Example of a mid-sized trendy 3/4 gray tile and ceramic tile marble floor bathroom design in New York with flat-panel cabinets, medium tone wood cabinets, a wall-mount toilet, gray walls, an undermount sink and solid surface countertops

Creating spaces that make connections between the indoors and out, while making the most of the panoramic lake views and lush landscape that surround were two key goals of this seasonal home’s design. Central entrance into the residence brings you to an open dining and lounge space, with natural light flooding in through rooftop skylights. Soaring ceilings and subdued color palettes give the adjacent kitchen and living room an airy and expansive feeling, while the large, sliding glass doors and picture windows bring the warmth of the outdoors in. The family room, located in one of the two zinc-clad connector spaces, offers a more intimate lounge area and leads into the master suite wing, complete with vaulted ceilings and sleek lines. Three additional guest suites can be found in the opposite wing of the home, providing ideally separate living spaces for a multi-generational family. Photographer: Steve Hall © Hedrich Blessing Architect: Booth Hansen

This is the small master bathroom in the mid-century Applewood, Colorado ranch. We kept the color palette subdued but had fun with the charcoal hex tile paired with the beveled ceramic wall tile in a 5x7.

For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living. The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.

Creamy neutrals abound in this Bryn Mawr classic master bath renovation. A clever rearrangement, handsome cabinetry and borrowed space make all the difference in this room. The use of honed marble and cream cabinetry established the luxurious yet casual feel the homeowners were after. Mirrored cabinet fronts add visual interest and a bit of “pop and sparkle” to the subdued palette.

For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living. The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.

Eat-in kitchen - mid-sized contemporary galley dark wood floor eat-in kitchen idea with an undermount sink, flat-panel cabinets, medium tone wood cabinets, marble countertops, white backsplash, stone slab backsplash, stainless steel appliances and an island

Beth Singer Photographer
Elegant living room photo in Detroit

Complete with Jonathan Adler decorative pillows, the bed is for lounging on a Saturday afternoon. We loved these ceramic table lamps from Rook, with string drum shades providing subdued evening light. Downtown High Rise Apartment, Stratus, Seattle, WA. Belltown Design. Photography by Robbie Liddane and Paula McHugh

For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living. The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.

We wanted to create a comfortable and tranquil retreat in this sunroom, a place where my clients could lounge and escape the world. We used oversized chaises, a soft color story, and interesting textures to accomplish this relaxed aesthetic. We layered warm, sandy creams and soft grays to create a casual, monochromatic palette that lends itself to a more subdued eclectic vibe and a truly relaxed atmosphere. We also made sure to incorporate a whole jungle worth of plants! Plants are the best way to bring life into your home. Not only do plants beautify your space, but they also have some pretty wonderful health benefits! They detoxify your home by improving indoor air quality. They are also known to boost your mood & lift your spirit!

This property came with a house which proved ill-matched to our clients’ needs but which nestled neatly amid beautiful live oaks. In choosing to commission a new home, they asked that it also tuck under the limbs of the oaks and maintain a subdued presence to the street. Extraordinary efforts such as cantilevered floors and even bridging over critical root zones allow the design to be truly fitted to the site and to co-exist with the trees, the grandest of which is the focal point of the entry courtyard. Of equal importance to the trees and view was to provide, conversely, for walls to display 35 paintings and numerous books. From form to smallest detail, the house is quiet and subtle.

For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living. The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.

We wanted to create a comfortable and tranquil retreat in this sunroom, a place where my clients could lounge and escape the world. We used oversized chaises, a soft color story, and interesting textures to accomplish this relaxed aesthetic. We layered warm, sandy creams and soft grays to create a casual, monochromatic palette that lends itself to a more subdued eclectic vibe and a truly relaxed atmosphere. We also made sure to incorporate a whole jungle worth of plants! Plants are the best way to bring life into your home. Not only do plants beautify your space, but they also have some pretty wonderful health benefits! They detoxify your home by improving indoor air quality. They are also known to boost your mood & lift your spirit!

Request Free Quote This custom raised hot tub is the perfect antidote to the winter blues! Measuring 8'0" in diameter, it is raised 18" to provide easy ingress and egress for the whole family. Capped with Indiana Limesone coping, and clad with an irregular oakfield flagstone fascia, the spa emanates subdued elegance. Surrounded by ample Yorkstone manufactured paver decking, and collared by a Yorkstone paver block seating wall, this space provides the perfect safe haven for rest and relaxation. outvision photography

Photographer: Evan Joseph Broker: Raphael Deniro, Douglas Elliman Design: Bryan Eure
Living room - large contemporary formal and open concept light wood floor living room idea in New York with white walls, no fireplace and no tv

The client’s brief was to create a space reminiscent of their beloved downtown Chicago industrial loft, in a rural farm setting, while incorporating their unique collection of vintage and architectural salvage. The result is a custom designed space that blends life on the farm with an industrial sensibility. The new house is located on approximately the same footprint as the original farm house on the property. Barely visible from the road due to the protection of conifer trees and a long driveway, the house sits on the edge of a field with views of the neighbouring 60 acre farm and creek that runs along the length of the property. The main level open living space is conceived as a transparent social hub for viewing the landscape. Large sliding glass doors create strong visual connections with an adjacent barn on one end and a mature black walnut tree on the other. The house is situated to optimize views, while at the same time protecting occupants from blazing summer sun and stiff winter winds. The wall to wall sliding doors on the south side of the main living space provide expansive views to the creek, and allow for breezes to flow throughout. The wrap around aluminum louvered sun shade tempers the sun. The subdued exterior material palette is defined by horizontal wood siding, standing seam metal roofing and large format polished concrete blocks. The interiors were driven by the owners’ desire to have a home that would properly feature their unique vintage collection, and yet have a modern open layout. Polished concrete floors and steel beams on the main level set the industrial tone and are paired with a stainless steel island counter top, backsplash and industrial range hood in the kitchen. An old drinking fountain is built-in to the mudroom millwork, carefully restored bi-parting doors frame the library entrance, and a vibrant antique stained glass panel is set into the foyer wall allowing diffused coloured light to spill into the hallway. Upstairs, refurbished claw foot tubs are situated to view the landscape. The double height library with mezzanine serves as a prominent feature and quiet retreat for the residents. The white oak millwork exquisitely displays the homeowners’ vast collection of books and manuscripts. The material palette is complemented by steel counter tops, stainless steel ladder hardware and matte black metal mezzanine guards. The stairs carry the same language, with white oak open risers and stainless steel woven wire mesh panels set into a matte black steel frame. The overall effect is a truly sublime blend of an industrial modern aesthetic punctuated by personal elements of the owners’ storied life. Photography: James Brittain

A meticulous installation of striated marble in subdued tones defines the gym bathroom. The warmth of rich, darkly stained wood forms a beautiful counterpoint. Architecture by Brian O'Keefe Architect, PC, with Interior Design by Marjorie Shushan. Featured in Architectural Digest. Photo by Liz Ordonoz.

Creating spaces that make connections between the indoors and out, while making the most of the panoramic lake views and lush landscape that surround were two key goals of this seasonal home’s design. Central entrance into the residence brings you to an open dining and lounge space, with natural light flooding in through rooftop skylights. Soaring ceilings and subdued color palettes give the adjacent kitchen and living room an airy and expansive feeling, while the large, sliding glass doors and picture windows bring the warmth of the outdoors in. The family room, located in one of the two zinc-clad connector spaces, offers a more intimate lounge area and leads into the master suite wing, complete with vaulted ceilings and sleek lines. Three additional guest suites can be found in the opposite wing of the home, providing ideally separate living spaces for a multi-generational family. Photographer: Steve Hall © Hedrich Blessing Architect: Booth Hansen