We transformed a chaotic master closet into a sanctuary of order and practicality. We understand that your busy routine can make it challenging to maintain organization, but with our personalized approach, we succeeded in turning disorder into harmony. Each garment finds its place, every accessory has its designated space. Discover the tranquility of an organized closet without compromising your hectic days. Make room for serenity in your daily life! Contact us now to transform your space and simplify your day-to-day.

It’s a 1928 Tudor home that has tons of vintage charm. The client is looking for an expanded Kitchen with Pantry, a dedicated Mudroom, and an additional Master Bedroom with bathroom. As well as updates throughout the home. They wanted something bright and inviting with a contemporary vintage vibe. The main objective for this 650 SF addition, was to expand the home with an addition that is homogeneous. The beloved style shall remain as true to form as possible with a seamless extension to accommodate additional program needs. The objective was to preserve as much of the existing materials removed during demolition. For the front facade, we mixed the salvaged brick from the demolition with new bricks having the same character. Allowing the addition to seamlessly ties into the existing home. We applied the same approach for the slate roof which also ties seamlessly with the existing. Careful consideration is paid to scale and materials; dormers mimic and complement the existing house and provide opportunities for second floor living under the eaves. The goal was to create rooms that feel spacious and livable yet in scale with the existing rooms. The addition maximizes the use of space and takes into consideration carefully designed details.

Tracy deShazo Interiors Location: Midlothian, VA, USA Aware of the financial investment clients put into their homes, I combine my business and design expertise while working with each client to understand their taste, enhance their style and create spaces they will enjoy for years to come. It’s been said that I have a “good” eye. I won’t discount that statement and I’d add I have an affinity to people, places and things that tell a story. My clients benefit from my passion and ability to turn their homes into finely curated spaces through the use of beautiful textiles, amazing lighting and furniture pieces that are as timeless as they are wonderfully unique. I enjoy the creative process and work with people who are building their dream homes, remodeling existing homes or desire a fresh take on a well lived-in space. I see the client–designer relationship as a partnership with a desire to deliver an end result that exceeds my client’s expectations. I approach each project with professionalism, unparalleled excitement and a commitment for designing homes that are as livable as they are beautiful.

The design intent for this graceful contemporary home was an approach toward minimalism, yet ensuring that the practical needs of day-to-day life could still be satisfied. Situated on a plateau atop a steep hill, the floor plan and glass walls beautifully incorporated the outdoor environment into the primary living spaces. The grounds were carpeted with sage and lavender. The contemporary color palette was in pale tones of white, graphite and titanium, complimented with white washed vertical grain oak. The vanity cabinets were of rift cut oak with a conversion varnish finish. Kitchen cabinets were conceived with open shelving in graphite with quartz counters. Project Architect: Lisa Wang. Wang Architecture Landscape Architect: Paul Leffingwell. Leffingwell and Associates Interior Design: Karen Goldberg. Studio G Design Structural Engineer: John Yadegar. JYASF Builder: Shahram Ghodsian. Trush Construction Company Photography: Jason Wells, Golden Gate Creative

Located on a marsh in the upper reaches of the Lieutenant River in Old Lyme, the existing house was well-sited and well-built, but the design failed to exploit the views and more importantly was a confused combination of contemporary and traditional elements. The new homeowners, a successful businesswoman and an accomplished artist and photographer, were interested in creating a fully-contemporary environment to open up space, connect indoors with outdoors, display artwork and showcase the husband’s distinctive photographs. One glaring deficiency was the curb appeal and approach sequence: the grade sloped down and the path to the house followed, but this led to an uncomfortable dip and abrupt rise to the front door. By creating a virtual “moat,” occupied by a grid of raised-bed grasses contained in aluminum-clad boxes, and spanning the moat with an ipe bridge, the approach becomes level and engaging. The façade of the existing house was blank and bland, and with no cover. Adding a deep overhang with a wide porch creates a welcoming, covered condition, accentuated by a 6’ wide pivoting front door that feels more like a moving piece of wall. Another deficiency was the connection to the outdoors. By adding glass to the front and back of the house, and removing interior walls selectively, the house takes on a diaphanous quality that allows one to see through to the marsh beyond, even when in the driveway. The raised-bed grasses act as abstract, geometric versions of the marsh beyond. A large, pyramidal skylight establishes a spatial hierarchy around which the rooms revolve. The house featured several tray-ceilinged spaces – living room, kitchen, and master bedroom – that were poorly-proportioned and with panels at the top that resembled inset flat panel doors. The solution was to use a different strategy for each: the bedroom turns the ceiling into an eggshell through the use of a creative trim detail; the living room has an oversized sculptural, backlit lighting element; and the kitchen has a collage of painted rectangular forms that support or include lighting pieces. A palette of concrete, blackened steel, stainless steel and colors carefully chosen by homeowner and architect create an interior and exterior environment punctuated by moments that are as artistic as the featured works in the black-ceilinged gallery.

Located on a marsh in the upper reaches of the Lieutenant River in Old Lyme, the existing house was well-sited and well-built, but the design failed to exploit the views and more importantly was a confused combination of contemporary and traditional elements. The new homeowners, a successful businesswoman and an accomplished artist and photographer, were interested in creating a fully-contemporary environment to open up space, connect indoors with outdoors, display artwork and showcase the husband’s distinctive photographs. One glaring deficiency was the curb appeal and approach sequence: the grade sloped down and the path to the house followed, but this led to an uncomfortable dip and abrupt rise to the front door. By creating a virtual “moat,” occupied by a grid of raised-bed grasses contained in aluminum-clad boxes, and spanning the moat with an ipe bridge, the approach becomes level and engaging. The façade of the existing house was blank and bland, and with no cover. Adding a deep overhang with a wide porch creates a welcoming, covered condition, accentuated by a 6’ wide pivoting front door that feels more like a moving piece of wall. Another deficiency was the connection to the outdoors. By adding glass to the front and back of the house, and removing interior walls selectively, the house takes on a diaphanous quality that allows one to see through to the marsh beyond, even when in the driveway. The raised-bed grasses act as abstract, geometric versions of the marsh beyond. A large, pyramidal skylight establishes a spatial hierarchy around which the rooms revolve. The house featured several tray-ceilinged spaces – living room, kitchen, and master bedroom – that were poorly-proportioned and with panels at the top that resembled inset flat panel doors. The solution was to use a different strategy for each: the bedroom turns the ceiling into an eggshell through the use of a creative trim detail; the living room has an oversized sculptural, backlit lighting element; and the kitchen has a collage of painted rectangular forms that support or include lighting pieces. A palette of concrete, blackened steel, stainless steel and colors carefully chosen by homeowner and architect create an interior and exterior environment punctuated by moments that are as artistic as the featured works in the black-ceilinged gallery.

Located on a marsh in the upper reaches of the Lieutenant River in Old Lyme, the existing house was well-sited and well-built, but the design failed to exploit the views and more importantly was a confused combination of contemporary and traditional elements. The new homeowners, a successful businesswoman and an accomplished artist and photographer, were interested in creating a fully-contemporary environment to open up space, connect indoors with outdoors, display artwork and showcase the husband’s distinctive photographs. One glaring deficiency was the curb appeal and approach sequence: the grade sloped down and the path to the house followed, but this led to an uncomfortable dip and abrupt rise to the front door. By creating a virtual “moat,” occupied by a grid of raised-bed grasses contained in aluminum-clad boxes, and spanning the moat with an ipe bridge, the approach becomes level and engaging. The façade of the existing house was blank and bland, and with no cover. Adding a deep overhang with a wide porch creates a welcoming, covered condition, accentuated by a 6’ wide pivoting front door that feels more like a moving piece of wall. Another deficiency was the connection to the outdoors. By adding glass to the front and back of the house, and removing interior walls selectively, the house takes on a diaphanous quality that allows one to see through to the marsh beyond, even when in the driveway. The raised-bed grasses act as abstract, geometric versions of the marsh beyond. A large, pyramidal skylight establishes a spatial hierarchy around which the rooms revolve. The house featured several tray-ceilinged spaces – living room, kitchen, and master bedroom – that were poorly-proportioned and with panels at the top that resembled inset flat panel doors. The solution was to use a different strategy for each: the bedroom turns the ceiling into an eggshell through the use of a creative trim detail; the living room has an oversized sculptural, backlit lighting element; and the kitchen has a collage of painted rectangular forms that support or include lighting pieces. A palette of concrete, blackened steel, stainless steel and colors carefully chosen by homeowner and architect create an interior and exterior environment punctuated by moments that are as artistic as the featured works in the black-ceilinged gallery.

Bryan Chavez Photography River City Custom Homes - RounTrey - 2015 Homearama Farmhouse with a Modern Vibe Gold Winner - Master Suite Aware of the financial investment clients put into their homes, I combine my business and design expertise while working with each client to understand their taste, enhance their style and create spaces they will enjoy for years to come. It’s been said that I have a “good” eye. I won’t discount that statement and I’d add I have an affinity to people, places and things that tell a story. My clients benefit from my passion and ability to turn their homes into finely curated spaces through the use of beautiful textiles, amazing lighting and furniture pieces that are as timeless as they are wonderfully unique. I enjoy the creative process and work with people who are building their dream homes, remodeling existing homes or desire a fresh take on a well lived-in space. I see the client–designer relationship as a partnership with a desire to deliver an end result that exceeds my client’s expectations. I approach each project with professionalism, unparalleled excitement and a commitment for designing homes that are as livable as they are beautiful.

Located on a marsh in the upper reaches of the Lieutenant River in Old Lyme, the existing house was well-sited and well-built, but the design failed to exploit the views and more importantly was a confused combination of contemporary and traditional elements. The new homeowners, a successful businesswoman and an accomplished artist and photographer, were interested in creating a fully-contemporary environment to open up space, connect indoors with outdoors, display artwork and showcase the husband’s distinctive photographs. One glaring deficiency was the curb appeal and approach sequence: the grade sloped down and the path to the house followed, but this led to an uncomfortable dip and abrupt rise to the front door. By creating a virtual “moat,” occupied by a grid of raised-bed grasses contained in aluminum-clad boxes, and spanning the moat with an ipe bridge, the approach becomes level and engaging. The façade of the existing house was blank and bland, and with no cover. Adding a deep overhang with a wide porch creates a welcoming, covered condition, accentuated by a 6’ wide pivoting front door that feels more like a moving piece of wall. Another deficiency was the connection to the outdoors. By adding glass to the front and back of the house, and removing interior walls selectively, the house takes on a diaphanous quality that allows one to see through to the marsh beyond, even when in the driveway. The raised-bed grasses act as abstract, geometric versions of the marsh beyond. A large, pyramidal skylight establishes a spatial hierarchy around which the rooms revolve. The house featured several tray-ceilinged spaces – living room, kitchen, and master bedroom – that were poorly-proportioned and with panels at the top that resembled inset flat panel doors. The solution was to use a different strategy for each: the bedroom turns the ceiling into an eggshell through the use of a creative trim detail; the living room has an oversized sculptural, backlit lighting element; and the kitchen has a collage of painted rectangular forms that support or include lighting pieces. A palette of concrete, blackened steel, stainless steel and colors carefully chosen by homeowner and architect create an interior and exterior environment punctuated by moments that are as artistic as the featured works in the black-ceilinged gallery.

My clients approached me with a building that had become run down over the years they were hoping to transform into a home office. The plaster walls and ceilings were cracking badly, the trim work was patchy, and there was an awkward flow to the second floor due to weird stairs in the back hallway. There were a ton of amazing elements to the building as well (that were an absolute must to maintain) like the beautiful main staircase, existing marble fireplace mantel and the double set of interior entry doors with a frosted glass design transom above. The extent of the construction on the interior included extensive demolition. Everything came down except for most of the interior walls and the second floor ceilings. We put in all brand new HVAC, electrical and plumbing. Blow-in-Blanket insulation was installed in all the perimeter walls, new drywall, trim, doors and flooring. The front existing windows were refinished. The exterior windows were replaced with vinyl windows, but the shape and sash locations were maintained in order to maintain the architectural integrity of the original windows. Exterior work included a new front porch. The side porch was refaced to match the front and both porches received new stamped concrete steps and platform. A new stamped concrete walkway from the street was put in as well. The building had a few doors that weren't being used anymore at the side and back. They were covered up with new Cape Cod siding to match the exterior window color.

Photography by: Caryn B. Davis This project included a two-story addition with a kitchen/dining area on the first floor and bedroom/bathroom on the second floor. The house is located on a gently sloping site surrounded by woods and meadows. The kitchen features grey lower cabinetry and white upper cabinetry with a subtle, rounded board and batten backsplash. The dining area features a large picture window flanked by double hungs that look out over the meadow. The upstairs bathroom shares a tub/shower with another bathroom in Jack-n-Jill fashion. Phase II will include first and second floor renovations and an expansive rear deck and stone terrace. John R. Schroeder, AIA is a professional design firm specializing in architecture, interiors, and planning. We have over 30 years experience with projects of all types, sizes, and levels of complexity. Because we love what we do, we approach our work with enthusiasm and dedication. We are committed to the highest level of design and service on each and every project. We engage our clients in positive and rewarding collaborations. We strive to exceed expectations through our attention to detail, our understanding of the “big picture”, and our ability to effectively manage a team of design professionals, industry representatives, and building contractors. We carefully analyze budgets and project objectives to assist clients with wise fund allocation. We continually monitor and research advances in technology, materials, and construction methods, both sustainable and otherwise, to provide a responsible, well-suited, and cost effective product. Our design solutions are highly functional using both innovative and traditional approaches. Our aesthetic style is flexible and open, blending cues from client desires, building function, site context, and material properties, making each project unique, personalized, and enduring.

My clients approached me with a building that had become run down over the years they were hoping to transform into a home office. The plaster walls and ceilings were cracking badly, the trim work was patchy, and there was an awkward flow to the second floor due to weird stairs in the back hallway. There were a ton of amazing elements to the building as well (that were an absolute must to maintain) like the beautiful main staircase, existing marble fireplace mantel and the double set of interior entry doors with a frosted glass design transom above. The extent of the construction on the interior included extensive demolition. Everything came down except for most of the interior walls and the second floor ceilings. We put in all brand new HVAC, electrical and plumbing. Blow-in-Blanket insulation was installed in all the perimeter walls, new drywall, trim, doors and flooring. The front existing windows were refinished. The exterior windows were replaced with vinyl windows, but the shape and sash locations were maintained in order to maintain the architectural integrity of the original windows. Exterior work included a new front porch. The side porch was refaced to match the front and both porches received new stamped concrete steps and platform. A new stamped concrete walkway from the street was put in as well. The building had a few doors that weren't being used anymore at the side and back. They were covered up with new Cape Cod siding to match the exterior window color.

The floating shelves are the perfect solution to display pieces from a minimalist approach. The interaction between the stone and shelves were designed using modern style techniques.

Well-traveled. Relaxed. Timeless. Our well-traveled clients were soon-to-be empty nesters when they approached us for help reimagining their Presidio Heights home. The expansive Spanish-Revival residence originally constructed in 1908 had been substantially renovated 8 year prior, but needed some adaptations to better suit the needs of a family with three college-bound teens. We evolved the space to be a bright, relaxed reflection of the family’s time together, revising the function and layout of the ground-floor rooms and filling them with casual, comfortable furnishings and artifacts collected abroad. One of the key changes we made to the space plan was to eliminate the formal dining room and transform an area off the kitchen into a casual gathering spot for our clients and their children. The expandable table and coffee/wine bar means the room can handle large dinner parties and small study sessions with similar ease. The family room was relocated from a lower level to be more central part of the main floor, encouraging more quality family time, and freeing up space for a spacious home gym. In the living room, lounge-worthy upholstery grounds the space, encouraging a relaxed and effortless West Coast vibe. Exposed wood beams recall the original Spanish-influence, but feel updated and fresh in a light wood stain. Throughout the entry and main floor, found artifacts punctate the softer textures — ceramics from New Mexico, religious sculpture from Asia and a quirky wall-mounted phone that belonged to our client’s grandmother.

Designers gave the house a wood-and-steel façade that blends traditional and industrial elements.Photography by Eric Hausman Designers gave the house a wood-and-steel façade that blends traditional and industrial elements. This home’s noteworthy steel shipping container construction material, offers a streamlined aesthetic and industrial vibe, with sustainable attributes and strength. Recycled shipping containers are fireproof, impervious to water and stronger than traditional building materials. Inside, muscular concrete walls, burnished cedar beams and custom oak cabinetry give the living spaces definition, decorative might, and storage and seating options. For more than 40 years, Fredman Design Group has been in the business of Interior Design. Throughout the years, we’ve built long-lasting relationships with our clients through our client-centric approach. When creating designs, our decisions depend on the personality of our clients—their dreams and their aspirations. We manifest their lifestyle by incorporating elements of design with those of our clients to create a unique environment, down to the details of the upholstery and accessories. We love it when a home feels finished and lived in, with various layers and textures. While each of our clients and their stories has varied over the years, they’ve come to trust us with their projects—whether it’s a single room to the larger complete renovation, addition, or new construction. They value the collaborative team that is behind each project, embracing the diversity that each designer is able to bring to their project through their love of art, travel, fashion, nature, history, architecture or film—ultimately falling in love with the nurturing environments we create for them. We are grateful for the opportunity to tell each of clients’ stories through design. What story can we help you tell? Call us today to schedule your complimentary consultation - 312-587-9184

This beautiful property is located in the hills above of Montecito with 360 degree of views onto the Channel Islands and the surrounding mountains. Inspired by the Japanese landscape design principal of the borrowed landscape the gardens on this property serves as a kind of picture frame from which to view the natural beauty of its surroundings. This 15-year-old costume-built home was crafted with all the style and workmanship ship found in Villa or Château in the Mediterranean. Unfortunately, the garden design was not as well thought out as the house was. Most of this property receives baking sun, drying winds and is in an extremely high fire danger area. Do to these factors many of the plants on the property were unsuitable for their location. The original planting scheme was also lifeless and colorless. Poor landscape maintenance had left many of the plants on the property sick and dying. We came in to revive this landscape, breathing new life into it. Creating a drought tolerant and fire wise landscape was of utmost importance to these clients. Staying true to the more formal landscape styles found in Southern Europe we also want to create an opportunity to design seamlessly blend with its natural surroundings. We did that by incorporating a lot of California native plants. This vast property also contains an avocado orchard and a vineyard. By adding California native plants the property is inviting in native birds and insects that help keep pollinate the orchard and vineyard and keep pest problems at bay. Because these clients enjoy harvesting from their land we added elements of edible landscaping to this project. We filled pottery and planter beds with fruit trees, culinary and medicinal herbs as well as flowers that can be used in cut flower arrangements. Lastly, we went through carefully pruning diseased plants, treating pest problems an improving the soil. Now the landscape is not only more beautiful it is more protected against fire, is more water wise and integrate into its surrounds with a wholistic approach.

Bryan Chavez Photography River City Custom Homes - RounTrey - 2015 Homearama Farmhouse with a Modern Vibe Gold Winner - Master Suite Aware of the financial investment clients put into their homes, I combine my business and design expertise while working with each client to understand their taste, enhance their style and create spaces they will enjoy for years to come. It’s been said that I have a “good” eye. I won’t discount that statement and I’d add I have an affinity to people, places and things that tell a story. My clients benefit from my passion and ability to turn their homes into finely curated spaces through the use of beautiful textiles, amazing lighting and furniture pieces that are as timeless as they are wonderfully unique. I enjoy the creative process and work with people who are building their dream homes, remodeling existing homes or desire a fresh take on a well lived-in space. I see the client–designer relationship as a partnership with a desire to deliver an end result that exceeds my client’s expectations. I approach each project with professionalism, unparalleled excitement and a commitment for designing homes that are as livable as they are beautiful.

Resting on a steep slope, this 4,000 square-foot residence boasts an expansive front deck from which beautiful views of the lake can be taken in. Having been in the family for decades, this renovation project looked at creating an outward looking living space with large entertaining areas. In keeping with the history of the camp, a classic approach to a shingle-style home was taken, for the main residence and two, small secondary structures, with forest green accents. Redeveloping the main level living spaces, a flowing system was generated that allowed for direct access to the outdoors and also allowed the light to enter the interior spaces. Energy efficiency of the entire residence was increased, changing this from a three-season to a four-season home. Beautiful views of the lake can be seen from the main gathering spaces as well as from the cathedral ceiling, master bedroom. Elevated to experience its prior glory, this lakeside camp is ideal for any size family gathering and guarantees amazing memories. Photographer: MTA

Bryan Chavez Photography River City Custom Homes - RounTrey - 2015 Homearama Farmhouse with a Modern Vibe Gold Winner - Master Suite Aware of the financial investment clients put into their homes, I combine my business and design expertise while working with each client to understand their taste, enhance their style and create spaces they will enjoy for years to come. It’s been said that I have a “good” eye. I won’t discount that statement and I’d add I have an affinity to people, places and things that tell a story. My clients benefit from my passion and ability to turn their homes into finely curated spaces through the use of beautiful textiles, amazing lighting and furniture pieces that are as timeless as they are wonderfully unique. I enjoy the creative process and work with people who are building their dream homes, remodeling existing homes or desire a fresh take on a well lived-in space. I see the client–designer relationship as a partnership with a desire to deliver an end result that exceeds my client’s expectations. I approach each project with professionalism, unparalleled excitement and a commitment for designing homes that are as livable as they are beautiful.