OpenHomes Photography
Huge transitional light wood floor great room photo in San Francisco with white walls

Design ideas for a mid-sized drought-tolerant and full sun front yard stone garden path in Austin for summer.

This 10’ by 12’ Modern-Shed home gym studio is equipped with a power rack, a barbell with a bench and some free weights.
Example of a minimalist home gym design in San Francisco

Our wine cellar builders installed, among other wine racking Detroit types, three deep horizontal wine display racks. The wine storage system allows for the optimum viewing of wine labels, thus making wine showcasing and general inventory an easy feat. Not only that, large or unusually sized bottles (such as magnums) can be stored in the horizontal display racks. Wine Cellar Specialists 858 W Armitage Ave #385 Chicago, IL 60614 (773) 234-0112 winecellarspec.com

Architect: Patrick Ahearn Architect LLC Construction: Rosbeck BuildersInteriors: Slifer Designs Photography By: Greg Premru “Rigorously symmetrical yet relaxed in shape and proportions, this house is very well executed inside and out. It feels appropriately sized for its site and is well detailed. It’s by far the best of the Shingle Style submittals.” The project is a new construction of a family compound consisting of two new houses and associated site development along South Beach. Due to the topography of the nearby dunes, the living spaces of the main and guest houses were located on the second floor in order to gain the panoramic views of the ocean and extended coastline beyond. The challenge was to create a shingle-style island vernacular architecture that did not reflect the upside-down nature of the primary living space. The inspiration was based on the desire to take a large program and break it into smaller architectural elements based on the idea that the homes could have originally been constructed in the 1920s or 1930s and then added onto over time. This concept of "implied history" is one that creates a legacy of a seaside architecture from the rich history of New England’s past, yet has evolved into how people want to live today. The Marvin products, with their hurricane-resistant capabilities, were a clear choice based on this locale. The use of the folding door systems allowed for the ease of flow from indoor to outdoor spaces in a timeless way.

Referencing the wife and 3 daughters for which the house was named, four distinct but cohesive design criteria were considered for the 2016 renovation of the circa 1890, three story masonry rowhouse: 1. To keep the significant original elements – such as the grand stair and Lincrusta wainscoting. 2. To repurpose original elements such as the former kitchen pocket doors fitted to their new location on the second floor with custom track. 3. To improve original elements - such as the new "sky deck" with its bright green steel frame, a new kitchen and modern baths. 4. To insert unifying elements such as the 3 wall benches, wall openings and sculptural ceilings. Photographer Jesse Gerard - Hoachlander Davis Photography

Example of a mid-sized mountain style brown tile and ceramic tile ceramic tile alcove shower design in San Diego with recessed-panel cabinets, distressed cabinets, beige walls, an undermount sink and marble countertops

Photography by Heather Mace of RA+A Architecture + Structural Engineering by Reynolds Ash + Associates.
Foyer - mid-sized craftsman light wood floor foyer idea in Albuquerque with green walls and a medium wood front door

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter © Axis Mundi Design LLC

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

Architect: Patrick Ahearn Architect LLC Construction: Rosbeck BuildersInteriors: Slifer Designs Photography By: Greg Premru “Rigorously symmetrical yet relaxed in shape and proportions, this house is very well executed inside and out. It feels appropriately sized for its site and is well detailed. It’s by far the best of the Shingle Style submittals.” The project is a new construction of a family compound consisting of two new houses and associated site development along South Beach. Due to the topography of the nearby dunes, the living spaces of the main and guest houses were located on the second floor in order to gain the panoramic views of the ocean and extended coastline beyond. The challenge was to create a shingle-style island vernacular architecture that did not reflect the upside-down nature of the primary living space. The inspiration was based on the desire to take a large program and break it into smaller architectural elements based on the idea that the homes could have originally been constructed in the 1920s or 1930s and then added onto over time. This concept of "implied history" is one that creates a legacy of a seaside architecture from the rich history of New England’s past, yet has evolved into how people want to live today. The Marvin products, with their hurricane-resistant capabilities, were a clear choice based on this locale. The use of the folding door systems allowed for the ease of flow from indoor to outdoor spaces in a timeless way.

Welcome to the foyer at The French Chateau. This is the space I first fell in love with; as I have wanted a home with a curved staircase since I was a little girl. Immediately upon entering, you are greeted with the view of our round foyer table as seen here. The objects I have chosen to accentuate this area are meaningful to me. For example, the tall pink cherry blossoms put my favorite color, pink, on display. The gardenia candle is intended to welcome guests with a soft, pretty scent. The sculpture is called "Butterflies for Brains". My name, Vanessa, means butterfly. My maternal grandmother, Ruth, loved butterflies as well. So this sculpture not only visually reminds me of her, but it also is symbolic of who I am and how I view the world. At first blush the phrase 'butterflies for brains" may imply being flighty or whimsical...but to me instead it means being creative and living life as a creative, always looking for beauty.

Bar stools in this collection are inspired by constructive-like character of stool by Lise Johansson – Pape.Rounded lines of Scandinavian design, on this piece has got a sharper, industry-like shape. Basic elements of this stool are applied to bar stool in different, more dynamic manner. Seat is consisted of four panels which resemble the shape of three leaf clover. Additional dynamic nature is achieved by seat cuts, which is slightly bended upward, thus giving impression of lightness of the entire piece. Industrial look is intensified by cross bars on legs which are made of steel elements. Stool is made in standard seat height of 75 cm but there is version of low stool. Wood finishing techniques imply application of natural oils and wax. Width 52 cm (25.5 in.) Length 34 cm (13.4 in.) Height 77 cm (30.3 in.)

Architect: Patrick Ahearn Architect LLC Construction: Rosbeck BuildersInteriors: Slifer Designs Photography By: Greg Premru “Rigorously symmetrical yet relaxed in shape and proportions, this house is very well executed inside and out. It feels appropriately sized for its site and is well detailed. It’s by far the best of the Shingle Style submittals.” The project is a new construction of a family compound consisting of two new houses and associated site development along South Beach. Due to the topography of the nearby dunes, the living spaces of the main and guest houses were located on the second floor in order to gain the panoramic views of the ocean and extended coastline beyond. The challenge was to create a shingle-style island vernacular architecture that did not reflect the upside-down nature of the primary living space. The inspiration was based on the desire to take a large program and break it into smaller architectural elements based on the idea that the homes could have originally been constructed in the 1920s or 1930s and then added onto over time. This concept of "implied history" is one that creates a legacy of a seaside architecture from the rich history of New England’s past, yet has evolved into how people want to live today. The Marvin products, with their hurricane-resistant capabilities, were a clear choice based on this locale. The use of the folding door systems allowed for the ease of flow from indoor to outdoor spaces in a timeless way.

Architect: Patrick Ahearn Architect LLC Construction: Rosbeck BuildersInteriors: Slifer Designs Photography By: Greg Premru “Rigorously symmetrical yet relaxed in shape and proportions, this house is very well executed inside and out. It feels appropriately sized for its site and is well detailed. It’s by far the best of the Shingle Style submittals.” The project is a new construction of a family compound consisting of two new houses and associated site development along South Beach. Due to the topography of the nearby dunes, the living spaces of the main and guest houses were located on the second floor in order to gain the panoramic views of the ocean and extended coastline beyond. The challenge was to create a shingle-style island vernacular architecture that did not reflect the upside-down nature of the primary living space. The inspiration was based on the desire to take a large program and break it into smaller architectural elements based on the idea that the homes could have originally been constructed in the 1920s or 1930s and then added onto over time. This concept of "implied history" is one that creates a legacy of a seaside architecture from the rich history of New England’s past, yet has evolved into how people want to live today. The Marvin products, with their hurricane-resistant capabilities, were a clear choice based on this locale. The use of the folding door systems allowed for the ease of flow from indoor to outdoor spaces in a timeless way.

The dining room table had been handed down through the family. Bench seating along each side provides flexibility for the Bryans' dinner parties and family gatherings. While the dining room is one of the few remaining rooms on the list for an overhaul, it still works for the homeowners. "The pink and green are some of Sherri's favorite colors," explains designer Ingrid Porter. "The combination really suits Sherri's bubbly personality!" Photo: Adrienne DeRosa © Houzz 2014

Example of a 1950s entryway design in Phoenix

Architect: Patrick Ahearn Architect LLC Construction: Rosbeck BuildersInteriors: Slifer Designs Photography By: Greg Premru “Rigorously symmetrical yet relaxed in shape and proportions, this house is very well executed inside and out. It feels appropriately sized for its site and is well detailed. It’s by far the best of the Shingle Style submittals.” The project is a new construction of a family compound consisting of two new houses and associated site development along South Beach. Due to the topography of the nearby dunes, the living spaces of the main and guest houses were located on the second floor in order to gain the panoramic views of the ocean and extended coastline beyond. The challenge was to create a shingle-style island vernacular architecture that did not reflect the upside-down nature of the primary living space. The inspiration was based on the desire to take a large program and break it into smaller architectural elements based on the idea that the homes could have originally been constructed in the 1920s or 1930s and then added onto over time. This concept of "implied history" is one that creates a legacy of a seaside architecture from the rich history of New England’s past, yet has evolved into how people want to live today. The Marvin products, with their hurricane-resistant capabilities, were a clear choice based on this locale. The use of the folding door systems allowed for the ease of flow from indoor to outdoor spaces in a timeless way.

Architect: Patrick Ahearn Architect LLC Construction: Rosbeck BuildersInteriors: Slifer Designs Photography By: Greg Premru “Rigorously symmetrical yet relaxed in shape and proportions, this house is very well executed inside and out. It feels appropriately sized for its site and is well detailed. It’s by far the best of the Shingle Style submittals.” The project is a new construction of a family compound consisting of two new houses and associated site development along South Beach. Due to the topography of the nearby dunes, the living spaces of the main and guest houses were located on the second floor in order to gain the panoramic views of the ocean and extended coastline beyond. The challenge was to create a shingle-style island vernacular architecture that did not reflect the upside-down nature of the primary living space. The inspiration was based on the desire to take a large program and break it into smaller architectural elements based on the idea that the homes could have originally been constructed in the 1920s or 1930s and then added onto over time. This concept of "implied history" is one that creates a legacy of a seaside architecture from the rich history of New England’s past, yet has evolved into how people want to live today. The Marvin products, with their hurricane-resistant capabilities, were a clear choice based on this locale. The use of the folding door systems allowed for the ease of flow from indoor to outdoor spaces in a timeless way.