden within an orginal old farmhouse in Gladwyne, Pennsylvania. This gorgeous kitchen is not only charming, it also has very clean modern lines and elements. The clients selected the classic white, painted shaker cabinets from Fabuwood Cabinetry. The selection of all white materials, including a traditional white subway tile, white quartz countertops, and a simple white shaker door style gives this kitchen the sleek, modern style. The old laminate floor was removed to expose the beautiful, orginal hardwood floors that were refinsihed to bring out the more traditional, rustic farmhouse look. Although this kitchen is small, the white cabinets and finishes give the illusion that the space is much larger. This cozy kitchen is elegant, clean and stunning. The design kept the style of the kitchen true to the farmhouse style of the home while also adding a touch of modern to complete the design.

Photography: Hixson Studio
Mid-sized mountain style gray two-story mixed siding exterior home photo in Other
Mid-sized mountain style gray two-story mixed siding exterior home photo in Other

Sponsored
Sunbury, OH
J.Holderby - Renovations
Franklin County's Leading General Contractors - 2X Best of Houzz!

Photo courtesy of August Interiors.
To view more photos of this project, visit https://www.augustinteriorsnc.com/portfolio/rustic-and-refined-at-bearwallow-mountain/

Sanderson Photography, Inc.
Mid-sized mountain style galley ceramic tile utility room photo in Other with a drop-in sink, shaker cabinets, gray cabinets, wood countertops and a stacked washer/dryer
Mid-sized mountain style galley ceramic tile utility room photo in Other with a drop-in sink, shaker cabinets, gray cabinets, wood countertops and a stacked washer/dryer

Metropolis Iconic Shots www.metropolisbranding.com
Great room - large rustic medium tone wood floor great room idea in Charlotte with brown walls
Great room - large rustic medium tone wood floor great room idea in Charlotte with brown walls

Renovation of a master bath suite, dressing room and laundry room in a log cabin farm house. Project involved expanding the space to almost three times the original square footage, which resulted in the attractive exterior rock wall becoming a feature interior wall in the bathroom, accenting the stunning copper soaking bathtub.
A two tone brick floor in a herringbone pattern compliments the variations of color on the interior rock and log walls. A large picture window near the copper bathtub allows for an unrestricted view to the farmland. The walk in shower walls are porcelain tiles and the floor and seat in the shower are finished with tumbled glass mosaic penny tile. His and hers vanities feature soapstone counters and open shelving for storage.
Concrete framed mirrors are set above each vanity and the hand blown glass and concrete pendants compliment one another.
Interior Design & Photo ©Suzanne MacCrone Rogers
Architectural Design - Robert C. Beeland, AIA, NCARB

Sponsored
Sunbury, OH
J.Holderby - Renovations
Franklin County's Leading General Contractors - 2X Best of Houzz!

Southwest Colorado mountain home. Made of timber, log and stone. Rough-hewn wood flooring. Rustic kid's room bunk beds.
Mid-sized mountain style guest medium tone wood floor bedroom photo in Denver with beige walls and no fireplace
Mid-sized mountain style guest medium tone wood floor bedroom photo in Denver with beige walls and no fireplace

Grand Isle Log Cabin Summer Camp
Whole-House Renovation of a Grand Isle Log Cabin Summer Camp
Tucked among the pines in Grand Isle, Vermont, this classic log cabin summer camp had been a beloved family retreat for decades, but it was in need of significant updates to serve the next generation. We worked closely with the owners to complete a whole-house renovation, carefully preserving the cabin’s rustic charm while adding modern comforts and functionality.
The project included reworking the interior layout to create open, light-filled living spaces, upgrading the kitchen and baths, improving insulation, and modernizing mechanical systems — all with an eye toward durability and timeless style. Original log walls were restored and highlighted, and new woodwork was crafted to seamlessly match the old.
Now, this rejuvenated log cabin is ready to host family gatherings, children’s laughter, and long summer evenings for many, many years to come — a space where memories will continue to be made across generations.

Inspiration for a mid-sized rustic ceramic tile enclosed dining room remodel in Seattle with beige walls and no fireplace
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