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TRAVERTINA has the elegant allure and subtle matte finish of the honed Travertine limestone used in the great masterpieces of Italian architecture. Modern, polished and sophisticated – wherever and however it is used – the TRAVERTINA slab brings luxury above all. Now available in ivory, rock garden brown and riviera colors to create your customized masterpiece.

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Bedroom - large eclectic guest carpeted and gray floor bedroom idea in Atlanta with pink walls and no fireplace
Bedroom - large eclectic guest carpeted and gray floor bedroom idea in Atlanta with pink walls and no fireplace

Step into this beautifully transformed bathroom, a serene blue and bold sanctuary nestled within a distinguished South Pasadena home. This space artfully marries modern indulgence with historical charm.
The first thing that captivates your attention is the gleaming brass fixtures from Brizo. These fixtures aren’t merely functional; they’re bold statement pieces that inject a layer of refined elegance. The brass showerhead, sink faucet, and bathtub faucet radiate against the calm backdrop.
Next to these radiant fixtures, you’ll find cabinets bathed in a soothing shade of sky blue. This tranquil hue instills a sense of serenity, transforming the bathroom into a peaceful oasis. This is the perfect place to start and end your day in the city of South Pasadena.
Contrasting the contemporary fixtures and cabinetry, the walls display traditional Tongue and Groove paneling. This classic design detail pays homage to the home’s rich history. When paired with the sky-blue cabinets, it ushers in a coastal, airy vibe.
As you venture further into the space, your gaze naturally falls onto the floor. Here, a striking chevron pattern captures the eye. The rhythmic alternation of tile shades creates a dynamic visual journey across the room.
The shower and the bathtub are enveloped in immaculate white quartz slabs. The subtle grey veins throughout the quartz radiate a spa-like ambiance. These serene elements, along with the white quartz, brass fixtures, sky-blue cabinets, and dynamic chevron tile flooring, harmonize perfectly.
Illuminating this exquisite ensemble is the soft, warm glow of strategically placed LED recessed lighting. These modern lights enhance every design detail, creating a cozy, inviting atmosphere. The LEDs highlight the textures and colors in the room, providing efficient and adjustable light.
Finally, in acknowledgment of the house’s historical lineage, the bathroom window has been custom-crafted. These windows invite an abundance of natural light, offering glimpses of the charming South Pasadena neighborhood. They fill the room with warmth, paying homage to the history and character of the city.
In summary, this ‘blue and bold’ bathroom stands as a testament to the seamless fusion of modern elements with historical charm. It showcases visually stunning aesthetics combined with practical functionality. Truly embodying the spirit of the city of South Pasadena.
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Our clients have a busy life so they wanted their inner city garden to be low fuss and look low fuss. They wanted outdoor spaces that looked relaxed, with a simple and soft palette of finishes that acknowledged their coastal location. The site conditions and their brief also called for plants that were hardy and that would tolerate the full sun and sandy soils. The structural finishes and the plant colours provide a harmonious blend and compliment the design choices of the interior.

Our clients have a busy life so they wanted their inner city garden to be low fuss and look low fuss. They wanted outdoor spaces that looked relaxed, with a simple and soft palette of finishes that acknowledged their coastal location. The site conditions and their brief also called for plants that were hardy and that would tolerate the full sun and sandy soils. The structural finishes and the plant colours provide a harmonious blend and compliment the design choices of the interior.

Our clients have a busy life so they wanted their inner city garden to be low fuss and look low fuss. They wanted outdoor spaces that looked relaxed, with a simple and soft palette of finishes that acknowledged their coastal location. The site conditions and their brief also called for plants that were hardy and that would tolerate the full sun and sandy soils. The structural finishes and the plant colours provide a harmonious blend and compliment the design choices of the interior.

Our clients have a busy life so they wanted their inner city garden to be low fuss and look low fuss. They wanted outdoor spaces that looked relaxed, with a simple and soft palette of finishes that acknowledged their coastal location. The site conditions and their brief also called for plants that were hardy and that would tolerate the full sun and sandy soils. The structural finishes and the plant colours provide a harmonious blend and compliment the design choices of the interior.

Our clients have a busy life so they wanted their inner city garden to be low fuss and look low fuss. They wanted outdoor spaces that looked relaxed, with a simple and soft palette of finishes that acknowledged their coastal location. The site conditions and their brief also called for plants that were hardy and that would tolerate the full sun and sandy soils. The structural finishes and the plant colours provide a harmonious blend and compliment the design choices of the interior.

Our clients have a busy life so they wanted their inner city garden to be low fuss and look low fuss. They wanted outdoor spaces that looked relaxed, with a simple and soft palette of finishes that acknowledged their coastal location. The site conditions and their brief also called for plants that were hardy and that would tolerate the full sun and sandy soils. The structural finishes and the plant colours provide a harmonious blend and compliment the design choices of the interior.

Our clients have a busy life so they wanted their inner city garden to be low fuss and look low fuss. They wanted outdoor spaces that looked relaxed, with a simple and soft palette of finishes that acknowledged their coastal location. The site conditions and their brief also called for plants that were hardy and that would tolerate the full sun and sandy soils. The structural finishes and the plant colours provide a harmonious blend and compliment the design choices of the interior.

Our clients have a busy life so they wanted their inner city garden to be low fuss and look low fuss. They wanted outdoor spaces that looked relaxed, with a simple and soft palette of finishes that acknowledged their coastal location. The site conditions and their brief also called for plants that were hardy and that would tolerate the full sun and sandy soils. The structural finishes and the plant colours provide a harmonious blend and compliment the design choices of the interior.

Our clients have a busy life so they wanted their inner city garden to be low fuss and look low fuss. They wanted outdoor spaces that looked relaxed, with a simple and soft palette of finishes that acknowledged their coastal location. The site conditions and their brief also called for plants that were hardy and that would tolerate the full sun and sandy soils. The structural finishes and the plant colours provide a harmonious blend and compliment the design choices of the interior.

Bedroom - large transitional master carpeted and gray floor bedroom idea in Toronto with gray walls

The Crossing is a private home built on the original cattle tablelands overlooking Pakiri Beach. The house fuses together a limited material palette of concrete, blue steel, and oiled cedar into a bold and incredibly dynamic space, allowing the owner (a professional writer) genuine flexibility to entertain, while acknowledging the need for the relative solitude of a working studio space.
The form of the house is immediately and boldly sculptural; at once reflecting the traditional rural steel farm buildings of the area, and the dramatic local landscape. The sophisticated position of the hilltop home is a reflection of its ability to capture sun and views.
The design consists of two primary axis; a long north-south facing corridor (extended by a 10m concrete ‘walkway’ which brings you to the entrance door) and the other, which intersects the house east to west. This is an important intersection which reinforces the name ‘The Crossing’, but also divides the house into ‘dark’ bedrooms and ‘light’ living spaces. This was an important design feature brought to life even further by working with a lighting designer from concept stage. A staircase leads to a studio space, which nests above the kitchen below – and frames a view of Pakiri Beach.
The front of the house is flexible and consists of large sliding doors, which open the space to indoor/outdoor living and a concrete terrace, designed to compliment and acknowledge the form of the roofline above.The skin of the house is terne coated copper which ‘wraps’ the walls and roof of the house in a continual fold. By contrast, the interior largely consists of oiled cedar panels, which contrast warmly with the black interior and concrete floors. Steel is incorporated in the panels of the studio and the uniquely sculptural kitchen bench – both locally made.

The Crossing is a private home built on the original cattle tablelands overlooking Pakiri Beach. The house fuses together a limited material palette of concrete, blue steel, and oiled cedar into a bold and incredibly dynamic space, allowing the owner (a professional writer) genuine flexibility to entertain, while acknowledging the need for the relative solitude of a working studio space.
The form of the house is immediately and boldly sculptural; at once reflecting the traditional rural steel farm buildings of the area, and the dramatic local landscape. The sophisticated position of the hilltop home is a reflection of its ability to capture sun and views.
The design consists of two primary axis; a long north-south facing corridor (extended by a 10m concrete ‘walkway’ which brings you to the entrance door) and the other, which intersects the house east to west. This is an important intersection which reinforces the name ‘The Crossing’, but also divides the house into ‘dark’ bedrooms and ‘light’ living spaces. This was an important design feature brought to life even further by working with a lighting designer from concept stage. A staircase leads to a studio space, which nests above the kitchen below – and frames a view of Pakiri Beach.
The front of the house is flexible and consists of large sliding doors, which open the space to indoor/outdoor living and a concrete terrace, designed to compliment and acknowledge the form of the roofline above.The skin of the house is terne coated copper which ‘wraps’ the walls and roof of the house in a continual fold. By contrast, the interior largely consists of oiled cedar panels, which contrast warmly with the black interior and concrete floors. Steel is incorporated in the panels of the studio and the uniquely sculptural kitchen bench – both locally made.

The Crossing is a private home built on the original cattle tablelands overlooking Pakiri Beach. The house fuses together a limited material palette of concrete, blue steel, and oiled cedar into a bold and incredibly dynamic space, allowing the owner (a professional writer) genuine flexibility to entertain, while acknowledging the need for the relative solitude of a working studio space.
The form of the house is immediately and boldly sculptural; at once reflecting the traditional rural steel farm buildings of the area, and the dramatic local landscape. The sophisticated position of the hilltop home is a reflection of its ability to capture sun and views.
The design consists of two primary axis; a long north-south facing corridor (extended by a 10m concrete ‘walkway’ which brings you to the entrance door) and the other, which intersects the house east to west. This is an important intersection which reinforces the name ‘The Crossing’, but also divides the house into ‘dark’ bedrooms and ‘light’ living spaces. This was an important design feature brought to life even further by working with a lighting designer from concept stage. A staircase leads to a studio space, which nests above the kitchen below – and frames a view of Pakiri Beach.
The front of the house is flexible and consists of large sliding doors, which open the space to indoor/outdoor living and a concrete terrace, designed to compliment and acknowledge the form of the roofline above.The skin of the house is terne coated copper which ‘wraps’ the walls and roof of the house in a continual fold. By contrast, the interior largely consists of oiled cedar panels, which contrast warmly with the black interior and concrete floors. Steel is incorporated in the panels of the studio and the uniquely sculptural kitchen bench – both locally made.

The Crossing is a private home built on the original cattle tablelands overlooking Pakiri Beach. The house fuses together a limited material palette of concrete, blue steel, and oiled cedar into a bold and incredibly dynamic space, allowing the owner (a professional writer) genuine flexibility to entertain, while acknowledging the need for the relative solitude of a working studio space.
The form of the house is immediately and boldly sculptural; at once reflecting the traditional rural steel farm buildings of the area, and the dramatic local landscape. The sophisticated position of the hilltop home is a reflection of its ability to capture sun and views.
The design consists of two primary axis; a long north-south facing corridor (extended by a 10m concrete ‘walkway’ which brings you to the entrance door) and the other, which intersects the house east to west. This is an important intersection which reinforces the name ‘The Crossing’, but also divides the house into ‘dark’ bedrooms and ‘light’ living spaces. This was an important design feature brought to life even further by working with a lighting designer from concept stage. A staircase leads to a studio space, which nests above the kitchen below – and frames a view of Pakiri Beach.
The front of the house is flexible and consists of large sliding doors, which open the space to indoor/outdoor living and a concrete terrace, designed to compliment and acknowledge the form of the roofline above.The skin of the house is terne coated copper which ‘wraps’ the walls and roof of the house in a continual fold. By contrast, the interior largely consists of oiled cedar panels, which contrast warmly with the black interior and concrete floors. Steel is incorporated in the panels of the studio and the uniquely sculptural kitchen bench – both locally made.

Kitchen - transitional galley medium tone wood floor and brown floor kitchen idea in Toronto with a double-bowl sink, shaker cabinets, gray cabinets, marble countertops, multicolored backsplash, marble backsplash, stainless steel appliances, an island and multicolored countertops

Example of a mid-sized beach style open concept light wood floor and brown floor living room library design in Vancouver with blue walls, a standard fireplace, a brick fireplace and no tv
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