Clark Dugger Photography
Example of a mid-sized classic u-shaped medium tone wood floor eat-in kitchen design in Los Angeles with a farmhouse sink, recessed-panel cabinets, white cabinets, granite countertops, gray backsplash, ceramic backsplash, stainless steel appliances and an island

Example of a large transitional backyard stone patio design in DC Metro with a fireplace and no cover

Full-scale interior design, architectural consultation, kitchen design, bath design, furnishings selection and project management for a home located in the historic district of Chapel Hill, North Carolina. The home features a fresh take on traditional southern decorating, and was included in the March 2018 issue of Southern Living magazine. Read the full article here: https://www.southernliving.com/home/remodel/1930s-colonial-house-remodel Photo by: Anna Routh

Inquire About Our Design Services When we first started talking in the spring of 2015, I was impressed. She was witty, realistic, and understood that as much as she loves my shows on HGTV, design does not does not happen in 43 minutes! She told me about her space, and how she felt that her bedroom seemed “blah” to her. She had no retreat. Molly desperately longed for a place that she could spend time in, read in, play in and above all, relax in. What we did: Many people are terrified of hiring a designer. Rightfully so, they are investing a pretty penny in their homes. They want to make sure that everything, down to the last floral arrangement, is to their liking, because they will have to live it (and pay for it). Unfortunately, a client can unintentionally stifle a designer’s creativity through micro-management. This can produce lackluster results and ultimately cause more time (and money) to be spent on a project than is really necessary. With Molly, that was never an issue. Before she even showed me the room in question, she said that I could have full creative license to do what I needed to do to her bedroom. SAY WHAAH!? With Molly giving me complete creative freedom, I planned everything out and got down to business. The result: Bite-your-bottom-lip sexy. I don’t get jealous of too many of my clients’ spaces, but this one still takes my breath away every time I look at the pics! The craziest part was that by adding more furniture, it actually made the space feel larger. Molly and her husband Patrick loved the finished space, and promised me I will be back to finish the rest of the house! Here’s the highlights of the rest of the project: I came up with a space plan with three options. Next, we reviewed mood boards and fabric schemes that would work for both Molly and her hubby Patrick. We started with the bed. My goal was to add edge to its otherwise traditional style. We decided to spice things up by painting the trim work in the room black. We built in layers of lighting with dimmers. In a bedroom everything should be on dimmers, right? Right. We designed and customized bedding, chairs and window treatments. Together with Molly, we selected the most perfect wallpaper. This geometric “grasscloth” adds so much depth and dimension that was just missing before. What I love: That light fixture. I mean it is really, really amazing in person. The porcupine mirror. This thing came packaged like it was the hope diamond, and everyone was terrified to handle it. But it really became a highlight of the room.

William Short
Inspiration for a contemporary concrete floor great room remodel in Los Angeles with white walls and a two-sided fireplace

Example of a trendy home design design in Santa Barbara

Bathroom sink This project was featured in the February issue of Builder / Architect magazine 2011! Eric Roth Photography
Bathroom - coastal beige tile bathroom idea in Providence with an undermount sink, white cabinets, granite countertops, a two-piece toilet and flat-panel cabinets

A small full basement bathroom in our Modern Spanish-Style Revival project boasts a tiled focal vanity wall with floating shelves, brass details, and red penny floor tiles.

Photography By: Colleen Duffley
Inspiration for a coastal white tile bathroom remodel in Atlanta with beige walls

Designer Sarah Robertson of Studio Dearborn helped a neighbor and friend to update a “builder grade” kitchen into a personal, family space that feels luxurious and inviting. The homeowner wanted to solve a number of storage and flow problems in the kitchen, including a wasted area dedicated to a desk, too-little pantry storage, and her wish for a kitchen bar. The all white builder kitchen lacked character, and the client wanted to inject color, texture and personality into the kitchen while keeping it classic.

Full-scale interior design, architectural consultation, kitchen design, bath design, furnishings selection and project management for a home located in the historic district of Chapel Hill, North Carolina. The home features a fresh take on traditional southern decorating, and was included in the March 2018 issue of Southern Living magazine. Read the full article here: https://www.southernliving.com/home/remodel/1930s-colonial-house-remodel Photo by: Anna Routh

In this recent kitchen design and renovation project, these long time clients came to me originally, several years ago to start discussing the design of their kitchen. At that time, the kitchen in this 1800’s home included a kitchen that had been poorly remodeled in the 1980’s, so the kitchen had already lost most of it’s original charm. I created a design plan creating a beautiful large kitchen expanding the space into the adjacent rooms. My clients loved this design plan, but other home issues took precedence, so after a few additional years, my clients were now ready to start their kitchen project. Their overall goals for the property did change since we first looked at this project, my clients decided that they did not want to enlarge or expand the small kitchen by opening it up to the adjacent rooms. So, I went back to the drawing board to create a kitchen in the existing kitchen space that fulfilled their new goals and created a beautiful functional space within the existing kitchen space. This new design, like my former design, honored this home’s traditional architecture, but added a light, fresh feel to the space using updated colors and material selections. This design consisted of additional storage and cabinetry, additional countertop space, and a small space to sit. We added new cabinetry, appliances, electrical, plumbing, beautiful quartz countertops, glass backsplash tile, traditional lighting fixtures, and finished everything off using beautiful classic hardware elements. My clients are now in love with this new renovated kitchen space. It contains many of the elements of a much larger kitchen, and melds beautifully with the rest of the house which we have also designed renovated over the last few years. Finally my client’s get to enjoy their new kitchen space as much as they enjoy the rest of this beautiful home!

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

Example of a tuscan galley concrete floor kitchen design in San Francisco with a single-bowl sink, flat-panel cabinets, white cabinets, concrete countertops, blue backsplash, stainless steel appliances and an island

Eat-in kitchen - large traditional u-shaped dark wood floor and brown floor eat-in kitchen idea in Los Angeles with an undermount sink, multicolored backsplash, mosaic tile backsplash, stainless steel appliances, an island, flat-panel cabinets, white cabinets, solid surface countertops and gray countertops

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

Spacious Bedroom This project was featured in the February issue of Builder / Architect magazine 2011! Eric Roth Photography
Beach style kids' room photo in Providence with blue walls

Kids' room - large transitional gender-neutral carpeted and gray floor kids' room idea in Milwaukee with gray walls

Ben Benschneider
Inspiration for a large transitional u-shaped medium tone wood floor kitchen remodel in Seattle with recessed-panel cabinets, white cabinets, an island, quartzite countertops, white backsplash and stainless steel appliances