Nestled perfectly along a mountainside in the North Scottsdale Estancia Community, with views of Pinnacle Peak, and the Valley below, this landscape design honors the surrounding desert and the contemporary architecture of the home. A meandering driveway ascends the hillside to an auto court area where we placed mature cactus and yucca specimens. In the back, terracing was used to create interest and support from the intense hillside. We brought in mass boulders to retain the slope, while adding to the existing terrain. A succulent garden was placed in the terraced hillside using unique and rare species to enhance the surrounding native desert. A vertical fence of well casing rods was installed to preserve the view, while still securing the property. An infinity edge, glass tile pool is the perfect extension of the contemporary home. Project Details: Landscape Architect: Greey|Pickett Architect: Drewett Works Contractor: Manship Builders Interior Designer: David Michael Miller Associates Photography: Dino Tonn

This kitchen has many interesting elements that set it apart. The sense of openness is created by the raised ceiling and multiple ceiling levels, lighting and light colored cabinets. A custom hood over the stone back splash creates a wonderful focal point with it's traditional style architectural mill work complimenting the islands use of reclaimed wood (as seen on the ceiling as well) transitional tapered legs, and the use of Carrara marble on the island top. This kitchen was featured in a Houzz Kitchen of the Week article! Photography by Alicia's Art, LLC RUDLOFF Custom Builders, is a residential construction company that connects with clients early in the design phase to ensure every detail of your project is captured just as you imagined. RUDLOFF Custom Builders will create the project of your dreams that is executed by on-site project managers and skilled craftsman, while creating lifetime client relationships that are build on trust and integrity. We are a full service, certified remodeling company that covers all of the Philadelphia suburban area including West Chester, Gladwynne, Malvern, Wayne, Haverford and more. As a 6 time Best of Houzz winner, we look forward to working with you on your next project.

This charming home sits on a 500-acre horse farm in Lexington, KY, providing a peaceful retreat for a family of four and their two dogs. The homeowner not only lives here but also manages the property on behalf of the horse farm owner’s. The farm owner wanted to ensure that the family had a comfortable, welcoming space to unwind after a day’s hard work. To bring this vision to life, we collaborated with Ayers Custom Homes to design an abode full of thoughtful, beautiful details. Every aspect, from the custom floors to the ceiling details, was carefully planned. We handpicked every feature in this home, resulting in a space filled with intricate, custom touches that make it stand out. The goal was to create a home that feels cozy, comfortable, and ready to be lived in from day one. The more time you spend here, the more you’ll notice the fine details—like the stone arches, coffered ceilings in the living room, detailed trim work, hickory floors, wood beams, and more. This home was crafted with love and precision, ensuring it’s a perfect fit for this wonderful family.

Designed to embrace an extensive and unique art collection including sculpture, paintings, tapestry, and cultural antiquities, this modernist home located in north Scottsdale’s Estancia is the quintessential gallery home for the spectacular collection within. The primary roof form, “the wing” as the owner enjoys referring to it, opens the home vertically to a view of adjacent Pinnacle peak and changes the aperture to horizontal for the opposing view to the golf course. Deep overhangs and fenestration recesses give the home protection from the elements and provide supporting shade and shadow for what proves to be a desert sculpture. The restrained palette allows the architecture to express itself while permitting each object in the home to make its own place. The home, while certainly modern, expresses both elegance and warmth in its material selections including canterra stone, chopped sandstone, copper, and stucco. Project Details | Lot 245 Estancia, Scottsdale AZ Architect: C.P. Drewett, Drewett Works, Scottsdale, AZ Interiors: Luis Ortega, Luis Ortega Interiors, Hollywood, CA Publications: luxe. interiors + design. November 2011. Featured on the world wide web: luxe.daily Photos by Grey Crawford

From Mid-Century Classic to the Present An iconic design updated with comfort, function, and flow for today. A Remodel That Balances Past and Present What started as a desire to update a classic Eichler soon became an exploration of how Mid-Century Modern design can successfully evolve for today. The client, a tech professional with a passion for scuba diving and underwater photography, wanted a home that would both honor its original character and feel tailored to his daily life. A lifelong technology enthusiast, he still owns the very first Mac desktop he saved up for as a teenager working at Radio Shack, a detail that underscores his appreciation for design that melds function and form. Honoring Separation While Expanding Possibility Unlike many contemporary remodels where walls are opened up to create expansive living spaces, this project took a more restrained approach. The client valued the defined rooms of the original plan and wanted to preserve as much wall space as possible for displaying his large-format underwater photography. The emphasis was not on dramatic spatial reinvention, but on thoughtful refinements. Klopf Architecture shaped a gallery-like backdrop while also expanding the primary suite, modernizing materials and fixtures throughout the home, and improving the functionality and layout of the kitchen. The finished home feels at once timeless and renewed, an Eichler that continues to inspire while fully supporting the lifestyle of its present-day owner. A major turning point came mid-design. The original project brief had not included an addition, but as the reconfiguration of the primary bedroom and bath unfolded, it became clear that an expansion was the best approach to achieve the client’s vision of a more spacious suite. Fortunately, the adjustment came at a stage when revisions were still manageable and was integrated seamlessly, showing how thoughtful course corrections can strengthen a project rather than hinder it. Navigating Challenges With Precision The design development included multiple conceptual rounds, balancing preservation with subtle expansion. During construction, an existing post previously thought to be load-bearing turned out not to be. The structural engineer was able to pivot quickly, and both the post and the cross beam that had been intended to replace it could be omitted, allowing the original rhythm of the Eichler beam bays to be preserved. Sustainability was not just a checklist item, but a way to align the home with the client’s values of simplicity, efficiency, and long-term functionality. R-38 roof insulation reduced energy usage, solar panels with battery storage provided independence and resilience, and passive comfort strategies eliminated the need forenergy-intensive air conditioning. An electric vehicle charger and an on-demand hot water recirculation system (with call buttons as opposed to having constant circulation) add to the home’s long-term efficiency factors. Together, these moves created a home that is quieter, more comfortable, and better equipped for the future, qualities that supported the client’s pragmatic approach to design and living lightly. Details That Respect the Eichler DNA The remodel carries forward the Eichler’s original spirit while introducing new layers of modern livability. Originally, the house was approached along a deep, narrow walk, with the garage on one side and the house on the other, leaving the front door tucked far back within this chasm-like space. By pulling the entry forward, the design reshaped the arrival experience, creating a clearer threshold and a natural drop-off zone for bags, shoes, and keys. This shift also made room for a custom bench at the entry that extends seamlessly through the glass sidelight. The bench and drop-off zone now work together as a single, integrated sequence that supports everyday living while offering a tactile reminder of Eichler’s philosophy of connectedness. At the client’s request, Klopf reintroduced a classic Eichler gesture by extending the exterior siding into the entry and living room. The detail reinforces a sense of indoor/outdoor continuity while providing a subtle architectural surface that allows the client’s photography to take visual precedence. The signature concrete masonry wall at the front was reconstructed using blocks sourced to match the originals, now strengthened with rebar for seismic resilience while maintaining a private outdoor courtyard, visually extending the kitchen outward. A decorative trellis element, a detail borrowed from a neighboring Eichler, restores a familiar mid-century modern architectural motif. At the courtyard entry door, a custom etched glass sidelight with an ocean-themed design featuring kelp and jellyfish serves as a subtle homage to the client’s passion for deep-sea diving. Landscaping became an integral part of the overall transformation. The homeowner engaged landscape architect Randi Johnsen of Third Nature Studio to shape a series of calm, inviting outdoor rooms that read as a natural extension of the interiors. While technically outside of the core construction scope, the landscape design proved central to achieving a sense of completeness and connectedness across the property. Such whole-property considerations often emerge as design ideas take shape, underscoring the importance of flexibility in planning and budgeting, as well as close collaboration among the design team starting early in the process. The Value of Evolving Scope As with many custom residential projects, the scope evolved during the design process. What began as a targeted remodel grew to include a new/expanded primary suite, a rebuilt CMU patio wall for strength and longevity, and a solar panel array and battery storage for energy resilience and carbon-reduction. Each thoughtful decision represented a conscious investment in the home’s performance and character, rather than a cost overrun. The result was a project delivered on schedule, tailored precisely to the client’s lifestyle, and positioned to add long-term value both functionally and aesthetically. By embracing scope evolution as an opportunity rather than a challenge, and relying on good design paired with transparent communication, this remodel demonstrates how Eichler homes can be adapted for contemporary living without erasing their DNA. Klopf Architecture project team: John Klopf, AIA, and Klara Kevane, Elise Webb and Nicholas LaNasa. Contractor: Golden Cove Construction Landscape Design: Third Nature Studio Structural Engineer: Daniel Bastiao Design Photography: ©2025 Mariko Reed Year Completed: 2024 Location: Sunnyvale, CA

Designed By: Richard Bustos Photos By: Jeri Koegel Ron and Kathy Chaisson have lived in many homes throughout Orange County, including three homes on the Balboa Peninsula and one at Pelican Crest. But when the “kind of retired” couple, as they describe their current status, decided to finally build their ultimate dream house in the flower streets of Corona del Mar, they opted not to skimp on the amenities. “We wanted this house to have the features of a resort,” says Ron. “So we designed it to have a pool on the roof, five patios, a spa, a gym, water walls in the courtyard, fire-pits and steam showers.” To bring that five-star level of luxury to their newly constructed home, the couple enlisted Orange County’s top talent, including our very own rock star design consultant Richard Bustos, who worked alongside interior designer Trish Steel and Patterson Custom Homes as well as Brandon Architects. Together the team created a 4,500 square-foot, five-bedroom, seven-and-a-half-bathroom contemporary house where R&R get top billing in almost every room. Two stories tall and with lots of open spaces, it manages to feel spacious despite its narrow location. And from its third floor patio, it boasts panoramic ocean views. “Overall we wanted this to be contemporary, but we also wanted it to feel warm,” says Ron. Key to creating that look was Richard, who selected the primary pieces from our extensive portfolio of top-quality furnishings. Richard also focused on clean lines and neutral colors to achieve the couple’s modern aesthetic, while allowing both the home’s gorgeous views and Kathy’s art to take center stage. As for that mahogany-lined elevator? “It’s a requirement,” states Ron. “With three levels, and lots of entertaining, we need that elevator for keeping the bar stocked up at the cabana, and for our big barbecue parties.” He adds, “my wife wears high heels a lot of the time, so riding the elevator instead of taking the stairs makes life that much better for her.”

Hi everyone, I'm Sarah and Ogun we are here with fine line kitchens. So we are a couple working together. I do the interior design and remodeling of the space material selection meeting with the clients. And I handled operations outside, you know meaning all the construction work that is taking place the inside. The houses that we work in. I handle all the aspects of the construction, so today's project is very special. We're in Vienna and the client had a very big family. It's a family of seven that lives here. So we had a few aspects that we needed to keep in mind while designing this one. Having everybody be able to sit on the island. So we wanted plenty of seating all the way around. We didn't want anybody standing or anything like that. So what we did is we maximize the space. The center island is the biggest part of the kitchen. We use a natural stone to kind of give it a beautiful texture versus quartz. It's kind of standard white or kind of fabricated, so I wanted something very natural. We did this because I took my inspiration from the outside, so the inspiration if you look at the view right in front of me is there are so many greens there's a lot of brass accents and I wanted to bring this. Into this kitchen while designing it for my clients. She is very warm very. She wanted a very homey, comfy kind of look for the kitchen. So that's what we did today. As you can see, the cabinets are sage green, very light, so I still think it's a neutral, but it's a lighter color that again brings the outside in and we combine that with the oak right behind me so it's a slightly warm oak. It's not very dark. It's not very light. It's a medium brown and the same color went on the island. To kind of tie these two in and the backsplash, my favorite part is where you can see a little bit of design. It is, in my opinion still classic, but includes a pattern so the outside part is as we said in the beginning, is handled by my husband. I'd like him to speak a little bit about that. Thanks, Sarah, I want to talk to you guys a little bit about the construction part of this project. Originally this kitchen was located mostly in this area. They had their stove there sing. It was more of a peninsula layout in Sarah's and the customer vision they wanted. They wanted to get rid of the peninsula and they want to be able to have a huge island that can at least sit seven people because they're familiar with seven. So we wanted to make sure that we can achieve this design and bring it to life so that they can be happy with this layout. Some of the challenges we had, the house, the home being, you know, old home. There were a lot of you know the older electrical and plumbing that had to be replaced. We had to relocate the stove from here to this area. Over here we had put a nice foot fan that we had to relocate all the ductwork and the plumbing. Was being on the peninsula area. We had to relocate it to the center islands. So we achieved all this and kind of like bring it to bring in this kitchen up to date it looks beautiful. That's true, so yes, the old layout did not function for my clients because everything was kind of gathered on one side of the kitchen. So there was like a peninsula right there. So the end of this island kind of continued straight. And that was just the L shape. Kind of where everything was and there used to be another big table here, so they were using only kind of half of the space. So like I said at the beginning, our vision was to kind of feed everybody at the island, create some symmetry. 'cause I love that. So as you can see behind me, this is kind of the focal point symmetrical. Everything is kind of even we wanted to also panel the fridge here so it mimics the pantry and another size. So when you're looking at it, it is bringing again that symmetry back again. I hope you enjoyed this kitchen and this video and I'll see you soon. So how do you think this project turned out? It's nice. I like the color. I think it turned out nice. It's kind of like a little bit different color than what we always do. So I realize. Are you giving me a little bit of credit here that I did something different? Are you proud? I'm so proud of you. Other than that I like it. That they have kind of like a two sink. So if this was our kitchen, if we ever like you can have your own. I can have mine if we ever get into a fight then this can be like my own kitchen. Why are we gonna bring in a fight right now? So I'm cooking anyway. You're grilling most of the time, So what are you even talking about? My kitchen? That's my kitchen. You can just take the small sink. That's fine. It's always good to have your own space right there, so anyways. Thank you guys for watching. We hope to see you soon and if you have any questions please click the link below. It'll lead you to our website, house, YouTube and all of the social media is so nice to have you guys. We'll see you soon. Thanks bye bye-bye.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Nestled in the treetops overlooking Lake Sarah, this second-story addition was designed as both a retreat and an extension of home. Elevated above the shoreline, the new spaces immerse the homeowners in the beauty of their surroundings while supporting the rhythm of daily life. The addition introduces a private guest en-suite for visiting family and friends, a quiet office for focused work, a cozy lounge for gathering, a dedicated ceramic studio for making, and an outdoor patio that connects seamlessly to views of the lake and woods. Every space reflects the homeowners’ lifestyle—places where creativity can flourish, where moments of reflection are possible, and where memories with friends and family can be made. Natural light, framed views, and a strong connection to the outdoors guided the design, ensuring that each room feels both purposeful and restorative. Outside, durable cement board siding, anodized aluminum Marvin windows, and composite decking ensure lasting performance. Inside, walnut flooring and custom millwork bring warmth and texture, balancing comfort with modern practicality This project goes beyond adding square footage. It creates a sanctuary—an elevated experience of home where living, creating, and connecting come together in the treetops.

This cozy living room area features a wood-burning stove, as well as a comfortable upholstered lounge chair and an elegant antique writing desk. WKD’s experience in historic preservation and antique curation restored this gentleman’s farm into a casual, comfortable, livable home for the next chapter in this couple’s lives. The project included a new family entrance and mud room, new powder room, and opening up some of the rooms for better circulation. While WKD curated the client’s existing collection of art and antiques, refurbishing where necessary, new furnishings were also added to give the home a new lease on life. Working with older homes, and historic homes, is one of Wilson Kelsey Design’s specialties. This project was featured on the cover of Design New England's September/October 2013 issue. Read the full article at: http://wilsonkelseydesign.com/wp-content/uploads/2014/12/Heritage-Restored1.pdf It was also featured in the Sept. issue of Old House Journal, 2016 - article is at http://wilsonkelseydesign.com/wp-content/uploads/2016/08/2016-09-OHJ.pdf Photo by Michael Lee

This project was a joy to work on, as we married our firm’s modern design aesthetic with the client’s more traditional and rustic taste. We gave new life to all three bathrooms in her home, making better use of the space in the powder bathroom, optimizing the layout for a brother & sister to share a hall bath, and updating the primary bathroom with a large curbless walk-in shower and luxurious clawfoot tub. Though each bathroom has its own personality, we kept the palette cohesive throughout all three.

When my client had to move from her company office to work at home, she set up in the dining room. Despite her best efforts, this was not the long-term solution she was looking for. My client realized she needed a dedicated space not on the main floor of the home. On one hand, having your office space right next to the kitchen is handy. On the other hand, it made separating work and home life was not that easy. The house was a ranch. In essence, the basement would run entire length of the home. As we came down the steps, we entered a time capsule. The house was built in the 1950’s. The walls were covered with original knotty pine paneling. There was a wood burning fireplace and considering this was a basement, high ceilings. In addition, there was everything her family could not store at their own homes. As we wound though the space, I though “wow this has potential”, Eventually, after walking through the laundry room we came to a small nicely lit room. This would be the office. My client looked at me and asked what I thought. Undoubtedly, I said, this can be a great workspace, but do you really want to walk through this basement and laundry to get here? Without reservation, my client said where do we start? Once the design was in place, we started the renovation. The knotty pine paneling had to go. Specifically, to add some insulation and control the dampness and humidity. The laundry room wall was relocated to create a hallway to the office. At the far end of the room, we designated a workout zone. Weights, mats, exercise bike and television are at the ready for morning or afternoon workouts. The space can be concealed by a folding screen for party time. Doors to an old closet under the stairs were relocated to the workout area for hidden storage. Now we had nice wall for a beautiful console and mirror for storage and serving during parties. In order to add architectural details, we covered the old ugly support columns with simple recessed millwork panels. This detail created a visual division between the bar area and the seating area in front of the fireplace. The old red brick on the fireplace surround was replaced with stack stone. A mantle was made from reclaimed wood. Additional reclaimed wood floating shelves left and right of the fireplace provides decorative display while maintaining a rustic element balancing the copper end table and leather swivel rocker. We found an amazing rug which tied all of the colors together further defining the gathering space. Russet and burnt orange became the accent color unifying each space. With a bit of whimsy, a rather unusual light fixture which looks like roots from a tree growing through the ceiling is a conversation piece. The office space is quite and removed from the main part of the basement. There is a desk large enough for multiple screens, a small bookcase holding office supplies and a comfortable chair for conference calls. Because working from home requires many online meetings, we added a shiplap wall painted in Hale Navy to contrast with the orange fabric on the chair. We finished the décor with a painting from my client’s father. This is the background online visitors will see. The last and best part of the renovation is the beautiful bar. My client is an avid collector of wine. She already had the EuroCave refrigerator, so I incorporated it into the design. The cabinets are painted Temptation Grey from Benjamin Moore. The counter tops are my favorite hard working quartzite Brown Fantasy. The backsplash is a combination of rustic wood and old tin ceiling like porcelain tiles. Together with the textures of the reclaimed wood and hide poofs balanced against the smooth finish of the cabinets, we created a comfortable luxury for relaxing. There is ample storage for bottles, cans, glasses, and anything else you can think of for a great party. In addition to the wine storage, we incorporated a beverage refrigerator, an ice maker, and a sink. Floating shelves with integrated lighting illuminate the back bar. The raised height of the front bar provides the perfect wine tasting and paring spot. I especially love the pendant lights which look like wine glasses. Finally, I selected carpet for the stairs and office. It is perfect for noise reduction. Meanwhile for the overall flooring, I specifically selected a high-performance vinyl plank floor. We often use this product as it is perfect to install on a concrete floor. It is soft to walk on, easy to clean and does not reduce the overall height of the space.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Designed to maximize function with minimal impact, the studio serves up adaptable square footage in a wrapping almost healthy enough to eat. The open interior space organically transitions from personal to communal with the guidance of an angled roof plane. Beneath the tallest elevation, a sunny workspace awaits creative endeavors. The high ceiling provides room for big ideas in a small space, while a cluster of windows offers a glimpse of the structure’s soaring eave. Solid walls hugging the workspace add both privacy and anchors for wall-mounted storage. Towards the studio’s southern end, the ceiling plane slopes downward into a more intimate gathering space with playfully angled lines. The building is as sustainable as it is versatile. Its all-wood construction includes interior paneling sourced locally from the Wood Mill of Maine. Lengths of eastern white pine span up to 16 feet to reach from floor to ceiling, creating visual warmth from a material that doubles as a natural insulator. Non-toxic wood fiber insulation, made from sawdust and wax, partners with triple-glazed windows to further insulate against extreme weather. During the winter, the interior temperature is able to reach 70 degrees without any heat on. As it neared completion, the studio became a family project with Jesse, Betsy, and their kids working together to add the finishing touches. “Our whole life is a bit of an architectural experiment”, says Jesse, “but this has become an incredibly useful space.”

Here's what our clients from this project had to say: We LOVE coming home to our newly remodeled and beautiful 41 West designed and built home! It was such a pleasure working with BJ Barone and especially Paul Widhalm and the entire 41 West team. Everyone in the organization is incredibly professional and extremely responsive. Personal service and strong attention to the client and details are hallmarks of the 41 West construction experience. Paul was with us every step of the way as was Ed Jordon (Gary David Designs), a 41 West highly recommended designer. When we were looking to build our dream home, we needed a builder who listened and understood how to bring our ideas and dreams to life. They succeeded this with the utmost honesty, integrity and quality! 41 West has exceeded our expectations every step of the way, and we have been overwhelmingly impressed in all aspects of the project. It has been an absolute pleasure working with such devoted, conscientious, professionals with expertise in their specific fields. Paul sets the tone for excellence and this level of dedication carries through the project. We so appreciated their commitment to perfection...So much so that we also hired them for two more remodeling projects. We love our home and would highly recommend 41 West to anyone considering building or remodeling a home.

When my client had to move from her company office to work at home, she set up in the dining room. Despite her best efforts, this was not the long-term solution she was looking for. My client realized she needed a dedicated space not on the main floor of the home. On one hand, having your office space right next to the kitchen is handy. On the other hand, it made separating work and home life was not that easy. The house was a ranch. In essence, the basement would run entire length of the home. As we came down the steps, we entered a time capsule. The house was built in the 1950’s. The walls were covered with original knotty pine paneling. There was a wood burning fireplace and considering this was a basement, high ceilings. In addition, there was everything her family could not store at their own homes. As we wound though the space, I though “wow this has potential”, Eventually, after walking through the laundry room we came to a small nicely lit room. This would be the office. My client looked at me and asked what I thought. Undoubtedly, I said, this can be a great workspace, but do you really want to walk through this basement and laundry to get here? Without reservation, my client said where do we start? Once the design was in place, we started the renovation. The knotty pine paneling had to go. Specifically, to add some insulation and control the dampness and humidity. The laundry room wall was relocated to create a hallway to the office. At the far end of the room, we designated a workout zone. Weights, mats, exercise bike and television are at the ready for morning or afternoon workouts. The space can be concealed by a folding screen for party time. Doors to an old closet under the stairs were relocated to the workout area for hidden storage. Now we had nice wall for a beautiful console and mirror for storage and serving during parties. In order to add architectural details, we covered the old ugly support columns with simple recessed millwork panels. This detail created a visual division between the bar area and the seating area in front of the fireplace. The old red brick on the fireplace surround was replaced with stack stone. A mantle was made from reclaimed wood. Additional reclaimed wood floating shelves left and right of the fireplace provides decorative display while maintaining a rustic element balancing the copper end table and leather swivel rocker. We found an amazing rug which tied all of the colors together further defining the gathering space. Russet and burnt orange became the accent color unifying each space. With a bit of whimsy, a rather unusual light fixture which looks like roots from a tree growing through the ceiling is a conversation piece. The office space is quite and removed from the main part of the basement. There is a desk large enough for multiple screens, a small bookcase holding office supplies and a comfortable chair for conference calls. Because working from home requires many online meetings, we added a shiplap wall painted in Hale Navy to contrast with the orange fabric on the chair. We finished the décor with a painting from my client’s father. This is the background online visitors will see. The last and best part of the renovation is the beautiful bar. My client is an avid collector of wine. She already had the EuroCave refrigerator, so I incorporated it into the design. The cabinets are painted Temptation Grey from Benjamin Moore. The counter tops are my favorite hard working quartzite Brown Fantasy. The backsplash is a combination of rustic wood and old tin ceiling like porcelain tiles. Together with the textures of the reclaimed wood and hide poofs balanced against the smooth finish of the cabinets, we created a comfortable luxury for relaxing. There is ample storage for bottles, cans, glasses, and anything else you can think of for a great party. In addition to the wine storage, we incorporated a beverage refrigerator, an ice maker, and a sink. Floating shelves with integrated lighting illuminate the back bar. The raised height of the front bar provides the perfect wine tasting and paring spot. I especially love the pendant lights which look like wine glasses. Finally, I selected carpet for the stairs and office. It is perfect for noise reduction. Meanwhile for the overall flooring, I specifically selected a high-performance vinyl plank floor. We often use this product as it is perfect to install on a concrete floor. It is soft to walk on, easy to clean and does not reduce the overall height of the space.

Our custom blown glass chandeliers are made totally custom to fit perfectly in your unique space. We work with you to capture the inner essence you wish to express. Our client wished to add color to their sun room. This Deep Cobalt chandelier looks absolutely brilliant, as the outside sun and internal light of the chandelier converge in a kaleidoscope of blue. The glass dining room table and casual wooden chairs combined with the outside forestry make for a phenomenal combination. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. It looks stunning over this wooden kitchen island. Our custom-made glass lighting fixtures are perfect for your foyer, entryway, stairwell, living room, dining room, kitchen, or any room in your home. All of our chandeliers and custom blown glass lighting is fully customizable and tailored to fit your unique space. No two works are the same, each piece is custom made exactly for you. This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle. This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle. We are a three generation family business, with over 50 years of experience. We have installations all over the world, for governments, civic memorials, public works, interior designers, decorators, architects, engineers, museums, art galleries, hotels, restaurants, corporations, corporate clients, businesses, ranches, oceanfront properties, apartment buildings, condominiums, and numerous private clients. This floral custom dining room chandelier chandelier looks like an upside down flower pot miraculously suspended in mid-air. The reds in the chandelier match the red painted walls, while the yellows bring out the bamboo floors and light wood dining room table and dining room chairs. There is also plenty of natural sunlight from big sky windows. This home is traditional with a touch of contemporary in the furniture. For this particular client living in Malibu, we procured for them a chandelier to fit the ultra-contemporary decor of their interior, enhance their home's natural light, and compliment the sun-abundant environment in which they live. 48" high x 72" long x 48" wide Colors shown: Orange, Fire Red, Yellow This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing effect. 48" high x 72" long x 48" wide Colors shown: Aqua Blue, Lime, Emerald Green, Violet This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing. 48" high x 48" wide x 24" deep These Opal White sconces seem to work in any space, as their internal lights cast a soft, agreeable glow. This particular pair adds a subtle touch to a forest view, and softens the juxtaposition between inside and out. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. 50" high x 46" wide x 26" deep This is a honey, wood, and grey sconce we produced for a client to accentuate a warm, wooden, yet contemporary feel. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. 72" high x 60" wide x 24" deep This wall sconce is simply fun. Vibrant colors play with each other, yet match because they fall in the same color spectrum, as the client's sitting room is transformed into a display of modern art. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. We serve the entire United States and Canada. We service all 50 states, including Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Florida, Miami, Coral Gables, South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin, Wyoming. In California, we specifically service Orange County, Los Angeles, LA County, and Malibu. Zip code 90210. In the Washington D.C. area, we specifically serve Alexandria, Arlington, Loudon, Bethesda, Upper Marlboro, Kalorama, and the Palisades. In Connecticut, we specifically serve Greenwich. Zip codes 22314 and 2203. Our custom made, blown glass chandeliers are functional glass art and can be customized for apartments, condos, a client’s foyer, living room, dining room, great room, family room, kitchen, kitchen island, even bathroom and bedroom. Our fully custom glass art chandeliers are all blown here in the United States of America. We customize them to go with all furnishings, including one’s mahogany dining room table, wood dining room table, contemporary dining room table, traditional dining room table, and modern dining room table. They also match one’s marble kitchen island, skylight, coffee table, custom wallpaper, other lighting fixtures, custom wall sconces, dining room chairs, marble countertops. They look phenomenal in large or small homes, and seaside villas. Ocean front properties are a speciality of ours as well. A closeup photo of the outdoor patio chandelier, displaying the incredible detail and craftsmanship in each individual piece. This picture is art unto itself. We provide full personalized service, including Lighting Design, Lighting Manufacturer, Custom Lighting, Custom Chandeliers, Multi-story Chandeliers, Multi-level Chandeliers, Glass Lighting, Pendant Lighting, Commercial Lighting, Residential Lighting, Blown Glass, Fused Glass, Bubble Glass Lighting, Bubble Chandeliers, Dining Room Lighting, Kitchen Pendants, Lighting Design Consultation. All chandeliers are hand crafted by our talented artists here in the USA. That’s right, all of our artists and craftsmen are here in the U.S. Each piece is a truly functional work of art. We like to think of it as art primarily, it just happens to be functional! It is true artistic creativity combined with engineering and architectural practicality. At Ethel A. Furman & Associates, the online gallery of GlassArt.net, you are the creator. We like to push the limits of light, color and texture, with our dramatic custom lighting and decor made from our exotic, fused & blown glass. As a lighting and glass manufacturer, Ethel A. Furman & Associates, the online gallery of GlassArt.net is as unique as the products we offer. We're small enough to provide an unparalleled level of service and craftsmanship. That said, we are large enough to handle residential and commercial jobs of any size. Not found everywhere, you can see our exotic materials displayed around the globe. Whether you have a vision or you're looking for one, or several, our artists can create something way beyond the expected. Let us create something exceptional for you. This is the chandelier in full of the previous closeup photo. We produced this vibrantly colored outdoor chandelier for a client's roofed patio area. Do not be deceived by the thin wires; we use taut, aircraft-strength cables that keep the chandelier stable in virtually any weather condition. Please again note the closeup photo of this chandelier, as it is exemplary of the world class quality we are so proud of in our glasswork. This totally fun sculpture was created for a client's wine cellar. Your vision is our direction. You are only restricted by the contents of your imagination. This client wished to have a tropical chandelier while also employing her favorite color: lavender. We played the opaque lavender horns with the transparent ruby and yellow, and green gourds for a wonderfully fun, tropical chandelier that also serve functions as the main dining room light. This is a closeup of an individual platter sconce. These can be used in a large group, like the previous picture, yet are equally elegant hanging alone. These are backlit, just like our chandeliers and other sconces, with ultra long-lasting, dimmable LEDs. Our custom glass art comes in any color and/or color combination imaginable, including purple, grey, clear, gold, silver, white, black, green, yellow, purple, taupe, turquoise, blue, baby blue, lavender, violet, red, and orange. Organic, perforated glass spheres with a lace-like texture. Made from our unique blown glass. Available as individual pendants or multi-pendant chandeliers. Multiple sizes and colors are available. Our modern Custom Glass Lighting perfect for your entryway, foyer, stairwell, living room, dining room, kitchen, and any room in your home. Our dramatic lighting that is fully customizable and tailored to fit your space perfectly. No two pieces are the same 72" high x 48" wide This eclectic and highly complex chandelier was designed to be reminiscent of a coral reef 96" high x 60" wide x 60" deep Absolutely humongous and stunning chandelier we produced for an javascript:;exceptionally large foyer. Appropriately dubbed "Autumn" because it reminds one of the leaves turning from green to red and slowly falling. We produced our spectacular "Summer Fire" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them. Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to the exact brightness to fit any mood. We produced our spectacular "Summer Fire" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them. Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to your exact specifications. We produced our spectacular "Miami Sunrise" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them. Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to the exact brightness to fit any mood. We produced our spectacular "Summer Fire" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them. Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to the exact brightness to fit any mood. Our blown glass chandeliers are made totally custom for your unique tastes and home. We work with you to not only capture the colors and style that fit your space perfectly, but also your unique desired “vibe.” Our client wished to add color to their sun room. This Deep Cobalt chandelier looks absolutely brilliant, as the outside sun and internal light of the chandelier converge in a kaleidoscope of blue. The glass dining room table and casual wooden chairs combined with the outside forestry make for a phenomenal combination. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. It looks stunning over this wooden kitchen island. Our custom-made glass lighting fixtures are perfect for your foyer, entryway, stairwell, living room, dining room, kitchen, or any room in your home. All of our chandeliers and custom blown glass lighting is fully customizable and tailored to fit your unique space. No two works are the same, each piece is custom made exactly for you. This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle. This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle. This floral custom dining room chandelier chandelier looks like an upside down flower pot miraculously suspended in mid-air. The reds in the chandelier match the red painted walls, while the yellows bring out the bamboo floors and light wood dining room table and dining room chairs. There is also plenty of natural sunlight from big sky windows. This home is traditional with a touch of contemporary in the furniture. For this particular client living in Malibu, we procured for them a chandelier to fit the ultra-contemporary decor of their interior, enhance their home's natural light, and compliment the sun-abundant environment in which they live. 48" high x 72" long x 48" wide Colors shown: Orange, Fire Red, Yellow This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing effect. 48" high x 72" long x 48" wide Colors shown: Aqua Blue, Lime, Emerald Green, Violet This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing. 48" high x 48" wide x 24" deep These Opal White sconces seem to work in any space, as their internal lights cast a soft, agreeable glow. This particular pair adds a subtle touch to a forest view, and softens the juxtaposition between inside and out. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. 50" high x 46" wide x 26" deep This is a honey, wood, and grey sconce we produced for a client to accentuate a warm, wooden, yet contemporary feel. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. 72" high x 60" wide x 24" deep This wall sconce is simply fun. Vibrant colors play with each other, yet match because they fall in the same color spectrum, as the client's sitting room is transformed into a display of modern art. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. We serve the entire United States and Canada. We service all 50 states, including Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Florida, Miami, Coral Gables, South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin, Wyoming. In California, we specifically service Orange County, Los Angeles, LA County, and Malibu. Zip code 90210. In the Washington D.C. area, we specifically serve Alexandria, Arlington, Loudon, Bethesda, Upper Marlboro, Kalorama, and the Palisades. In Connecticut, we specifically serve Greenwich. Zip codes 22314 and 2203. Our custom made, blown glass chandeliers are functional glass art and can be customized for apartments, condos, a client’s foyer, living room, dining room, great room, family room, kitchen, kitchen island, even bathroom and bedroom. Our fully custom glass art chandeliers are all blown here in the United States of America. We customize them to go with all furnishings, including one’s mahogany dining room table, wood dining room table, contemporary dining room table, traditional dining room table, and modern dining room table. They also match one’s marble kitchen island, skylight, coffee table, custom wallpaper, other lighting fixtures, custom wall sconces, dining room chairs, marble countertops. They look phenomenal in large or small homes, and seaside villas. Ocean front properties are a speciality of ours as well. A closeup photo of the outdoor patio chandelier, displaying the incredible detail and craftsmanship in each individual piece. This picture is art unto itself. We provide full personalized service, including Lighting Design, Lighting Manufacturer, Custom Lighting, Custom Chandeliers, Multi-story Chandeliers, Multi-level Chandeliers, Glass Lighting, Pendant Lighting, Commercial Lighting, Residential Lighting, Blown Glass, Fused Glass, Bubble Glass Lighting, Bubble Chandeliers, Dining Room Lighting, Kitchen Pendants, Lighting Design Consultation. All chandeliers are hand crafted by our talented artists here in the USA. That’s right, all of our artists and craftsmen are here in the U.S. Each piece is a truly functional work of art. We like to think of it as art primarily, it just happens to be functional! It is true artistic creativity combined with engineering and architectural practicality. At Ethel A. Furman & Associates, the online gallery of GlassArt.net, you are the creator. We like to push the limits of light, color and texture, with our dramatic custom lighting and decor made from our exotic, fused & blown glass. As a lighting and glass manufacturer, Ethel A. Furman & Associates, the online gallery of GlassArt.net is as unique as the products we offer. We're small enough to provide an unparalleled level of service and craftsmanship. That said, we are large enough to handle residential and commercial jobs of any size. Not found everywhere, you can see our exotic materials displayed around the globe. Whether you have a vision or you're looking for one, or several, our artists can create something way beyond the expected. Let us create something exceptional for you. This is the chandelier in full of the previous closeup photo. We produced this vibrantly colored outdoor chandelier for a client's roofed patio area. Do not be deceived by the thin wires; we use taut, aircraft-strength cables that keep the chandelier stable, secure and safe.

Designed to embrace an extensive and unique art collection including sculpture, paintings, tapestry, and cultural antiquities, this modernist home located in north Scottsdale’s Estancia is the quintessential gallery home for the spectacular collection within. The primary roof form, “the wing” as the owner enjoys referring to it, opens the home vertically to a view of adjacent Pinnacle peak and changes the aperture to horizontal for the opposing view to the golf course. Deep overhangs and fenestration recesses give the home protection from the elements and provide supporting shade and shadow for what proves to be a desert sculpture. The restrained palette allows the architecture to express itself while permitting each object in the home to make its own place. The home, while certainly modern, expresses both elegance and warmth in its material selections including canterra stone, chopped sandstone, copper, and stucco. Project Details | Lot 245 Estancia, Scottsdale AZ Architect: C.P. Drewett, Drewett Works, Scottsdale, AZ Interiors: Luis Ortega, Luis Ortega Interiors, Hollywood, CA Publications: luxe. interiors + design. November 2011. Featured on the world wide web: luxe.daily Photos by Grey Crawford

Faced with extensive water damage to their home, the Patel’s turned to Cantoni designer Andrea Petor to infuse new life into their family’s beloved weekend retreat in Montgomery, Texas. Balancing the client’s minimalist wants with their love of hosting, Andrea created a cohesive design to accommodate their frequent guests and large extended family. Beginning with the kitchen remodel, Andrea worked with the Patel’s to identify the best layout for the space, understanding it would be used regularly for entertaining. To maximize storage space, Andrea designed custom floor to ceiling cabinetry finished in high gloss white lacquer. She selected Miele optic white appliances to enhance the sleek design. Andrea had a custom dining table built into the island to provide ample seating and ensure the entire family could enjoy meals together. The kitchen’s monochromatic color palette was carried throughout the interiors allowing the home’s beautiful waterfront views to take center stage. Adding richness and texture to each room, Andrea selected sculptural, modern furnishings to complete the space and bring the Patel’s vision to life.