Photograph by Michael K. Wilkinson
Example of a large classic open concept living room design in DC Metro with white walls and no fireplace

Tucked neatly into an existing bay of the barn, the open kitchen is a comfortable hub of the home. Rather than create a solid division between the kitchen and the children's TV area, Franklin finished only the lower portion of the post-and-beam supports. The ladder is one of the original features of the barn that Franklin could not imagine ever removing. Cleverly integrated into the support post, its original function allowed workers to climb above large haystacks and pick and toss hay down a chute to the feeding area below. Franklin's children, 10 and 14, also enjoy this aspect of their home. "The kids and their friends run, slide, climb up the ladder and have a ton of fun," he explains, "It’s a barn! It is a place to share with friends and family." Adrienne DeRosa Photography

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Rustic built-in bunk beds incorporated into the design allow a cozy spot for dream and play while still retaining the original design aesthetic. Endcap shelving solves the inevitable need for space for books and toys. Rods give this art display a more substantial look than wires. Their darker metallic color contrasts with the white wall and picks up the darker wood tones in this boys’ bedroom. ©Shoot2Sell Photography

Our remodeled 1994 Deck House was a stunning hit with our clients. All original moulding, trim, truss systems, exposed posts and beams and mahogany windows were kept in tact and refinished as requested. All wood ceilings in each room were painted white to brighten and lift the interiors. This is the view looking from the living room toward the kitchen. Our mid-century design is timeless and remains true to the modernism movement.

This modern lake house is located in the foothills of the Blue Ridge Mountains. The residence overlooks a mountain lake with expansive mountain views beyond. The design ties the home to its surroundings and enhances the ability to experience both home and nature together. The entry level serves as the primary living space and is situated into three groupings; the Great Room, the Guest Suite and the Master Suite. A glass connector links the Master Suite, providing privacy and the opportunity for terrace and garden areas. Won a 2013 AIANC Design Award. Featured in the Austrian magazine, More Than Design. Featured in Carolina Home and Garden, Summer 2015.

French country exterior home photo in Birmingham with a hip roof

Love the variation in this tile from Sonoma tileworks! This client wanted a warm kitchen without any gray. The countertops have a warm veining pattern to go with the brown wood tones and we added some rustic/industrial details to make it feel like the client's mountain cabin.

Transitional brown floor and dark wood floor living room photo in Charlotte with gray walls, a standard fireplace, a stacked stone fireplace and a wall-mounted tv

Example of a mid-sized classic master black and white tile and marble tile porcelain tile and multicolored floor bathroom design in Vancouver with a one-piece toilet, white walls, a pedestal sink and a hinged shower door

Photo: Sean Litchfield
Example of a mid-sized trendy wooden curved staircase design in New York with metal risers

Photo by: Mike P Kelley Styling by: Jennifer Maxcy, hoot n anny home
Home gym - traditional blue floor home gym idea in Los Angeles with green walls

Mark Lohman Photography
Large beach style master blue tile and subway tile porcelain tile and white floor bathroom photo in Orange County with an undermount sink, beige cabinets, blue walls, shaker cabinets, a two-piece toilet, onyx countertops and a hinged shower door

Bedroom - transitional bedroom idea in Charlotte

Tim Krueger Photographer
Example of a trendy l-shaped eat-in kitchen design in Orange County with a farmhouse sink, shaker cabinets, white cabinets, quartz countertops, white backsplash, ceramic backsplash and stainless steel appliances

By moving the exterior wall to the patio out two feet, we were able to create an open kitchen/dining/living space in perfect proportion for this mid-century style home. This extra space allowed us to transform the existing galley kitchen into a U-shape with a peninsula bar. The blue base cabinets pack a punch of color, while the white uppers and backsplash create a light and airy space that looks bigger than the actual square footage.

Taylor Photography
Inspiration for a large timeless dark wood floor bedroom remodel in Philadelphia with gray walls

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Transitional l-shaped dark wood floor, brown floor and exposed beam kitchen photo in Chicago with an undermount sink, shaker cabinets, black cabinets, white backsplash, black appliances, an island and white countertops