Search results for "Appropriately" in Home Design Ideas

Trendy dark wood floor and brown floor living room photo in New York with gray walls

TENNESSEE RIVER HOUSE
A successful businessman sold his company, and as part of the deal, was required to move to Knoxville, Tennessee. Having long been used to lake living in his native Alabama, he and his wife wanted to find a spot that would allow them to continue their life long love of being close to the water. They located such a site on the Tennessee River in a place appropriately called “Lake Loudon”. The rolling pasture-like site had great water access and views, and few trees creating a wide open kind of scenery. They hoped to make a place for their grown children to return to them with their grandchildren. The design engages and embeds the house into the hillside to become part of the landscape rather than sit in the middle of the field. The house was rotated slightly away from a straight on view of the river to shield from western sun, in favor of the northern exposure which opened up longer views of the Tennessee River, also allowing for more liberal use of windows in the main living space.

Bathroom - mid-century modern kids' pink tile multicolored floor bathroom idea in Portland with beige walls
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Sunday, September 14, 2014
Is Your Interior Design Depressing You?
By Joseph Pubillones
(DailyHerald.com http://www.dailyherald.com/article/20140913/entlife/140919600)
From time to time, someone will corner me and confess to me that they are depressed; they whisper that they believe their decorating is making them sick. They tell me that their interiors are not to their liking because of choices made by their spouse, their designer, or because of their own misguided attempts at decorating.
Is it possible for their environment to make them feel sick? Yes (as I think about it), it is possible for design to alter moods.
In the mid-1950s, Norbett Mintz, a researcher at Brandeis University, and his mentor, the renowned psychologist Abraham Maslow, decided to conduct research about the effects of "beauty" on behavior. Mintz had already conducted experiments about the effects of color on human behavior and concluded that color selection has a palpable effect on personal behavior.
A room's design can have an impact on your mood. Mismatched colors or an
overstuffed room can affect your ability to relax and feel comfortable.
In their experiment about beauty, they designed three rooms. The first was "the ugly room", replete with clashing colors and patterns, disorganization and too much furniture for the size of the space. The second was "the average room", arranged with a monochromatic scheme, basic furniture pieces and subtly colored nondescript art. The third was "the beautiful room", decorated with quality case-goods, and fashionable fabrics and colors. Overwhelmingly, the test group rejected "the ugly room". "The average room" and "the beautiful room" were tied as the preferred room. When asked to describe the rooms, the test group was best able to describe "the beautiful room".
As a designer, this is not news to me. There are rooms, especially those that I like, that I can describe with remarkable detail. Although our notion of what is beautiful varies from person to person, it can be said that beautiful design is more memorable. We can deduce that each person prefers the beautiful.
From the time we are born, there are foods that are preferred -- some love sweets; others prefer more savory flavors. Over time, our taste buds evolve, and what was once a favorite food can become insipid or nauseating. The same is true for interior design. Over time, everyone develops preferences about what makes us feel comfortable and at home.
When I hear that someone's home is depressing, I am concerned. I suggest immediate action to change what is most bothersome. If it is wall color: a painting party is overdue. If it is furniture: I ask them to consider new upholstery; a new furniture arrangement; or substituting new pieces for those that offend. And for those too timid or dismayed to tackle their problems head-on and alone, I suggest hiring a professional interior designer.
( Joseph Pubillones is the owner of Joseph Pubillones Interiors, an award-winning interior design firm based in Palm Beach, Fla. © 2014 Creators.com)
[Comment by Brandon Oriental Rugs: Good quality is evident in the words we use when we appreciate its presence: beauty, harmony, integrity, excellence. These are appealing impressions it makes upon our minds and spirits. It can't be faked. Attempts to put a stamp of "quality" -- as in "good quality" -- upon things which possess or convey "bad quality" doesn't fool anyone who appreciates quality and the benefits it inherently brings.]
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Saturday, September 13, 2014
Bucks County Rug Store Helps Bethlehem, PA Homeowners Select Rugs to Complete Newly Furnished Living Room and Dining Room
Our customers purchased new living room and dining room furniture from Hendrixson's Fine Furnishings in Shimersville, PA.
With most of both rooms finished, they asked Brandon Oriental Rugs to help them find two fine quality oriental rugs that would coordinate with each other, and serve as the last puzzle pieces to complete their decorating.
Both rugs are finely detailed, hand-knotted, antique reproduction Persian Tabriz design oriental rugs made in India. The living room rug has a golden-maize color background with an antique gold border that subtly complements the fabrics and floor color in the room. The small scale motifs add color and interest while not defeating the supporting role the rug plays in the room to the customer's collection of fine original artworks.
The dining room rug is an unusual "Hasht-guli" design with berry-red background and golden-maize border that complements the living room rug, the rich mahogany wood-tones of the dining room suite, and the fabrics used in the custom window treatments designed and installed by Hendrixson's.
The wonderful result wrought by our customers expressing their good taste in an unswerving commitment to quality is proof that a modestly sized home can look and feel as elegant and luxurious as any palace.
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Tuesday, September 9, 2014
Oriental Rugs: What More Can You Say?
(BrandonRugs.com) Sometimes when there's a lot to be said, saying it quietly commands more attention.
You almost want to invite the oriental rugs to speak up, but they are always content playing a supporting role.
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Rug Placement Helps Determine Room Function and Where Rooms Begin and End
(BrandonRugs.com) If feel that your decorating is neither here nor there; the appropriate use of handmade oriental rugs will definitely help you to figure out where here is.
http://www.pinterest.com/pin/133348838942090547/
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Saturday, September 6, 2014
Why You Should Hire a Professional Interior Designer
by Cindy Beyer — August 27, 2014 at 1:00 pm
( http://www.restonnow.com/2014/08/27/why-you-should-hire-a-professional-interior-designer)
The interior of your home says a lot about you. Your home is your castle. Many of my clients have said they couldn’t imagine the results after their project was completed. They say it was the WOW factor. I say, that is why you hired a professional designer.
There are many situations that warrant the hiring a professional interior designer. This includes something as simple as choosing paint and window covering to full scale renovation work such as a new kitchen, bath or lower level. In addition to achieving that WOW factor, a professional interior designer will save their clients’ money in many ways, most importantly the avoidance of costly mistakes.
Not only will a professional designer understand the context of the project, they will have access to many resources and their trained eye can make a world of difference in the final result. And those final results also will improve the value of your home.
Professional interior designers are able to work closely with architects and contractors and are comfortable with drawing floor plans, as well as understanding the implications of how interiors will be used as it relates to structural and available floor space.
Beyond floor plans, program management, installation and understanding how structural design will be used in a practical setting, a professional interior designer will also be knowledgeable in color and fabric design, space planning, window coverings, furniture design, architecture and much more. So when you see the initials ASID and NCIDQ next to an interior designer’s name, know they have been through significant amount of formal certification.
When hiring a professional interior designer, it is important to have an understanding of the scope of the work to be done. Before my initial meeting with a new client, I ask them to spend some time making a list of their needs as well as any pictures they saved of items or rooms they like. Upon our first meeting, I take photos and measurements. Together,we then develop a detailed itemized list covering all areas of concern. The next step is to draw up and present a floor plan. Depending on the type of project this could include floor plans and furniture placement as well as construction and lighting if needed.
Once the plan is approved appropriate furnishings and finishes are selected. This can be fun - and exhausting as well. I often present my clients with many samples from which to choose. After the furniture choices, I develop a comprehensive budget itemizing all purchases.
I also may call on several of the contractors I work with such as electricians, plumbers, cabinet wholesalers and cabinet makers, painters, as well as drapery workrooms and installers. It has taken many years to compile trusted associates, which is an important part of being a good designer.
Lead times for good furniture and furnishings can take from 6-12 weeks depending on availability. This extra time gives sufficient time to finish the required preparatory work, and allows clients time to dispose of old furniture.
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Thursday, September 4, 2014
Homeowners Select Persian Kashan Rug from Bucks County Oriental Rug Store Brandon Oriental Rugs (www.BrandonRugs.com) for Family Room of Their Upper Montgomery County Farmhouse
- See more at: http://brandonrugs.blogspot.com/#sthash.QMFruxxC.dpuf (Pamela Ward/ Brandon Oriental Rugs)

Architects: SoNo Arhitekti
www.sono.si
www.facebook.com/SonoArhitekti
Location: Slovenia
Architects in Charge: Edvard Blažko, Marko Volk, Nina Tešanović, Samo Radinja
Area: 230 sqm
Year: 2015
Photographs: Aljoša Videtič
This family home is an example of a modern design filled with natural light and building blocks comprised of sustainable material – in this case wood, one of the if not the most strategic material of Slovenia . It's definitely not a typical prefabricated house out of catalogue as we tried to develop a residence that meets the needs of modern users while having functional floor plans and contemporary elegant exterior all appropriately settled into its landscape.
Main concept presents three volumes that are placed in a triangular composition partially overlayed with a rectangular form of the upper floor. While the dynamic shape of the groundfloor is covered with a flat roof, the 1st floor is completed with a gable –like roof, echoing the traditional architecture of the house's surroundings.
While we enter into an open spacious and dynamically shaped groundfloor we discover a pleasant intimate ambience. The living room and dining area offer a lot of natural light through the large glazed window surfaces. A prominent staircase leads us to the upper sleeping area that consists of the main bedroom with its own dressing room and a bathroom and children's rooms with a smaller bathroom.
Despite groundfloor's dynamic shape, its façade is monochrome - predominately a clean white surface in combination with bigger windows. On the contrary the simple form of the upper floor has a boldly designed façade - a combination of dark colour shades and natural larch wood’s textures.
Wood is the basic structural element and at the same time complements the facades, window frames, while also dominating the interiors.

Our client fell in love with the original 80s style of this house. However, no part of it had been updated since it was built in 1981. Both the style and structure of the home needed to be drastically updated to turn this house into our client’s dream modern home. We are also excited to announce that this renovation has transformed this 80s house into a multiple award-winning home, including a major award for Renovator of the Year from the Vancouver Island Building Excellence Awards. The original layout for this home was certainly unique. In addition, there was wall-to-wall carpeting (even in the bathroom!) and a poorly maintained exterior.
There were several goals for the Modern Revival home. A new covered parking area, a more appropriate front entry, and a revised layout were all necessary. Therefore, it needed to have square footage added on as well as a complete interior renovation. One of the client’s key goals was to revive the modern 80s style that she grew up loving. Alfresco Living Design and A. Willie Design worked with Made to Last to help the client find creative solutions to their goals.

Example of a transitional medium tone wood floor and brown floor living room design in Minneapolis with beige walls, a standard fireplace and a wall-mounted tv

Happy color for a laundry room!
Inspiration for a mid-sized 1950s brown floor and wallpaper utility room remodel in Portland with a single-bowl sink, flat-panel cabinets, laminate countertops, blue walls and a side-by-side washer/dryer
Inspiration for a mid-sized 1950s brown floor and wallpaper utility room remodel in Portland with a single-bowl sink, flat-panel cabinets, laminate countertops, blue walls and a side-by-side washer/dryer

A green space for children in an urban environment to play outside is very valuable. That space can be a nearby playground, a park or even better a balcony, like in this case. Unique decoration that catches the eye of any visitor contributes to the cheerful atmosphere of the balcony. The floor has been covered by artificial grass, which is a safe and appropriate material for the small ones to play on the floor. At the west side there is a vegetables bed with a low bench, which creates a safe limit and can also be used by children. When there is not much time to go to a playground, this balcony is a perfect solution for spending fun moments outside.

Example of a beach style medium tone wood floor, brown floor and wall paneling bedroom design with white walls

For Decorations Lucullus it’s always about listening to the client, but when the project is a historical property, it is about listening carefully to the spirit of the rooms as well. All style is part alchemy, a bit of conjuring and nerves of steel to accept what is honestly appropriate. These lovely old rooms had lived a very grand past. Miraculously the owner was open to the challenge of trying, just for fun, to see if that past could be recaptured without compromising present-day comforts. We all learned in the process that the old can be as luxuriously commodious as anything the “modern” can promise.

The goal for this 1939 Tudor-style story-and-a-half home was to create a kitchen that offered the conveniences, storage, and performance of a modern workspace while preserving the warmth, craftsmanship, and vintage charm that made the home special. The client, an avid home cook, wanted the room to feel as though it had always belonged to the house, with thoughtful upgrades that respected the original architecture rather than competing with it. Just as important, she needed a more efficient layout with enough storage for small appliances, so everyday cooking would no longer require carrying items up from the lower level.
Several existing conditions shaped the design approach. The kitchen retained original, amber-stained birch woodwork that the client wished to keep, and the compact footprint was interrupted by six doorways and two windows, none of which were to be moved, altered, or replaced. A previous flooring update had left the door casings undercut too short, creating visible gaps where the casing met the floor. The existing vintage 40-inch range also lacked proper ventilation, yet the client wished to accommodate a refrigerator, dishwasher, cooktop, double ovens, built-in microwave, and effective venting above the cooktop into the new kitchen layout.
To honor the original millwork, beaded inset-style cherry cabinetry was selected in a soft, hand-rubbed finish that will deepen over time and develop a natural patina. Charcoal-gray soapstone countertops complement the cabinetry while reinforcing the historic character of the home with an organic, timeworn texture. The former breakfast nook was transformed into a butler’s pantry, adding valuable base cabinet storage and expanded work surfaces for frequently used small appliances. Also in the butler’s pantry, a single upper cabinet was paired with open shelves to give an open, airy feeling while adding character and practical storage. A classic single-bowl apron-front workstation sink contributes both period-appropriate character and practical prep and cleanup function.
Because the home’s openings were such a defining feature, the design worked within the existing architecture instead of altering it. Custom plinth blocks were created for each doorway to extend the original casing gracefully down to the new natural red oak flooring, resolving the earlier construction issue while adding a detail that feels authentic to the age of the house. Despite the number of door and window openings, the new layout provides a significantly more functional, built-in kitchen with an improved work triangle for serious cooking.
Appliance placement was carefully planned to deliver the requested performance without overwhelming the small room. Three cooking functions (double ovens & microwave) were consolidated into one location with a GE Café double oven featuring Advantium Technology, while the client’s compact 31-inch refrigerator was reused to preserve space. A sleek 30-inch induction cooktop provides efficient cooking, and a Vent-A-Hood ARS ductless vent hood supplies needed ventilation without requiring a duct run to the exterior.
The finish palette balances richness, texture, and historical sensitivity. A deeply textured navy backsplash tile adds depth and dramatic shadow play against the soapstone, while wallpaper in the back entry echoes the tile’s geometric pattern to visually connect the adjoining spaces. Oil-rubbed bronze cabinet hardware and light fixtures enhance the warmth of the cherry cabinetry and complete the antique-inspired feel.
Lighting was layered to make the compact kitchen brighter, more useful, and more inviting. Vintage-style semi-flush ceiling fixtures establish the overall tone, while dimmable puck lights highlight select areas and undercabinet task lighting keeps work surfaces well illuminated.
The completed kitchen now feels both highly functional and deeply rooted in the home’s history. Rich cherry cabinetry, velvety soapstone, natural red oak flooring, navy tile, bronze accents, and carefully preserved birch trim work together to create a warm, cohesive space that celebrates timeless craftsmanship. By increasing storage, improving workflow, integrating modern appliances, and respecting the Tudor home’s original character, the design achieves the client’s vision: a kitchen that feels personal, practical, historically appropriate, and as though it has always been there.

Howard Fischer
Home office - large transitional freestanding desk medium tone wood floor home office idea in New York with white walls
Home office - large transitional freestanding desk medium tone wood floor home office idea in New York with white walls

The goal for this 1939 Tudor-style story-and-a-half home was to create a kitchen that offered the conveniences, storage, and performance of a modern workspace while preserving the warmth, craftsmanship, and vintage charm that made the home special. The client, an avid home cook, wanted the room to feel as though it had always belonged to the house, with thoughtful upgrades that respected the original architecture rather than competing with it. Just as important, she needed a more efficient layout with enough storage for small appliances, so everyday cooking would no longer require carrying items up from the lower level.
Several existing conditions shaped the design approach. The kitchen retained original, amber-stained birch woodwork that the client wished to keep, and the compact footprint was interrupted by six doorways and two windows, none of which were to be moved, altered, or replaced. A previous flooring update had left the door casings undercut too short, creating visible gaps where the casing met the floor. The existing vintage 40-inch range also lacked proper ventilation, yet the client wished to accommodate a refrigerator, dishwasher, cooktop, double ovens, built-in microwave, and effective venting above the cooktop into the new kitchen layout.
To honor the original millwork, beaded inset-style cherry cabinetry was selected in a soft, hand-rubbed finish that will deepen over time and develop a natural patina. Charcoal-gray soapstone countertops complement the cabinetry while reinforcing the historic character of the home with an organic, timeworn texture. The former breakfast nook was transformed into a butler’s pantry, adding valuable base cabinet storage and expanded work surfaces for frequently used small appliances. Also in the butler’s pantry, a single upper cabinet was paired with open shelves to give an open, airy feeling while adding character and practical storage. A classic single-bowl apron-front workstation sink contributes both period-appropriate character and practical prep and cleanup function.
Because the home’s openings were such a defining feature, the design worked within the existing architecture instead of altering it. Custom plinth blocks were created for each doorway to extend the original casing gracefully down to the new natural red oak flooring, resolving the earlier construction issue while adding a detail that feels authentic to the age of the house. Despite the number of door and window openings, the new layout provides a significantly more functional, built-in kitchen with an improved work triangle for serious cooking.
Appliance placement was carefully planned to deliver the requested performance without overwhelming the small room. Three cooking functions (double ovens & microwave) were consolidated into one location with a GE Café double oven featuring Advantium Technology, while the client’s compact 31-inch refrigerator was reused to preserve space. A sleek 30-inch induction cooktop provides efficient cooking, and a Vent-A-Hood ARS ductless vent hood supplies needed ventilation without requiring a duct run to the exterior.
The finish palette balances richness, texture, and historical sensitivity. A deeply textured navy backsplash tile adds depth and dramatic shadow play against the soapstone, while wallpaper in the back entry echoes the tile’s geometric pattern to visually connect the adjoining spaces. Oil-rubbed bronze cabinet hardware and light fixtures enhance the warmth of the cherry cabinetry and complete the antique-inspired feel.
Lighting was layered to make the compact kitchen brighter, more useful, and more inviting. Vintage-style semi-flush ceiling fixtures establish the overall tone, while dimmable puck lights highlight select areas and undercabinet task lighting keeps work surfaces well illuminated.
The completed kitchen now feels both highly functional and deeply rooted in the home’s history. Rich cherry cabinetry, velvety soapstone, natural red oak flooring, navy tile, bronze accents, and carefully preserved birch trim work together to create a warm, cohesive space that celebrates timeless craftsmanship. By increasing storage, improving workflow, integrating modern appliances, and respecting the Tudor home’s original character, the design achieves the client’s vision: a kitchen that feels personal, practical, historically appropriate, and as though it has always been there.

Gallant; smooth and understated beauty delivers the most beautiful and classical stone colors we have come to love. Throughout history there have been a few select stones that have decorated both large scale civic projects as well as private homes. These products have stood the test of time and are as elegant and desirable today as they were 2,000 years ago. The Gallant series has brought all of them together in a single package with a contemporary format and a large offering of decos to match. The line is done in High Definition showcasing Carrara and Botticino Marble, Honey Onyx and Classic Travertine; all in a stunning collection of 6 colors.
Presented in a large format 18x18 matte porcelain floor tile and complimented by a 9x18 ceramic wall tile in a shiny finish. Both are flat and smooth to the touch giving the line a dramatic contrast in surface alone. Each color is matched with its own listello, chair rail and corners as well as floor and wall bullnose and mosaics.Gallant porcelain floor tile is appropriate for all residential and commercial wall and countertop applications & residential floor applications. Gallant ceramic wall tile is appropriate for all residential and commercial interior wall and countertop applications. Gallant is GREENGUARD and Porcelain Tile Certified.

The goal for this 1939 Tudor-style story-and-a-half home was to create a kitchen that offered the conveniences, storage, and performance of a modern workspace while preserving the warmth, craftsmanship, and vintage charm that made the home special. The client, an avid home cook, wanted the room to feel as though it had always belonged to the house, with thoughtful upgrades that respected the original architecture rather than competing with it. Just as important, she needed a more efficient layout with enough storage for small appliances, so everyday cooking would no longer require carrying items up from the lower level.
Several existing conditions shaped the design approach. The kitchen retained original, amber-stained birch woodwork that the client wished to keep, and the compact footprint was interrupted by six doorways and two windows, none of which were to be moved, altered, or replaced. A previous flooring update had left the door casings undercut too short, creating visible gaps where the casing met the floor. The existing vintage 40-inch range also lacked proper ventilation, yet the client wished to accommodate a refrigerator, dishwasher, cooktop, double ovens, built-in microwave, and effective venting above the cooktop into the new kitchen layout.
To honor the original millwork, beaded inset-style cherry cabinetry was selected in a soft, hand-rubbed finish that will deepen over time and develop a natural patina. Charcoal-gray soapstone countertops complement the cabinetry while reinforcing the historic character of the home with an organic, timeworn texture. The former breakfast nook was transformed into a butler’s pantry, adding valuable base cabinet storage and expanded work surfaces for frequently used small appliances. Also in the butler’s pantry, a single upper cabinet was paired with open shelves to give an open, airy feeling while adding character and practical storage. A classic single-bowl apron-front workstation sink contributes both period-appropriate character and practical prep and cleanup function.
Because the home’s openings were such a defining feature, the design worked within the existing architecture instead of altering it. Custom plinth blocks were created for each doorway to extend the original casing gracefully down to the new natural red oak flooring, resolving the earlier construction issue while adding a detail that feels authentic to the age of the house. Despite the number of door and window openings, the new layout provides a significantly more functional, built-in kitchen with an improved work triangle for serious cooking.
Appliance placement was carefully planned to deliver the requested performance without overwhelming the small room. Three cooking functions (double ovens & microwave) were consolidated into one location with a GE Café double oven featuring Advantium Technology, while the client’s compact 31-inch refrigerator was reused to preserve space. A sleek 30-inch induction cooktop provides efficient cooking, and a Vent-A-Hood ARS ductless vent hood supplies needed ventilation without requiring a duct run to the exterior.
The finish palette balances richness, texture, and historical sensitivity. A deeply textured navy backsplash tile adds depth and dramatic shadow play against the soapstone, while wallpaper in the back entry echoes the tile’s geometric pattern to visually connect the adjoining spaces. Oil-rubbed bronze cabinet hardware and light fixtures enhance the warmth of the cherry cabinetry and complete the antique-inspired feel.
Lighting was layered to make the compact kitchen brighter, more useful, and more inviting. Vintage-style semi-flush ceiling fixtures establish the overall tone, while dimmable puck lights highlight select areas and undercabinet task lighting keeps work surfaces well illuminated.
The completed kitchen now feels both highly functional and deeply rooted in the home’s history. Rich cherry cabinetry, velvety soapstone, natural red oak flooring, navy tile, bronze accents, and carefully preserved birch trim work together to create a warm, cohesive space that celebrates timeless craftsmanship. By increasing storage, improving workflow, integrating modern appliances, and respecting the Tudor home’s original character, the design achieves the client’s vision: a kitchen that feels personal, practical, historically appropriate, and as though it has always been there.

Pro-Painting & Drywall, Inc.
Residential Services
Our trained professionals will provide your family with a custom project while also taking the appropriate measures to ensure your home stays clean with as little downtime as possible. Our residential team is especially qualified and trained to deal with the detail involved with residential painting and drywall remodels. We put a strong emphasis on doing the appropriate prep work with any project, interior or exterior with beautiful and professional results.
Call today for a free in-home estimate 904-731-6471

Nichole Kennelly Photography
Entryway - large transitional medium tone wood floor and brown floor entryway idea in St Louis with yellow walls and a medium wood front door
Entryway - large transitional medium tone wood floor and brown floor entryway idea in St Louis with yellow walls and a medium wood front door

Unlike many similar houses of the era, this 1870s Shingle Style house was built without a cap on the turret. Because neighboring houses of a similar style did have a cap, its owners asked if we could construct something period-appropriate. In addition, asphalt shingles were replaced with faux slate, which is indistinguishable from natural slate but far more long-lasting. Historically correct wood-turned spandrels were introduced to a railing and the exterior was painted in period-appropriate colors. The turret's original curved bay windows, which no longer operated properly, were restored and made functional again. Photo by Shelly Harrison.
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