This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

Brooklyn backyard patio design in Prospect Heights for a young, professional couple who loves to both entertain and relax! This space includes a West Elm outdoor sectional and round concrete outdoor coffee table.

I built this on my property for my aging father who has some health issues. Handicap accessibility was a factor in design. His dream has always been to try retire to a cabin in the woods. This is what he got. It is a 1 bedroom, 1 bath with a great room. It is 600 sqft of AC space. The footprint is 40' x 26' overall. The site was the former home of our pig pen. I only had to take 1 tree to make this work and I planted 3 in its place. The axis is set from root ball to root ball. The rear center is aligned with mean sunset and is visible across a wetland. The goal was to make the home feel like it was floating in the palms. The geometry had to simple and I didn't want it feeling heavy on the land so I cantilevered the structure beyond exposed foundation walls. My barn is nearby and it features old 1950's "S" corrugated metal panel walls. I used the same panel profile for my siding. I ran it vertical to math the barn, but also to balance the length of the structure and stretch the high point into the canopy, visually. The wood is all Southern Yellow Pine. This material came from clearing at the Babcock Ranch Development site. I ran it through the structure, end to end and horizontally, to create a seamless feel and to stretch the space. It worked. It feels MUCH bigger than it is. I milled the material to specific sizes in specific areas to create precise alignments. Floor starters align with base. Wall tops adjoin ceiling starters to create the illusion of a seamless board. All light fixtures, HVAC supports, cabinets, switches, outlets, are set specifically to wood joints. The front and rear porch wood has three different milling profiles so the hypotenuse on the ceilings, align with the walls, and yield an aligned deck board below. Yes, I over did it. It is spectacular in its detailing. That's the benefit of small spaces. Concrete counters and IKEA cabinets round out the conversation. For those who could not live in a tiny house, I offer the Tiny-ish House. Photos by Ryan Gamma Staging by iStage Homes Design assistance by Jimmy Thornton

Example of a trendy bathroom design in Atlanta

Wooden Classicism Nesbitt House – Seaside, Florida Architect: Robert A. M. Stern Builder: O.B. Laurent Construction E. F. San Juan produced all of the interior and exterior millwork for this elegantly designed residence in the influential New Urban town of Seaside, Florida. Challenges: The beachfront residence required adherence to the area’s strict building code requirements, creating a unique profile for the compact layout of each room. Each room was also designed with all-wood walls and ceilings, which meant there was a lot of custom millwork! Solution: Unlike many homes where the same molding and paneling profiles are repeated throughout each room, this home featured a unique profile for each space. The effort was laborious—our team at E. F. San Juan created tools for each of these specific jobs. “The project required over four hundred man-hours of knife-grinding just to produce the tools,” says Edward San Juan. “Organization and scheduling were critical in this project because so many parts were required to complete each room.” The long hours and hard work allowed us to take the compacted plan and create the feel of an open, airy American beach house with the influence of 1930s Swedish classicism. The ceiling and walls in each room are paneled, giving them an elongated look to open up the space. The enticing, simplified wooden classicism style seamlessly complements the sweeping vistas and surrounding natural beauty along the Gulf of Mexico. --- Photography by Steven Mangum – STM Photography

Jim Scmid
Example of a classic medium tone wood floor kitchen design in Charlotte with stainless steel appliances

All photos courtesy of Havenly. Full article here: http://blog.havenly.com/design-story-amys-600-square-feet-of-eclectic-modern-charm/

We converted two small bedrooms into a large Master Bedroom Suite in this East Village Duplex. Combining modern details with warm materials created an open yet comfortable space. © Devon Banks

This gem of a house was built in the 1950s, when its neighborhood undoubtedly felt remote. The university footprint has expanded in the 70 years since, however, and today this home sits on prime real estate—easy biking and reasonable walking distance to campus. When it went up for sale in 2017, it was largely unaltered. Our clients purchased it to renovate and resell, and while we all knew we'd need to add square footage to make it profitable, we also wanted to respect the neighborhood and the house’s own history. Swedes have a word that means “just the right amount”: lagom. It is a guiding philosophy for us at SYH, and especially applied in this renovation. Part of the soul of this house was about living in just the right amount of space. Super sizing wasn’t a thing in 1950s America. So, the solution emerged: keep the original rectangle, but add an L off the back. With no owner to design with and for, SYH created a layout to appeal to the masses. All public spaces are the back of the home--the new addition that extends into the property’s expansive backyard. A den and four smallish bedrooms are atypically located in the front of the house, in the original 1500 square feet. Lagom is behind that choice: conserve space in the rooms where you spend most of your time with your eyes shut. Put money and square footage toward the spaces in which you mostly have your eyes open. In the studio, we started calling this project the Mullet Ranch—business up front, party in the back. The front has a sleek but quiet effect, mimicking its original low-profile architecture street-side. It’s very Hoosier of us to keep appearances modest, we think. But get around to the back, and surprise! lofted ceilings and walls of windows. Gorgeous.

Example of a large mountain style backyard concrete patio design in Seattle with a fire pit and a roof extension

Transitional kitchen photo in Minneapolis

The Council Crest Residence is a renovation and addition to an early 1950s house built for inventor Karl Kurz, whose work included stereoscopic cameras and projectors. Designed by prominent local architect Roscoe Hemenway, the house was built with a traditional ranch exterior and a mid-century modern interior. It became known as “The View-Master House,” alluding to both the inventions of its owner and the dramatic view through the glass entry. Approached from a small neighborhood park, the home was re-clad maintaining its welcoming scale, with privacy obtained through thoughtful placement of translucent glass, clerestory windows, and a stone screen wall. The original entry was maintained as a glass aperture, a threshold between the quiet residential neighborhood and the dramatic view over the city of Portland and landscape beyond. At the south terrace, an outdoor fireplace is integrated into the stone wall providing a comfortable space for the family and their guests. Within the existing footprint, the main floor living spaces were completely remodeled. Raised ceilings and new windows create open, light filled spaces. An upper floor was added within the original profile creating a master suite, study, and south facing deck. Space flows freely around a central core while continuous clerestory windows reinforce the sense of openness and expansion as the roof and wall planes extend to the exterior. Images By: Jeremy Bitterman, Photoraphy Portland OR

Jesse Snyder
Family room - mid-sized transitional enclosed medium tone wood floor and brown floor family room idea in DC Metro with gray walls, no fireplace and no tv

Nantucket Architectural Photography
Inspiration for a large coastal master medium tone wood floor bathroom remodel in Boston with a vessel sink, recessed-panel cabinets, white cabinets, marble countertops and white walls

We drew inspiration from traditional prairie motifs and updated them for this modern home in the mountains. Throughout the residence, there is a strong theme of horizontal lines integrated with a natural, woodsy palette and a gallery-like aesthetic on the inside. Interiors by Alchemy Design Photography by Todd Crawford Built by Tyner Construction

Countertop Wood: Walnut with Sapwood Construction Style: End Grain Countertop Thickness: 2 3/4" thick Size: 22" x 45" Countertop Edge Profile: 1/8” Roundover on top horizontal edges, bottom horizontal edges, and vertical corners Wood Countertop Finish: Grothouse Original Oil™ Wood Stain: Natural Wood – No Stain Designer: Stonington Cabinetry & Designs

Design by: Kelly & Stone Architects Contractor: Dover Development & Const. Cabinetry by: Fedewa Custom Works Photo by: Tim Stone Photography
Alcove shower - mid-sized contemporary 3/4 brown tile and mosaic tile porcelain tile and gray floor alcove shower idea in Denver with a vessel sink, flat-panel cabinets, medium tone wood cabinets, a wall-mount toilet, beige walls, marble countertops, a hinged shower door and brown countertops

In this renovation, a spare bedroom was removed to expand the living and dining space. A central built in separates the living from the dining area and provides ample storage while serving as a media center. Featured in Interior Design, Sept. 2014, p. 216 and Serendipity, Oct. 2014, p. 30. Renovation, Interior Design, and Furnishing: Luca Andrisani Architect. Photo: Peter Murdock

Photos by John Woodcock
Kids' room - transitional kids' room idea in Phoenix