Free ebook, Creating the Ideal Kitchen. DOWNLOAD NOW   This was a fun and special project for me to work on – it’s my parent’s new (to them) townhome. Downsizing from their previous home, and I collaborated with my architect father on redesigning their kitchen and master bathroom. Opening up the layout on the 1st floor was on the top of their list. They hoped to make it possible for whoever was cooking in the kitchen was still able to interact with people in family room and the dining room easily. An existing wall between the family room and the kitchen, made the kitchen feel cut off from the rest of the house. By removing the wall, we were able to turn the kitchen layout from the standard "U" shape kitchen to a galley which allowed for more storage and countertop space. White Dove frameless cabinetry from Woodharbor was used to give the space a light and fresh feel, while maximizing space within for easy storage. A built in-hutch in the dining room was added for additional storage without encroaching in the room itself. The master bathroom was completely remodeled as well from head-to-toe. The existing layout was not conducive to my parent’s daily lifestyle. It had one vanity, an awkward corner tub with a just as awkward corner shower which seemed more like a dungeon than a shower. We gutted the existing bathroom, relocated a wall to create a large walk-in closet, omitted the tub, and created a nice spa like shower. The new layout also allowed them to have a double vanity with a small make-up area in between. Some features we added into the bathroom were heated floors, which are especially nice during the cold Chicago winters, custom marble tile as an accent in the shower, and a custom shower enclosure which really kept the room open. Designed by: Keri Pryde Photography by: Mike Kaskal For more information on kitchen and bath design ideas go to: www.kitchenstudio-ge.com

  Free ebook, Creating the Ideal Kitchen. DOWNLOAD NOW   This was a fun and special project for me to work on – it’s my parent’s new (to them) townhome. Downsizing from their previous home, and I collaborated with my architect father on redesigning their kitchen and master bathroom. Opening up the layout on the 1st floor was on the top of their list. They hoped to make it possible for whoever was cooking in the kitchen was still able to interact with people in family room and the dining room easily. An existing wall between the family room and the kitchen, made the kitchen feel cut off from the rest of the house. By removing the wall, we were able to turn the kitchen layout from the standard "U" shape kitchen to a galley which allowed for more storage and countertop space. White Dove frameless cabinetry from Woodharbor was used to give the space a light and fresh feel, while maximizing space within for easy storage. A built in-hutch in the dining room was added for additional storage without encroaching in the room itself. The master bathroom was completely remodeled as well from head-to-toe. The existing layout was not conducive to my parent’s daily lifestyle. It had one vanity, an awkward corner tub with a just as awkward corner shower which seemed more like a dungeon than a shower. We gutted the existing bathroom, relocated a wall to create a large walk-in closet, omitted the tub, and created a nice spa like shower. The new layout also allowed them to have a double vanity with a small make-up area in between. Some features we added into the bathroom were heated floors, which are especially nice during the cold Chicago winters, custom marble tile as an accent in the shower, and a custom shower enclosure which really kept the room open. Designed by: Keri Pryde Photography by: Mike Kaskal For more information on kitchen and bath design ideas go to: www.kitchenstudio-ge.com

Keyes Road is a two-storey, semi-detached red brick house dating to around 1890-1910. The focus of our work was on the ground floor where we were asked to improve the layout and use of the main living areas of the house, for an active family of four. Important to the design was to maximise the quality and amount of light as well as connection to the garden and flow to the rest of the house. Our proposal introduces three single storey extensions, comprising a central, large space that extends the main outrigger of the house. To each side are smaller volumes, affording a full width kitchen. While defining a series of discrete volumes, it was important for us to ensure that the kitchen, living, family and dining rooms that are interconnecting and continuous. The result is a big space punctuated by a series of differently sized arches, defining spaces to ensure their intimacy. It was important for our client to have a sense of warmth and comfort - perhaps not dissimilar to the qualities of a hotel lobby. The colour scheme of the rooms are warm white painted plaster, natural wood flooring with black, bronze and brass accents. Indirect and carefully placed light fittings pulls together the atmosphere of the rooms - particularly in the evenings. Externally, we felt it important to differentiate the extensions from the main house by using a dark, charcoal grey brick. This sets up a contrasting yet complimentary relationship to the rich red coloured brick house. The facets of the brick play with light and depth as do the graduated brick arches. During the design process, we grappled with floor levels, the direction of sunlight, and care to not encroach on the neighbouring properties. As the house is in a conservation area, we worked closely with our trusted planning advisor. Throughout, we pursued a sensitive design strategy, using pitched roofs, matching materials and careful detailing. Internally, many of the original details are intact. This has enabled us to create an eclectic ensemble of elements, colours and materials varying in age and period.

We partnered up with Furtado Contracting to update the kitchen in this stunning 100 year old house in Vancouver. The vision was to freshen up the dated cabinetry and countertops to a style that would lend well to the age of the home, while providing more storage and new appliances. Layout: The gas range was previously hidden from the dining room by a pony wall. It was decided early on to remove the pony wall, opening the space visually while providing added counter space behind the range. The removal of the pony wall also allowed us to add additional storage on the dining room side of the kitchen. The fridge was the next item to be relocated. Previously encroaching into the walkway, the fridge was previously placed where our new microwave lives. The fridge now sits in the perfect spot, next to a narrow open-self cabinet which was another wish list from the client, to display bottles and decorative items. Storage in this kitchen increased by mounting the upper cabinets to the ceiling and improving the lower cabinets by adding more drawers and interior accessories like pullouts, spice storage and a super-susan in the base-corner cabinet. Materials: The materials used were extra important to this renovation to ensure we complimented the age of the home. To achieve the right look, shaker doors were used on all cabinets. The painted white cabinets were constructed of a Maple species and painted in Benjamin Moores ‘Silver Satin’. On the base cabinets, a Cherry species was used in a warm stain. To brighten up the room, Caesarstone countertops in ‘Frosty Carrina’ were paired with a white tile in a subway pattern from Olympia Tile. The details on the crown moulding, door-style panels, cabinetry hardware, kitchen faucet and pendant light fixture are what made this space feel warm and welcoming for the 21st century.

  Free ebook, Creating the Ideal Kitchen. DOWNLOAD NOW   This was a fun and special project for me to work on – it’s my parent’s new (to them) townhome. Downsizing from their previous home, and I collaborated with my architect father on redesigning their kitchen and master bathroom. Opening up the layout on the 1st floor was on the top of their list. They hoped to make it possible for whoever was cooking in the kitchen was still able to interact with people in family room and the dining room easily. An existing wall between the family room and the kitchen, made the kitchen feel cut off from the rest of the house. By removing the wall, we were able to turn the kitchen layout from the standard "U" shape kitchen to a galley which allowed for more storage and countertop space. White Dove frameless cabinetry from Woodharbor was used to give the space a light and fresh feel, while maximizing space within for easy storage. A built in-hutch in the dining room was added for additional storage without encroaching in the room itself. The master bathroom was completely remodeled as well from head-to-toe. The existing layout was not conducive to my parent’s daily lifestyle. It had one vanity, an awkward corner tub with a just as awkward corner shower which seemed more like a dungeon than a shower. We gutted the existing bathroom, relocated a wall to create a large walk-in closet, omitted the tub, and created a nice spa like shower. The new layout also allowed them to have a double vanity with a small make-up area in between. Some features we added into the bathroom were heated floors, which are especially nice during the cold Chicago winters, custom marble tile as an accent in the shower, and a custom shower enclosure which really kept the room open. Designed by: Keri Pryde Photography by: Mike Kaskal For more information on kitchen and bath design ideas go to: www.kitchenstudio-ge.com

This project is proof that the challenges posed by limited space and accessibility can always be overcome in order to deliver stunning results. The space itself was rather small and also very close to the neighboring residence. Not only was the neighboring wall imposing, it was also of a completely different design style. The goal here was to create a layering effect with numerous features of varying heights. Not only would this add depth and dimension to the overall design, but it would cause the viewer to shift their focus from the encroaching wall to the beauty of the pool space. Instead of trying to maximize the water area by squaring off the pool, I decided to instead maximize the visual interest by gracefully rounding off the back wall of the pool. This was accomplished by implementing a raised stucco wall, and also a shorter, matching curved wall, featuring a "Sheer Descent" waterfall. Inside the taller, deep-plum stucco wall, I created three vertical windows which are all highlighted by LED uplighting. To give depth, dimension and some natural beauty, I implemented a simple bed of Horse Tail Reeds behind the short wall, and chose to place Banana Trees behind the taller wall. The main seating area is just outside the home's master suite, and is separated by a "Leuder" limestone fire pit. Aside from being a striking design feature, the floating stepper pads accomplish a number of things; they serve triple-duty as a walkway, a seating area adjacent to the fire pit, and also as a poolside rest for beverages. After discovering that the narrow courtyard acted as a sort of wind tunnel between the two houses, we opted to install tempered glass in order to better control the behavior of the flames. This solved the problem while remaining visually pleasing to the client as well. You'll notice in some of the leading photos for this project that I had originally intended to implement stepper pads on both sides of the pool closest to the house. And despite a thorough understanding of what would be necessary on an engineering and structural-design basis, we were eventually forced to turn this into a solid deck due to unrelenting city-required setbacks. However the client remained very understanding due to encountering a number of similar issues in their home-build process. In the end, they were delivered an outstanding pool design that had come to fruition only after coming up with numerous solutions to a number of challenges that only a unique space like this could provide.

Bluestone garden with corten wall and bench
Photo of a mid-sized contemporary full sun landscaping in New York for spring.

This project is proof that the challenges posed by limited space and accessibility can always be overcome in order to deliver stunning results. The space itself was rather small and also very close to the neighboring residence. Not only was the neighboring wall imposing, it was also of a completely different design style. The goal here was to create a layering effect with numerous features of varying heights. Not only would this add depth and dimension to the overall design, but it would cause the viewer to shift their focus from the encroaching wall to the beauty of the pool space. Instead of trying to maximize the water area by squaring off the pool, I decided to instead maximize the visual interest by gracefully rounding off the back wall of the pool. This was accomplished by implementing a raised stucco wall, and also a shorter, matching curved wall, featuring a "Sheer Descent" waterfall. Inside the taller, deep-plum stucco wall, I created three vertical windows which are all highlighted by LED uplighting. To give depth, dimension and some natural beauty, I implemented a simple bed of Horse Tail Reeds behind the short wall, and chose to place Banana Trees behind the taller wall. The main seating area is just outside the home's master suite, and is separated by a "Leuder" limestone fire pit. Aside from being a striking design feature, the floating stepper pads accomplish a number of things; they serve triple-duty as a walkway, a seating area adjacent to the fire pit, and also as a poolside rest for beverages. After discovering that the narrow courtyard acted as a sort of wind tunnel between the two houses, we opted to install tempered glass in order to better control the behavior of the flames. This solved the problem while remaining visually pleasing to the client as well. You'll notice in some of the leading photos for this project that I had originally intended to implement stepper pads on both sides of the pool closest to the house. And despite a thorough understanding of what would be necessary on an engineering and structural-design basis, we were eventually forced to turn this into a solid deck due to unrelenting city-required setbacks. However the client remained very understanding due to encountering a number of similar issues in their home-build process. In the end, they were delivered an outstanding pool design that had come to fruition only after coming up with numerous solutions to a number of challenges that only a unique space like this could provide.

We partnered up with Furtado Contracting to update the kitchen in this stunning 100 year old house in Vancouver. The vision was to freshen up the dated cabinetry and countertops to a style that would lend well to the age of the home, while providing more storage and new appliances. Layout: The gas range was previously hidden from the dining room by a pony wall. It was decided early on to remove the pony wall, opening the space visually while providing added counter space behind the range. The removal of the pony wall also allowed us to add additional storage on the dining room side of the kitchen. The fridge was the next item to be relocated. Previously encroaching into the walkway, the fridge was previously placed where our new microwave lives. The fridge now sits in the perfect spot, next to a narrow open-self cabinet which was another wish list from the client, to display bottles and decorative items. Storage in this kitchen increased by mounting the upper cabinets to the ceiling and improving the lower cabinets by adding more drawers and interior accessories like pullouts, spice storage and a super-susan in the base-corner cabinet. Materials: The materials used were extra important to this renovation to ensure we complimented the age of the home. To achieve the right look, shaker doors were used on all cabinets. The painted white cabinets were constructed of a Maple species and painted in Benjamin Moores ‘Silver Satin’. On the base cabinets, a Cherry species was used in a warm stain. To brighten up the room, Caesarstone countertops in ‘Frosty Carrina’ were paired with a white tile in a subway pattern from Olympia Tile. The details on the crown moulding, door-style panels, cabinetry hardware, kitchen faucet and pendant light fixture are what made this space feel warm and welcoming for the 21st century.

We partnered up with Furtado Contracting to update the kitchen in this stunning 100 year old house in Vancouver. The vision was to freshen up the dated cabinetry and countertops to a style that would lend well to the age of the home, while providing more storage and new appliances. Layout: The gas range was previously hidden from the dining room by a pony wall. It was decided early on to remove the pony wall, opening the space visually while providing added counter space behind the range. The removal of the pony wall also allowed us to add additional storage on the dining room side of the kitchen. The fridge was the next item to be relocated. Previously encroaching into the walkway, the fridge was previously placed where our new microwave lives. The fridge now sits in the perfect spot, next to a narrow open-self cabinet which was another wish list from the client, to display bottles and decorative items. Storage in this kitchen increased by mounting the upper cabinets to the ceiling and improving the lower cabinets by adding more drawers and interior accessories like pullouts, spice storage and a super-susan in the base-corner cabinet. Materials: The materials used were extra important to this renovation to ensure we complimented the age of the home. To achieve the right look, shaker doors were used on all cabinets. The painted white cabinets were constructed of a Maple species and painted in Benjamin Moores ‘Silver Satin’. On the base cabinets, a Cherry species was used in a warm stain. To brighten up the room, Caesarstone countertops in ‘Frosty Carrina’ were paired with a white tile in a subway pattern from Olympia Tile. The details on the crown moulding, door-style panels, cabinetry hardware, kitchen faucet and pendant light fixture are what made this space feel warm and welcoming for the 21st century.

Keyes Road is a two-storey, semi-detached red brick house dating to around 1890-1910. The focus of our work was on the ground floor where we were asked to improve the layout and use of the main living areas of the house, for an active family of four. Important to the design was to maximise the quality and amount of light as well as connection to the garden and flow to the rest of the house. Our proposal introduces three single storey extensions, comprising a central, large space that extends the main outrigger of the house. To each side are smaller volumes, affording a full width kitchen. While defining a series of discrete volumes, it was important for us to ensure that the kitchen, living, family and dining rooms that are interconnecting and continuous. The result is a big space punctuated by a series of differently sized arches, defining spaces to ensure their intimacy. It was important for our client to have a sense of warmth and comfort - perhaps not dissimilar to the qualities of a hotel lobby. The colour scheme of the rooms are warm white painted plaster, natural wood flooring with black, bronze and brass accents. Indirect and carefully placed light fittings pulls together the atmosphere of the rooms - particularly in the evenings. Externally, we felt it important to differentiate the extensions from the main house by using a dark, charcoal grey brick. This sets up a contrasting yet complimentary relationship to the rich red coloured brick house. The facets of the brick play with light and depth as do the graduated brick arches. During the design process, we grappled with floor levels, the direction of sunlight, and care to not encroach on the neighbouring properties. As the house is in a conservation area, we worked closely with our trusted planning advisor. Throughout, we pursued a sensitive design strategy, using pitched roofs, matching materials and careful detailing. Internally, many of the original details are intact. This has enabled us to create an eclectic ensemble of elements, colours and materials varying in age and period.

Keyes Road is a two-storey, semi-detached red brick house dating to around 1890-1910. The focus of our work was on the ground floor where we were asked to improve the layout and use of the main living areas of the house, for an active family of four. Important to the design was to maximise the quality and amount of light as well as connection to the garden and flow to the rest of the house. Our proposal introduces three single storey extensions, comprising a central, large space that extends the main outrigger of the house. To each side are smaller volumes, affording a full width kitchen. While defining a series of discrete volumes, it was important for us to ensure that the kitchen, living, family and dining rooms that are interconnecting and continuous. The result is a big space punctuated by a series of differently sized arches, defining spaces to ensure their intimacy. It was important for our client to have a sense of warmth and comfort - perhaps not dissimilar to the qualities of a hotel lobby. The colour scheme of the rooms are warm white painted plaster, natural wood flooring with black, bronze and brass accents. Indirect and carefully placed light fittings pulls together the atmosphere of the rooms - particularly in the evenings. Externally, we felt it important to differentiate the extensions from the main house by using a dark, charcoal grey brick. This sets up a contrasting yet complimentary relationship to the rich red coloured brick house. The facets of the brick play with light and depth as do the graduated brick arches. During the design process, we grappled with floor levels, the direction of sunlight, and care to not encroach on the neighbouring properties. As the house is in a conservation area, we worked closely with our trusted planning advisor. Throughout, we pursued a sensitive design strategy, using pitched roofs, matching materials and careful detailing. Internally, many of the original details are intact. This has enabled us to create an eclectic ensemble of elements, colours and materials varying in age and period.

Keyes Road is a two-storey, semi-detached red brick house dating to around 1890-1910. The focus of our work was on the ground floor where we were asked to improve the layout and use of the main living areas of the house, for an active family of four. Important to the design was to maximise the quality and amount of light as well as connection to the garden and flow to the rest of the house. Our proposal introduces three single storey extensions, comprising a central, large space that extends the main outrigger of the house. To each side are smaller volumes, affording a full width kitchen. While defining a series of discrete volumes, it was important for us to ensure that the kitchen, living, family and dining rooms that are interconnecting and continuous. The result is a big space punctuated by a series of differently sized arches, defining spaces to ensure their intimacy. It was important for our client to have a sense of warmth and comfort - perhaps not dissimilar to the qualities of a hotel lobby. The colour scheme of the rooms are warm white painted plaster, natural wood flooring with black, bronze and brass accents. Indirect and carefully placed light fittings pulls together the atmosphere of the rooms - particularly in the evenings. Externally, we felt it important to differentiate the extensions from the main house by using a dark, charcoal grey brick. This sets up a contrasting yet complimentary relationship to the rich red coloured brick house. The facets of the brick play with light and depth as do the graduated brick arches. During the design process, we grappled with floor levels, the direction of sunlight, and care to not encroach on the neighbouring properties. As the house is in a conservation area, we worked closely with our trusted planning advisor. Throughout, we pursued a sensitive design strategy, using pitched roofs, matching materials and careful detailing. Internally, many of the original details are intact. This has enabled us to create an eclectic ensemble of elements, colours and materials varying in age and period.

Example of a minimalist light wood floor home design design in San Francisco with white walls and a concrete fireplace

We partnered up with Furtado Contracting to update the kitchen in this stunning 100 year old house in Vancouver. The vision was to freshen up the dated cabinetry and countertops to a style that would lend well to the age of the home, while providing more storage and new appliances. Layout: The gas range was previously hidden from the dining room by a pony wall. It was decided early on to remove the pony wall, opening the space visually while providing added counter space behind the range. The removal of the pony wall also allowed us to add additional storage on the dining room side of the kitchen. The fridge was the next item to be relocated. Previously encroaching into the walkway, the fridge was previously placed where our new microwave lives. The fridge now sits in the perfect spot, next to a narrow open-self cabinet which was another wish list from the client, to display bottles and decorative items. Storage in this kitchen increased by mounting the upper cabinets to the ceiling and improving the lower cabinets by adding more drawers and interior accessories like pullouts, spice storage and a super-susan in the base-corner cabinet. Materials: The materials used were extra important to this renovation to ensure we complimented the age of the home. To achieve the right look, shaker doors were used on all cabinets. The painted white cabinets were constructed of a Maple species and painted in Benjamin Moores ‘Silver Satin’. On the base cabinets, a Cherry species was used in a warm stain. To brighten up the room, Caesarstone countertops in ‘Frosty Carrina’ were paired with a white tile in a subway pattern from Olympia Tile. The details on the crown moulding, door-style panels, cabinetry hardware, kitchen faucet and pendant light fixture are what made this space feel warm and welcoming for the 21st century.

Keyes Road is a two-storey, semi-detached red brick house dating to around 1890-1910. The focus of our work was on the ground floor where we were asked to improve the layout and use of the main living areas of the house, for an active family of four. Important to the design was to maximise the quality and amount of light as well as connection to the garden and flow to the rest of the house. Our proposal introduces three single storey extensions, comprising a central, large space that extends the main outrigger of the house. To each side are smaller volumes, affording a full width kitchen. While defining a series of discrete volumes, it was important for us to ensure that the kitchen, living, family and dining rooms that are interconnecting and continuous. The result is a big space punctuated by a series of differently sized arches, defining spaces to ensure their intimacy. It was important for our client to have a sense of warmth and comfort - perhaps not dissimilar to the qualities of a hotel lobby. The colour scheme of the rooms are warm white painted plaster, natural wood flooring with black, bronze and brass accents. Indirect and carefully placed light fittings pulls together the atmosphere of the rooms - particularly in the evenings. Externally, we felt it important to differentiate the extensions from the main house by using a dark, charcoal grey brick. This sets up a contrasting yet complimentary relationship to the rich red coloured brick house. The facets of the brick play with light and depth as do the graduated brick arches. During the design process, we grappled with floor levels, the direction of sunlight, and care to not encroach on the neighbouring properties. As the house is in a conservation area, we worked closely with our trusted planning advisor. Throughout, we pursued a sensitive design strategy, using pitched roofs, matching materials and careful detailing. Internally, many of the original details are intact. This has enabled us to create an eclectic ensemble of elements, colours and materials varying in age and period.

Keyes Road is a two-storey, semi-detached red brick house dating to around 1890-1910. The focus of our work was on the ground floor where we were asked to improve the layout and use of the main living areas of the house, for an active family of four. Important to the design was to maximise the quality and amount of light as well as connection to the garden and flow to the rest of the house. Our proposal introduces three single storey extensions, comprising a central, large space that extends the main outrigger of the house. To each side are smaller volumes, affording a full width kitchen. While defining a series of discrete volumes, it was important for us to ensure that the kitchen, living, family and dining rooms that are interconnecting and continuous. The result is a big space punctuated by a series of differently sized arches, defining spaces to ensure their intimacy. It was important for our client to have a sense of warmth and comfort - perhaps not dissimilar to the qualities of a hotel lobby. The colour scheme of the rooms are warm white painted plaster, natural wood flooring with black, bronze and brass accents. Indirect and carefully placed light fittings pulls together the atmosphere of the rooms - particularly in the evenings. Externally, we felt it important to differentiate the extensions from the main house by using a dark, charcoal grey brick. This sets up a contrasting yet complimentary relationship to the rich red coloured brick house. The facets of the brick play with light and depth as do the graduated brick arches. During the design process, we grappled with floor levels, the direction of sunlight, and care to not encroach on the neighbouring properties. As the house is in a conservation area, we worked closely with our trusted planning advisor. Throughout, we pursued a sensitive design strategy, using pitched roofs, matching materials and careful detailing. Internally, many of the original details are intact. This has enabled us to create an eclectic ensemble of elements, colours and materials varying in age and period.

We partnered up with Furtado Contracting to update the kitchen in this stunning 100 year old house in Vancouver. The vision was to freshen up the dated cabinetry and countertops to a style that would lend well to the age of the home, while providing more storage and new appliances. Layout: The gas range was previously hidden from the dining room by a pony wall. It was decided early on to remove the pony wall, opening the space visually while providing added counter space behind the range. The removal of the pony wall also allowed us to add additional storage on the dining room side of the kitchen. The fridge was the next item to be relocated. Previously encroaching into the walkway, the fridge was previously placed where our new microwave lives. The fridge now sits in the perfect spot, next to a narrow open-self cabinet which was another wish list from the client, to display bottles and decorative items. Storage in this kitchen increased by mounting the upper cabinets to the ceiling and improving the lower cabinets by adding more drawers and interior accessories like pullouts, spice storage and a super-susan in the base-corner cabinet. Materials: The materials used were extra important to this renovation to ensure we complimented the age of the home. To achieve the right look, shaker doors were used on all cabinets. The painted white cabinets were constructed of a Maple species and painted in Benjamin Moores ‘Silver Satin’. On the base cabinets, a Cherry species was used in a warm stain. To brighten up the room, Caesarstone countertops in ‘Frosty Carrina’ were paired with a white tile in a subway pattern from Olympia Tile. The details on the crown moulding, door-style panels, cabinetry hardware, kitchen faucet and pendant light fixture are what made this space feel warm and welcoming for the 21st century.

Keyes Road is a two-storey, semi-detached red brick house dating to around 1890-1910. The focus of our work was on the ground floor where we were asked to improve the layout and use of the main living areas of the house, for an active family of four. Important to the design was to maximise the quality and amount of light as well as connection to the garden and flow to the rest of the house. Our proposal introduces three single storey extensions, comprising a central, large space that extends the main outrigger of the house. To each side are smaller volumes, affording a full width kitchen. While defining a series of discrete volumes, it was important for us to ensure that the kitchen, living, family and dining rooms that are interconnecting and continuous. The result is a big space punctuated by a series of differently sized arches, defining spaces to ensure their intimacy. It was important for our client to have a sense of warmth and comfort - perhaps not dissimilar to the qualities of a hotel lobby. The colour scheme of the rooms are warm white painted plaster, natural wood flooring with black, bronze and brass accents. Indirect and carefully placed light fittings pulls together the atmosphere of the rooms - particularly in the evenings. Externally, we felt it important to differentiate the extensions from the main house by using a dark, charcoal grey brick. This sets up a contrasting yet complimentary relationship to the rich red coloured brick house. The facets of the brick play with light and depth as do the graduated brick arches. During the design process, we grappled with floor levels, the direction of sunlight, and care to not encroach on the neighbouring properties. As the house is in a conservation area, we worked closely with our trusted planning advisor. Throughout, we pursued a sensitive design strategy, using pitched roofs, matching materials and careful detailing. Internally, many of the original details are intact. This has enabled us to create an eclectic ensemble of elements, colours and materials varying in age and period.