Example of a mid-sized transitional enclosed carpeted and beige floor home theater design in Salt Lake City with gray walls and a wall-mounted tv

Joshua Hill
Example of a mid-sized minimalist wooden straight cable railing staircase design in DC Metro with wooden risers

Shiloh Cabinetry. Polar White, Inset
Kitchen - transitional kitchen idea in Manchester with white cabinets, beaded inset cabinets, marble countertops, white backsplash, marble backsplash and stainless steel appliances

The ground floor volumes wrapped in an elongated hand-fired brick, emphasizing the horizontality of the architecture that lays solidly on the land. (Photography by: Matthew Millman)

Hi friends! If you hadn’t put it together from the hashtag (#hansonranchoverhaul), this project was literally, quite the overhaul. This full-house renovation was so much fun to be a part of! Not only did we overhaul both the main and second levels, but we actually added square footage when we filled in a double-story volume to create an additional second floor bedroom (which in this case, will actually function as a home office). We also moved walls around on both the main level to open up the living/dining kitchen area, create a more functional powder room, and bring in more natural light at the entry. Upstairs, we altered the layout to accommodate two more spacious and modernized bathrooms, as well as larger bedrooms, one complete with a new walk-in-closet and one with a beautiful window seat built-in. This client and I connected right away – she was looking to update her '90s home with a laid-back, fresh, transitional approach. As we got into the finish selections, we realized that our picks were taking us in a bit of a modern farmhouse direction, so we went with it, and am I ever glad we did! I love the new wide-plank distressed hardwood throughout and the new shaker-style built-ins in the kitchen and bathrooms. I custom designed the fireplace mantle and window seat to coordinate with the craftsman 3-panel doors, and we worked with the stair manufacturer to come up with a handrail, spindle and newel post design that was the perfect combination of traditional and modern. The 2-tone stair risers and treads perfectly accomplished the look we were going for!

Brickmoon Design Residential Architecture, Gabriel Home Builders, Interior Design by Kennedi Design Group
Example of a large mountain style beige two-story stucco exterior home design in Houston

## I. Spatial Composition & Architectural Volume This is a compact urban salon organized with almost Miesian discipline around a single, decisive gesture: the L-configuration of low, tuxedo-armed banquette seating that hugs two perimeter walls and turns the room inward upon itself. The plan reads as a conversation pit without excavation—the seat heights are deliberately suppressed, the backs held low, so that the horizon of upholstery never competes with the aperture behind it. Above, a flat, unadorned plaster soffit-plane is held tight to the wall line, its perimeter reveal drawing a crisp shadow-gap that lets the ceiling appear to float free of the fabric-wrapped walls. The architectural protagonist is the millwork: a deep-jambed picture window recessed within a wide, radiused casing of pale rift-sawn oak, its returns thickened into a continuous window seat and low credenza that transitions seamlessly into flanking cabinetry. This joinery performs double duty as tectonic frame and furniture, resolving the corner where the sofa arm meets the wall with a fitted oak console rather than a leftover void. On the right, a taller oak portal—part case-goods, part passage—houses a monolithic dark media volume, its recessive blackness anchoring the composition's east edge and countering the pull of the glazing. Sightlines are carefully triangulated: the low furniture, the horizontal blind valance, and the parapet railing beyond stack into a series of registers that push the eye out over the rooftops, borrowing the cityscape as a fourth wall. ## II. Materiality, Color & Texture The palette is a study in warm neutrality calibrated across a very narrow tonal band, where interest is generated by texture rather than chroma. Walls are sheathed in a woven grasscloth or linen-weave wallcovering in oatmeal-taupe, its subtle grain absorbing light and lending the envelope a matte, tactile softness that reads almost suede-like in raking illumination. Against this, the oak millwork supplies a honeyed mid-tone with visible cathedral figure, satin-lacquered rather than glossed, so the wood glows without reflecting. Upholstery is a heavy natural linen in flax, deeply channel-tufted and biscuit-quilted—an insistent geometry of dimples and seams that catches light and prevents the mass from flattening. The textile program is where the room permits itself wit: indigo-and-ecru ikat or resist-dyed pillows introduce the only true saturation and the only irregular, hand-made mark; a wool blanket-stripe cushion in wheat, dove, and slate mediates between them; and the tailored roman shade and pinch-pleat drapery, in a subtly striated ombré weave of bronze, sand, and pewter, act as a tonal bridge between wall and wood. Below, the field shifts cool—an abrasi or silk-and-wool rug in ink and petrol blue, overlaid with a sinuous ogee lattice in muted gold, whose viscose sheen produces directional shimmer against the room's otherwise matte disposition. Leather appears twice, in caramel-toned saddle upholstery on the twin benches and ottoman, its topstitched panels and strap-pull detailing offering the crispest edge in the room; the espresso-stained coffee table and plinths supply the necessary chromatic bass note. A single celadon-and-blush ceramic vessel, with its banded, glazed belly, functions as a deliberate polychrome accent—an object of arrested attention within a rigorously restrained field. ## III. Lighting, Atmosphere & Style Profile Daylight is the primary luminaire and it is meticulously managed. The roman shade is dropped to roughly one-third, cropping the sky and glare while framing the mid-ground rooftops—a device that converts an ordinary window into a horizontal, cinematic panorama. Concealed cove or integrated LED lighting within the oak jamb washes the reveal from within, so the window surround reads as a self-illuminated frame and the transition from interior brightness to exterior daylight is softened rather than silhouetted; the same strategy grazes the wall panel behind the sofa, producing a gentle vertical gradient. Artificial light is otherwise almost entirely decorative and directional: a swing-arm wall sconce in antiqued brass with a domed, spun-metal shade cantilevers over the corner console, its low placement establishing a task-scaled pool of warmth and reinforcing the room's insistent horizontality. The resultant atmosphere is hushed, enveloping, and distinctly crepuscular—a lounge tuned for late-afternoon light and low conversation. Stylistically, the project synthesizes a mid-century modern armature—low-slung planar seating, tuxedo arms, brass and dark wood—with the tactile restraint of contemporary Warm Minimalism and a discernible strain of Japanese-influenced spatial editing: deep reveals, floating planes, an appreciation for the void, and objects placed with ikebana-like economy. One might classify it as Refined Urban Modernism, or a bespoke Warm Minimalism, in which luxury is expressed not through ornament but through the precision of joinery, the depth of the material palette, and the discipline with which the view is framed.

New Installation of Red Oak Wood, 3 1/4 in width. White-washed Bona Stain was used, Bona Finish, as well as Bona Traffic HD. **This photo is of the Red Oak Wood (3 1/4 inch) prior to the application of the white-washed Bona Stain.

Example of a mid-sized transitional dark wood floor and brown floor double front door design in Austin with gray walls and a black front door

Closet - country closet idea in Philadelphia

Inspiration for a mid-sized eclectic l-shaped enclosed kitchen remodel in Boston with an undermount sink, shaker cabinets, yellow cabinets, soapstone countertops and stainless steel appliances

Printed wallpaper, marble, and high-end finishes abound in these luxurious bathrooms designed by our Oakland studio: Designed by Oakland interior design studio Joy Street Design. Serving Alameda, Berkeley, Orinda, Walnut Creek, Piedmont, and San Francisco. For more about Joy Street Design, click here: https://www.joystreetdesign.com/ To learn more about this project, click here: https://www.joystreetdesign.com/portfolio/high-end-bathroom-houston

Imbue Design
Small minimalist front door photo in Salt Lake City with a medium wood front door

Floating staircase with steel mono-stringer and white oak treads as seen from below. The wood top rail seamlessly flows up the multi level staircase. Stairs and railings by Keuka Studios Photography by Dave Noonan

Custom Surface Solutions (www.css-tile.com) - Owner Craig Thompson (512) 430-1215. This project shows the remodel of a small 1950's vintage home master bathroom. 8"" x 18" Calcutta gold marble tile was used on the shower walls and floor wall base and ceramic gray penny tile on the floor. Shower includes curbless pan / floor, dual shower boxes, frameless glass slider, trough duel fixture sink and chrome fixtures.

Custom Surface Solutions (www.css-tile.com) - Owner Craig Thompson (512) 430-1215. This project shows new 12 x 24 tile installed vertically with offset layout pattern on wall and floor. Includes shower box with linear glass accent tile back and vertical glass accent band. Tile edges are finished with Schluter Jolly satin aluminum profile edge trim.

Example of a large classic u-shaped dark wood floor eat-in kitchen design in Minneapolis with a double-bowl sink, recessed-panel cabinets, white cabinets, white backsplash, stainless steel appliances, an island and black countertops

Location: New York, NY, United States This Loft was tastefully renovated back in the '90s, but was due for an update and an expansion of the kitchen and dining areas to accommodate the client's cooking skills and entertaining needs. EnlargIing the island and adding cabinetry to delineate the office, bar and dining areas was a priority. The bathroom was updated to feel like a tranquil spa with beautiful new tile, plumbing fixtures and cabinets. Our biggest challenge was coordinating the entire renovation while our client was out of town for the Summer! Photographed by: James Salomon