Creating an intimate space, when the great room flows to the dining room and kitchen, is felt in the coziness of the details that define each room. The transitional background is layered with furnishing stylings that lean to traditional, with a comfortable elegance. The blue and cream palette is derived from the rug, and blue is brought up to the window drapery to focus and frame the view to exterior. A wood coffee table reflects the caramel ceiling beams, and darker leather ottoman provides contrast and offers durability. Ceiling heights are lowered by perimeter soffits which allow for beams to define the space, and also conceal an automated shade to control the level of natural light. The floor lamp and tree provide additional verticality to ground and define the space from the nearby dining room and kitchen.

A classicist with an artist’s vision, Carter Skinner ultimately derives his inspiration from the daily lives of his clients. Whether designing a coastal home, country estate, city home or historic home renovation, Carter pairs his architectural design expertise with the preferences of his clients to design a home that will truly enhance their lives.

This residential compound includes a primary residence, guesthouse, barn, dining pavilion and entry gate. The distinctive form of the architecture is derived from the Teton Range extending to the south. To respond to this phenomenon, the ridge of the gable roof is angled to allow the north wall to gently rise toward the west, mimicking the line of the mountains. The south wall naturally rises to the east capturing the preferred morning light. The materials - wood, rusted steel, copper panels, and stone - form a monochromatic palette to reinforce the sculptural energy of each building. A.I.A. Western Mountain Region Design Award of Citation 2005 A.I.A. Wyoming Chapter Design Award of Honor 2004 Project Year: Pre-2005

In early 2002 Vetter Denk Architects undertook the challenge to create a highly designed affordable home. Working within the constraints of a narrow lake site, the Aperture House utilizes a regimented four-foot grid and factory prefabricated panels. Construction was completed on the home in the Fall of 2002. The Aperture House derives its name from the expansive walls of glass at each end framing specific outdoor views – much like the aperture of a camera. It was featured in the March 2003 issue of Milwaukee Magazine and received a 2003 Honor Award from the Wisconsin Chapter of the AIA. Vetter Denk Architects is pleased to present the Aperture House – an award-winning home of refined elegance at an affordable price. Overview Moose Lake Size 2 bedrooms, 3 bathrooms, recreation room Completion Date 2004 Services Architecture, Interior Design, Landscape Architecture

Experience the power of Coletta's unique sink style, long, low dish-shaped rectangular basin with softly rounded corners, crafted from quality stone composite AquateX™ in new Jaffa Blue color that will have you feeling relaxed faster than ever. Bringing the clean pop of color, Coletta A Bathroom Sink in Jaffa Blue is a stunning new addition to Aquatica's Coletta range, deriving its outstanding uniqueness from the heart of Jaffa Old Town. Jaffa’s wondrous and indescribable blues provided the impetus for our designers to create a superb blend of the old and new, taking the crisp minimal lines and advanced technology of our popular Coletta model and adding a whole new layer of warmth and character. Team up Coletta A Bathroom Vessel Sink with Aquatica Coletta™ Jaffa Blue Freestanding Bathtub for complete Jaffa Old town vibe.

A classicist with an artist’s vision, Carter Skinner ultimately derives his inspiration from the daily lives of his clients. Whether designing a coastal home, country estate, city home or historic home renovation, Carter pairs his architectural design expertise with the preferences of his clients to design a home that will truly enhance their lives.

Photo credit: Mirage Ceramiche Koru is an Italian-produced porcelain tile used for walls and floors that interprets wood found in fruit trees. The name Koru derives from a Maori word and symbol representing new life, growth and peach. The colors of Koru are clean and crisp, creating a final look that creates a peaceful living space. Tileshop 1005 Harrison Street Berkeley, CA 94710 (510) 525-4312 Other California locations: San Jose and Van Nuys (Los Angeles)

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

Nafir By Axo Nafir pendants, ceiling lamps and recessed lights derive from Karim Rashid's brilliant imagination, a collection that recalls a row of trumpets lined like bunting stems. This creation touches upon the sculptural theme: available stand-alone or in groups of three and illuminated by LED technology, they are just enchanting even with the lights off. The designer sketched them while thinking of light as a complement to music, the idea took shape and began its transformation into an object that resembles a trumpet. Nafir is made of white injection moulded plastic and is available in three different colors: chrome exterior/white interior, white exterior/gold interior, white exterior/white interior, bronze exterior/white interior (new) and pink gold exterior/white interior (new).

relationship with the client. After many successful remodel project the owners were confident that we could provide the level of craftsmanship that their home deserved. Some of the details of the project included a climate controlled wine room derived from an existing media room and closet. The master suite and bath included complete redesign of tub and steam shower. Ceilings and lighting were modified in order to redefine living spaces including disappearing tv behind art work. Cabinetry and finishes were also included to finish out a very open design with magnificent views of downtown Houston from the 27th floor.

This project transforms a summer home into a year-round residence using language derived from New England agrarian architecture. Located within a meadow in an otherwise forested area, the program called for an art studio connected to the existing house, and two workshops in a separate building. The resulting courtyard arrangement improved the approach and entry sequence and created a sense of space. A pared-down aesthetic is rooted in the past but clearly of the present, and provides a serene backdrop for the workspaces. Net Zero Energy usage is achieved through an efficient building envelope, a ground source heat pump, and a 20kW photovoltaic array on the South and West roofs of the new structures.

The warm tones mixed with all the different materials throughout this space makes it all that more inviting. Featuring custom cabinetry by Gaco Custom Furniture and a beautiful stone front fireplace, this cozy great room will allow anyone to feel at peace after a long day. Not to mention the effortless flow right into spacious dining room with more then enough seating for entertaining. The two rows of elongated windows mixed with the ceiling height really helps this space stay bright and light without deriving your attention from that main focal point, the fireplace.

Casual yet elegant, the Etra Collection by Modern Outdoor offers a modern aesthetic that is constructed for outdoor use while being suitable for indoor settings. Etra’s visual inspiration is derived from its architectural-based frame system. Designed using structural angle steel that is mitered and ground, a clean and seamless surface gives Etra its pure appeal. Frame Options: • 304 stainless steel that is brushed and electropolished • marine-grade 316 stainless steel that is brushed and electropolished for use within one mile of salt air, available for an upcharge • powder coated carbon steel in our standard silver finish • custom powder coat colors, available for an upcharge Surface Options: • sustainably harvested ipe – a beautiful South American hardwood that is three times as dense as teak — naturally resistant to rot, insects, UV exposure, ice, salt, abrasion and splintering – all without the need for toxic chemicals — considered a 25+ year wood • marine-grade polyboard – a UV stabilized high-density polyethylene material that is non-corrosive and chip resistant – available in six colors for expanded design choices Fabric Options: • six standard colors of 100% solution dyed acrylic treated for outdoor use are offered • custom fabrics and COM service are also available Cushion Options: • our standard foam cushions are made from outdoor appropriate high-resiliency (HR) foam • for clients that prefer less maintenance, a flow-through foam that allows water and moisture to escape the cushion is also available for an upcharge Etra is a full-breadth line with dining, bar height, lounge, cafe, patio and pool setting pieces included. The pieces are readily customizable for individual client needs.

The Potrero Residence is the archetype for Architecture Office’s iterative process. Nestled in the Santa Monica mountains and surrounded by avocado farms, our client asked us to design a monumental hilltop home with views facing every direction and an underground ten car garage. We developed three concepts, choosing one developed by modelling a floorplate and populating it with cube forms. Using modelling software, we “sliced” the cubes at different points and rotated them across the plate. Via the interplay of these segmented cubes, this process created unique trapezoidal forms on each floorplate. Each floor in the Potrero residence functions as a unique relationship of forms and voids. In this building, each exterior-facing void⁠—the spaces between the rotated cubes⁠—is either walled with glass to create a floor to ceiling window, or subtracted to create a balcony. These punctures provide each exterior facing room in the house with a panoramic view over a different area of the property. The balconies give this home a variety of lighting conditions throughout the day, sometimes dark and sometimes light, reminiscent of cave dwellings. This design process creates a unique exterior wall across every face of the building. The driveway-facing facade is sculpted to resemble a traditional gable roofed house. Working around the house reveals a much more complex and digitally derived form. In the center of the house, a gem-shaped courtyard offers light within the relatively deep floor plates. Following the form building process, we developed a material solution using cast-in-place, board formed concrete—giving the house a weighty appearance and reinforcing its cave-like volumes. The rotated cube forms create diverse atmospheres within the interior, and singular aesthetic relationships to the exterior environment. Though grand in scale, our design process creates a fundamentally simple form, while the interior’s spatial conditions evoke the comforts of home.

The massive chrome pedestal has inverted inlay triangles on every side and also conceals pedal mechanism – thus unifying and simplifying the overall visual statement. The black and chrome combination punctuated by triangle-derived motifs evoked Art Deco, placing this marvelously futuristic piano in the realm of the Chrysler Building of the future, or a skyscraper yet to be built.

This bay side bathrooms elegance is a derivative of light grey cabinet and tile tones, light blue wall color, expresso vanity, and oil rubbed bronze plumbing fixtures. A linen cabinet wall was also incorporated for useful storage of additional toiletries. New porcelain tile to gives the look of marble at a fraction of the cost. We included lighting in every section of the bathroom including above the bathtub, above the toilet, and the unique pendants above the double marble vanity.

The precious ellegance of this kitchen derives from the sheer white wood and the ornaments that echo the classical style. The dominance of white absorbs the wood’s solidity and the carefully crafted details perfect the ensemble, transforming this kitchen into a declaration of taste. Architect: Mihai Constantin. TECHNICAL DETAILS Doors and drawer fronts made of solid oak wood Showcase fronts made of solid oak wood and faceted glass Decorative elements (cornice, plinth, decorative panels) made of solid oak wood Interior made of 18 mm thick laminated chipboard, grey color, with 1mm thick ABS ledge. Applied handles. Quartz top.

The name “Phoenix” may come from its wing-like base, standing sturdy and supportive; or perhaps the name is derived from a certain sunny southern city, with its hot looks and cool style. Either way this solid wood, Canadian-made dining table is a smart choice.

The game of widening the cone of vision is carried forward where the mirrored wall doubles up the space within. The shades were derived in a manner to increase the quantum of light and reflectivity, Hence the monochrome white and mirror. Design Team - Ar. Manish Shah, Schoen D'Lyma. Photography - Tejas Shah.