This is a compact, pre-war urban parlor handled with the confidence of a much larger room, and its success rests on a disciplined negotiation between rectilinear architecture and curvilinear furnishings. The volume is defined by two competing datum lines: a substantial dropped beam and soffit bridging the left-hand window wall, and the crisp stepped architrave of the fireplace surround opposite, which projects into the room as the primary architectural event. That mantel—executed in tiered, chamfered planes with a shallow reveal and a honed black stone hearth extending as a cantilevered shelf—reads as a stripped-classical or Art Deco–inflected aedicule, its symmetry anchoring the seating plan. Circulation is organized on a diagonal: the long axis established by the low, tight-back sofa beneath the fenestration is intercepted by the oval mahogany cocktail table, whose ellipse dissolves the room's orthogonal grid and permits comfortable passage on all sides. Sightlines are deliberately layered—the gilt mirror above the mantel captures a reflected register of the opposing wall's cornice, drapery, and framed art, effectively doubling the perceived depth of the plan and admitting borrowed light. The furniture is uniformly low-slung, an intentional strategy that preserves headroom and visually raises the ceiling plane, while the exposed leg profiles (turned casters, tapered mahogany posts, square-section table legs) keep the floor plane continuous and the composition buoyant rather than freighted. The palette is a masterclass in tonal modulation within a narrow chromatic band—warm ivory plaster walls with a faintly pinkish undertone provide the neutral ground against which a family of golds, ochres, and honeyed camels is arranged in ascending saturation. The sofa's cut velvet in a deep saffron-caramel is the room's chromatic keystone, echoed in the club chair at right and moderated by two temperature-shifting accents: sage and moss velvet cushions that introduce a cool, desaturated counterpoint, and a damask-woven celadon slipper chair with matching ottoman whose subtle jacquard relief supplies pattern without noise. Textiles are stratified by pile depth and light response—the matte, slightly slubbed linen of the box-pleated pelmet and floor-length panels absorbs light, while the velvets refract it, producing that characteristic gilded bloom along the seat rolls and cushion edges. Against these soft goods, the designer sets three hard, contrasting registers: the French-polished mahogany table, whose figured, mirror-like top functions as a horizontal reflector; the water-gilded, deeply carved acanthus mirror frame, its burnished high points offering the room's only true metallic brilliance; and the patinated bronze bulldog andirons and blackened firebox, which supply necessary chromatic weight. Underfoot, a coarse woven sisal or seagrass rug provides the essential textural antithesis—dry, granular, and vernacular—as do the loose-woven rush baskets flanking the window, grounding the room's refinement in something agrarian and unpretentious. Daylighting is generous but rigorously controlled: the twin windows are filtered through translucent roller blinds that diffuse direct sun into an even, high-key wash, and the pelmet with its softly gathered box pleats crops the aperture to conceal hardware and reinforce the horizontal. The result is a luminous, almost overexposed north-facing quality along the left flank that gradates into softer shadow at the hearth wall—a chiaroscuro that gives the room its sense of depth and repose. Artificial illumination is deliberately architectural and understated rather than decorative: a swing-arm picture light above the abstract framed work at left, a second slim picture light on the return wall, and an articulating chrome task/floor lamp with a polished conical shade positioned to serve the reading corner. Notably, there is no central fixture; the strategy is entirely peripheral and layered, calibrated for evening intimacy at cushion height. Stylistically, the room synthesizes into what one might call Restrained American Traditionalism, or more precisely a Warm Modern Classicism—the vocabulary of a New York or London town-house drawing room, edited of clutter and pattern, retaining the ceremonial gestures (gilt overmantel mirror, tailored drapery, symmetrical hearth) while adopting modernist restraint in silhouette, chromatic economy, and the absence of ornament on the case goods. The reference points span Deco, Regency, and mid-century upholstery forms, yet the assembly feels neither eclectic nor historicist. It is, instead, a quietly authoritative interior—luxurious in material and light, ascetic in gesture, and calibrated for daily habitation rather than display.

Gorgeous master bath finished with Dal-Tile's Fabrique porcelain tile in the color Noir Linen polished. Tile size is 12"x24" installed in a brick joint pattern. The floor boasts underfloor heating on a timed thermostat.

Runnels in the concrete function to drain water out of the patio area but also add a subtle inlay detail. Here the runnel is filled with both beach pebbles and dry-laid bluestone. Renn Kuhnen Photography

Example of a small classic 3/4 white tile and stone tile mosaic tile floor alcove shower design in Chicago with an undermount sink, recessed-panel cabinets, black cabinets, quartzite countertops, a two-piece toilet and gray walls

Great glass scallop tile detail. This tile is bordered by slabs of white marble.
Bathroom - modern bathroom idea in Miami

A fun, hip kitchen with a mid-century modern vibe. The homeowners wanted a kitchen to make them happy. We think you can't help but smile! NEXT Project Studio Jerry Voloski

The design strategy included working within the footprint created by the home and backyard, wanting to incorporate a swimming pool “destination” within the backyard that would be large enough to fit the “larger than life” criteria, but without taking away any of the natural beauty or obstructing the view of the horse pastures, barn and nature surrounding the home. Once the design work began, and the pool area was able to incorporate one of every feature the customer could have wanted, Curtis had some steel grates from a former tilt-a-whirl carnival ride that gave him the idea of suspending a stage over the pool. The initial idea was a modest stage with some waterfall/sheer decent features. With the idea of using steel to form the framework, the stage idea grew into something much more that would include a full stage set up, lighting trusses, a “green room” and staging area. Once the stage was designed to be so large, the pool size and scope needed to match including the patio surround, area underneath the stage, and all the additional features. The home architecture is a Ranch with a full finished walkout basement adjacent to the pool area. An existing deck had to be removed to allow for the pool build and new Trex deck, as well as a 3 story tall observation tower that overlooks the pool and surrounding horse pastures. The design strategy was to work within the footprint the house and decks provided to create an extension of the home for outdoor entertaining. Since the exterior of the house was quite long (and dull, the owner equating it to a 1970’s motel), our team needed to incorporate elements to make the space feel more like a backyard resort. The goal was maintaining a cozy at home feel in a grand expanse of space. It takes a team and a unique blend of artistry to build this project. Sandi Maki, co-owner of the company is responsible for the business side of things, and marketing to reach exceptional customers who allow us to build these backyard dreams. The construction side of our company boasts a diverse, multi-geneational family business. Allan Curtis is the designer/builder and comes up with the fantastic pool plans and ideas. His team consists of his daughter Jesse Curtis, who is high right hand and manages the project just as much as Allan does. She is instrumental in everything from dig day, to tying the steel, pouring the concrete, stonework and tile work, forming the waterfall, applying ecoFinish, pouring and stamping patio, and everything in between. Allan’s nephew Mark Curtis installed and plumbed the three pool filtration systems. Allan’s wife Annie has become very good at stonework on walls and waterfalls adding the unique accents our projects have become known for. Allan’s sister-in-law, Karen Olson also does tile and stonework on the jobs and created the rockstar mural on the patio. Frank DiPiazza assists with structural elements and built the new deck, and college student Brendan Schafer assists where needed and maintains the pool and equipment during the summer on a weekly basis. As with many homeowners who reach out to Legendary Escapes, this owner, Dale Walter, knew he wanted a “custom” pool without knowing what that really meant. He was able to show Curtis the space, and his initial ideas, and then allowed Allan and his team the freedom to dream and build. The majority of Legendary Escapes customers make the decision to hire the company after the first meeting with Curtis. As long as the project and design are challenging and interesting, the customer meets the criteria of being easy to work with, and is special in their own unique way Curtis will consider taking on their project. From the beginning it is important to Curtis that the customer understands they need to allow the project to take on a life of it’s own, and for Curtis to create without interference or asking too many questions – working together becomes a reality. The design is typically presented on paper, a hand-colored, hand drawn design that outlines only the large elements, and an accompanying budget which outlines the structural elements and budgets and has a “theme” budget for items to be determined but doesn’t change once it is set. Once that contract is signed, Curtis and his team over-deliver on what the customer could only have dreamed up in their wildest imagination. Projects proceed in an organic way- not every element is planned before the project begins. As the space begins to take shape, so do the details and finishing elements. When the Rockstar project began, there was no plan for the guitars on the fences, or guitar fire features. The VIP seating area wasn’t added until mid way through the patio pours as the space began to take shape. The murals both in the grotto and on the pool floor were planned just moments before each of them was to be installed. It’s this free-flowing combination of the customers and team’s dreams, ideas, elements and the Legendary Escapes team that creates backyard pools that are as much art as they are design and engineering masterpieces.

The design strategy included working within the footprint created by the home and backyard, wanting to incorporate a swimming pool “destination” within the backyard that would be large enough to fit the “larger than life” criteria, but without taking away any of the natural beauty or obstructing the view of the horse pastures, barn and nature surrounding the home. Once the design work began, and the pool area was able to incorporate one of every feature the customer could have wanted, Curtis had some steel grates from a former tilt-a-whirl carnival ride that gave him the idea of suspending a stage over the pool. The initial idea was a modest stage with some waterfall/sheer decent features. With the idea of using steel to form the framework, the stage idea grew into something much more that would include a full stage set up, lighting trusses, a “green room” and staging area. Once the stage was designed to be so large, the pool size and scope needed to match including the patio surround, area underneath the stage, and all the additional features. The home architecture is a Ranch with a full finished walkout basement adjacent to the pool area. An existing deck had to be removed to allow for the pool build and new Trex deck, as well as a 3 story tall observation tower that overlooks the pool and surrounding horse pastures. The design strategy was to work within the footprint the house and decks provided to create an extension of the home for outdoor entertaining. Since the exterior of the house was quite long (and dull, the owner equating it to a 1970’s motel), our team needed to incorporate elements to make the space feel more like a backyard resort. The goal was maintaining a cozy at home feel in a grand expanse of space. It takes a team and a unique blend of artistry to build this project. Sandi Maki, co-owner of the company is responsible for the business side of things, and marketing to reach exceptional customers who allow us to build these backyard dreams. The construction side of our company boasts a diverse, multi-geneational family business. Allan Curtis is the designer/builder and comes up with the fantastic pool plans and ideas. His team consists of his daughter Jesse Curtis, who is high right hand and manages the project just as much as Allan does. She is instrumental in everything from dig day, to tying the steel, pouring the concrete, stonework and tile work, forming the waterfall, applying ecoFinish, pouring and stamping patio, and everything in between. Allan’s nephew Mark Curtis installed and plumbed the three pool filtration systems. Allan’s wife Annie has become very good at stonework on walls and waterfalls adding the unique accents our projects have become known for. Allan’s sister-in-law, Karen Olson also does tile and stonework on the jobs and created the rockstar mural on the patio. Frank DiPiazza assists with structural elements and built the new deck, and college student Brendan Schafer assists where needed and maintains the pool and equipment during the summer on a weekly basis. As with many homeowners who reach out to Legendary Escapes, this owner, Dale Walter, knew he wanted a “custom” pool without knowing what that really meant. He was able to show Curtis the space, and his initial ideas, and then allowed Allan and his team the freedom to dream and build. The majority of Legendary Escapes customers make the decision to hire the company after the first meeting with Curtis. As long as the project and design are challenging and interesting, the customer meets the criteria of being easy to work with, and is special in their own unique way Curtis will consider taking on their project. From the beginning it is important to Curtis that the customer understands they need to allow the project to take on a life of it’s own, and for Curtis to create without interference or asking too many questions – working together becomes a reality. The design is typically presented on paper, a hand-colored, hand drawn design that outlines only the large elements, and an accompanying budget which outlines the structural elements and budgets and has a “theme” budget for items to be determined but doesn’t change once it is set. Once that contract is signed, Curtis and his team over-deliver on what the customer could only have dreamed up in their wildest imagination. Projects proceed in an organic way- not every element is planned before the project begins. As the space begins to take shape, so do the details and finishing elements. When the Rockstar project began, there was no plan for the guitars on the fences, or guitar fire features. The VIP seating area wasn’t added until mid way through the patio pours as the space began to take shape. The murals both in the grotto and on the pool floor were planned just moments before each of them was to be installed. It’s this free-flowing combination of the customers and team’s dreams, ideas, elements and the Legendary Escapes team that creates backyard pools that are as much art as they are design and engineering masterpieces.

The design strategy included working within the footprint created by the home and backyard, wanting to incorporate a swimming pool “destination” within the backyard that would be large enough to fit the “larger than life” criteria, but without taking away any of the natural beauty or obstructing the view of the horse pastures, barn and nature surrounding the home. Once the design work began, and the pool area was able to incorporate one of every feature the customer could have wanted, Curtis had some steel grates from a former tilt-a-whirl carnival ride that gave him the idea of suspending a stage over the pool. The initial idea was a modest stage with some waterfall/sheer decent features. With the idea of using steel to form the framework, the stage idea grew into something much more that would include a full stage set up, lighting trusses, a “green room” and staging area. Once the stage was designed to be so large, the pool size and scope needed to match including the patio surround, area underneath the stage, and all the additional features. The home architecture is a Ranch with a full finished walkout basement adjacent to the pool area. An existing deck had to be removed to allow for the pool build and new Trex deck, as well as a 3 story tall observation tower that overlooks the pool and surrounding horse pastures. The design strategy was to work within the footprint the house and decks provided to create an extension of the home for outdoor entertaining. Since the exterior of the house was quite long (and dull, the owner equating it to a 1970’s motel), our team needed to incorporate elements to make the space feel more like a backyard resort. The goal was maintaining a cozy at home feel in a grand expanse of space. It takes a team and a unique blend of artistry to build this project. Sandi Maki, co-owner of the company is responsible for the business side of things, and marketing to reach exceptional customers who allow us to build these backyard dreams. The construction side of our company boasts a diverse, multi-geneational family business. Allan Curtis is the designer/builder and comes up with the fantastic pool plans and ideas. His team consists of his daughter Jesse Curtis, who is high right hand and manages the project just as much as Allan does. She is instrumental in everything from dig day, to tying the steel, pouring the concrete, stonework and tile work, forming the waterfall, applying ecoFinish, pouring and stamping patio, and everything in between. Allan’s nephew Mark Curtis installed and plumbed the three pool filtration systems. Allan’s wife Annie has become very good at stonework on walls and waterfalls adding the unique accents our projects have become known for. Allan’s sister-in-law, Karen Olson also does tile and stonework on the jobs and created the rockstar mural on the patio. Frank DiPiazza assists with structural elements and built the new deck, and college student Brendan Schafer assists where needed and maintains the pool and equipment during the summer on a weekly basis. As with many homeowners who reach out to Legendary Escapes, this owner, Dale Walter, knew he wanted a “custom” pool without knowing what that really meant. He was able to show Curtis the space, and his initial ideas, and then allowed Allan and his team the freedom to dream and build. The majority of Legendary Escapes customers make the decision to hire the company after the first meeting with Curtis. As long as the project and design are challenging and interesting, the customer meets the criteria of being easy to work with, and is special in their own unique way Curtis will consider taking on their project. From the beginning it is important to Curtis that the customer understands they need to allow the project to take on a life of it’s own, and for Curtis to create without interference or asking too many questions – working together becomes a reality. The design is typically presented on paper, a hand-colored, hand drawn design that outlines only the large elements, and an accompanying budget which outlines the structural elements and budgets and has a “theme” budget for items to be determined but doesn’t change once it is set. Once that contract is signed, Curtis and his team over-deliver on what the customer could only have dreamed up in their wildest imagination. Projects proceed in an organic way- not every element is planned before the project begins. As the space begins to take shape, so do the details and finishing elements. When the Rockstar project began, there was no plan for the guitars on the fences, or guitar fire features. The VIP seating area wasn’t added until mid way through the patio pours as the space began to take shape. The murals both in the grotto and on the pool floor were planned just moments before each of them was to be installed. It’s this free-flowing combination of the customers and team’s dreams, ideas, elements and the Legendary Escapes team that creates backyard pools that are as much art as they are design and engineering masterpieces.

Exterior, brick, lime, limewash, painted brick, architectural finish

Staircase - mid-sized traditional wooden straight wood railing staircase idea in New York with painted risers

© Anthony Crisafulli 2014
Inspiration for a contemporary landscaping in New York.

Full-overlay Rustic Beech cabinets in the "Charleston" door style and "Briarwood" finish. Village Home Stores
Example of a large mountain style kitchen design in Chicago

Freestanding bathtub - large cottage master porcelain tile and multicolored floor freestanding bathtub idea with shaker cabinets, dark wood cabinets, white walls, a vessel sink, quartz countertops, a hinged shower door and white countertops

Example of a farmhouse staircase design in San Francisco

Beautiful custom runner to match the unique measurements of this staircase.
Small wooden curved staircase photo in Minneapolis with wooden risers

Set on a narrow hillside lot overlooking the San Francisco Bay in Point Richmond, California, Bay Heirloom is a Mid-Century Modern family home restored, modernized and adapted for contemporary living. Oriented south-southwest toward the Marin Headlands, with views of the Golden Gate Bridge, the residence captures shifting Bay light throughout the day, from fog-muted mornings to vivid, glowing sunsets. The home was built by Karlyn Neel’s grandfather, the owner of the construction company Flo-Crete, one of the Bay Area’s early concrete pumping firms. Flo-Crete completed the foundation and structural concrete work, with family photographs documenting the original cinderblock walls and pours. The firm also contributed to major regional infrastructure projects, including the Transbay BART tube and Candlestick Park, situating the house within a broader legacy of Bay Area construction. Growing up, Neel spent considerable time in the home, developing an early appreciation for mid-century modern principles. Instead of parting with this family heirloom, she purchased the home from her grandfather’s estate. While her grandfather continued to live in the Point Richmond house, Neel purchased a Mid-Century Modern residence in Palm Desert. In contrast to the Bay Area’s cool temperatures, salt air, and persistent winds, the desert home is shaped by heat and sun and requires a different material response. A substantial renovation she led there emphasized thermal performance, filtered light, and restrained detailing. The experience later informed the restoration of her Bay Area family home. What began as a modest Mid-Century Modern update expanded when decades of exposure to marine conditions revealed leaks and significant structural and seismic deficiencies. Neel was determined to honor her grandfather’s perseverance and without hesitation pivoted to a much more intensive project. Addressing these challenges required close coordination between Neel, Klopf Architecture and Kasten Builders, with architectural restraint and construction precision guiding each intervention. Rather than alter the home’s defining features, the project focused on reinforcing the structure from within. Discreet beams were embedded along the rear facade and in an upstairs wall, strengthening the building while maximizing the wall of glass facing the Bay and opening the wall between the kitchen and the living space. These structural interventions allowed the space to open fully to the Bay without visual interruption, with the kitchen repositioned as the social and functional core of an open, continuous living space. The building envelope was updated using weather- and corrosion-resistant materials appropriate to the marine environment. The house unfolds vertically from the street, beginning with a modest garage level and workshop, with the main living spaces located below. Original slate flooring at the entry was preserved, along with select furnishings and artwork collected by Neel’s grandfather, anchoring the restored interior in its past. A restrained palette of black accents and pale, natural finishes replaces darker wood tones, reinforcing openness and calm. A naturally illuminated stair connects to the lowest level, where a former basement was transformed into a guest suite and family room opening onto a deck. From there, steps lead directly to a small concrete boat ramp at the water’s edge. Throughout the project, decisions were guided by continuity rather than transformation for its own sake. Lessons drawn from both desert and coastal climates informed a material strategy rooted in performance and restraint. Bay Heirloom stands as a measured evolution of a family house, structurally renewed and carefully modernized, grounded in the discipline and care that first shaped it. Klopf Architecture Project Team: John Klopf, AIA, Angela Todorova and Fernanda Bernardes Landscape Architect: Huettl Landscape Architecture General Contractor: Kasten Builders Photography: ©2025 Mariko Reed Year Completed: 2022 Location: Point Richmond, CA

Inspiration for a cottage home design remodel in Philadelphia

Example of a mid-sized transitional enclosed carpeted and beige floor home theater design in Salt Lake City with gray walls and a wall-mounted tv