Inspiration for a timeless patio remodel in Orange County

Wall paint: Simply White, Benjamin Moore; chandelier: Harlow Smoked, Triple Seven Home; table and bench: Craigslist; chairs: Homestead Seattle; rug: Sonoma Jewels Rug, Abacasa; wall art: The Island, Minted; mirror: Stockholm Mirror, Ikea; credenza: Craigslist; sheep’s skin throw: Black Sheep (White Light); hardwood floors: Southern Pecan Natural, Home Depot Photo: Allie Crafton © 2016 Houzz Design: Annabode + Co

Bill Taylor
Example of a classic formal and open concept dark wood floor and coffered ceiling living room design in Boston with white walls, a standard fireplace and a stone fireplace

Tricia Shay Photography
Example of a mid-sized trendy formal and open concept dark wood floor and brown floor living room design in Milwaukee with a metal fireplace, white walls, a ribbon fireplace and a wall-mounted tv

Martha O'Hara Interiors, Interior Design | L. Cramer Builders + Remodelers, Builder | Troy Thies, Photography | Shannon Gale, Photo Styling Please Note: All “related,” “similar,” and “sponsored” products tagged or listed by Houzz are not actual products pictured. They have not been approved by Martha O’Hara Interiors nor any of the professionals credited. For information about our work, please contact design@oharainteriors.com.

John Evans
Inspiration for a huge timeless u-shaped dark wood floor kitchen remodel in Columbus with beaded inset cabinets, white cabinets, white backsplash, paneled appliances, an island, granite countertops and stone tile backsplash

Donna Griffith for House and Home Magazine
Small elegant carpeted family room photo in Toronto with blue walls and a standard fireplace

Cooking for Two Location: Plymouth, MN, United States When this couple’s last child graduated from college they began the process of looking for a new home. After a lengthy search they decided to stay with the neighborhood they loved, saving money by remodeling rather than starting over. The top priorities on their wish list were adding character to their 1990’s era home with a classic white kitchen and a larger island while keeping within the existing footprint. With the intention of honing their cooking skills, they were also considering better appliances and two ovens. Challenges and Solutions Design a larger island with seating for at least two. The existing island was small and the area behind the seating was less than recommended clearances. To solve this challenge, the seating area of the island was extended out into the open area of the kitchen. This created a larger island with seating for three, extra storage and a bookshelf across from the range. The original kitchen had a range with microwave above, so adding another oven was a challenge with limited wall space. Because the adjoining dining room is used infrequently, the homeowner was open to placing the second oven and microwave in the walkway. This made room for the small buffet between the built in refrigerator and ovens, creating one of her favorite areas. The client requested a white painted kitchen but wanted to make sure it had warmth and character. To achieve this the following elements were chosen: 1) Cabinets painted with Benjamin Moore Capitol White, a luminous and warm shade of white. 2) The Range hood was painted with warm metallic shades to reflect the bronze of the Ashley Norton hardware. 3) Black Aqua Grantique granite was chosen for countertops because it looks like soapstone and adds contrast. 4) Walker Zanger Café tile in Latte was chosen for it’s handmade look with uneven edges. 5) The to-the-counter-cabinet with glass door shows off serving dishes and lends sophisticated charm. The result is a welcoming classic kitchen, where this couple enjoys cooking more often and sharpening their skills with gourmet appliances. Liz Schupanitz Designs Photographed by: Andrea Rugg Photography

Ryann Ford
Country two-story mixed siding exterior home idea in Austin

Photograph by Pete Sieger
Open concept kitchen - mid-sized country l-shaped medium tone wood floor open concept kitchen idea in Minneapolis with a drop-in sink, shaker cabinets, medium tone wood cabinets, wood countertops, brown backsplash, white appliances and an island

http://alangastelum.com
Small eclectic master medium tone wood floor bedroom photo in New York with white walls and no fireplace

©toddhaiman2014
Design ideas for a mid-sized transitional shade backyard gravel garden path in New York for spring.

Espaliered apple trees were used as a living fence for this garden space. The raised planting beds are built of cedar planking for extra height in the raised beds.

Arts and crafts deck photo in Other with a roof extension and a fireplace

Photographed by Kyle Caldwell
Eat-in kitchen - large modern l-shaped light wood floor and brown floor eat-in kitchen idea in Salt Lake City with white cabinets, solid surface countertops, multicolored backsplash, mosaic tile backsplash, stainless steel appliances, an island, white countertops, an undermount sink and flat-panel cabinets

Kitchen in Trailside View | Refined Transitional Home in Scottsdale, AZ | Room Type: Whole Home Remodel and Furnishings | Project Name: Trailside View Residence | Key Feature: A full home remodel and furnishings project anchored by white oak cabinetry and countertops, where the clients gave Living with Lolo real creative freedom to play with bold fabrics, wallpapers, and drapery that most homeowners would talk themselves out of. Challenge: Transitional design can play it safe by default, neutral palette, inoffensive finishes, nothing that makes you catch your breath. The remodel needed a strong foundation that felt refined and timeless, but the clients wanted more than that. They wanted a home with personality, and the challenge was channeling that creative openness into something cohesive rather than chaotic. Solution: Living with Lolo used white oak cabinetry and countertops to ground the remodel in warmth and quiet sophistication, then let the soft goods carry the personality. Bold fabric choices, expressive wallpapers, and thoughtful drapery gave each room its own moment without losing the thread that connected the whole home. Because the remodel and furnishings were managed together under one roof, the bolder design choices landed the way they were intended to rather than feeling like afterthoughts layered onto a finished renovation. Materials: White oak cabinetry, white oak countertops, curated wallpapers, bold upholstery fabrics, custom drapery, and layered accessories sourced through Living with Lolo's trade relationships. Budget: $250,000 to $550,000 | Timeline: Approximately 5 to 9 months from design through completion.

The End of the Ultra-Slim Wedding Suit For several years, men’s formalwear was dominated by narrow lapels, short jackets and trousers cut close to the leg. The style created a sharp outline, but it often left little room for sitting, dancing or eating comfortably. Current tailoring is moving towards a more balanced shape, with cleaner shoulders, a defined waist and trousers that follow the leg without gripping it.This change does not mean that wedding suits have become oversized. The newer approach sits between skinny and loose. It keeps the structure expected of formal clothing while allowing the cloth to hang properly. For grooms, that balance is useful during a day that may involve a ceremony, photographs, dinner and several hours on the dance floor. Look For Shape Rather Than Tightness A well-fitted suit should create a clear outline without relying on tension. Collections of Marc Darcy suits include tailored three-piece designs, checks and textured fabrics that suit the current preference for visible structure and considered proportions. The jacket should sit close enough to define the waist, but the front button should fasten without pulling the cloth into an X-shaped crease. At the shoulders, the seam should finish close to the natural shoulder point. Extra width can make the jacket look borrowed, while a shoulder that is too narrow may cause the upper sleeve to collapse. Fit should be assessed while moving as well as standing. Reach forward, sit down and raise both arms. A tailored jacket will never feel like casual sportswear, but it should allow the groom to carry out ordinary movements without sharp restriction across the back or chest. Give The Jacket Enough Length Very short suit jackets became common alongside skinny trousers, but they can disrupt the proportions of a three-piece outfit. If the jacket finishes too high, the waistcoat may appear longer than the outer layer and the trousers may look as though they begin too low. A more traditional jacket length usually covers most of the seat and divides the body more evenly. This can make the legs appear longer without shortening the jacket excessively. The correct length depends on height and body proportions, so two men wearing the same chest size may still need different jacket lengths. View the suit from the back and side rather than relying on a front-facing mirror. The vents should lie flat, and the hem should not lift away from the body. A side photograph can reveal an unbalanced jacket more clearly than the changing-room mirror. Choose Trousers That Fall Cleanly The move away from very tight tailoring is most noticeable in suit trousers. A modern tailored leg can still be neat at the ankle, but it should provide enough room through the seat and thigh for the fabric to fall without horizontal lines. Trouser pockets offer a useful fit check. If they pull open while standing, the waist or hips may be too tight. The fly should lie flat, and the waistband should remain in place without depending on an overtightened belt. Higher-rise trousers can work particularly well with a waistcoat because they reduce the chance of shirt fabric appearing between the two pieces. The hem should make gentle contact with the shoe rather than gathering heavily around it. A short hem can work with narrow trousers but taking it too far may make the suit look dated once the current cropped style moves on. A slight break is easier to wear with different formal shoes and tends to look balanced in full-length wedding photographs. Let The Waistcoat Support the Silhouette A waistcoat adds structure through the centre of the outfit, but only when it fits correctly. It should lie flat against the shirt and cover the trouser waistband. Tightening the back strap cannot correct a waistcoat that is the wrong size or too short. Current three-piece styling often places greater emphasis on the waistcoat. Double-breasted designs, contrasting fabrics and wider openings can distinguish the groom without requiring a brightly coloured jacket. When the groom removes the jacket later, the waistcoat keeps the outfit looking complete. Allow room for a full meal and several hours of wear. A waistcoat that feels acceptably close during a brief fitting may become uncomfortable at dinner. Sit down with every button fastened and check whether the lower edge presses into the waist or causes the front to bow. Use Stronger Lapels Carefully Wider notch and peak lapels are returning after years of extremely narrow designs. A broader lapel can frame the shirt and tie, balance the shoulders and give the jacket a more formal character. Peak lapels create a particularly strong line on double-breasted jackets and evening suits. The lapel width should still suit the wearer. A very broad lapel can overwhelm a smaller frame, while an extremely narrow one may look out of proportion on a broad chest. The shirt collar, tie width and lapel should relate to one another without matching exactly. A wider lapel also leaves less need for decorative extras. A simple buttonhole flower or plain pocket square may be enough. Large lapel pins can crowd the upper part of the jacket, especially when the cloth already contains a check. Avoid Buying According to the Size Label Alone The same labelled size can fit differently across designs because cut, fabric and construction affect the garment. Begin with accurate chest, waist, inside-leg and approximate jacket-length measurements. Compare those figures with the retailer’s size information rather than ordering the size worn in another brand without checking. If the jacket fits at the shoulders but needs slight shaping through the waist, a tailor can often make the adjustment. Sleeves and trouser hems are also commonly altered. Major changes to the shoulder line or jacket length are more difficult and may not be economical. Do not choose the smallest size that can be fastened. A suit that looks tight in the fitting room is unlikely to become more comfortable during a long wedding day. Cloth should skim the body and return to a clean position after movement. Balance a checked suit with simple styling Texture and checks remain popular in wedding tailoring, particularly for country houses, converted barns and traditional venues. These fabrics already add depth to the outfit, so the cut should remain controlled and the accessories relatively quiet. A plain white, pale blue or cream shirt gives a checked suit a clear foundation. Choose a tie from one of the secondary colours in the cloth rather than introducing another strong pattern. A white pocket square works when the suit contains several shades and does not need further decoration. Shoes should support the proportions of the trousers. A very slim shoe may appear too small beneath a fuller hem, while a heavy casual sole can pull attention away from the tailoring. Oxfords, Derbies and refined brogues usually provide enough visual weight without looking bulky. Coordinate the wedding party without forcing one fit Matching groomsmen suits can become difficult when every member of the party has a different build. Insisting on an identical close fit may leave some men comfortable and others visibly restricted. A better approach is to keep the cloth, colour and main design consistent while adjusting jacket and trouser sizes for each person. The groom can stand apart through a waistcoat, lapel shape or accessory rather than wearing a suit cut much tighter than everyone else. This creates a connection across the group without treating one silhouette as suitable for every body. Arrange fittings early enough to identify size and alteration issues. Group orders should be checked well before the wedding, particularly when trousers need hemming or jackets require sleeve adjustments. Each person should try the complete outfit with the intended shirt and shoes. Judge the suit by the whole day A wedding fitting often lasts less than half an hour, while the suit may be worn for twelve hours or more. Comfort should therefore be tested under realistic conditions. Sit for several minutes, walk upstairs and check the waistband after moving around. Pay attention to the parts that cannot be seen clearly in a mirror. The collar should remain close to the shirt at the back of the neck. Jacket vents should not pull apart, and the trouser seat should follow the body without sagging or strain. The current move towards balanced tailoring gives grooms more room to choose clothes that look formal without feeling restrictive. Clean shoulders, a shaped jacket and trousers with a natural fall will outlast extreme proportions. A suit that allows the groom to stand, sit and celebrate comfortably is also more likely to look composed in photographs taken throughout the day.

Inspiration for a large farmhouse open concept marble floor living room remodel in Mumbai with multicolored walls