Photo: Caela McKeever © 2017 Houzz
Inspiration for an eclectic home design remodel in Seattle

The tiles shown in the photographs below are classic distressed Black and White Italian Marble installed in the kitchen of a property in Bamber Bridge which is South of Preston. Some of the tiles had an issue with loose grout which I suspect was due to the suspended wooden floor and a small amount of movement had resulted in the grout cracking. Ideally more support would be needed under the floor to prevent this, in the meantime however I recommended removing the grout and replacing with a flexible grout product that could cope with the movement. The tiles also needed a clean, polish and reseal so it made sense to address the issue with the grout as part of the work. Working as a two-man team we started by cleaning the floor with a set of diamond burnishing pads starting with a coarse 400-grit, followed by 800 and 1500 grit. Water was used to lubricate the process and the floor was rinsed with water between pads with the fine slurry generated by the process extracted using a wet vacuum. These pads remove ingrained dirt and then slowly refine the appearance of the Marble building up its polished appearance in the process. The next step was to rake out all the grout which as discussed was compromised and needed replacing. We had to be very careful when removing the grout due to the electric heating mat under the floor, any damage to that would require ripping the floor up. With the old grout removed and the floor cleaned the floor was then grouted using Mapei Ultra-colour which is a flexible and fully waterproof grout more than suitable for this situation. Between us we managed to pack a lot into day one which was tough, however with the hardest tasks out of the way day two should be a lot easier. Day two started with an initial clean making sure to remove any excess grout smeared on the surface that can affect the look of the tile if not removed. This was followed by the application of the last of the set of burnishing pads which is a 3,000-grit pad that really brings up the polish on the marble. You only need a small amount of water sprayed onto the floor when applying this last pad so by late morning the floor was dry and ready for sealing. The customer wanted a better sheen appearance than they previously had, fortunately we find the Diamond burnishing pads do this well, they also tighten up the pores of the stone as well which means less sealer is needed. The floor was then sealed with Tile Doctor Colour Grow which is an impregnating sealer that improves colour and soaks into the stone occupying the pores and thereby preventing dirt from becoming ingrained. Once complete the floor looked great and the client was very happy. Sealers and Polish do wear down with use over time so before leaving I discussed our annual maintenance plan option which will ensure the appearance of the Marble floor always looks good. The plan involves returning once a year to further polish the floor with a high-grade burnishing pad and to add more sealer if required. We also discussed the use of Tile Doctor Stone Soap for regular cleaning, it is a pH neutral cleaner which is ideal for stone floors like Marble which are acid sensitive. Russell Taylor Lancashire Tile Doctor

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgement as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Architect Poss Architecture, Aspen, CO Landscape Contractor Landscape Workshop, Carbondale, CO Stone Supplier/Installer Gallegos Corporation, Wolcott, CO Stone Quarry Arkins Park Stone, Loveland, CO Within walled boundaries, Woody Creek Garden embraces its high alpine environment through explorations of stone and water that serve as unifying elements of form in the design of the various outdoor spaces. Through striking and distinctively detailed stonework, water is portrayed in its various states and forms – atmospheric mist, single rivulets, cascades, and still pools. Two courtyards interlink the residence allowing each room to enjoy the visual landscape. In the entrance courtyard, the sound from a carved 24”x 24” cut-granite fountain reverberates throughout the walled space. Placed for gathering and quiet contemplation, a pin-wheel arrangement of sculptural, granite slabs provide a honed surface for sitting while providing year-round interest. Each stone was individually specified with intentionally spaced core fractures, utilizing the extraction method to serve as sculpted details. Large sandstone pavers, set in sand and cut in an irregular, but geometric fashion bring a sense of modernity to the space. Throughout the property, stone detailing seek to heighten one’s experience of the landscape and views. Upon the home’s entry, an 18” rectilinear cut in the freestanding stone wall frames a distant peak, creating a singular reference to the outside world in this encased space. Emerging from the center of an organically-shaped carved sandstone slab, water is carried along a narrow 2” runnel sandstone cap, disappearing into the framed horizon. This glimpse to the west is the only opening in the tightly enclosed courtyard. From its opposite aspect, the feature creates a welcoming gesture at the home’s front entrance. The slender rivulet of water trickles from the sandstone slab above onto a honed granite plane, set within a sandstone terrace In contrast, a second promontory courtyard commands a strong presence over its alpine setting, leaving the steeply sloping site undisturbed. A 12’x 40’ reflecting pool – a thin sheet of water over honed black granite – captures the form and silence of the everchanging natural environment on its taut surface. Along its edge, water flows over a ½” radius edge, disappearing into a recirculating slot. Commissioned by Italian artist Bruno Romeda, a bronze sculpture rests upon an elevated granite plinth. Along its western edge, designers crafted a two-tiered, infinity edge detail. In the first vertical drop, water flows between the pool and perimeter stone walls, landing onto an intermediate bench, while the second drop introduces a chamfered edge, allowing water to embrace the vertical relief without splashing. Sandstone terraces provide continuous access to the various landscape features of the garden. At the base of the battered perimeter walls, a sandstone path leads to a fire pit, encircled by lichen-covered boulders. Along the courtyard’s eastern perimeter, water appears to emerge from the hillside, fracturing and falling against the irregular vertical stone wall, melting in a curtain-like formation behind the spa. The colors, distinctive detailing and striking stonework were selected based on their appropriateness to the context. From above, a rectilinear pool lies behind the wall, silently mirroring the sky above and offering no ostensible connection to the structure or to its source.

The pictures below are of a Riven Slate floor at a house in in the Leeds suburb of Horsforth which had been laid ten years prior. It’s probably difficult to appreciate from the images but the sealer on this floor was well worn through in the high traffic areas making it patchy in places. Without the protection of the sealer dirt was now ingrained in the pores of the stone leaving it looking dull. Riven slate is always tricky to clean thoroughly due to the rough surface and that combined with the ingrained dirt was making it very difficult to keep clean. The floor now needed to be stripped of old sealer and then resealed and although I can provide a price for this over the phone my preference is to visit the property and survey the floor. In the case the owner had sent me some photographs via email however they were not too clear and so I felt it would be best if I paid the customer a visit to ensure I could give them an accurate price. The floor was indeed overdue a clean and seal, as suspected dirt was ingrained into the areas where the seal had worn off. The house was home to a very busy family, so the area was subject to the significant traffic. I carried out a test clean on a small area and they were surprised by the results, when you live with a floor for so long you don’t notice the very slow decline in its appearance. They agreed to my quote and we arranged a time to return and carry the deep clean out. When I arrived, I started off by protecting the skirting and surrounding woodwork. Given the rough surface of the floor I first applied Tile Doctor Wax Away which is a very effective coatings remover that is designed for removing wax but works very well in these situations. The product was left to dwell for a round ten minutes so it could get to work breaking down the old sealer and then scrubbed in using a black scrubbing pad fitted to a rotary machine. This process removed most of the dirt and old sealer, but some stubborn patches remained. To treat these, I replaced the black pad with a coarse 200-grit burnishing pad and finally some handheld diamond burnishing blocks for the edges and corners where more intricate work was required, and the circular pads struggle to reach. I gave the floor a rinse, and extracted the soil with a wet vacuum, the floor was then left to dry off overnight. The next day I returned, first the slate floor was checked for moisture using the moisture meter. Once I was happy it was within the correct parameters, I then sealed with four coats of Tile Doctor Seal and Go. This is a modern water-based blend of acrylic polymers that provides both a stain resistant surface seal and a durable low-sheen finish also being water based there’s no smell as it dries. The sealer really brought the stone to back to life and the lovely colours in the natural stones were now evident. The patchy appearance of the floor was gone, and the customer was happy. I discussed with them how they should maintain the floor and advised them to use Tile Doctor Neutral Tile Cleaner. This is pH neutral cleaner that won’t prematurely erode the new sealer like the stronger products you find in Supermarkets which are only for use on Vinyl and Ceramic floors. Nigel Stoker North West Yorkshire Tile Doctor

Our custom blown glass chandeliers are made totally custom to fit perfectly in your unique space. We work with you to capture the inner essence you wish to express. Our client wished to add color to their sun room. This Deep Cobalt chandelier looks absolutely brilliant, as the outside sun and internal light of the chandelier converge in a kaleidoscope of blue. The glass dining room table and casual wooden chairs combined with the outside forestry make for a phenomenal combination. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. It looks stunning over this wooden kitchen island. Our custom-made glass lighting fixtures are perfect for your foyer, entryway, stairwell, living room, dining room, kitchen, or any room in your home. All of our chandeliers and custom blown glass lighting is fully customizable and tailored to fit your unique space. No two works are the same, each piece is custom made exactly for you. This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle. This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle. We are a three generation family business, with over 50 years of experience. We have installations all over the world, for governments, civic memorials, public works, interior designers, decorators, architects, engineers, museums, art galleries, hotels, restaurants, corporations, corporate clients, businesses, ranches, oceanfront properties, apartment buildings, condominiums, and numerous private clients. This floral custom dining room chandelier chandelier looks like an upside down flower pot miraculously suspended in mid-air. The reds in the chandelier match the red painted walls, while the yellows bring out the bamboo floors and light wood dining room table and dining room chairs. There is also plenty of natural sunlight from big sky windows. This home is traditional with a touch of contemporary in the furniture. For this particular client living in Malibu, we procured for them a chandelier to fit the ultra-contemporary decor of their interior, enhance their home's natural light, and compliment the sun-abundant environment in which they live. 48" high x 72" long x 48" wide Colors shown: Orange, Fire Red, Yellow This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing effect. 48" high x 72" long x 48" wide Colors shown: Aqua Blue, Lime, Emerald Green, Violet This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing. 48" high x 48" wide x 24" deep These Opal White sconces seem to work in any space, as their internal lights cast a soft, agreeable glow. This particular pair adds a subtle touch to a forest view, and softens the juxtaposition between inside and out. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. 50" high x 46" wide x 26" deep This is a honey, wood, and grey sconce we produced for a client to accentuate a warm, wooden, yet contemporary feel. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. 72" high x 60" wide x 24" deep This wall sconce is simply fun. Vibrant colors play with each other, yet match because they fall in the same color spectrum, as the client's sitting room is transformed into a display of modern art. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. We serve the entire United States and Canada. We service all 50 states, including Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Florida, Miami, Coral Gables, South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin, Wyoming. In California, we specifically service Orange County, Los Angeles, LA County, and Malibu. Zip code 90210. In the Washington D.C. area, we specifically serve Alexandria, Arlington, Loudon, Bethesda, Upper Marlboro, Kalorama, and the Palisades. In Connecticut, we specifically serve Greenwich. Zip codes 22314 and 2203. Our custom made, blown glass chandeliers are functional glass art and can be customized for apartments, condos, a client’s foyer, living room, dining room, great room, family room, kitchen, kitchen island, even bathroom and bedroom. Our fully custom glass art chandeliers are all blown here in the United States of America. We customize them to go with all furnishings, including one’s mahogany dining room table, wood dining room table, contemporary dining room table, traditional dining room table, and modern dining room table. They also match one’s marble kitchen island, skylight, coffee table, custom wallpaper, other lighting fixtures, custom wall sconces, dining room chairs, marble countertops. They look phenomenal in large or small homes, and seaside villas. Ocean front properties are a speciality of ours as well. A closeup photo of the outdoor patio chandelier, displaying the incredible detail and craftsmanship in each individual piece. This picture is art unto itself. We provide full personalized service, including Lighting Design, Lighting Manufacturer, Custom Lighting, Custom Chandeliers, Multi-story Chandeliers, Multi-level Chandeliers, Glass Lighting, Pendant Lighting, Commercial Lighting, Residential Lighting, Blown Glass, Fused Glass, Bubble Glass Lighting, Bubble Chandeliers, Dining Room Lighting, Kitchen Pendants, Lighting Design Consultation. All chandeliers are hand crafted by our talented artists here in the USA. That’s right, all of our artists and craftsmen are here in the U.S. Each piece is a truly functional work of art. We like to think of it as art primarily, it just happens to be functional! It is true artistic creativity combined with engineering and architectural practicality. At Ethel A. Furman & Associates, the online gallery of GlassArt.net, you are the creator. We like to push the limits of light, color and texture, with our dramatic custom lighting and decor made from our exotic, fused & blown glass. As a lighting and glass manufacturer, Ethel A. Furman & Associates, the online gallery of GlassArt.net is as unique as the products we offer. We're small enough to provide an unparalleled level of service and craftsmanship. That said, we are large enough to handle residential and commercial jobs of any size. Not found everywhere, you can see our exotic materials displayed around the globe. Whether you have a vision or you're looking for one, or several, our artists can create something way beyond the expected. Let us create something exceptional for you. This is the chandelier in full of the previous closeup photo. We produced this vibrantly colored outdoor chandelier for a client's roofed patio area. Do not be deceived by the thin wires; we use taut, aircraft-strength cables that keep the chandelier stable in virtually any weather condition. Please again note the closeup photo of this chandelier, as it is exemplary of the world class quality we are so proud of in our glasswork. This totally fun sculpture was created for a client's wine cellar. Your vision is our direction. You are only restricted by the contents of your imagination. This client wished to have a tropical chandelier while also employing her favorite color: lavender. We played the opaque lavender horns with the transparent ruby and yellow, and green gourds for a wonderfully fun, tropical chandelier that also serve functions as the main dining room light. This is a closeup of an individual platter sconce. These can be used in a large group, like the previous picture, yet are equally elegant hanging alone. These are backlit, just like our chandeliers and other sconces, with ultra long-lasting, dimmable LEDs. Our custom glass art comes in any color and/or color combination imaginable, including purple, grey, clear, gold, silver, white, black, green, yellow, purple, taupe, turquoise, blue, baby blue, lavender, violet, red, and orange. Organic, perforated glass spheres with a lace-like texture. Made from our unique blown glass. Available as individual pendants or multi-pendant chandeliers. Multiple sizes and colors are available. Our modern Custom Glass Lighting perfect for your entryway, foyer, stairwell, living room, dining room, kitchen, and any room in your home. Our dramatic lighting that is fully customizable and tailored to fit your space perfectly. No two pieces are the same 72" high x 48" wide This eclectic and highly complex chandelier was designed to be reminiscent of a coral reef 96" high x 60" wide x 60" deep Absolutely humongous and stunning chandelier we produced for an javascript:;exceptionally large foyer. Appropriately dubbed "Autumn" because it reminds one of the leaves turning from green to red and slowly falling. We produced our spectacular "Summer Fire" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them. Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to the exact brightness to fit any mood. We produced our spectacular "Summer Fire" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them. Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to your exact specifications. We produced our spectacular "Miami Sunrise" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them. Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to the exact brightness to fit any mood. We produced our spectacular "Summer Fire" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them. Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to the exact brightness to fit any mood. Our blown glass chandeliers are made totally custom for your unique tastes and home. We work with you to not only capture the colors and style that fit your space perfectly, but also your unique desired “vibe.” Our client wished to add color to their sun room. This Deep Cobalt chandelier looks absolutely brilliant, as the outside sun and internal light of the chandelier converge in a kaleidoscope of blue. The glass dining room table and casual wooden chairs combined with the outside forestry make for a phenomenal combination. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. It looks stunning over this wooden kitchen island. Our custom-made glass lighting fixtures are perfect for your foyer, entryway, stairwell, living room, dining room, kitchen, or any room in your home. All of our chandeliers and custom blown glass lighting is fully customizable and tailored to fit your unique space. No two works are the same, each piece is custom made exactly for you. This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle. This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle. This floral custom dining room chandelier chandelier looks like an upside down flower pot miraculously suspended in mid-air. The reds in the chandelier match the red painted walls, while the yellows bring out the bamboo floors and light wood dining room table and dining room chairs. There is also plenty of natural sunlight from big sky windows. This home is traditional with a touch of contemporary in the furniture. For this particular client living in Malibu, we procured for them a chandelier to fit the ultra-contemporary decor of their interior, enhance their home's natural light, and compliment the sun-abundant environment in which they live. 48" high x 72" long x 48" wide Colors shown: Orange, Fire Red, Yellow This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing effect. 48" high x 72" long x 48" wide Colors shown: Aqua Blue, Lime, Emerald Green, Violet This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing. 48" high x 48" wide x 24" deep These Opal White sconces seem to work in any space, as their internal lights cast a soft, agreeable glow. This particular pair adds a subtle touch to a forest view, and softens the juxtaposition between inside and out. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. 50" high x 46" wide x 26" deep This is a honey, wood, and grey sconce we produced for a client to accentuate a warm, wooden, yet contemporary feel. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. 72" high x 60" wide x 24" deep This wall sconce is simply fun. Vibrant colors play with each other, yet match because they fall in the same color spectrum, as the client's sitting room is transformed into a display of modern art. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs. We serve the entire United States and Canada. We service all 50 states, including Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Florida, Miami, Coral Gables, South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin, Wyoming. In California, we specifically service Orange County, Los Angeles, LA County, and Malibu. Zip code 90210. In the Washington D.C. area, we specifically serve Alexandria, Arlington, Loudon, Bethesda, Upper Marlboro, Kalorama, and the Palisades. In Connecticut, we specifically serve Greenwich. Zip codes 22314 and 2203. Our custom made, blown glass chandeliers are functional glass art and can be customized for apartments, condos, a client’s foyer, living room, dining room, great room, family room, kitchen, kitchen island, even bathroom and bedroom. Our fully custom glass art chandeliers are all blown here in the United States of America. We customize them to go with all furnishings, including one’s mahogany dining room table, wood dining room table, contemporary dining room table, traditional dining room table, and modern dining room table. They also match one’s marble kitchen island, skylight, coffee table, custom wallpaper, other lighting fixtures, custom wall sconces, dining room chairs, marble countertops. They look phenomenal in large or small homes, and seaside villas. Ocean front properties are a speciality of ours as well. A closeup photo of the outdoor patio chandelier, displaying the incredible detail and craftsmanship in each individual piece. This picture is art unto itself. We provide full personalized service, including Lighting Design, Lighting Manufacturer, Custom Lighting, Custom Chandeliers, Multi-story Chandeliers, Multi-level Chandeliers, Glass Lighting, Pendant Lighting, Commercial Lighting, Residential Lighting, Blown Glass, Fused Glass, Bubble Glass Lighting, Bubble Chandeliers, Dining Room Lighting, Kitchen Pendants, Lighting Design Consultation. All chandeliers are hand crafted by our talented artists here in the USA. That’s right, all of our artists and craftsmen are here in the U.S. Each piece is a truly functional work of art. We like to think of it as art primarily, it just happens to be functional! It is true artistic creativity combined with engineering and architectural practicality. At Ethel A. Furman & Associates, the online gallery of GlassArt.net, you are the creator. We like to push the limits of light, color and texture, with our dramatic custom lighting and decor made from our exotic, fused & blown glass. As a lighting and glass manufacturer, Ethel A. Furman & Associates, the online gallery of GlassArt.net is as unique as the products we offer. We're small enough to provide an unparalleled level of service and craftsmanship. That said, we are large enough to handle residential and commercial jobs of any size. Not found everywhere, you can see our exotic materials displayed around the globe. Whether you have a vision or you're looking for one, or several, our artists can create something way beyond the expected. Let us create something exceptional for you. This is the chandelier in full of the previous closeup photo. We produced this vibrantly colored outdoor chandelier for a client's roofed patio area. Do not be deceived by the thin wires; we use taut, aircraft-strength cables that keep the chandelier stable, secure and safe.

This client from Highgate in North London, N6 contacted us about their large honed Limestone tiled floor that was installed throughout the ground floor. It had been laid seven years prior and was now grubby and in need of a deep clean and seal including the grout which had turned black with dirt. I visited the property to survey and assess what was required and provided the owner with a quotation for the renovation. The hallway pictured was in the worst condition, it was a busy house with young children and dogs and over the years the sealer had worn down leaving it vulnerable to ingrained dirt. Without a sealer to protect the stone it had become heavily soiled and lost its original polished appearance. Happy with the quote we scheduled a date for the work to go ahead. The quote included deep cleaning and burnishing the stone to bring back the polish, grout cleaning and re-sealing the Limestone to protect it. We arrived on the first day and prepared the area by taping up the skirting and woodwork to protect them from potential splashing. Next step was to burnish the floor using a set of Tile Doctor Diamond Burnishing Pads, specifically the 400, 800 and 1500 grit pads fitted to a rotary machine, these were used in sequence running each pad over the tiles several times with water to lubricate the process. The water turns into a fine slurry as pores in the stone are opened and the dirt is released, the slurry is rinsed off with more water and extracted using an industrial wet vacuum after each pad. The finer 800 and 1500-grit pads slowly close the pores and refine the appearance of the stone building up the polish in the process. A strong dilution of Tile Doctor Pro-Clean was then applied to the grout lines, leaving it for a short while to soak in and then hand scrubbing with a grout brush. The dirty cleaning solution and were then removed from the floor with the wet vacuum. This process was repeated across the different sections of the Limestone floor until I was satisfied with its appearance. Before leaving for the day, I rinsed the floor again using a buffing machine fitted with a brush fitted to give it a final clean. The floor was dried as much as possible using the wet vacuum and then allowed it to dry off fully overnight. The following day the final 3000-grit pad in the four-pad set was applied to the floor to bring up the polish even further. The pad is applied dry with only a little water sprayed onto the tile. We call this process a “Spray Burnish” and as well as leaving the floor nice and dry ready for sealing it adds a nice subtle shine to the stone. The floor was then sealed with two coats of Tile Doctor Colour Grow sealer. This is a colour intensifying impregnating sealer that works by occupying the pores in the stone so dirt cannot become ingrained there. It will provide durable protection and make the floor much easier to keep clean. It worked well on the pale Limestone and beautifully enhanced the colour and features in stone. Once complete the floor looked brand new again. I left a complimentary bottle of Tile Doctor Stone Soap with the client and gave them some information about how best to maintain the floor. This product is pH neutral and cleans whilst maintaining the patina on the stone helping to keep the floor in great condition. The client was delighted with the result and left us a great review. “Andrew is excellent and gets on with the job and we got a fantastic result. Highly recommend. By Aaron S, Highgate, 15 March 2021” Andrew Newstead North London Tile Doctor

damian
Inspiration for a timeless bathroom remodel in Atlanta

We were contacted by a customer in West Kirby who needed help renovating a Victorian tiled hallway in a house they had just purchased. Kirby is a desirable seaside location North of Heswall that expanded with the arrival of the railway in 1848. The railway brought a demand for property and so it’s not unusual to find housing stock in this area dating back to the Victorian era. The Victorian tiles at this property appear to have been neglected by the previous owner and were now looking very dull and marked by paint from decorating; all the colours looked washed out and the floor was now looking very unappealing. The good news however is that this problem is not uncommon and with a deep clean and a fresh sealer applied it can be transformed. I gave the owner a quote which was accepted a date agreed for my return to do the work. On the first day the floor was sprayed with a neat solution of Tile Doctor Remove and Go which is a powerful alkaline cleaning and stripping agent used to remove old seals and paint. The solution was left to dwell for about twenty minutes so it could soak in and get to work. It was then scrubbed into the tiles using a coarse 200-grit pad fitted to a heavy buffing machine. Water was then added to the floor for lubrication and the soils released from the pores of the tile during scrubbing was removed by with a wet vacuum. To treat the stubborn paint stains and remains of what I suspect was carpet adhesive a hand scraper and wire brush was used, this was made easier by the Remove and Go which had softened the paint etc. The next stage was to give the Victorian tiles a mild acid wash using Acid Gel which is applied to the floor, scrubbed in, and rinsed off with a little water then extracted using the wet vacuum. We always recommend an acid wash for old floors like these as it will counter any efflorescent salts resident in the tiles and helps to remove other mineral contaminates and old grout that can mask the true beauty of the tiles. I left the tiles to dry out for two days before returning to apply the sealer, first checking it was dry by testing for moisture in various places with an electronic damp tester. It’s not a good idea to apply a sealer to a damp floor so we always check first. Satisfied the floor was dry, I started applying a coat of Tile Doctor Colour Grow which is a colour enhancing impregnating sealer that helps to bring out the true colours in the tile. This was allowed to dry for thirty minutes and then followed up five coats of Tile Doctor Seal and Go Extra which is a breathable sealer that leaves a lovely satin finish and builds on the protection. Once done the Victorian hallway tiles looked so much cleaner and healthier. It was quite a transformation and the new sealer had given the floor a nice low sheen shine which the customer was very happy with. For aftercare cleaning I left them with a bottle of Tile Doctor Neutral Cleaner which is specially formulated for cleaning sealed tiles. We don’t recommend tile cleaning products you find on supermarket shelves as the are usually too strong and can strip a sealer off the floor prematurely. If your choosing another product to clean your floor always read the label to make sure its compatible. Andrew Robb Merseyside Tile Doctor

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgement as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Architect Poss Architecture, Aspen, CO Landscape Contractor Landscape Workshop, Carbondale, CO Stone Supplier/Installer Gallegos Corporation, Wolcott, CO Stone Quarry Arkins Park Stone, Loveland, CO Within walled boundaries, Woody Creek Garden embraces its high alpine environment through explorations of stone and water that serve as unifying elements of form in the design of the various outdoor spaces. Through striking and distinctively detailed stonework, water is portrayed in its various states and forms – atmospheric mist, single rivulets, cascades, and still pools. Two courtyards interlink the residence allowing each room to enjoy the visual landscape. In the entrance courtyard, the sound from a carved 24”x 24” cut-granite fountain reverberates throughout the walled space. Placed for gathering and quiet contemplation, a pin-wheel arrangement of sculptural, granite slabs provide a honed surface for sitting while providing year-round interest. Each stone was individually specified with intentionally spaced core fractures, utilizing the extraction method to serve as sculpted details. Large sandstone pavers, set in sand and cut in an irregular, but geometric fashion bring a sense of modernity to the space. Throughout the property, stone detailing seek to heighten one’s experience of the landscape and views. Upon the home’s entry, an 18” rectilinear cut in the freestanding stone wall frames a distant peak, creating a singular reference to the outside world in this encased space. Emerging from the center of an organically-shaped carved sandstone slab, water is carried along a narrow 2” runnel sandstone cap, disappearing into the framed horizon. This glimpse to the west is the only opening in the tightly enclosed courtyard. From its opposite aspect, the feature creates a welcoming gesture at the home’s front entrance. The slender rivulet of water trickles from the sandstone slab above onto a honed granite plane, set within a sandstone terrace In contrast, a second promontory courtyard commands a strong presence over its alpine setting, leaving the steeply sloping site undisturbed. A 12’x 40’ reflecting pool – a thin sheet of water over honed black granite – captures the form and silence of the everchanging natural environment on its taut surface. Along its edge, water flows over a ½” radius edge, disappearing into a recirculating slot. Commissioned by Italian artist Bruno Romeda, a bronze sculpture rests upon an elevated granite plinth. Along its western edge, designers crafted a two-tiered, infinity edge detail. In the first vertical drop, water flows between the pool and perimeter stone walls, landing onto an intermediate bench, while the second drop introduces a chamfered edge, allowing water to embrace the vertical relief without splashing. Sandstone terraces provide continuous access to the various landscape features of the garden. At the base of the battered perimeter walls, a sandstone path leads to a fire pit, encircled by lichen-covered boulders. Along the courtyard’s eastern perimeter, water appears to emerge from the hillside, fracturing and falling against the irregular vertical stone wall, melting in a curtain-like formation behind the spa. The colors, distinctive detailing and striking stonework were selected based on their appropriateness to the context. From above, a rectilinear pool lies behind the wall, silently mirroring the sky above and offering no ostensible connection to the structure or to its source.

This customer from Bedford, the county town of one of England’s smallest counties Bedfordshire, called me out because they have bought a house and, upon lifting the glued down carpet, had discovered a beautiful Victorian tiled floor. They decided to call me in to see if this original feature could be restored to its former glory having already tried household products to remove the glue and clean the tiles with limited success. We often find customers who discover old tiles under carpet or linoleum struggle with the standard cleaning products available in supermarket which are only designed for everyday cleaning. The products Tile Doctor sells are far stronger; naturally however to achieve the best results it also helps if you have the right equipment, knowledge and experience and that where we come in. I popped round to take a look at the floor and having tackled quite a few of these restorations before was confident we could restore the floor so a quote was given and the work was booked in for the next week. My first course of action was to vacuum the floor to remove any loose debris. This gave me a better picture of the condition of the floor overall, and so I could assess how best to proceed. I opted for our tried and trusted method of applying a diluted solution of Tile Doctor Pro-Clean, which is a very reliable high alkaline cleaner suitable for all types of natural stone and tile. The solution was applied with a pump-up sprayer and left to dwell for 20 minutes to seep into the pores of the tile. Next, I worked the solution into the tiles using a black scrubbing pad fitted to a rotary machine and hand brushes. The resulting cleaning slurry was then rinsed off – and I found that this had removed most of the glue and surface dirt. There were a few stubborn deposits of glue remaining, but I was able to remove them by using hand brushes and scrapers in combination with Tile Doctor Remove and Go, which is as its name suggest can remove most things including old sealers, epoxy grout haze, urethane coatings, synthetic finishes, adhesives and event paint. Even after this there were still some patches of glue, so I decided to spray the whole floor with Remove and Go and worked it into the stubborn areas with brushes. I left it to dwell for 15 minutes and then rinsed the floor with a wet pick-up extraction machine. This did the job and the floor was left fresh and clean, ready to be sealed once it had dried. The floor was left to dry for several days, which is typically necessary for old tiled floors that don’t have a damp proof membrane installed. The customer wanted the floor to look traditional and therefore requested a matt finish. This was achieved by applying two coats of Tile Doctor Colour Grow, which is also breathable thereby allowing any damp to evaporate as gases through the sealer, without affecting the finish. As I previously mentioned, floors of this age can sometimes have damp issues, so this sealer is ideal for these older floors. Colour Grow is an impregnating sealer, meaning it penetrates the pores of the stone to fill them and prevent trapped dirt. It also intensifies the colours in the tiles to really bring them to life. The customer was shocked and amazed by the great results as she thought nothing could be done to restore such an old floor. Before leaving the property, I gave her some maintenance instructions to help her keep the floor looking its best in the future. Another satisfied customer! David Vissian Bedfordshire Tile Doctor

This job was carried out in a terraced property in Llanelli which had a Victorian Tiled Hallway laid in a diamond pattern that looking worse for wear and in need of some attention. The clients were a young couple who had moved in two years previously and had only recently decided they wanted the floor renovated. This was earlier in the year, so I was able to pop over to the property and take a detailed look at the floor before recommending a course of action to renovate the tiles. Upon arrival the first thing we noticed was that the border had been laid with an inconsistent pattern, non- matching tiles had been patched in essentially filling voids as you can see in the images. The floor wasn’t terribly dirty however it wasn’t very clean either. I discussed with the client replacing the non-matching tiles, so the floor pattern was uniform however they decided against it and were happy to just to have it cleaned and sealed. We can usually source either reclaimed original tiles or some great reproduction ones, so most floors can be restored if needed. I worked out a quote for the work and they were happy to go ahead. If you have never been you should know that Llanelli is the largest town in the county of Carmarthenshire and famous for Rugby and the production of Tin. It is located on the Loughor Estuary, some 10 miles from Swansea and 12 miles from Carmarthen. With no tiling to do the first job was to protect the woodwork such as skirting and staircase with tape. Once done the process of cleaning began with the application of a 400-grit burnishing pad fitted to a buffing machine. The process is lubricated with water and the pad run over the whole floor two to three times to remove dirt and refine the appearance of the tile. Even after the first application of the pad we could see a massive improvement to the appearance of the tiles. To get right into the edges of the tiled floor we use a 400-grit handheld diamond block, this proved especially useful under the stairs where our buffer machine could not reach. During this process, the water turns into a fine slurry which is rinsed off with more water and extracted with a wet vacuum. On this occasion the floor was not dirty enough to require any chemicals, the use of water and the machine was enough to get the floor cleaned up. This job was very straight forward, and we did not run into any problems at all. After allowing the floor to dry out for 24 hours we returned to seal the tiles checking first that the floor was sufficiently dry first using a damp meter. Fortunately, the burnishing method uses a lot less water than a chemical clean, so I was able to get straight on with sealing. The client wanted a satin sheen finish, so I applied four coats of Tile Doctors Seal and Go which works well on Victorian tiles. The sealer really put the life back into the tiles and will protect them from staining going forward. It will also make the floor much easier to maintain and keep it looking good for much longer. I’m pleased to say the owners were very happy with the floor and recommended us to one of their friends who we also did some work for. For aftercare I recommended the use of Tile Doctor Neutral Tile Cleaner. This is an everyday tile cleaning product that is sealer friendly and not prematurely reduce the life of the sealer which can happen with many household cleaning products which are simply too strong. Adrian Iacono Swansea Tile Doctor

The owners of this Edwardian property in Finchley had purchased it a couple of years prior and since then had slowly been renovating it to restore its original character. The project was almost complete and now attention had turned to the tiled floor. The tiles were in quite a state and I was asked to work our Tile Doctor magic and bring it back to its original condition. When they moved in the hallway had been covered with carpet which gave the tiles underneath some protection. Unfortunately, however the carpet has been secured with carpet grippers that had been glued to the tiles around the edges. There were also paint splashes on the surface that would need dealing with. On top of that the floor had a few missing tiles that had been back filled by cement to provide a level base for the carpet, the client wanted like them replaced if possible. After surveying the floor, I explained what could be done and ever completed a small test clean to demonstrate how the tiles would look once deep cleaned. I was confident on being able to source very similar reclaimed tiles so replacing the missing should not be a problem. The client was very happy with the initial test result and my quotation so booked me in to restore the floor. On my return I started by applying Tile Doctor Remove and Go to soften up the glue which allowed it to be carefully peeled off the tiles with scrappers. Once all the carpet adhesive was gone, I worked a strong dilution of Tile Doctor Remove and Go into the tiles using a black pad to work the cleaning solution deeper into the tiles. A wet vacuum was used to remove the slurry created, and I followed this by giving the tiles an extra clean using a 200-grit diamond burnishing pad lubricated with water. The last step in the cleaning process was to give the floor an acid rinse using Tile Doctor Grout Clean-up, I did this for several reasons, first it removes old grout smears from the surface of the tile and second it neutralised any efflorescent salts lying dormant in the floor. This can be quite a problem for old floors which don’t have the benefit of a protective damp proof membrane under the floor. The floor was given a final rinse with water which was again extracted with a wet vacuum. I then set about lifting all the loose tiles (approximately ten) and carefully removing the concrete infills. I had previously managed to source replacements for these holes from original features. Unfortunately, they didn’t sell the correct sized octagon tiles, so I had bought 150mm square tiles and then needed to cut them on site to get the right size. After cutting and fixing the tiles I fixed them in place and regrouted the rest of the floor. I then left the floor to dry out overnight and returned in the morning. Before applying a sealer, I took several moisture readings with the damp meter to make sure the tiles were dry enough to take the sealer. I was able to confirm the floor was dry, so went ahead and applied three coats of Tile Doctor Colour Grow sealant. Colour Grow is an impregnating sealer that is fully breathable sealer which is important when it comes to old floors like these that don’t have a damp proof membrane installed. My client was very happy with the renovated floor and for aftercare I left them with a bottle of Tile Doctor Neutral Tile Cleaner and gave advice on how best to clean the floor going forward. Andrew Newstead North London Tile Doctor

Coral Pool and Spa
Hot tub - large contemporary backyard stamped concrete and custom-shaped natural hot tub idea in San Francisco

This 30" x 24" abstract acrylic painting has been done in shades of cobalt blue, sky blue, citrine, chartreuse, white, soft sea green, and royal blue. Finished in gloss varnish to protect the piece from dust and UV light for years to come. Can be hung vertically or horizontally. Gorgeous vivid rich colors in a great contemporary style.

I recently helped a homeowner from my home town of Dursley who got in touch about her kitchen Flagstone floor. The problem revolved around an accident she had with raspberries which had stained the flagstones and the problem became compounded when a house hold clearing product was applied neat to clean up the mess. If you follow any of our Tile Doctor blogs, you will know that using strong household cleaning products can damage the sealer and, in this case, it had left white marks on the floor. I called round to the property to survey the floor as was surprised to find out that the floor had been cleaned and sealed only four months prior by another company. I don’t like to comment on other people’s work, but I found the grout lines and flagstones were still badly ingrained with dirt, so it wasn’t a through job. I completed by survey and demonstrated the process I would follow to resolve the issues on one of the flagstone tiles. She could not believe the difference I was able to make and booked me in straight away to restore the entire floor. My first task was to protect the wooden kitchen units from splashing that can happen when cleaning the floor. Once that was done, I set about stripping the sealer from the floor and deep cleaning the tile and grout with a strong dilution of Tile Doctor Pro-Clean. Pro-Clean is a concentrated, multi-purpose high-alkaline cleaner, stripper and degreaser which is safe to use on all types of tile, stone and grout including natural stone. Working in sections across the Kitchen and adjacent dining room I diluted one part Pro-Clean to two parts water and mopped it onto the flagstones and grout where I left it to soak in for roughly fifteen minutes. Then using a rotary floor buffer fitted with a black scrubbing pad I scrubbed the solution into the floor into the old sealer and trapped dirt came away turning the cleaning fluid black in the process. The soil was then rinsed off with water and then extracted with a powerful 3,000 watt wet and dry vacuum. This process was repeated until I was satisfied the floor was clean and I ran a stiff grout brush along the grout lines to ensure they also received a good scrub. After I was satisfied the section was clean it was rinsed thoroughly with water to neutralise the floor and remove any trace of product and then dried with the wet and dry vacuum. The cleaning process took up the whole day, but the flagstones would need to be dry before sealing so after giving the owner an update I left the floor for two days, so it could dry out thoroughly. On my return I tested the floor was dry in multiple places with a damp meter to ensure it was ready to be sealed. The readings showed that the wet and dry vacuum had done a good job in removing the moisture, so all was well. To seal I applied several coats of Tile Doctor Seal and Go allowing each coat to dry before applying the next however with such a large area to cover I was able to work in sections around the floor. Seal and Go works really well on Flagstones and leaves a very appealing sheen finish, also being water based it doesn’t leave a smell as it dries. The results were amazing, and the customer thanked me for making such a massive improvement on her floor. Before leaving I made sure to discuss after-care and to avoid the use of hash cleaning products. Malcolm Crowther Gloucester Tile Doctor

This customer from the historic city of Cardiff was keen to see what Tile Doctor could do to put some life back into their treasured Limestone kitchen floor that was laid in 2008. My first observations were mainly centred on the horrific condition of the surface which although adequately sealed initially the floor had not received any subsequent maintenance and its condition had deteriorated over time. The light shining in from the patio doors highlighted all the imperfections in the floor caused by surface wear and tear commonly seen in high traffic areas such as a kitchen. Upon closer inspection, there were further problems: the floor was stained and scuffed, and in most places the sealer had worn off completely allowing the dirt to become ingrained into the pores of the Limestone. Additionally the grout was recessed but was now flush with the tile surface due to dirt build-up. There were also areas contaminated with grease and kitchen cooking oil. The Limestone floor tiles were 20mm thick French Limestone, and had been laid very well so there was no requirement to do any tile or grout repairs however to get this floor back to its original condition the surface would need to be reconditioned using the Tile Doctor four stage burnishing system. I started by giving the floor a wash with a medium dilution of Tile Doctor Pro-Clean, focusing mainly on the grout lines in order to remove the muck that had built-up there. I used a special stiff grout brush for this activity; it’s quite narrow and ideal for grout scrubbing. This worked well, but the significant build-up of dirt along some of the grout lines meant more work was required. I tackled this problem with a hand scraper assisted with steam. At the end of this process, the whole floor was then rinsed down with water to remove any soil and the resulting slurry was then extracted using a wet vacuum. The next step was to start the burnishing process, which basically involves applying four diamond encrusted floor pads in sequence over the floor. Each pad is a different grade, starting with the most abrasive coarse pad and moving through to the finer grades using a little water to lubricate and rinsing away any slurry between each pad. I eventually finished with the extra fine pad which builds up shine and lustre on the tile; it had taken two days to clean the grout and burnish the Limestone but the floor was much improved and so after a final rinse down I left the floor to dry off overnight with the aid of the underfloor heating. During this time, I also addressed the stained Limestone in the area of the kitchen where the dustbin was situated. This had been a major upset for the customer and I’m happy to report I managed to deal with it. However, it was quite an involved process, so I’ll write about this in a separate post. On the third day I came back to seal the floor, checking first that it had dried sufficiently with a damp meter. Fortunately, the underfloor heating had done a great job of drying the stone and I was able to seal the floor using three coats of Tile Doctor Colour Grow sealant. This sealant not only provides a durable seal but also penetrates deep into the pores of the stone protecting it from within and enhancing the natural colours of the Limestone in the process. After the final layer of sealant, I worked over the floor again with the extra fine burnishing pad both to add shine again following sealing, and to ensure that no smear marks were visible as the lighting conditions were unforgiving and highlighted any imperfections. The customer was delighted with the results: so much so, in fact, that they booked me in to restore their Victorian hallway floor as well but that’s a story for another time! Julian Iancono SE Wales Tile Doctor

Giving reclaimed barnboard new life. A blend of classic style and reclaimed materials creates an organic and stylish kitchen space. Photography by Eric Roth

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgement as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Architect Poss Architecture, Aspen, CO Landscape Contractor Landscape Workshop, Carbondale, CO Stone Supplier/Installer Gallegos Corporation, Wolcott, CO Stone Quarry Arkins Park Stone, Loveland, CO Within walled boundaries, Woody Creek Garden embraces its high alpine environment through explorations of stone and water that serve as unifying elements of form in the design of the various outdoor spaces. Through striking and distinctively detailed stonework, water is portrayed in its various states and forms – atmospheric mist, single rivulets, cascades, and still pools. Two courtyards interlink the residence allowing each room to enjoy the visual landscape. In the entrance courtyard, the sound from a carved 24”x 24” cut-granite fountain reverberates throughout the walled space. Placed for gathering and quiet contemplation, a pin-wheel arrangement of sculptural, granite slabs provide a honed surface for sitting while providing year-round interest. Each stone was individually specified with intentionally spaced core fractures, utilizing the extraction method to serve as sculpted details. Large sandstone pavers, set in sand and cut in an irregular, but geometric fashion bring a sense of modernity to the space. Throughout the property, stone detailing seek to heighten one’s experience of the landscape and views. Upon the home’s entry, an 18” rectilinear cut in the freestanding stone wall frames a distant peak, creating a singular reference to the outside world in this encased space. Emerging from the center of an organically-shaped carved sandstone slab, water is carried along a narrow 2” runnel sandstone cap, disappearing into the framed horizon. This glimpse to the west is the only opening in the tightly enclosed courtyard. From its opposite aspect, the feature creates a welcoming gesture at the home’s front entrance. The slender rivulet of water trickles from the sandstone slab above onto a honed granite plane, set within a sandstone terrace In contrast, a second promontory courtyard commands a strong presence over its alpine setting, leaving the steeply sloping site undisturbed. A 12’x 40’ reflecting pool – a thin sheet of water over honed black granite – captures the form and silence of the everchanging natural environment on its taut surface. Along its edge, water flows over a ½” radius edge, disappearing into a recirculating slot. Commissioned by Italian artist Bruno Romeda, a bronze sculpture rests upon an elevated granite plinth. Along its western edge, designers crafted a two-tiered, infinity edge detail. In the first vertical drop, water flows between the pool and perimeter stone walls, landing onto an intermediate bench, while the second drop introduces a chamfered edge, allowing water to embrace the vertical relief without splashing. Sandstone terraces provide continuous access to the various landscape features of the garden. At the base of the battered perimeter walls, a sandstone path leads to a fire pit, encircled by lichen-covered boulders. Along the courtyard’s eastern perimeter, water appears to emerge from the hillside, fracturing and falling against the irregular vertical stone wall, melting in a curtain-like formation behind the spa. The colors, distinctive detailing and striking stonework were selected based on their appropriateness to the context. From above, a rectilinear pool lies behind the wall, silently mirroring the sky above and offering no ostensible connection to the structure or to its source.