Calacatta Macchia Vecchia brings the distinctive beauty of premium Italian marble into a refined kitchen setting. Its luminous white background and expressive natural veining create movement, contrast, and individuality throughout the space. The polished finish enhances the depth and character of the stone, making it an exceptional choice for countertops, islands, backsplashes, and statement surfaces in high-end interiors. Each slab is naturally unique, with variations in veining and tone that give every application its own identity.

The main concept is to design an iconic building to meet the functional needs, taking into consideration the challenge of the project location which is at one of the most important commercial streets in Cairo. In addition to its presence on the axis directed from the downtown “The River Nile”, which enforced the necessity of the design in the form of being a hollow cylinder from inside. this opening is facing the main street in the near scale (human scale) where the mass start from the gradient of three meters high and included with circumvent anti-clockwise until it reaches the top of the building at height of 100 meter to face the upcoming movement from the downtown (far scale) and overlook the building to The River Nile as a an important visual sight. I called this project when I submitted to the committee of graduation “Invest in Green" and I presented in green background to emphasize the importance of green buildings. The Project Consists of multi-story building contents as follows: Exhibitions Banks Conferences Administrations Services

Venatino Brown is a stunning Brazilian dolomite known for its pure white background and striking, sweeping movement patterns. This natural stone offers a refined marble-like appearance with the added benefit of enhanced durability. As a translucent material, Venatino Brown allows for beautiful light play, adding depth and elegance to any space. Brazilian dolomites like Venatino Brown are becoming increasingly popular among designers and consumers due to their toughness and versatility. Ideal for high-traffic areas such as kitchens and bathrooms, this dolomite is both functional and elegant

Delicatus granite kitchen countertops feature a white background with subtle gray flecks, and more dramatic black or dark veins. They pair nicely with the rich dark wood cabinet style. Fabricated and Installed by Cary Granite http://carygranite.com/

Mariko Reed Architectural Photography
Living room - mid-century modern living room idea in San Francisco with a standard fireplace and a brick fireplace

Martha O'Hara Interiors, Interior Design & Photo Styling | Kyle Hunt & Partners, Builder | Corey Gaffer Photography Please Note: All “related,” “similar,” and “sponsored” products tagged or listed by Houzz are not actual products pictured. They have not been approved by Martha O’Hara Interiors nor any of the professionals credited. For information about our work, please contact design@oharainteriors.com.

Careful and creative design solutions resulted in a living room with a dry bar and entertainment center that seamlessly blended with the existing contemporary design style of the kitchen and common areas. New white Dura Supreme Highland Panel Plus cabinets were topped with beautiful Calacatta Laza Quartz – with its dramatic movement, milky white background, and soft brown veining. The clients chose a traditional clear mirror backsplash in lieu of tile that matched the dry bar and selected stunning Duverre cabinet hardware in satin nickel, which provided a silvery muted finish and coordinated well with the white cabinets.

Fantasy Brown Leathered dolomite went into this West Columbia kitchen, and it's the kind of stone that changes how a room feels the second the light hits it. Leathered finish instead of polished, so you get texture under your hand instead of a mirror flat surface. It softens the brown and cream movement in the stone, gives it a low sheen, and hides fingerprints and water spots a lot better than a honed or polished slab would in a kitchen that actually gets used. Dolomite has that soft, warm background movement, browns and creams drifting through each other, and it holds up well against everyday acids and scratching in a working kitchen. It's still a natural stone, so we sealed it properly, and the leathered texture actually helps there, it hides the wear that would show up fast on a glass-smooth surface. Getting the veining to read right across the seams is the real work on a stone like this. We template the room, lay the slabs out, and take our time matching the movement across the corners and the seams before anything gets cut, so the pattern keeps flowing instead of jumping when you walk from one stretch of counter to the next. It's slower than pushing straight into fabrication, but it's the difference between a kitchen that looks like one slab and one that looks like pieces. Edge came out eased, clean and simple, which is the right call on a stone with this much going on in the surface. You don't need a fancy profile competing with the leathering and the movement in the dolomite, the material carries the room on its own. Day to day it lives well. Set a hot pan down and it takes it fine, though a trivet never hurts. It'll take the knocks of a working kitchen better than people expect, and the leathered texture keeps it looking good years in instead of showing every little scuff. That's the kind of project we like doing around West Columbia and the rest of the Midlands, matching the right stone to a kitchen that's going to get lived in, not just looked at.

Fantasy Brown Leathered dolomite went into this West Columbia kitchen, and it's the kind of stone that changes how a room feels the second the light hits it. Leathered finish instead of polished, so you get texture under your hand instead of a mirror flat surface. It softens the brown and cream movement in the stone, gives it a low sheen, and hides fingerprints and water spots a lot better than a honed or polished slab would in a kitchen that actually gets used. Dolomite has that soft, warm background movement, browns and creams drifting through each other, and it holds up well against everyday acids and scratching in a working kitchen. It's still a natural stone, so we sealed it properly, and the leathered texture actually helps there, it hides the wear that would show up fast on a glass-smooth surface. Getting the veining to read right across the seams is the real work on a stone like this. We template the room, lay the slabs out, and take our time matching the movement across the corners and the seams before anything gets cut, so the pattern keeps flowing instead of jumping when you walk from one stretch of counter to the next. It's slower than pushing straight into fabrication, but it's the difference between a kitchen that looks like one slab and one that looks like pieces. Edge came out eased, clean and simple, which is the right call on a stone with this much going on in the surface. You don't need a fancy profile competing with the leathering and the movement in the dolomite, the material carries the room on its own. Day to day it lives well. Set a hot pan down and it takes it fine, though a trivet never hurts. It'll take the knocks of a working kitchen better than people expect, and the leathered texture keeps it looking good years in instead of showing every little scuff. That's the kind of project we like doing around West Columbia and the rest of the Midlands, matching the right stone to a kitchen that's going to get lived in, not just looked at.

Fantasy Brown Leathered dolomite went into this West Columbia kitchen, and it's the kind of stone that changes how a room feels the second the light hits it. Leathered finish instead of polished, so you get texture under your hand instead of a mirror flat surface. It softens the brown and cream movement in the stone, gives it a low sheen, and hides fingerprints and water spots a lot better than a honed or polished slab would in a kitchen that actually gets used. Dolomite has that soft, warm background movement, browns and creams drifting through each other, and it holds up well against everyday acids and scratching in a working kitchen. It's still a natural stone, so we sealed it properly, and the leathered texture actually helps there, it hides the wear that would show up fast on a glass-smooth surface. Getting the veining to read right across the seams is the real work on a stone like this. We template the room, lay the slabs out, and take our time matching the movement across the corners and the seams before anything gets cut, so the pattern keeps flowing instead of jumping when you walk from one stretch of counter to the next. It's slower than pushing straight into fabrication, but it's the difference between a kitchen that looks like one slab and one that looks like pieces. Edge came out eased, clean and simple, which is the right call on a stone with this much going on in the surface. You don't need a fancy profile competing with the leathering and the movement in the dolomite, the material carries the room on its own. Day to day it lives well. Set a hot pan down and it takes it fine, though a trivet never hurts. It'll take the knocks of a working kitchen better than people expect, and the leathered texture keeps it looking good years in instead of showing every little scuff. That's the kind of project we like doing around West Columbia and the rest of the Midlands, matching the right stone to a kitchen that's going to get lived in, not just looked at.

Fantasy Brown Leathered dolomite went into this West Columbia kitchen, and it's the kind of stone that changes how a room feels the second the light hits it. Leathered finish instead of polished, so you get texture under your hand instead of a mirror flat surface. It softens the brown and cream movement in the stone, gives it a low sheen, and hides fingerprints and water spots a lot better than a honed or polished slab would in a kitchen that actually gets used. Dolomite has that soft, warm background movement, browns and creams drifting through each other, and it holds up well against everyday acids and scratching in a working kitchen. It's still a natural stone, so we sealed it properly, and the leathered texture actually helps there, it hides the wear that would show up fast on a glass-smooth surface. Getting the veining to read right across the seams is the real work on a stone like this. We template the room, lay the slabs out, and take our time matching the movement across the corners and the seams before anything gets cut, so the pattern keeps flowing instead of jumping when you walk from one stretch of counter to the next. It's slower than pushing straight into fabrication, but it's the difference between a kitchen that looks like one slab and one that looks like pieces. Edge came out eased, clean and simple, which is the right call on a stone with this much going on in the surface. You don't need a fancy profile competing with the leathering and the movement in the dolomite, the material carries the room on its own. Day to day it lives well. Set a hot pan down and it takes it fine, though a trivet never hurts. It'll take the knocks of a working kitchen better than people expect, and the leathered texture keeps it looking good years in instead of showing every little scuff. That's the kind of project we like doing around West Columbia and the rest of the Midlands, matching the right stone to a kitchen that's going to get lived in, not just looked at.

Fantasy Brown Leathered dolomite went into this West Columbia kitchen, and it's the kind of stone that changes how a room feels the second the light hits it. Leathered finish instead of polished, so you get texture under your hand instead of a mirror flat surface. It softens the brown and cream movement in the stone, gives it a low sheen, and hides fingerprints and water spots a lot better than a honed or polished slab would in a kitchen that actually gets used. Dolomite has that soft, warm background movement, browns and creams drifting through each other, and it holds up well against everyday acids and scratching in a working kitchen. It's still a natural stone, so we sealed it properly, and the leathered texture actually helps there, it hides the wear that would show up fast on a glass-smooth surface. Getting the veining to read right across the seams is the real work on a stone like this. We template the room, lay the slabs out, and take our time matching the movement across the corners and the seams before anything gets cut, so the pattern keeps flowing instead of jumping when you walk from one stretch of counter to the next. It's slower than pushing straight into fabrication, but it's the difference between a kitchen that looks like one slab and one that looks like pieces. Edge came out eased, clean and simple, which is the right call on a stone with this much going on in the surface. You don't need a fancy profile competing with the leathering and the movement in the dolomite, the material carries the room on its own. Day to day it lives well. Set a hot pan down and it takes it fine, though a trivet never hurts. It'll take the knocks of a working kitchen better than people expect, and the leathered texture keeps it looking good years in instead of showing every little scuff. That's the kind of project we like doing around West Columbia and the rest of the Midlands, matching the right stone to a kitchen that's going to get lived in, not just looked at.

Inspiration for a mid-sized transitional open concept medium tone wood floor living room remodel in DC Metro with white walls, a standard fireplace and a wood fireplace surround

Inspiration for a large contemporary l-shaped ceramic tile and beige floor eat-in kitchen remodel in Columbus with an undermount sink, flat-panel cabinets, medium tone wood cabinets, quartz countertops, white backsplash, marble backsplash, black appliances, an island and white countertops

Purple salvia, chosen for its drought tolerance and vibrant hue, stands as a colorful counterpoint to the serene white garden roses. This combination was selected to highlight texture and movement, evoking a meadow-like quality within a structured garden. In the background, olive trees anchor the space, their soft-gray foliage reinforcing the Mediterranean palette. The design intent here was to create a garden that feels timeless, alive, and sustainable, respecting the home’s history while embracing modern-day living with minimal water needs.

The pool area of this home in Troon North is a study in modern elegance and simplicity. Its clear, refreshing waters are bordered by minimalist concrete decking, with artificial turf inlays adding a pop of color that complements the natural desert greens. The sleek, straight lines of the pool mirror the clean architectural lines of the home, creating a sense of continuity and flow. With the majestic Arizona mountains and saguaro cacti standing sentinel in the background, this outdoor space is not just a place for relaxation but also an immersive experience into the serene desert landscape. The pool's integrated spillway fountains add a touch of dynamic movement and soothing sound, enhancing the tranquil atmosphere.

Timeless master bathroom with gray porcelain tile, a natural stone mosaic feature stripe, and a Black Forest Leathered granite vanity countertop.
Corner shower - large contemporary master gray tile and porcelain tile porcelain tile corner shower idea in Philadelphia with raised-panel cabinets, white cabinets, gray walls, an undermount sink and granite countertops

Heaven on earth! All Margie could think of while on this site was, "All I need is a tent out here with this view and I'd be happy." The small weekend home on the flank of the rolling grassy coastal plain in Hollister Ranch (near Gaviota, CA) faces breath-taking panoramic views of ocean, islands, coastal plain, foothills and mountains. This place is all about a great outdoor space with just enough house for in case it rains! The pocket sized garden makes a titanic impact bringing a little intimate, livable space to the expansive scenery. Restrained plantings take their cue from the glorious setting. Sweeps of native grasses and succulents dot the garden with olive trees for shade. Dramatic succulents in pots as juxtapose the simple background. The goal was to blend a few practical uses such as wind protected dining and lounging, a hot tub and a fire pit into the nearly undisturbed surroundings. The cedar hot tub is tucked into hillside and surrounded by fieldstone walls and fish-scale flagstone. A small flash-heater provides a warm water shower under an olive next to the tub for de-sanding before plunging into the tub for post-surf warm-up. Meandering gravel paths and lyrical fieldstone "tole work" on the floor plane brings movement to the garden and ties the long narrow space together. The campfire circle (fueled by propane) and lanterns in the trees invite outdoor evening entertainment. Driftwood details - surf rack, stools around the fire pit, posts for hanging lanterns - complete this idyllic surf camp. Cowabunga, dude!

Inspiration for a large contemporary master white tile gray floor freestanding bathtub remodel in Denver with a vessel sink and beige countertops