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Inspiration for a transitional enclosed kitchen remodel in San Francisco with shaker cabinets, white cabinets, white backsplash and an island

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Ann Kenkel Interiors
Russell Hirshon PhotographyCoastal Estate in St. Michael's Maryland on the Chesapeake Bay. House was designed after the original 1770's house on the property. Home was designed to be a formal house but was now being used as a weekend retreat. Ann Kenkel had to decorate the house in a manner which was coastal enough so owner's felt like they were on vacation yet formal enough for the style of the house.
AK found the house filled with wallpaper from the 1980's. Wallpaper from every room was removed and all trim had to be painted a neutral color.
The formal dining room only had one entry. AK opened up a second entry into the dining room which provided a view of the Chesapeake Bay.
Keywords: coastal estate, bay estate, luxury estate on Chesapeake Bay, St. Michael's home, best designer in St. Michael's, best coastal designer, best Chesapeake bay designer, window treatments, window treatments for over transom windows, chenille sofas, silk pillows, TV over fireplace, blue and yellow bedroom, coral and beige bedroom, british plantation style, blue toile bedroom, blue and green bedroom, coral dining room, red dining room, hand planed table, neutral living room, neutral sunroom, blue and green kitchen, blue family room, cherry paneled library, Ralph Lauren leather chairs, yellow chinoiserie wallpaper, shell mirror, tole lamps, gated drive, pea gravel drive, circular drive, piano, zebra fabric, trim on pillows, trim on draperies, panels and valances, georgian house, sunburst mirror, glass coffee table, star lamps, red and yellow toile draperies, ivory painted chairs, white painted chairs, nautical accessories, coastal coral bedroom, coastal blue bedroom, coastal yellow bedroom, blue and green toile bedroom, stables, paddock, outdoor stainless kitchen, dock, tan draperies, neutral chenille sofas, blue sofas, blue chairs with white frame, needlepoint rug, shell plates, bamboo silverware, white bedroom furniture, dark wood bedroom furniture, plaid chairs, wilton carpet, bright sunroom, chairs and ottomans, regency valance, scarf swags, swags, red leopard pillows, toile bedding, game table, game table chairs on coaster, shells, hydrangeas, shell lamp, sailboat art, sailboat paintings, cane headboard, 4 poster bed.
Find the right local pro for your project

This photo shows a well balanced kitchen with both dark and light accents. The white cabinets along the walls are complimented by the black quartz countertops. The island has a reverse color scheme with a white countertop and dark wood cabinets. This subtle change gives the kitchen a more custom look. Bred Knipstein was the photographer.

Family room - huge contemporary open concept family room idea in Other with a wall-mounted tv

Ann Kenkel Interiors
Russell Hirshon Photography
Guest bedroom in 10,000 sq ft Manor House in St. Michael's Maryland on the Chesapeake Bay.Coastal Estate in St. Michael's Maryland on the Chesapeake Bay. House was designed after the original 1770's house on the property. Home was designed to be a formal house but was now being used as a weekend retreat. Ann Kenkel had to decorate the house in a manner which was coastal enough so owner's felt like they were on vacation yet formal enough for the style of the house.
AK found the house filled with wallpaper from the 1980's. Wallpaper from every room was removed and all trim had to be painted a neutral color.
The formal dining room only had one entry. AK opened up a second entry into the dining room which provided a view of the Chesapeake Bay.
Keywords: coastal estate, bay estate, luxury estate on Chesapeake Bay, St. Michael's home, best designer in St. Michael's, best coastal designer, best Chesapeake bay designer, window treatments, window treatments for over transom windows, chenille sofas, silk pillows, TV over fireplace, blue and yellow bedroom, coral and beige bedroom, british plantation style, blue toile bedroom, blue and green bedroom, coral dining room, red dining room, hand planed table, neutral living room, neutral sunroom, blue and green kitchen, blue family room, cherry paneled library, Ralph Lauren leather chairs, yellow chinoiserie wallpaper, shell mirror, tole lamps, gated drive, pea gravel drive, circular drive, piano, zebra fabric, trim on pillows, trim on draperies, panels and valances, georgian house, sunburst mirror, glass coffee table, star lamps, red and yellow toile draperies, ivory painted chairs, white painted chairs, nautical accessories, coastal coral bedroom, coastal blue bedroom, coastal yellow bedroom, blue and green toile bedroom, stables, paddock, outdoor stainless kitchen, dock, tan draperies, neutral chenille sofas, blue sofas, blue chairs with white frame, needlepoint rug, shell plates, bamboo silverware, white bedroom furniture, dark wood bedroom furniture, plaid chairs, wilton carpet, bright sunroom, chairs and ottomans, regency valance, scarf swags, swags, red leopard pillows, toile bedding, game table, game table chairs on coaster, shells, hydrangeas, shell lamp, sailboat art, sailboat paintings, cane headboard, 4 poster bed.

The St. James Collection offers premium, 12mm laminates backed by a 30-year warranty. This regal collection features a variety of sophisticated styles with the authentic look of natural wood. Plus, the V-groove design, high gloss finish, and realistic random length boards, makes St. James laminates exceptionally beautiful and easy to install. These durable floors are engineered to resist scratches and stains while staying beautiful for years to come

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Columbus Design-Build, Kitchen & Bath Remodeling, Historic Renovations

Bluestone flooring by K&D Landscape. Interiors by Cindy Weaver Design Group.
Example of a mid-sized transitional backyard stone patio design in Chicago with a roof extension
Example of a mid-sized transitional backyard stone patio design in Chicago with a roof extension

St. Jude Dream Home 2014 in Lafayette LA built by McLain Homes, space designed by Paige Gary Design. Photos by Scott Richard.
Example of a classic living room design in New Orleans
Example of a classic living room design in New Orleans

The exterior of the 2026 St. Jude Dream Home in Colorado Springs sets the tone for the warm, modern design found throughout the home. Built by Empire Homes, this thoughtfully designed residence blends clean architectural lines with welcoming curb appeal, creating a timeless look that feels both contemporary and approachable.
Situated in a growing Colorado Springs community, the home features inviting outdoor living spaces, a spacious patio for relaxing and entertaining, and a thoughtfully planned layout that maximizes both function and comfort. Large windows fill the interior with natural light while enhancing the connection between indoor and outdoor living.
With four bedrooms, a finished basement, flexible loft space, and over 2,600 square feet of beautifully designed living space, this home showcases the perfect balance of modern style, everyday livability, and family-friendly functionality. As part of the St. Jude Dream Home Giveaway, every detail reflects a commitment to creating a home that inspires while supporting the life-saving mission of St. Jude Children's Research Hospital.

In order to create a balanced feel to the room, a coffee station sits between a 27” Subzero paneled refrigerator on the one side and a 27” Subzero paneled freezer on the other. For additional cold storage, integrated refrigerator drawers were installed in the base cabinet below this coffee station to hold an assortment of beverages. The white inset cabinetry continues into a mud-room area complete with cubbies and lockers for each member of the family. A GE spacesaver stainless microwave was installed in the island and a 36” six-burner Wolfe range was added to this top-of-the-line appliance list allowing for a professional experience while cooking in this kitchen.

The Hartford office in the St. Jude Dream Home Denver 2025 delivers a polished workspace with a blend of classic and coastal inspired style. A warm wood desk with a dark base anchors the room, while light cabinetry and layered textures keep the space feeling balanced and bright. Thoughtful seating and subtle metallic accents add depth, creating a workspace that feels both productive and inviting.

This loft living space in the St. Jude Dream Home Colorado Springs 2025 features the Jasper Sofa in a rich slate blue, adding depth and personality to the organic modern design. Paired with soft textures and dark wood accents, the space strikes a balance between cozy comfort and elevated style. Designed for relaxing, working, or movie nights, this room proves that functional spaces can still feel polished and inviting.

This organic modern living room in the St. Jude Dream Home Colorado Springs 2025 pairs a sleek white leather sofa with a sculptural wood coffee table that creates a striking, nature-inspired focal point. Soft neutral tones and layered textures bring a calm, inviting feel, while a warm ambient lamp adds a cozy glow. The blend of clean lines and raw materials captures the balance of modern simplicity and rustic warmth, designed for both everyday comfort and effortless entertaining.

Architects: B.E. Architecture
Photographer: Derek Swalwell
Bedroom - modern carpeted and brown floor bedroom idea in Los Angeles with gray walls and a standard fireplace
Bedroom - modern carpeted and brown floor bedroom idea in Los Angeles with gray walls and a standard fireplace

Architects: B.E. Architecture
Photographer: Derek Swalwell
Inspiration for a modern gray tile gray floor bathroom remodel with gray walls
Inspiration for a modern gray tile gray floor bathroom remodel with gray walls

Architects: B.E. Architecture
Photographer: Derek Swalwell
Minimalist gray tile gray floor freestanding bathtub photo with flat-panel cabinets, medium tone wood cabinets, gray walls, an integrated sink and gray countertops
Minimalist gray tile gray floor freestanding bathtub photo with flat-panel cabinets, medium tone wood cabinets, gray walls, an integrated sink and gray countertops

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Sunbury, OH
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Architects: B.E. Architecture
Photographer: Derek Swalwell
Minimalist courtyard tile patio photo in Los Angeles with no cover
Minimalist courtyard tile patio photo in Los Angeles with no cover

To create this semi-traditional kitchen, Art of Kitchens have taken a standard layout and combined Vivid White Polyurethane cabinets, white tiles and Calcutta marble tops to create a semi-traditional kitchen that is anything but average. A breakfast bar with minimalist black stools breaks up the cabinetry facing the living rooms, and offers the perfect position to take in the pristine white of the cabinets and tiles, the thick Calcutta marble tops and the traditional tapware and stainless steel appliances.
Despite the open-plan space, the kitchen originally suffered from a lack of natural light. The owner wanted to keep the existing footprint, but also wanted a semi-traditional kitchen in keeping with the rest of the recently renovated apartment. The design team used white cabinets and tiles to enhance the light, and added Calcutta Marble tops and classic tapware to achieve some real wow factor in an otherwise traditional layout.
As with all Art of Kitchen projects, design doesn’t stop at the kitchen door. The Calcutta marble tops and Vivid White cabinets are continued in the dining room, perfectly balancing the primary colours of the artwork above, and creating a lovely contrast to the dark wood of the floors. The result is a quality contemporary kitchen that will remain fresh for many years to come.

Architects: B.E. Architecture
Photographer: Derek Swalwell
Inspiration for a modern galley gray floor eat-in kitchen remodel in Los Angeles with flat-panel cabinets, medium tone wood cabinets, an island and brown countertops
Inspiration for a modern galley gray floor eat-in kitchen remodel in Los Angeles with flat-panel cabinets, medium tone wood cabinets, an island and brown countertops
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