Designed to accommodate the two families as a weekend retreat, the cabin features a bedroom and bathroom at each end and a double-height living space in between. An upper level includes a den and a bunk room connected by a steel and wood staircase and bridge. The house opens up to a view overlooking a meadow, complemented by an in-ground pool and a cedar hot tub that enhance the outdoor space. The simple form of the house was inspired by the classic barn structures commonly found in the surrounding orchards and farmlands.

Distinctive Designs Wreath 34" Gold-Trimmed Red Rose, Amaryllis Wreath Although "silk" is a common term used to describe artificial botanicals, flowers and foliage, Distinctive Designs' floral designs are actually made of materials that have more durability and do not fray or fade as silk does. Particular botanical components are individually wired and specially crafted to maintain realistic form, while the subtle colorations, shadings and striations in the natural botanical are duplicated to perfection! Cleans easily with a duster or dryer on cool setting; made in the USA of imported components.

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

Example of a transitional galley beige floor eat-in kitchen design in Seattle with an undermount sink, raised-panel cabinets, white cabinets, gray backsplash, subway tile backsplash, stainless steel appliances, an island and gray countertops

Gray Birch at Chicago Botanic Garden.

At Inglenook of Carmel, residents share common outdoor courtyards and pedestrian-friendly pathways where they can see one another during the comings and goings of the day, creating meaningful friendships and a true sense of community. Designed by renowned architect Ross Chapin, Inglenook of Carmel offers a range of two-, three-, and four-bedroom Cottage Home designs. From the colorful exterior paint and private flowerboxes to the custom built-ins and detailed design, each home is unique, just like the community.

Photo by Jay Sifford.

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

Master bathroom. The simple forms and common materials such as stone and plaster provided for the client’s budget and allowed for a living environment that included natural light that flood the home with brightness while maintaining privacy.

Beach style master medium tone wood floor, brown floor and single-sink freestanding bathtub photo in Los Angeles with white walls

These clients came to my office looking for an architect who could design their "empty nest" home that would be the focus of their soon to be extended family. A place where the kids and grand kids would want to hang out: with a pool, open family room/ kitchen, garden; but also one-story so there wouldn't be any unnecessary stairs to climb. They wanted the design to feel like "old Pasadena" with the coziness and attention to detail that the era embraced. My sensibilities led me to recall the wonderful classic mansions of San Marino, so I designed a manor house clad in trim Bluestone with a steep French slate roof and clean white entry, eave and dormer moldings that would blend organically with the future hardscape plan and thoughtfully landscaped grounds. The site was a deep, flat lot that had been half of the old Joan Crawford estate; the part that had an abandoned swimming pool and small cabana. I envisioned a pavilion filled with natural light set in a beautifully planted park with garden views from all sides. Having a one-story house allowed for tall and interesting shaped ceilings that carved into the sheer angles of the roof. The most private area of the house would be the central loggia with skylights ensconced in a deep woodwork lattice grid and would be reminiscent of the outdoor “Salas” found in early Californian homes. The family would soon gather there and enjoy warm afternoons and the wonderfully cool evening hours together. Working with interior designer Jeffrey Hitchcock, we designed an open family room/kitchen with high dark wood beamed ceilings, dormer windows for daylight, custom raised panel cabinetry, granite counters and a textured glass tile splash. Natural light and gentle breezes flow through the many French doors and windows located to accommodate not only the garden views, but the prevailing sun and wind as well. The graceful living room features a dramatic vaulted white painted wood ceiling and grand fireplace flanked by generous double hung French windows and elegant drapery. A deeply cased opening draws one into the wainscot paneled dining room that is highlighted by hand painted scenic wallpaper and a barrel vaulted ceiling. The walnut paneled library opens up to reveal the waterfall feature in the back garden. Equally picturesque and restful is the view from the rotunda in the master bedroom suite. Architect: Ward Jewell Architect, AIA Interior Design: Jeffrey Hitchcock Enterprises Contractor: Synergy General Contractors, Inc. Landscape Design: LZ Design Group, Inc. Photography: Laura Hull

This 2,500 square foot “studio” is located in a neighborhood bisected by alleys and containing charming remnants of indigenous outbuildings common to the region. The desire was to create a clean, open, contemporary interior in a building that outwardly referenced its context. The primary form of the house took shape from the long, narrow lot. On the north end, which faces an alley, a patinated clad steel structure forms a canopy for the entry. This carefully scaled “cabin”, raised above the upper level to access a glimpse of the mountains, pays homage to the many sheds lining the alley. The south end features a terrace above the garage that is an extension of the primary interior space. The masonry west wall of the building provides privacy from the adjacent lot. This functional “spine” contains program elements on both levels and is visible internally and externally. A gently curved wall provides continuity between the floors and shields a bathroom and dressing area. This wall stops short of the ceiling, allowing the uninterrupted plane of maple veneer plywood to form a canopy unifying the spaces. A.I.A. Wyoming Chapter Design Award of Honor 2004

This 2,500 square foot “studio” is located in a neighborhood bisected by alleys and containing charming remnants of indigenous outbuildings common to the region. The desire was to create a clean, open, contemporary interior in a building that outwardly referenced its context. The primary form of the house took shape from the long, narrow lot. On the north end, which faces an alley, a patinated clad steel structure forms a canopy for the entry. This carefully scaled “cabin”, raised above the upper level to access a glimpse of the mountains, pays homage to the many sheds lining the alley. The south end features a terrace above the garage that is an extension of the primary interior space. The masonry west wall of the building provides privacy from the adjacent lot. This functional “spine” contains program elements on both levels and is visible internally and externally. A gently curved wall provides continuity between the floors and shields a bathroom and dressing area. This wall stops short of the ceiling, allowing the uninterrupted plane of maple veneer plywood to form a canopy unifying the spaces. A.I.A. Wyoming Chapter Design Award of Honor 2004

This 2,500 square foot “studio” is located in a neighborhood bisected by alleys and containing charming remnants of indigenous outbuildings common to the region. The desire was to create a clean, open, contemporary interior in a building that outwardly referenced its context. The primary form of the house took shape from the long, narrow lot. On the north end, which faces an alley, a patinated clad steel structure forms a canopy for the entry. This carefully scaled “cabin”, raised above the upper level to access a glimpse of the mountains, pays homage to the many sheds lining the alley. The south end features a terrace above the garage that is an extension of the primary interior space. The masonry west wall of the building provides privacy from the adjacent lot. This functional “spine” contains program elements on both levels and is visible internally and externally. A gently curved wall provides continuity between the floors and shields a bathroom and dressing area. This wall stops short of the ceiling, allowing the uninterrupted plane of maple veneer plywood to form a canopy unifying the spaces. A.I.A. Wyoming Chapter Design Award of Honor 2004

WELCOME TO YOUR BATHROOM | IMO is the fitting for all those who would like to design their own bathroom. The series has a modern, hybrid form that fits into virtually any living environment. IMO makes good design your everyday companion. In digital communication, IMO is the common abbreviation for "In My Opinion". The name IMO invokes this phrase and puts the focus not on the fitting, but on the user's individual view of life. Their opinion, their taste and their individual style of furnishing shape the identity of the IMO series. The IMO series is uniquely versatile. This is also because the design unites two prevalent uses of form, combining a round body with a right-angled lever and spout. | Available at www.shopstudio41.com

Saturday, August 22, 9:00 to 10:30am | Aspen | Stillwater by Valerie Yaw and Jane Lanter of Bluegreen Bounded by the natural beauty of the great Rocky Mountains, this landscape complements the wild aesthetic of the surrounding environment. Taking a design cue from nature, this property represents the extraordinary potential of a visionary design process and close working relationship between the property owners and design team. Enclosed by stone walls and designed for artistic contrast with the home’s architecture, a spacious patio provides room for outdoor entertaining and relaxation. Nearby, a collection of stainless steel rods designed to varying heights define an outdoor spa area, adding artistry to the site. The airy aesthetic of the mountainous landscape is emulated in the emphasis of openness and perspective. A recirculating stream and basin formed of stone slabs unifies the property in a common plan, with just a hint of Western ruggedness. Views of the picturesque landscape stretching far beyond the edges of the property combine to paint a truly inspiring scene. Photo by Jason Dewey Photography, courtesy Bluegreen

Exterior at dusk. The simple forms and common materials such as stone and plaster provided for the client’s budget and allowed for a living environment that included natural light that flood the home with brightness while maintaining privacy. dwight patterson architect, with domusstudio architecture

Interior at dusk. The simple forms and common materials such as stone and plaster provided for the client’s budget and allowed for a living environment that included natural light that flood the home with brightness while maintaining privacy. dwight patterson architect, with domusstudio architecture

What is an ADU: Accessory Dwelling Units: An accessory dwelling unit, usually just called an ADU, is a secondary housing unit on a single-family residential lot. The term “accessory dwelling unit” is a institutional-sounding name, but it’s the most commonly-used term across the country to describe this type of housing. While the full name is a mouthful, the shorthand “ADU” is better. ADUs vary in their physical form quite a bit, as there are detached ADU, attached ADU, second story ADU (above garage or work shop), addition ADU, internal ADU. IMPORTANT: There’s simply too few permitted ADUs to make a real difference in the housing stock. But, even if they aren’t going to solve all a city’s problems, they may help homeowners solve some of their problems. The most common motivation for ADU development is rental income potential, followed by the prospect of flexible living space for multigenerational households. We at FIDELITY GENERAL CONTRACTORS, providing a single point of contact to homeowners interested in this product, from conceptual stage including plans, city legwork, project managing of the construction stage including assistance with material purchase and other coordination, all the way to completion. (this project showcases a detached ADU, 400 SQ.)