Example of a 1950s entryway design in Phoenix

Architect: Patrick Ahearn Architect LLC Construction: Rosbeck BuildersInteriors: Slifer Designs Photography By: Greg Premru “Rigorously symmetrical yet relaxed in shape and proportions, this house is very well executed inside and out. It feels appropriately sized for its site and is well detailed. It’s by far the best of the Shingle Style submittals.” The project is a new construction of a family compound consisting of two new houses and associated site development along South Beach. Due to the topography of the nearby dunes, the living spaces of the main and guest houses were located on the second floor in order to gain the panoramic views of the ocean and extended coastline beyond. The challenge was to create a shingle-style island vernacular architecture that did not reflect the upside-down nature of the primary living space. The inspiration was based on the desire to take a large program and break it into smaller architectural elements based on the idea that the homes could have originally been constructed in the 1920s or 1930s and then added onto over time. This concept of "implied history" is one that creates a legacy of a seaside architecture from the rich history of New England’s past, yet has evolved into how people want to live today. The Marvin products, with their hurricane-resistant capabilities, were a clear choice based on this locale. The use of the folding door systems allowed for the ease of flow from indoor to outdoor spaces in a timeless way.

Architect: Patrick Ahearn Architect LLC Construction: Rosbeck BuildersInteriors: Slifer Designs Photography By: Greg Premru “Rigorously symmetrical yet relaxed in shape and proportions, this house is very well executed inside and out. It feels appropriately sized for its site and is well detailed. It’s by far the best of the Shingle Style submittals.” The project is a new construction of a family compound consisting of two new houses and associated site development along South Beach. Due to the topography of the nearby dunes, the living spaces of the main and guest houses were located on the second floor in order to gain the panoramic views of the ocean and extended coastline beyond. The challenge was to create a shingle-style island vernacular architecture that did not reflect the upside-down nature of the primary living space. The inspiration was based on the desire to take a large program and break it into smaller architectural elements based on the idea that the homes could have originally been constructed in the 1920s or 1930s and then added onto over time. This concept of "implied history" is one that creates a legacy of a seaside architecture from the rich history of New England’s past, yet has evolved into how people want to live today. The Marvin products, with their hurricane-resistant capabilities, were a clear choice based on this locale. The use of the folding door systems allowed for the ease of flow from indoor to outdoor spaces in a timeless way.

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When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

Elegant and Spa-Like Master Ensuite with Double Shower and Steamer This luxurious master ensuite is designed for relaxation and rejuvenation. The space features a double vanity with sleek white countertops and modern vessel sinks, providing ample space for two. The large mirror is illuminated by a contemporary light fixture, enhancing the bright and airy feel. A standout feature of this ensuite is the spacious shower area, partially visible on the left. This spa-like retreat boasts a double shower system, allowing for a truly indulgent experience. Additionally, the inclusion of a steamer unit transforms the shower into a personal steam room, perfect for unwinding and promoting wellness. The walls are clad in elegant, large-format tiles in a subtle, sophisticated tone, creating a serene and calming ambiance. The flooring complements the walls, contributing to the overall sense of tranquility. Key Features: Double vanity with white countertops and vessel sinks Large illuminated mirror Spacious shower area with double shower system Steamer unit in the shower Elegant, large-format wall tiles Modern and minimalist design Abundant natural light (implied)

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

Architect: Patrick Ahearn Architect LLC Construction: Rosbeck BuildersInteriors: Slifer Designs Photography By: Greg Premru “Rigorously symmetrical yet relaxed in shape and proportions, this house is very well executed inside and out. It feels appropriately sized for its site and is well detailed. It’s by far the best of the Shingle Style submittals.” The project is a new construction of a family compound consisting of two new houses and associated site development along South Beach. Due to the topography of the nearby dunes, the living spaces of the main and guest houses were located on the second floor in order to gain the panoramic views of the ocean and extended coastline beyond. The challenge was to create a shingle-style island vernacular architecture that did not reflect the upside-down nature of the primary living space. The inspiration was based on the desire to take a large program and break it into smaller architectural elements based on the idea that the homes could have originally been constructed in the 1920s or 1930s and then added onto over time. This concept of "implied history" is one that creates a legacy of a seaside architecture from the rich history of New England’s past, yet has evolved into how people want to live today. The Marvin products, with their hurricane-resistant capabilities, were a clear choice based on this locale. The use of the folding door systems allowed for the ease of flow from indoor to outdoor spaces in a timeless way.

Bar stools in this collection are inspired by constructive-like character of stool by Lise Johansson – Pape.Rounded lines of Scandinavian design, on this piece has got a sharper, industry-like shape. Basic elements of this stool are applied to bar stool in different, more dynamic manner. Seat is consisted of four panels which resemble the shape of three leaf clover. Additional dynamic nature is achieved by seat cuts, which is slightly bended upward, thus giving impression of lightness of the entire piece. Industrial look is intensified by cross bars on legs which are made of steel elements. Stool is made in standard seat height of 75 cm but there is version of low stool. Wood finishing techniques imply application of natural oils and wax. Width 52 cm (25.5 in.) Length 34 cm (13.4 in.) Height 77 cm (30.3 in.)

Bar stools in this collection are inspired by constructive-like character of stool by Lise Johansson – Pape.Rounded lines of Scandinavian design, on this piece has got a sharper, industry-like shape. Basic elements of this stool are applied to bar stool in different, more dynamic manner. Seat is consisted of four panels which resemble the shape of three leaf clover. Additional dynamic nature is achieved by seat cuts, which is slightly bended upward, thus giving impression of lightness of the entire piece. Industrial look is intensified by cross bars on legs which are made of steel elements. Stool is made in standard seat height of 75 cm but there is version of low stool. Wood finishing techniques imply application of natural oils and wax. Width 52 cm (25.5 in.) Length 34 cm (13.4 in.) Height 77 cm (30.3 in.)

Elegant and Spa-Like Master Ensuite with Double Shower and Steamer This luxurious master ensuite is designed for relaxation and rejuvenation. The space features a double vanity with sleek white countertops and modern vessel sinks, providing ample space for two. The large mirror is illuminated by a contemporary light fixture, enhancing the bright and airy feel. A standout feature of this ensuite is the spacious shower area, partially visible on the left. This spa-like retreat boasts a double shower system, allowing for a truly indulgent experience. Additionally, the inclusion of a steamer unit transforms the shower into a personal steam room, perfect for unwinding and promoting wellness. The walls are clad in elegant, large-format tiles in a subtle, sophisticated tone, creating a serene and calming ambiance. The flooring complements the walls, contributing to the overall sense of tranquility. Key Features: Double vanity with white countertops and vessel sinks Large illuminated mirror Spacious shower area with double shower system Steamer unit in the shower Elegant, large-format wall tiles Modern and minimalist design Abundant natural light (implied)

Bar stools in this collection are inspired by constructive-like character of stool by Lise Johansson – Pape.Rounded lines of Scandinavian design, on this piece has got a sharper, industry-like shape. Basic elements of this stool are applied to bar stool in different, more dynamic manner. Seat is consisted of four panels which resemble the shape of three leaf clover. Additional dynamic nature is achieved by seat cuts, which is slightly bended upward, thus giving impression of lightness of the entire piece. Industrial look is intensified by cross bars on legs which are made of steel elements. Stool is made in standard seat height of 75 cm but there is version of low stool. Wood finishing techniques imply application of natural oils and wax. Width 52 cm (25.5 in.) Length 34 cm (13.4 in.) Height 77 cm (30.3 in.)

Advisement + Design - Construction advisement, custom millwork & custom furniture design, interior design & art curation by Chango & Co.
Large transitional u-shaped light wood floor, brown floor and shiplap ceiling kitchen/dining room combo photo in New York with a drop-in sink, beaded inset cabinets, white cabinets, marble countertops, multicolored backsplash, marble backsplash, stainless steel appliances, an island and multicolored countertops

The living room has a combination of contrasting elements. The dark hardwood floor and paneled feature wall provide a striking contrast to the bright, white walls and large windows. This interplay of dark and light creates a visually appealing dynamic within the space. Adding to the overall aesthetic of the living room are the kul grilles vent covers. These vent covers are mentioned as providing an extra layer of clean sophistication to the room. They serve as a design element that enhances the overall aesthetic appeal and adds refinement. By mentioning that the vent covers complement the sleek lines of the furniture, it suggests that they harmonize with the modern and streamlined style of the furnishings in the room. This cohesiveness helps to create a unified and visually pleasing space. Architect Randy Buffie believes in striking a balance between artistry and solid construction methods in good home design. This philosophy is reflected in his choice of kul grilles vent covers for this particular design build. By selecting these vent covers, it implies that they not only contribute to the visual aspect of the living room but also meet the architect's standards for high-quality construction.

The master bedroom at Modern Farmhouse
Example of a country bedroom design in New Orleans