Living room with coffered high gloss ceilings, rubio monocoat center cut character grade white oak floors, built in fireplace and window wall.
Example of a huge transitional open concept medium tone wood floor and brown floor living room design with white walls, a standard fireplace, a wood fireplace surround and a concealed tv

The kitchen was designed two years ago and was then erased and redesigned when the world became a different place a year later. As everyone attempted to flatten the curve, our goal in this regard was to create a kitchen that looked forward to a sharp curve down and of a happier time To that promise for happier times, the redesign, a goal was to make the kitchen brighter and more optimistic. This was done by using simple, primary shapes and circular pendants and emphasizing them in contrast, adding a playful countenance. The selection of a dynamic grain of figured walnut also contributes as this once-living material and its sinuous grain adds motion, rhythm, and scale. Proud of their 1970s home, one challenge of the design was to balance a 1970's feel and stay current. However, many ‘70s references looked and felt outdated. The first step was a changed mindset. Just like the return of the ‘40s bath and the retro movement a few years ago, every era returns in some way. Chronologically, the '70s will soon be here. Our design looked to era-specific furniture and materials of the decade. Figured walnut was so pervasive in the era: this motif was used on car exteriors such as the 1970 Town and Country Station Wagon, which debuted the same year the existing home was built. We also looked at furniture specific to the decade. The console stereo is referenced not only by high legs on the island but also by the knurled metal cabinet knobs reminiscent of often-used stereo dials. Knurled metalwork is also used on the kitchen faucet. The design references the second piece of '70s furniture in our modern TV tray, which is angled to face the television in the family room. Its round pencil and mug holder cutouts follow the design of walnut consoles and dashboard of the station wagon and other elements of the time.

This custom home office furniture features a beautifully finished solid cherry and veneer exterior. The counter top is actually a cherry wood-grain plastic laminate. Plastic laminate has come a long, long way in recent years! This laminate looks like real cherry even to the trained eye! - photos by Jim Farris

It was in 2012 when Mike Spreckelmeier first met Roy and Patti. They had been despondent after meeting with multiple contractors in an attempt to start their kitchen remodel. The contractors lacked follow through, came tardy to meetings and even failed to show up at others. Determined to leave nothing to chance in the pursuit of their dream, Roy and Patti followed up on a recommendation after overhearing a conversation that was taking place while they were standing in a gallingly long line waiting to cast a vote on Election Day. With a solid recommendation to pursue, Roy and Patti contacted Progressive Design Build. The rest is history. Mike showed up on time. For a small retainer, he provided preliminary sketches, ideas for maximizing space and storage, and solutions for a sunken family room that created a safety hazard and a problem with traffic flow. More importantly, he designed the project to the homeowners’ budget. Progressive Design Build shot some different elevations and designed a plan to raise the floor, allowing all finished floors to be on the same level. Upon completion, the kitchen was stunning. Features included LED backlit fire glass shelving, white recessed panel cabinets, a subway tile backsplash, Granite countertop, integrated refrigerator, undermount sink, and more. The living room was designed with complimentary finishes and included a natural stone fireplace wall with open cabinets flanked on both sides. The 12’ fireplace was made with a floor-to-ceiling white pebble finish. This Bonita Bay project completed on time and on budget—allowing this fabulous family a wonderful opportunity to create lasting memories for many years to come.

It was in 2012 when Mike Spreckelmeier first met Roy and Patti. They had been despondent after meeting with multiple contractors in an attempt to start their kitchen remodel. The contractors lacked follow through, came tardy to meetings and even failed to show up at others. Determined to leave nothing to chance in the pursuit of their dream, Roy and Patti followed up on a recommendation after overhearing a conversation that was taking place while they were standing in a gallingly long line waiting to cast a vote on Election Day. With a solid recommendation to pursue, Roy and Patti contacted Progressive Design Build. The rest is history. Mike showed up on time. For a small retainer, he provided preliminary sketches, ideas for maximizing space and storage, and solutions for a sunken family room that created a safety hazard and a problem with traffic flow. More importantly, he designed the project to the homeowners’ budget. Progressive Design Build shot some different elevations and designed a plan to raise the floor, allowing all finished floors to be on the same level. Upon completion, the kitchen was stunning. Features included LED backlit fire glass shelving, white recessed panel cabinets, a subway tile backsplash, Granite countertop, integrated refrigerator, undermount sink, and more. The living room was designed with complimentary finishes and included a natural stone fireplace wall with open cabinets flanked on both sides. The 12’ fireplace was made with a floor-to-ceiling white pebble finish. This Bonita Bay project completed on time and on budget—allowing this fabulous family a wonderful opportunity to create lasting memories for many years to come.

Peter Aaron
Coastal exterior home idea in New York

Example of an arts and crafts dining room design in New York

It was in 2012 when Mike Spreckelmeier first met Roy and Patti. They had been despondent after meeting with multiple contractors in an attempt to start their kitchen remodel. The contractors lacked follow through, came tardy to meetings and even failed to show up at others. Determined to leave nothing to chance in the pursuit of their dream, Roy and Patti followed up on a recommendation after overhearing a conversation that was taking place while they were standing in a gallingly long line waiting to cast a vote on Election Day. With a solid recommendation to pursue, Roy and Patti contacted Progressive Design Build. The rest is history. Mike showed up on time. For a small retainer, he provided preliminary sketches, ideas for maximizing space and storage, and solutions for a sunken family room that created a safety hazard and a problem with traffic flow. More importantly, he designed the project to the homeowners’ budget. Progressive Design Build shot some different elevations and designed a plan to raise the floor, allowing all finished floors to be on the same level. Upon completion, the kitchen was stunning. Features included LED backlit fire glass shelving, white recessed panel cabinets, a subway tile backsplash, Granite countertop, integrated refrigerator, undermount sink, and more. The living room was designed with complimentary finishes and included a natural stone fireplace wall with open cabinets flanked on both sides. The 12’ fireplace was made with a floor-to-ceiling white pebble finish. This Bonita Bay project completed on time and on budget—allowing this fabulous family a wonderful opportunity to create lasting memories for many years to come.

The homeowners had a very large and beautiful meadow-like backyard, surrounded by full grown trees and unfortunately mosquitoes. To minimize mosquito exposure for them and their baby, they needed a screened porch to be able to enjoy meals and relax in the beautiful outdoors. They also wanted a large deck/patio area for outdoor family and friends entertaining. We constructed an amazing detached oasis: an enclosed screened porch structure with all stone masonry fireplace, an integrated composite deck surface, large flagstone patio, and 2 flagstone walkways, which is also outfitted with a TV, gas fireplace, ceiling fan, recessed and accent lighting.

Paul Hester
Example of a trendy staircase design in Austin

Beautiful bathroom remodel includes a low threshold shower with a built in shower seat. The soaking tub in the center of the room with the sleek flooring creates a warm, inviting atmosphere.

It was in 2012 when Mike Spreckelmeier first met Roy and Patti. They had been despondent after meeting with multiple contractors in an attempt to start their kitchen remodel. The contractors lacked follow through, came tardy to meetings and even failed to show up at others. Determined to leave nothing to chance in the pursuit of their dream, Roy and Patti followed up on a recommendation after overhearing a conversation that was taking place while they were standing in a gallingly long line waiting to cast a vote on Election Day. With a solid recommendation to pursue, Roy and Patti contacted Progressive Design Build. The rest is history. Mike showed up on time. For a small retainer, he provided preliminary sketches, ideas for maximizing space and storage, and solutions for a sunken family room that created a safety hazard and a problem with traffic flow. More importantly, he designed the project to the homeowners’ budget. Progressive Design Build shot some different elevations and designed a plan to raise the floor, allowing all finished floors to be on the same level. Upon completion, the kitchen was stunning. Features included LED backlit fire glass shelving, white recessed panel cabinets, a subway tile backsplash, Granite countertop, integrated refrigerator, undermount sink, and more. The living room was designed with complimentary finishes and included a natural stone fireplace wall with open cabinets flanked on both sides. The 12’ fireplace was made with a floor-to-ceiling white pebble finish. This Bonita Bay project completed on time and on budget—allowing this fabulous family a wonderful opportunity to create lasting memories for many years to come.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

The kitchen was designed two years ago and was then erased and redesigned when the world became a different place a year later. As everyone attempted to flatten the curve, our goal in this regard was to create a kitchen that looked forward to a sharp curve down and of a happier time To that promise for happier times, the redesign, a goal was to make the kitchen brighter and more optimistic. This was done by using simple, primary shapes and circular pendants and emphasizing them in contrast, adding a playful countenance. The selection of a dynamic grain of figured walnut also contributes as this once-living material and its sinuous grain adds motion, rhythm, and scale. Proud of their 1970s home, one challenge of the design was to balance a 1970's feel and stay current. However, many ‘70s references looked and felt outdated. The first step was a changed mindset. Just like the return of the ‘40s bath and the retro movement a few years ago, every era returns in some way. Chronologically, the '70s will soon be here. Our design looked to era-specific furniture and materials of the decade. Figured walnut was so pervasive in the era: this motif was used on car exteriors such as the 1970 Town and Country Station Wagon, which debuted the same year the existing home was built. We also looked at furniture specific to the decade. The console stereo is referenced not only by high legs on the island but also by the knurled metal cabinet knobs reminiscent of often-used stereo dials. Knurled metalwork is also used on the kitchen faucet. The design references the second piece of '70s furniture in our modern TV tray, which is angled to face the television in the family room. Its round pencil and mug holder cutouts follow the design of walnut consoles and dashboard of the station wagon and other elements of the time.

Recently I travelled down to the village of Prestwood in the Chiltern Hills of southern Buckinghamshire, to work on a Victorian tiled porch and hallway. Victorian tiles are commonly found in the entrance areas of older houses and unfortunately in this case the tiles had become heavily ingrained with dirt over time, and had suffered from additional paint and plaster spillages. The result was an unsightly mess; my client was considering covering the floor with lino after several unsuccessful attempts at cleaning it. I was called upon to provide a professional clean and seal, restoring these great Victorian tiles back to looking their best again. On my first day at the house, I mixed up a solution of 50 per cent Tile Doctor Pro-Clean, a high alkaline cleaner, and NanoTech HBU (formerly known as Ultra Clean), which is a cleaning product that contains nano-sized abrasive particles that penetrate deep into the stone to lift ingrained dirt to the surface. This solution was worked into the tiles using abrasive scrubbing pads fitted to one of my commercial rotary machines. The cleaning process left over a slurry of residue which I rinsed away with clean water and extracted with a wet vacuum. I was still left with the issue of stubborn paint spillages, so I applied a layer of Tile Doctor Remove & Go, a stripper with cleaning properties which is very effective at breaking down paint and adhesive stains. Once the paint spillages had been dealt with I gave the area another rinse with clean water. I then left the house, allowing the floor enough time to dry overnight. Upon my return the day I set about sealing the newly cleaned Victorian tiles. Before starting the sealing process I inspected the floor to check for any dampness, knowing that any excess moisture could potentially damage the performance of the sealer. When I was satisfied that the tiles were fully dried, I applied Tile Doctor Seal & Go, a sealer which offers durable surface protection, along with an aesthetically pleasing, low-sheen finish which brings out the colour in the stone. This product can be used to seal internal, porous surfaces including Victorian, Slate, textured Quarry and Sandstone tiles. The process made an amazing difference to the floor as you can see from the photographs; additionally the restoration of such an original feature adds a lot of value and looks so much better than lino! Colin Ford South Buckinghamshire Tile Doctor

Sia Moore's design objective for Pivora, was to create a Mediterranean, luxurious and a boho-chic modern restaurant design. The restaurant is a two-storey space, composed of ground floor with the main hall and a mezzanine with dishwashing unit, electrical room and staff room. For the ground floor, the space was divided into two zones - the main dining room and the bar with three elliptical seafood showcase, refrigerators, wine racks and wall-mounted divided into two parts with the main hall on the ground floor and the banquet hall on the first floor. The restaurant space was originally built as one-storey area. However, during the design stage, building a mezzanine was proposed to client to provide a dining area with high ceiling and spacious feeling. Electrical and mechanical rooms, staff room and dishwashing unit was then located to the mezzanine floor, which was covered by glass film with an attempt to conceal the space from the gazes of guest dining area. Capturing the Mediterranean Spirit The restaurant is filled with rough unprocessed surfaces - complex brickwork, terrazzo flooring, exposed ceiling design. Many of the decoration details implies the seafood and organic life. Connotations that are vastly related to marine theme appear in the paintings or large elliptical seafood showcase and in the large kitchen window where the fresh food is cooked in front of the dining tables, and in the emerald green bar tiles, that is inspired by the colors of the fascinating underwater habitat. Reflecting the vibrant and energetic spirit of the Mediterranean culture, Pivora presents a warm seafood restaurant experience. From its custom design wooden furniture and bar decorations to the brickworks on the wall of main dining room and its boho-chic lighting solutions completed by indoor plants hanging over the ceiling are aiming to set the mood for a comfortable dining experience; an experience in which the joy rises with sharing. Not to forget, Pivora offers a wide selection of local shrimps, sea bass and a large assortment of white wines from all around the world.

Sia Moore's design objective for Pivora, was to create a Mediterranean, luxurious and a boho-chic modern restaurant design. The restaurant is a two-storey space, composed of ground floor with the main hall and a mezzanine with dishwashing unit, electrical room and staff room. For the ground floor, the space was divided into two zones - the main dining room and the bar with three elliptical seafood showcase, refrigerators, wine racks and wall-mounted divided into two parts with the main hall on the ground floor and the banquet hall on the first floor. The restaurant space was originally built as one-storey area. However, during the design stage, building a mezzanine was proposed to client to provide a dining area with high ceiling and spacious feeling. Electrical and mechanical rooms, staff room and dishwashing unit was then located to the mezzanine floor, which was covered by glass film with an attempt to conceal the space from the gazes of guest dining area. Capturing the Mediterranean Spirit The restaurant is filled with rough unprocessed surfaces - complex brickwork, terrazzo flooring, exposed ceiling design. Many of the decoration details implies the seafood and organic life. Connotations that are vastly related to marine theme appear in the paintings or large elliptical seafood showcase and in the large kitchen window where the fresh food is cooked in front of the dining tables, and in the emerald green bar tiles, that is inspired by the colors of the fascinating underwater habitat. Reflecting the vibrant and energetic spirit of the Mediterranean culture, Pivora presents a warm seafood restaurant experience. From its custom design wooden furniture and bar decorations to the brickworks on the wall of main dining room and its boho-chic lighting solutions completed by indoor plants hanging over the ceiling are aiming to set the mood for a comfortable dining experience; an experience in which the joy rises with sharing. Not to forget, Pivora offers a wide selection of local shrimps, sea bass and a large assortment of white wines from all around the world.

Designer: Cameron Snyder, CKD; Photographer: John Ferrarone
Mid-sized cottage eat-in kitchen photo in Boston with a farmhouse sink, beaded inset cabinets, granite countertops, beige backsplash, ceramic backsplash, paneled appliances and no island