Photography by Ken Wyner 2101 Connecticut Avenue (c.1928), an 8-story brick and limestone Beaux Arts style building with spacious apartments, is said to have been “the finest apartment house to appear in Washington between the two World Wars.” (James M. Goode, Best Addresses, 1988.) As advertised for rent in 1928, the apartments were designed “to incorporate many details that would aid the residents in establishing a home atmosphere, one possessing charm and dignity usually found only in a private house… the character and tenancy (being) assured through careful selection of guests.” Home to Senators, Ambassadors, a Vice President and a Supreme Court Justice as well as numerous Washington socialites, the building still stands as one of the undisputed “best addresses” in Washington, DC.) So well laid-out was this gracious 3,000 sf apartment that the basic floor plan remains unchanged from the original architect’s 1927 design. The organizing feature was, and continues to be, the grand “gallery” space in the center of the unit. Every room in the apartment can be accessed via the gallery, thus preserving it as the centerpiece of the “charm and dignity” which the original design intended. Programmatic modifications consisted of the addition of a small powder room off of the foyer, and the conversion of a corner “sun room” into a room for meditation and study. The apartment received a thorough updating of all systems, services and finishes, including a new kitchen and new bathrooms, several new built-in cabinetry units, and the consolidation of numerous small closets and passageways into more accessible and efficient storage spaces.

The Main Stay House exists as a straightforward proposal on an urban infill lot, paring down the components of a house to a minimal amount of planes and openings. The scheme is anchored by a modern entry sequence and a staircase volume, both clad in iron spot masonry externally and internally, creating thresholds between the respective realms of public, common and private, by minimal means. The masonry contrasts with an otherwise muted interior atmosphere of smooth, desaturated surfaces. The entry sequence is a twist upon the conventional domestic front door, front facade, and fence. The front masonry wall replaces the typical residential fence and frames an indirect access to the front door, functioning as a privacy barrier while revealing slices of the interior to the public street. The staircase bifurcates the layout to provide a clear division between the common and private zones of the house, while clearly reading as a mass from all outside view. Brick and glass become portals between common and private zones. The design consolidates the service core along the west façade, allowing the structure to fully open the living zone to the pool court and existing trees. This directly connects interior and exterior, as well as human and nature. Freedom to vary the program or functional use of the area is enabled and strongly encouraged. Photography: Charles Davis Smith

Builder: Anchor Builders / Building design by Fluidesign Studio and Anchor Builders. Interior finishes by Fluidesign Studio. Plans drafted by Fluidesign Studio and Orfield Drafting / Photos: Seth Benn Photography

Inspired by the surrounding landscape, the Craftsman/Prairie style is one of the few truly American architectural styles. It was developed around the turn of the century by a group of Midwestern architects and continues to be among the most comfortable of all American-designed architecture more than a century later, one of the main reasons it continues to attract architects and homeowners today. Oxbridge builds on that solid reputation, drawing from Craftsman/Prairie and classic Farmhouse styles. Its handsome Shingle-clad exterior includes interesting pitched rooflines, alternating rows of cedar shake siding, stone accents in the foundation and chimney and distinctive decorative brackets. Repeating triple windows add interest to the exterior while keeping interior spaces open and bright. Inside, the floor plan is equally impressive. Columns on the porch and a custom entry door with sidelights and decorative glass leads into a spacious 2,900-square-foot main floor, including a 19 by 24-foot living room with a period-inspired built-ins and a natural fireplace. While inspired by the past, the home lives for the present, with open rooms and plenty of storage throughout. Also included is a 27-foot-wide family-style kitchen with a large island and eat-in dining and a nearby dining room with a beadboard ceiling that leads out onto a relaxing 240-square-foot screen porch that takes full advantage of the nearby outdoors and a private 16 by 20-foot master suite with a sloped ceiling and relaxing personal sitting area. The first floor also includes a large walk-in closet, a home management area and pantry to help you stay organized and a first-floor laundry area. Upstairs, another 1,500 square feet awaits, with a built-ins and a window seat at the top of the stairs that nod to the home’s historic inspiration. Opt for three family bedrooms or use one of the three as a yoga room; the upper level also includes attic access, which offers another 500 square feet, perfect for crafts or a playroom. More space awaits in the lower level, where another 1,500 square feet (and an additional 1,000) include a recreation/family room with nine-foot ceilings, a wine cellar and home office. Photographer: Jeff Garland

2011 NARI CAPITAL COTY FINALIST AWARD WINNER Project Scope-- The owners of this 1990’s colonial home were seeking to convert the existing space-constricted builder-grade kitchen into a generously-apportioned Tuscan-style country kitchen with lots of natural light, high-end appointments and a warmly textured interior design concept. Among other features they sought a mid-room island that would house critical appliances, complete the work triangle and provide dining counter space for three. They also wanted to include a professional-grade gas range. Challenges-- Situated between dining room and family room, the existing kitchen was small and poorly planned. The sink faced a blank wall and the appliances were inadequate for the owner’s gourmet cooking ambitions. To create the desired footprint, the contractor, Michael Nash Design, Build & Homes, created a plan that called for consolidating square footage in several rooms adjacent to the kitchen. This entailed removing two load bearing walls– one between the kitchen and dining room, a second separating the kitchen and family room– and shifting loads to newly installed structural supports carefully concealed within the resultant “open” floor plan. To accommodate new appliances (and work efficiencies) called for by this radically altered space plan, the design located the new professional gas range and other key features in the footprint formerly occupied by the breakfast room, a change that takes advantage of opportunities for a higher cathedral ceiling, better natural lighting and greater space. Solutions-- With this space plan resolved, the design team could now eliminate a picture window on the west elevation, designing a new elevation to accommodate a stucco cooktop flanked by a pair of custom Palladium windows. A side elevation slider was replaced with a French door. Infrastructure considerations included introducing gas lines needed for the 48” Viking cooktop range and re-routing plumbing. The 5’ x 9’ granite-surfaced custom designed island includes the primary kitchen sink, a dishwasher, microwave and dining overhang that provided seating for up to four. On another wall, the design called for installing ceiling flush “beaded” display pantries with open bookcases, and routed-in plumbing for a water fountain, a faucet and an ice-making machine. Glazed maple and cherry cabinetry increased available storage by over 50%. A recessed space was also created for a built-in vertical wine rack. Style-appropriate terra cotta tiling with mosaic bordering detailing extends into the home’s foyer. Other finishing work elements include crown molding with rounded turn posts and corbels.

As needs have changed, new home construction in Atlanta has trended towards more open floor plans. Weidmann helps owners of older residences to investigate and achieve these same open objectives by consolidating and reconfiguring the available space on both levels. This home was opened up with a little creative organization, which included relocating the powder room, changing traffic patterns and repurposing rooms for a renewed lifetime of living. FotoGrafik Arts

As needs have changed, new home construction in Atlanta has trended towards more open floor plans. Weidmann helps owners of older residences to investigate and achieve these same open objectives by consolidating and reconfiguring the available space on both levels. This home was opened up with a little creative organization, which included relocating the powder room, changing traffic patterns and repurposing rooms for a renewed lifetime of living. FotoGrafik Arts

Photography by Ken Wyner 2101 Connecticut Avenue (c.1928), an 8-story brick and limestone Beaux Arts style building with spacious apartments, is said to have been “the finest apartment house to appear in Washington between the two World Wars.” (James M. Goode, Best Addresses, 1988.) As advertised for rent in 1928, the apartments were designed “to incorporate many details that would aid the residents in establishing a home atmosphere, one possessing charm and dignity usually found only in a private house… the character and tenancy (being) assured through careful selection of guests.” Home to Senators, Ambassadors, a Vice President and a Supreme Court Justice as well as numerous Washington socialites, the building still stands as one of the undisputed “best addresses” in Washington, DC.) So well laid-out was this gracious 3,000 sf apartment that the basic floor plan remains unchanged from the original architect’s 1927 design. The organizing feature was, and continues to be, the grand “gallery” space in the center of the unit. Every room in the apartment can be accessed via the gallery, thus preserving it as the centerpiece of the “charm and dignity” which the original design intended. Programmatic modifications consisted of the addition of a small powder room off of the foyer, and the conversion of a corner “sun room” into a room for meditation and study. The apartment received a thorough updating of all systems, services and finishes, including a new kitchen and new bathrooms, several new built-in cabinetry units, and the consolidation of numerous small closets and passageways into more accessible and efficient storage spaces.

A benefit to having the microwave over the range is that the cooking centers are consolidated
Transitional kitchen photo in Raleigh

Thanks to its long history of tradition, and its consolidated experience in cabinet making, Giorgetti S.P.A. can compete with the markets of all great suppliers, satisfying demands for solutions of exclusive elegance. The Giorgetti production has all the criteria needed to realize contract projects, such as hotels, cruise ships, airplanes. Giorgetti, therefore, becomes a significant choice for those operating in the sector, both in terms in product and service. On one side, the company production is characterized by high, intrinsic quality, as far as technology and materials are concerned, but at the same time the quality of the design makes each element the only one of its kind.

Bethany Nauert Photography
Example of a large classic galley medium tone wood floor and brown floor dedicated laundry room design in Los Angeles with an undermount sink, shaker cabinets, gray cabinets, marble countertops, white walls and a stacked washer/dryer

William MacCollum
Trendy staircase photo in Los Angeles

Suzanna Scott Photography
Living room - rustic living room idea in San Francisco with a wood stove

The Main Stay House exists as a straightforward proposal on an urban infill lot, paring down the components of a house to a minimal amount of planes and openings. The scheme is anchored by a modern entry sequence and a staircase volume, both clad in iron spot masonry externally and internally, creating thresholds between the respective realms of public, common and private, by minimal means. The masonry contrasts with an otherwise muted interior atmosphere of smooth, desaturated surfaces. The entry sequence is a twist upon the conventional domestic front door, front facade, and fence. The front masonry wall replaces the typical residential fence and frames an indirect access to the front door, functioning as a privacy barrier while revealing slices of the interior to the public street. The staircase bifurcates the layout to provide a clear division between the common and private zones of the house, while clearly reading as a mass from all outside view. Brick and glass become portals between common and private zones. The design consolidates the service core along the west façade, allowing the structure to fully open the living zone to the pool court and existing trees. This directly connects interior and exterior, as well as human and nature. Freedom to vary the program or functional use of the area is enabled and strongly encouraged. Photography: Twist Tours

Inspiration for a kitchen remodel in Grand Rapids

Custom rugs, furnishings, wall coverings and distinctive murals, along with unique architectural millwork, lighting and audio-visual throughout, consolidate the anthology of design ideas, historical references, cultural influences, ancient trades and cutting edge technology. Approaching each project as a painter, artisan and sculptor, allows Joe Ginsberg to deliver an aesthetic that is guaranteed to remain timeless in our instant age.

_Photograph by Kim Schmidt_ The modular sofa is the "Lotus Sofa" from Soft Line Design, which I configured specifically for the apartment. It was also chosen because it was deep enough for someone to sleep on, adding extra room for overnight guests in such a small apartment. The custom printed solar shade is by Delia Shades in New York. The image is of one of the client's favorite Billie Holliday albums from the 1950's. Not only did it keep the room cooler and protect it from UV rays but it was particularly interesting because its translucency changed given the time of day. In the daylight, the light caused the image to become almost hidden but slowly became more obvious as day turned to night. A night-time shot of the shade can be seen in the next photograph. The black lacquer mini-writing desk and the square white lacquer dining table are from West Elm and they were chosen for their compact size and functionality. The floor is also from West Elm. The carpets are vintage Moroccan from the clients collection. The modular bookcases are from Design Within Reach. I love its flexible design because you can work with it any space. They are incredibly sturdy and durable.

Mid-sized elegant master gray tile and marble tile dark wood floor and brown floor bathroom photo in Cincinnati with recessed-panel cabinets, white cabinets, white walls, an undermount sink, marble countertops and a hinged shower door

The homeowners chose to install perimeter cabinets using Dynasty by Omega. They chose the Madrid door style, Cherry wood, and a truffle stain. As for the island cabinets, they wanted the Madrid door style and Maple wood and then opted for the Pearl paint. The countertops are quartz and the island is granite. Before the renovation started, the homeowners selected Jenn-Air appliances, including an induction cooktop and built-in microwave oven with speed cook. Once the construction was underway, we removed the bulkheads to allow new cabinets that extended to the ceiling with two PC crown molding. This provided a cleaner, more modern look along with added storage for items that are occasionally used. We also swapped the pantry and refrigerator location to open up space as you enter the kitchen from the garage. The redesign also gave the refrigerator a built-in look. Then, we moved the cooktop to the corner and installed stainless steel Zephyr range hood and beveled subway tile in a herringbone pattern. The backsplash and new cooktop turned the most used area of the kitchen into a design feature. The addition of an enlarged island allows extra seating for up to four people. Moreover, island cabinets include two full-sized waste baskets for recycling and standard waste. The new farmhouse sink from Kohler not only looks and functions well but the drain is positioned at the rear corner. The plumbing in the cabinet below is consolidated to the back corner providing much more storage. Last, the built-in TV not only looks great but also reduces counter clutter. Plus, the drawer below the TV contains USB outlet for small personal device charging.