Although it may sound like just a geographic location, "Rive Gauche" or "Left Bank" generally refers to the Paris of an earlier era - the 1920s and 1930s. The Paris of artists, writers and philosophers, including Erik Satie, Henry Miller, Gertrude Stein, Pablo Picasso, Arthur Rimbaud, Edith Wharton, Henri Matisse, Jean-Paul Sartre, Ernest Hemingway, F. Scott Fitzgerald, and dozens of other members of the great artistic community. The phrase implies a sense of Bohemianism, counterculture, and creativity. During this era, Paris was the heart of intellectual and artistic life, where movements were born in nightly Salons over wine, live jazz and conversation. We celebrate the CREATIVITY of this period in time. Photo by Kate Benjamin Photography

Although it may sound like just a geographic location, "Rive Gauche" or "Left Bank" generally refers to the Paris of an earlier era - the 1920s and 1930s. The Paris of artists, writers and philosophers, including Erik Satie, Henry Miller, Gertrude Stein, Pablo Picasso, Arthur Rimbaud, Edith Wharton, Henri Matisse, Jean-Paul Sartre, Ernest Hemingway, F. Scott Fitzgerald, and dozens of other members of the great artistic community. The phrase implies a sense of Bohemianism, counterculture, and creativity. During this era, Paris was the heart of intellectual and artistic life, where movements were born in nightly Salons over wine, live jazz and conversation. We celebrate the CREATIVITY of this period in time. Photo by Kate Benjamin Photography

Designed by Bryan Anderson This kitchen renovation was driven by a desire to create a space for semi-formal dining in a small eat-in kitchen. By removing an imposing central island with range, and expanding a perimeter dropped soffit, we created a well-proportioned space in which to center a table for gathering. The expanded soffit cleaned up awkward angles at the ceiling and implies a thickness to the wall from which the kitchen is carved out. Small, flexible appliances enable full cooking potential, and modular cabinets provide highly functional features in minimal space. Ebony stained base cabinets recede, white-washed upper cabinets and panels reflect light, large-format ceramic counters and backsplash withstand culinary abuse, European oak flooring and accents provide warmth, and all combine under a ceiling of metallic paper to envelop users and guests in functional comfort. Construction by Showcase Renovations, Inc. and cabinetry by Puustelli USA Photographs by Troy Thies

Farmhouse kitchen photo in Charlotte

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter © Axis Mundi Design LLC

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

Architect: Patrick Ahearn Architect LLC Construction: Rosbeck BuildersInteriors: Slifer Designs Photography By: Greg Premru “Rigorously symmetrical yet relaxed in shape and proportions, this house is very well executed inside and out. It feels appropriately sized for its site and is well detailed. It’s by far the best of the Shingle Style submittals.” The project is a new construction of a family compound consisting of two new houses and associated site development along South Beach. Due to the topography of the nearby dunes, the living spaces of the main and guest houses were located on the second floor in order to gain the panoramic views of the ocean and extended coastline beyond. The challenge was to create a shingle-style island vernacular architecture that did not reflect the upside-down nature of the primary living space. The inspiration was based on the desire to take a large program and break it into smaller architectural elements based on the idea that the homes could have originally been constructed in the 1920s or 1930s and then added onto over time. This concept of "implied history" is one that creates a legacy of a seaside architecture from the rich history of New England’s past, yet has evolved into how people want to live today. The Marvin products, with their hurricane-resistant capabilities, were a clear choice based on this locale. The use of the folding door systems allowed for the ease of flow from indoor to outdoor spaces in a timeless way.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

This is a second go round of blooms for the garlic chives. Loving the great New Jersey summer weather! Photos by Lauran Corson

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet © Axis Mundi Design LLC

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.