Search results for "Stretch" in Home Design Ideas

- ABSOLUT SIDEBOARD. Absolut is a luxury Italian designer sideboard with 2 or 3 doors in lacquered white, black or graphite embossed wood. Embossed steel base in the same color. Doors covered and quilted in soft leather as per sample card with titanium aluminum anodized profiles. Internal clear glass shelves. This Contemporary Italian furniture piece also provides an optional internal drawer in the central door of the 3-doors version. Top in frosted glass painted in the same color of the structure. Made in Italy.
https://cassoni.com/Contemporary-Italian-Absolute-Sideboard-01
- NIDO SIDE TABLE. Nido is a high-end Italian designer side table with white, black or graphite embossed steel base. Top in white, black or graphite embossed steel or in clear glass. The clear glass top is laid on the base. This Italian coffee table is a perfect luxury furniture piece to be included in a Contemporary environment. Made in Italy.
https://cassoni.com/Luxury-Italian-Designer-Nido-Side-Table-01
- BYBLOS SUSPENSION LAMP. Byblos is a high-end Italian designer suspension lamp and floor lamp. Suspension lamp with smoked grey methacrylate frame. Floor lamp with steel and smoked grey methacrylate frame with black embossed lacquered steel base. Lampshade in stretch knitted fabric in ash, smoke, graphite, black or blue colors. The perfect luxury Italian collection to match with any Contemporary space. Made in Italy.
https://cassoni.com/byblos-suspension-lamp-01
- HAWAII MIRROR. Hawaii is a high-end Italian designer wall mirror in mirrored, smoked grey or bronze mirrored glass with bevelled edges. This luxury Italian furniture piece has wall bracket with fixing possibilities in different positions. Ideal piece to include in a Contemporary atmospheres. Made in Italy.
https://cassoni.com/Luxury-Contemporary-Italian-Hawaii-Mirror-01

This is another favorite home redesign project.
Throughout my career, I've worked with some hefty budgets on a number of high-end projects. You can visit Paris Kitchens and Somerset Kitchens, companies that I have worked for previously, to get an idea of what I mean. I could start name dropping here, but I won’t, because that's not what this project is about. This project is about a small budget and a happy homeowner.
This was one of the first projects with a custom interior design at a fraction of a regular budget. I could use the term “value engineering” to describe it, because this particular interior was heavily value engineered.
The result: a sophisticated interior that looks so much more expensive than it is. And one ecstatic homeowner. Mission impossible accomplished.
P.S. Don’t ask me how much it cost, I promised the homeowner that their impressive budget will remain confidential.
In any case, no one would believe me even if I spilled the beans.
Find the right local pro for your project

Basement - mid-sized transitional underground dark wood floor and brown floor basement idea in Chicago with beige walls

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Luxury kitchen renovation featuring custom cabinetry, premium quartz countertops, and a statement double-edge island. A large sliding patio door brings in natural light, creating a seamless indoor-outdoor flow with a modern, high-end finish.

This project reinvents a traditional San Francisco infill residence into a light filled, colorful modern home. The new design is modest in space but generous in material and detailing. An interactive relationship between the kitchen and living spaces was created with cabinetry that stretches to link the rooms spatially and functionally. The dynamic wall cabinet incorporates open and closed units in a varied, yet colorful modular composition to give variety and visual play. As a product of the couple’s strong belief in environmentally sensitive design, the remodel incorporates green building products and materials throughout.
©john todd

Bigger is not always better, but something of highest quality is. This amazing, size-appropriate Lake Michigan cottage is just that. Nestled in an existing historic stretch of Lake Michigan cottages, this new construction was built to fit in the neighborhood, but outperform any other home in the area concerning energy consumption, LEED certification and functionality. It features 3 bedrooms, 3 bathrooms, an open concept kitchen/living room, a separate mudroom entrance and a separate laundry. This small (but smart) cottage is perfect for any family simply seeking a retreat without the stress of a big lake home. The interior details include quartz and granite countertops, stainless appliances, quarter-sawn white oak floors, Pella windows, and beautiful finishing fixtures. The dining area was custom designed, custom built, and features both new and reclaimed elements. The exterior displays Smart-Side siding and trim details and has a large EZE-Breeze screen porch for additional dining and lounging. This home owns all the best products and features of a beach house, with no wasted space. Cottage Home is the premiere builder on the shore of Lake Michigan, between the Indiana border and Holland.

Barry Grossman Photography
Kitchen - contemporary marble floor kitchen idea in Miami with stainless steel countertops and an island
Kitchen - contemporary marble floor kitchen idea in Miami with stainless steel countertops and an island

Photo: Nanette Wong © 2014 Houzz
Inspiration for an eclectic dining room remodel in San Francisco
Inspiration for an eclectic dining room remodel in San Francisco

This modern bathroom remodel features a chic contrast between the dark cabinetry and the stark white countertops. The shower displays glass shower doors, and stainless steel hardware. The ceramic tile flooring stretches throughout the shower surround, with a mosaic tile detailing on the shower floor. Stainless steel door pulls and faucet complete this chic, modern look.

This comfy space is the viewing area for watching movies or playing video games. The comfy gray chenille sectional is perfect for stretching out or seating a crowd. The grey leather storage ottomans serve as extra seating or storage. The tops also turn to become nice wood tables for popcorn and beverages. Neutral wall colors are enhanced by the client's collection of vibrant art and accent pieces throughout the space. The open floor plan is adjacent to the craft space designated for the children.
Tim Lee Photography

Photo: Radion Photography
Inspiration for a large modern master light wood floor bedroom remodel in Boise with white walls
Inspiration for a large modern master light wood floor bedroom remodel in Boise with white walls

Photo: Jason Snyder © 2013 Houzz
Inspiration for a contemporary living room remodel in Other
Inspiration for a contemporary living room remodel in Other

Living room - large modern enclosed medium tone wood floor living room idea in Toronto with gray walls, a ribbon fireplace and a stone fireplace

Alyssa Kirsten
Example of a mid-sized minimalist open concept light wood floor living room design in New York with white walls, a ribbon fireplace, a metal fireplace and a wall-mounted tv
Example of a mid-sized minimalist open concept light wood floor living room design in New York with white walls, a ribbon fireplace, a metal fireplace and a wall-mounted tv

Pleasant Heights is a newly constructed home that sits atop a large bluff in Chatham overlooking Pleasant Bay, the largest salt water estuary on Cape Cod.
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Two classic shingle style gambrel roofs run perpendicular to the main body of the house and flank an entry porch with two stout, robust columns. A hip-roofed dormer—with an arch-top center window and two tiny side windows—highlights the center above the porch and caps off the orderly but not too formal entry area. A third gambrel defines the garage that is set off to one side. A continuous flared roof overhang brings down the scale and helps shade the first-floor windows. Sinuous lines created by arches and brackets balance the linear geometry of the main mass of the house and are playful and fun. A broad back porch provides a covered transition from house to landscape and frames sweeping views.
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Inside, a grand entry hall with a curved stair and balcony above sets up entry to a sequence of spaces that stretch out parallel to the shoreline. Living, dining, kitchen, breakfast nook, study, screened-in porch, all bedrooms and some bathrooms take in the spectacular bay view. A rustic brick and stone fireplace warms the living room and recalls the finely detailed chimney that anchors the west end of the house outside.
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PSD Scope Of Work: Architecture, Landscape Architecture, Construction |
Living Space: 6,883ft² |
Photography: Brian Vanden Brink |

Design, Execution + Photography by EFE Creative Lab, Inc.
Transitional bathroom photo in Miami
Transitional bathroom photo in Miami

This space is made for entertaining. A large, cozy sectional is perfect for stretching out and watching a movie or this weekend's game. Even though it's on the lower level, lots of windows provide plenty of natural light so the space feels anything but dungeony. Wall color, tile and materials carry over the general color scheme from the upper level for a cohesive look, while darker cabinetry and reclaimed wood accents help set the space apart.
Jake Boyd Photography
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