Originally built in 1938, this bungalow cottage had enduring character, but its traditional closed kitchen layout – typical of the era – didn’t align with the way the homeowners envisioned living in the space. Inspired by their travels through England’s Cotswolds, the French countryside, and Carmel’s whimsical Storybook Cottages by the Sea, the homeowners dreamed of a home that captured the romance of cottages and one that would seamlessly connect with their stunning English-style garden. After years of attempting to reimagine the kitchen in its original location the homeowners realized it would never truly suit the way they lived & wanted to entertain. The original kitchen was historical & was built when the kitchen was the last room you wanted guests to see. It was tucked into the front corner of the home off a hallway leading to the main level bedrooms and bath. To reach the dining room, you passed through a servery swing door, then continued into the living room. While the original door had charm, it disrupted the flow and connection between the kitchen and the main living areas. To bring the homeowners’ vision to life, the design called for a bold move—relocating the kitchen entirely. We designed a 560-square-foot addition off the living room – placing the kitchen at the heart of the home and connecting it to the gardens. The new space includes a sunlit breakfast nook, a charming butler’s pantry, a garden vestibule with its own entry porch, and a wraparound porch that encourages indoor-outdoor living. The main level remodel also redefined existing spaces: the old dining room was transformed into a cozy study library, while a former bedroom became an elegant dining room just off the new kitchen. Every design decision honored the home’s original 1938 architecture and character. Matching the home’s original 1.5-story proportions, the new kitchen wing was designed with intersecting gables that echo the scale and pitch of the existing roofline. A stone-wrapped chimney topped with a handcrafted copper cap is straight from the pages of a storybook. Decorative corbels, intricate window trim, and cedar shake in the gable ends further connect the new architecture to the home’s historic detailing. Finishes and fixtures were thoughtfully chosen to marry the home’s moodier, character-rich original rooms with the brighter, lighter new spaces. The result is a timeless transformation that feels as though it has always been part of the home – an enchanting blend of storybook charm, functional design, and garden-centered living. At the ground level, a Pennsylvania bluestone porch and stone skirting ground the addition in traditional materials. Inside, a tongue-and-groove ceiling with hand-hewn beams gives purpose and intimacy to the heightened kitchen ceiling. The home’s signature arched openings were meticulously replicated in the new kitchen, breakfast nook, and dining room, ensuring a seamless transition between old and new. Every element – inside and out – was chosen to honor the original home while enhancing the charm, character, and connection to the garden. Photos by MK Photography

Originally built in 1938, this bungalow cottage had enduring character, but its traditional closed kitchen layout – typical of the era – didn’t align with the way the homeowners envisioned living in the space. Inspired by their travels through England’s Cotswolds, the French countryside, and Carmel’s whimsical Storybook Cottages by the Sea, the homeowners dreamed of a home that captured the romance of cottages and one that would seamlessly connect with their stunning English-style garden. After years of attempting to reimagine the kitchen in its original location the homeowners realized it would never truly suit the way they lived & wanted to entertain. The original kitchen was historical & was built when the kitchen was the last room you wanted guests to see. It was tucked into the front corner of the home off a hallway leading to the main level bedrooms and bath. To reach the dining room, you passed through a servery swing door, then continued into the living room. While the original door had charm, it disrupted the flow and connection between the kitchen and the main living areas. To bring the homeowners’ vision to life, the design called for a bold move—relocating the kitchen entirely. We designed a 560-square-foot addition off the living room – placing the kitchen at the heart of the home and connecting it to the gardens. The new space includes a sunlit breakfast nook, a charming butler’s pantry, a garden vestibule with its own entry porch, and a wraparound porch that encourages indoor-outdoor living. The main level remodel also redefined existing spaces: the old dining room was transformed into a cozy study library, while a former bedroom became an elegant dining room just off the new kitchen. Every design decision honored the home’s original 1938 architecture and character. Matching the home’s original 1.5-story proportions, the new kitchen wing was designed with intersecting gables that echo the scale and pitch of the existing roofline. A stone-wrapped chimney topped with a handcrafted copper cap is straight from the pages of a storybook. Decorative corbels, intricate window trim, and cedar shake in the gable ends further connect the new architecture to the home’s historic detailing. Finishes and fixtures were thoughtfully chosen to marry the home’s moodier, character-rich original rooms with the brighter, lighter new spaces. The result is a timeless transformation that feels as though it has always been part of the home – an enchanting blend of storybook charm, functional design, and garden-centered living. At the ground level, a Pennsylvania bluestone porch and stone skirting ground the addition in traditional materials. Inside, a tongue-and-groove ceiling with hand-hewn beams gives purpose and intimacy to the heightened kitchen ceiling. The home’s signature arched openings were meticulously replicated in the new kitchen, breakfast nook, and dining room, ensuring a seamless transition between old and new. Every element – inside and out – was chosen to honor the original home while enhancing the charm, character, and connection to the garden. Photos by MK Photography

Stay cozy and comfortable with the Artemis white electric fireplace inspired by MagikFlame. Its customizable temperature settings and realistic flame effects create a warm and inviting atmosphere in any room, making it perfect for any homeowner. Discover MagikFlame electric fireplaces: https://magikflame.com/product-category/buy-electric-fireplaces/ Our patented technology is a real game-changer. Others use a mechanical means to recreate the look of fire. Instead, we use actual video of real fire which we then project onto a physical log set making it look like those logs are actually burning. Therefore, you get all the details you would with real fire like wispy smoke and even burning embers which other fireplaces are not capable of producing. We spent 5 years of R&D to produce this cutting edge technology. The Artemis mantel package is a fantastic choice for luxurious homes. This mantel is pure bright white. The Artemis features an elegant arry of rectangular and square-shaped details framed in by crown molding on the front center piece and on the side posts. A perfect fit for a modern home. The Artemis is made from high-quality woods and is a premium piece of furniture. At MagikFlame, our goal is to create the most realistic electric fireplaces ever made. We also believe in improving quality of life by providing people with the best possible cozy and relaxing environment every night. Using our patented holoflame technology, we've innovated the electric fireplace to bring you effortless cozy with friends and family. Because quality family time and relaxation after a hard workday or activity is life changing. Experience 30 Flames. Built-In Heater. Sound. Subscribe to our channel for tips on how to enhance your interior design, accessories, and focal points. Learn more about fireplace technology and the cozy, relaxation, and family atmosphere improvements to your home. We have everything you need to guide you on a journey to forge the American home and better living atmosphere. Shop With Us Online: https://magikflame.com Like MagikFlame on Facebook: https://www.facebook.com/MagikFlame Follow MagikFlame on Instagram: https://www.instagram.com/magikflamefireplaces/ Tweet With Us: https://twitter.com/MagikFlameFire Pin With Us: https://www.pinterest.com/MagikFlameElectricFireplaces We attempt to be as accurate as possible. However, MagikFlame cannot guarantee that product descriptions, images or other content of products or services are 100% accurate, complete, reliable, current, or error-free. Some items may appear slightly larger or smaller than the actual size due to screen defaults and photography techniques. This also includes any momentary stutters or artifacts in frames of the flame video loop. Other items may be represented at a larger than the actual size in order to clearly show details, or smaller than the actual size to show the entire item.

Granite entry staircase cleaning, sealing and caulking application after photo. These stairs cleaned up beautifully after our extractor cleaning process. This just shows the durability and longevity that granite can have.

Masland Tristan stair runner fabricated in New Rochelle
Example of a classic staircase design in New York

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

This dining room needed a refresh. We kept the existing furniture but updated the paint, draperies, accessories, lighting and misc. decor.
Inspiration for a transitional dining room remodel in Dallas

Except for general cleaning this multi-coloured slate floor had not been professionally cleaned since installation eleven years prior. Any sealer that had once been applied to the slate had long since worn off and dirt was now ingrained in the pores of the stone causing it to look dull and un-attractive. The property was in the lovely town of Staines Upon Thames, obviously situated on the banks of the River Thames and a popular place to live for London commuters. I visited site to take a closer look at the floor and provide the client with an accurate price for renovating the stone. It turns out that the client had used all sorts of different household cleaners in an attempt to get the floor clean. Unfortunately, they were probably making the situation worse as these strong cleaning products would have actually stripped the sealant off the stone leaving it open to dirt. I carried out a test clean for them and they were very pleased to see how the floor could look. We agreed a price for the work and arranged a suitable date to carry out the work. Cleaning a Multi-Coloured Slate Tiled Kitchen Floor My first task was to strip off what was left of the old sealer and deep clean the stone using a dilution of Tile Doctor Remove and Go mixed 50:50 with Tile Doctor Pro-Clean. This powerful cocktail was applied to the floor and left to soak in for ten minutes before being scrubbed in using a rotary machine fitted with a black scrubbing pad. The grout was hand scrubbed using more of the cleaning solution along the grout lines until I was happy the floor was as clean as it possibly could be. The floor was rinsed with water and the soil extracted by using the wet vacuum. Once the floor was clear the Slate was inspected, and any stubborn areas were spot treated using the same process as before. After a final rinse and extraction, the floor was dried as much as possible using the wet vacuum and left to dry off overnight. Sealing a Multi-Coloured Slate Tiled Kitchen Floor I came back the next day and checked the moisture levels of the tiles using a damp meter. The floor had dried well so I had a green light for applying a new sealer. For this I used four Coats of Tile Doctor Seal and Go, allowing each coat to dry before applying the next. This product works really well on Slate and gave the tiles a nice sheen finish, the fresh sealer will also make maintenance cleaning far easier in the future. The client was very happy with the result, the floor now looks great and the natural colours of the stone is so much more evident. For aftercare I recommended they throw away all those supermarket products and use Tile Doctor Neutral Tile Cleaner which is a pH neutral product that won’t prematurely erode the new sealer with use. Jonathan Oldham South Middlesex Tile Doctor

Wood look Tiles at Office, residential
Example of a minimalist bedroom design in Las Vegas

Over 9,000 sf of porphyry cobblestone pavers for St. Annes Community Plaza located in Northern California. 4” x 4” x 1-1/4” to 2” thick pavers and a color range mix of red, gold, tan and brown. Tom Holloway, Principal of KLA Inc, Sonora CA, was the lead landscape architect/designer on this beautiful project. Simile Construction of Modesto provided the installation.

| DETAILS | in concrete constructed condos it's very rare that we ever want to have to core new drain locations. For the Master Ensuite more and more when we do full renovations down to studs we are removing the terrible 5' tubs and tiny itty bitty 3x3' showers. For some reason the idea of luxury meant squeeze as much as you can so you have a long list of features when you go to market. More and more we are doing oversized his and hers showers. So when you have a drain that you are repurposing from previous plumbing fixtures and the drain isn't centred, it's pretty much magic to have the team surprise you after several site meetings and evaluations - we opted for the plumbers favourite to use Schluter linear tile over drains and have the oversized tile cut to fit and provide the necessary grout lines for a flush shower threshold. This might seem like nothing but is everything when we have the perfect tile layout be inline with the what we think is a centred drain. These are the kind of details that make my OCD sister inside so happy, we call it the centre flush drain happy dance. Kudos to @caisleydevelopments @4thdimensionconstruction with the help of @stonetilevancouver for finding a perfect subtle sand toned oversized porcelain. A large format tile in a shade and same tone value as our hardwood floor and one shade darker than our Baltic Birch flush panels for ease of cleaning and hiding dirt. When you want things clean I opt for showers with minimal detailing to be in shades darker than white. Cleaning becomes less treacherous. Also gone is this idea of ugly accent tile, we opt for uniform tile one material throughout a bathroom floor to ceiling and if possible all walls. Construction geekery 101 continues

We were contacted by a client from the Levenshulme area of Greater Manchester who had just purchased a property there and hated the state of the grout which despite cleaning did not improve. The owner said she could not use the bathroom in this state as it looked disgusting and unclean and was keen to have it renovated. The rest of the house was being redecorated so whilst that was going on, I was called over to have a proper look at the grout and quote for sorting it out. It didn’t take long to understand the issue, is seems the previous owner in an attempt to improve the appearance of the grout had touched it up by applying another thin layer of grout on top of the original. Now both the new and old was starting to flake off making a real mess. I explained to the client we would need to scrape out the new layer, clean the original and then apply a grout colourant to improve the overall appearance. I gave her a price for the work, and she was happy for me to go ahead with the job. My first task was to scrape off the new layer of grout, so I had a stable grout line to work from. I then started cleaning the grout up using a Tile Doctor Grout Colourant Pre-Treater cleaner, this cleans up the grout and being acidic it etches the surface to provide a better base for the grout colourant to adhere to. The dirt was rinsed off and then the area was dried using a heat gun. Once dry I used a Tile Doctor Grout Colourant in Charcoal Grey (one bottle was sufficient). This product is equally effective for interior or exterior applications including bathrooms and kitchens and it is available in ten different colours. The client had requested to darken the grout and give it a completely new modern look. The colourant is painted onto the grout with a small brush and any excess which gets onto the tile is removed with a cloth before it dries. The best thing about the grout colourant is it forms an easy to clean seal over the grout which ensures the grout is protected. Given Ceramic tiles are glazed and therefore don’t need sealing the new combination should ensure the tiles keep their appearance for a very long time with minimal cleaning. The silicone sealant between the bath and the wall tiles looked in good condition and had not discoloured so there was no need for this to be replaced. The bathroom now looked clean and inviting and I’m pleased to report my client was very happy with the completed renovation and was finally happy to use the bathroom! I recommended that for on-going cleaning that they use Tile Doctor Aqua-Pro, this is a pH neutral cleaner with a trigger action for easy application. It can be used in the bathroom every day. It helps to keep soap scum and limescale at bay and has a pleasant lemon smell so cleaning should not be too much of a chore. Alex Logonzy Greater Manchester Tile Doctor

Marble is known for its premium quality, toughness and aesthetic, making it a very popular choice for bathroom countertops, such as this one at a house in Northampton. However just because it’s tough doesn’t mean that Marble can be cleaned with the usual household cleaners. Like all natural stone, Marble is acid sensitive and unsuitable products can have a very damaging effect on its appearance. In this situation, the property owner had used a limescale remover to remove some unsightly marks from the countertop. Unfortunately, the product was acid-based and instead of making an improvement it just made it worse and caused severe etching. The first photo above shows the limescale marks from where toiletries have been placed on the side whilst wet. Since Northampton is a hard water area, the limescale deposits over time caused these marks to appear. The only way to effectively remove the Limestone deposits – while at the same time rectifying the damaged caused by the botched cleaning attempt – was to use a system of hand-held diamond encrusted pads and hand help blocks of various grits to cut back the stone and re-polish it, a process we call burnishing. Before officially beginning the burnishing process, I ran a few tests to determine the type of pad I would need to use to achieve the best results. I found that, in most areas, I would need to use the Tile Doctor 400 Grit (Coarse) pad to resurface the tile and remove the damaged layer of stone, but in some areas where the etching was worse, I would need to use the 200 Grit (Very Coarse) pad. After burnishing the affected areas with the Coarse and Very Coarse grit pads, I started to incrementally polish the stone to achieve a high-quality shine, working my up through the Medium, Fine and Very grit pads. No chemicals were used during this process – only water for lubrication, combined with the six-inch diamond encrusted burnishing pads fitted to a hand-held buffing machine. The final part of the restoration was to seal the stone to maintain a long-lasting, deep polished appearance. To do this, I used Tile Doctor Shine Powder, which is a crystallising sealer in powder form. The powder is applied directly and combined with water, before being worked into the stone to seal it. The customer was very happy with the results and the level of shine achieved. I gave the customer a complimentary bottle of Tile Doctor Stone Soap, which is our aftercare cleaner for polished natural stone, along with instructions on periodic maintenance to help maintain the finish we had achieved for as long as possible. Phil Vissian Northamptonshire Tile Doctor

Example of a mid-sized trendy wooden straight open and metal railing staircase design in San Francisco

Originally built in 1938, this bungalow cottage had enduring character, but its traditional closed kitchen layout – typical of the era – didn’t align with the way the homeowners envisioned living in the space. Inspired by their travels through England’s Cotswolds, the French countryside, and Carmel’s whimsical Storybook Cottages by the Sea, the homeowners dreamed of a home that captured the romance of cottages and one that would seamlessly connect with their stunning English-style garden. After years of attempting to reimagine the kitchen in its original location the homeowners realized it would never truly suit the way they lived & wanted to entertain. The original kitchen was historical & was built when the kitchen was the last room you wanted guests to see. It was tucked into the front corner of the home off a hallway leading to the main level bedrooms and bath. To reach the dining room, you passed through a servery swing door, then continued into the living room. While the original door had charm, it disrupted the flow and connection between the kitchen and the main living areas. To bring the homeowners’ vision to life, the design called for a bold move—relocating the kitchen entirely. We designed a 560-square-foot addition off the living room – placing the kitchen at the heart of the home and connecting it to the gardens. The new space includes a sunlit breakfast nook, a charming butler’s pantry, a garden vestibule with its own entry porch, and a wraparound porch that encourages indoor-outdoor living. The main level remodel also redefined existing spaces: the old dining room was transformed into a cozy study library, while a former bedroom became an elegant dining room just off the new kitchen. Every design decision honored the home’s original 1938 architecture and character. Matching the home’s original 1.5-story proportions, the new kitchen wing was designed with intersecting gables that echo the scale and pitch of the existing roofline. A stone-wrapped chimney topped with a handcrafted copper cap is straight from the pages of a storybook. Decorative corbels, intricate window trim, and cedar shake in the gable ends further connect the new architecture to the home’s historic detailing. Finishes and fixtures were thoughtfully chosen to marry the home’s moodier, character-rich original rooms with the brighter, lighter new spaces. The result is a timeless transformation that feels as though it has always been part of the home – an enchanting blend of storybook charm, functional design, and garden-centered living. At the ground level, a Pennsylvania bluestone porch and stone skirting ground the addition in traditional materials. Inside, a tongue-and-groove ceiling with hand-hewn beams gives purpose and intimacy to the heightened kitchen ceiling. The home’s signature arched openings were meticulously replicated in the new kitchen, breakfast nook, and dining room, ensuring a seamless transition between old and new. Every element – inside and out – was chosen to honor the original home while enhancing the charm, character, and connection to the garden. Photos by MK Photography

C Kevin Coffey
Staircase - cottage staircase idea in Nashville

The photographs below are from a bathroom in Maida Vale W9 which had a lovely Slate tiled wall over a bath with shower. Unfortunately, the Slate tiles had been ruined by the use of harsh cleaning chemicals in an attempt to remove the limescale caused by hard water. The slate had now lost all its natural colour and looked completely washed out. The property had recently changed hands and the new owner was keen to have it renovated. I went over to take a look and work out a solution, this in itself is a lot trickier these days with all the COVID precautions we need to take when working in someone’s house. It was clear that a strong acidic limescale remover had been used on the slate and this had etched the stone, leached all the natural oils away and generally ruined its appearance. Fortunately, we have a solution for this (see below) and after conducting a small test I was able to confirm the problem could be resolved and gave them a quote which included a day’s labour, abrasive pads, stone oil and sealer. Our quote was gratefully accepted, and we booked a time in to carry out the work. I returned to the property and I set about burnishing the slate wall tiles using a very coarse 200-grit six-inch burnishing pad fitted to a handheld buffing machine. This process resurfaces the stone slightly to remove the etching caused by the limescale remover. I used a medium dilution of Tile Doctor Grout Clean-up to lubricate the process and to remove the remaining limescale. Once done the slurry that is generated is rinsed off with more water. In a bathroom, it is easy the slurry can just be drained away. In other areas we would use a wet vacuum. After the 200-grit pad the surface of the Slate was further refined using a 400-grit pad and then an 800-grit pad, this time only using water and giving the stone a thorough rinse after each pad to remove the soil. The slate was then left to dry off over lunch and given more encouragement with a heat gun afterwards so I could move onto the next step. This involved applying a coat of Tile Doctor Stone Oil which puts back the natural oils back into the stone improving its appearance. Once the Stone Oil had fully dried, I moved onto sealing for which I applied two coats of Tile Doctor Ultra-Seal; this is penetrating sealer that soaks into the stone to provide maximum stain protection without changing the colour of the stone. It is also an excellent grout sealer which is a bonus. Before leaving I talked the client about how best to maintain the Slate and left them a complimentary bottle of Tile Doctor Aqua Pro tile cleaner which will help keep the limescale at bay. It is gentle enough to use every day but will help prevent the previous build-up and unlike the previous products used will not damage the newly applied sealer. Jackson Davis Central London Tile Cleaning

Family room - contemporary family room idea

The public and private spaces surround a centrally located stairwell that is naturally lit by a skylight.
Example of a small minimalist staircase design in San Luis Obispo