Search results for "Institution" in Home Design Ideas

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature.
The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the
landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it
continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays
a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Accessed by way of a backlit onyx clad elevator, the home’s lower level is paved with matched vein-cut travertine, traveling to three unique rooms. The caretaker’s bathroom contains vein-cut Palissandro Blue marble with
a distinct linear pattern that covers the floor, walls, ceiling, and vanity, merging into shower walls shaped in unique marble picture frame moldings. The bungalow bathroom is clad in dark Pietra d’Avola limestone, and the guest’s bathroom has a travertine clad shower with a bathtub made from one single block of travertine.

HNA Hardscape Project Award Winner
Permeable Paradise
Grand Island, Nebraska
Grindstone Hardscapes
The goal was to create a maintenance-free system with extreme curb appeal for these homeowners when installing their new driveway, patio, and front entrance. The entire project is permeable and heated, including the front steps. The three piece paver used Gascony Tan for the field to match the home and Brookestone slate for accents. The field was laid at a 45 degree angle to the house, a solution to the road not being square to any entrance on the driveway or walk. The pavers never see the snow or ice on them. Both are drained through the joints as soon as touching the surface. The heat cord had to be fastened to wire mesh on top of the rock base to hold it in place, and then the bedding layer was screeded over it. Traditional paver edging/grid was used on the driveway as an edge restraint, with a decorative concrete curb being laid over top of it, to increase strength and tie it in with the landscapes on the property. Each entrance to the circle drive and to the front door is announced by custom columns built on each side. There are 9 columns total. Each includes four LED low voltage lights for nighttime accent, and one holds a built in mailbox and package delivery shelf. All mail and packages can be picked up right from the car window.
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As Sheila Gibson Stoodley writes in an article about this project in Robb Report, “Brian Hemingway is sensitive to light in the best way possible.”
“The Vancouver, British Columbia-based architect wanted this 22,000-square-foot home near Boston to glow like a lantern at night, and he attained that goal on behalf of the homeowners.” The wood and stone
that Hemingway favored for the home informed the space’s color palette. So critical were these materials that settling on a shade of stain for the Douglas fir and the finishes to be used on the Virginia Mist granite took
months of consultation.
Walker Zanger, the stone supplier, worked with the owner and with Colin Flavin, a Boston-based architect who partnered with Hemingway, to choose, detail, and fabricate the granite.
The stone is used indoors and out, heightening the boundary-blurring effect that the design team desired. Though the owners are ardent art collectors, they did not build their home to showcase specific works; the
real artists here are the architects, Hemingway and Flavin. So deft were they at inviting nature into their creation that, from certain angles, it can be hard to tell where the outdoors stops and starts.
“There are deliberately no window treatments so that Mother Nature weaves the most beautiful textural backgrounds,” said interior designer Andrew Sheinman, of New York’s Pembrooke & Ives. He oversaw the
interiors, working alongside his colleague Michael Lewis. “The seasons change the look and aspect of the house,” said Sheinman, “and we wanted to play on this.”
Bleu de Savoie marble, from France, is used in the baths, to contrast with the Virginia Mist granite and soften the palette and give the baths a spa-like serenity. Hand-chiseled Oxford Black granite is used on exterior landscape walls, to tie the Virginia Mist seamlessly to the natural stone outcroppings.

Queen Anne style assumes an attitude of "almost anything goes."
Traditional exterior home idea in DC Metro
Traditional exterior home idea in DC Metro

Example of a small minimalist single-wall wet bar design in Boston with an undermount sink, flat-panel cabinets, blue cabinets and white countertops

2018 HNA Awards Winner - Concrete Paver - Residential (size more than 3,000 sf)
Contractor: LR Landscaping
Producer: Keystone Hardscapes
Designer: Tanna Johns
Venetian pavers were selected for their ability to integrate with the earthen tones found in the area’s natural grasses, granite, oaks and rust-toned soil. Pavers were tumbled to achieve a weathered and rustic look, complementing the limestone used on the home.
The home’s exterior includes exudes quality and includes limestone as well as both precast and oil rubbed bronze iron accents. Tumbled pavers balance German Schmear grout style used on the limestone walls and the roof tile mudded ridges and bumps. The commitment to craftsmanship necessitated a 2.5 year build process.
Keystone Hardscapes samples were created and brought to the home during the final stages of constructions to ensure critical harmony between the pavers and exterior elements of the home. The paver samples were laid against the stucco, precast, limestone and cedar garage doors to confirm design alignment and flow.
The natural grade of this site was mitigated through a significant backfill and retaining wall; delivering a subtle slope from street to a flat grade driveway. This provided an even surface for vehicles and, with Venetian pavers, a seamless transition from the entry gate in to the inner courtyard.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature.
The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the
landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it
continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays
a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

PATH Concept Home built by Fernando Pages Ruiz using barn red vinyl siding
Example of a farmhouse exterior home design in DC Metro
Example of a farmhouse exterior home design in DC Metro

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature.
The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the
landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it
continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays
a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

As Sheila Gibson Stoodley writes in an article about this project in Robb Report, “Brian Hemingway is sensitive to light in the best way possible.”
“The Vancouver, British Columbia-based architect wanted this 22,000-square-foot home near Boston to glow like a lantern at night, and he attained that goal on behalf of the homeowners.” The wood and stone
that Hemingway favored for the home informed the space’s color palette. So critical were these materials that settling on a shade of stain for the Douglas fir and the finishes to be used on the Virginia Mist granite took
months of consultation.
Walker Zanger, the stone supplier, worked with the owner and with Colin Flavin, a Boston-based architect who partnered with Hemingway, to choose, detail, and fabricate the granite.
The stone is used indoors and out, heightening the boundary-blurring effect that the design team desired. Though the owners are ardent art collectors, they did not build their home to showcase specific works; the
real artists here are the architects, Hemingway and Flavin. So deft were they at inviting nature into their creation that, from certain angles, it can be hard to tell where the outdoors stops and starts.
“There are deliberately no window treatments so that Mother Nature weaves the most beautiful textural backgrounds,” said interior designer Andrew Sheinman, of New York’s Pembrooke & Ives. He oversaw the
interiors, working alongside his colleague Michael Lewis. “The seasons change the look and aspect of the house,” said Sheinman, “and we wanted to play on this.”
Bleu de Savoie marble, from France, is used in the baths, to contrast with the Virginia Mist granite and soften the palette and give the baths a spa-like serenity. Hand-chiseled Oxford Black granite is used on exterior landscape walls, to tie the Virginia Mist seamlessly to the natural stone outcroppings.

Architect
Architects Luc Bouliane, Toronto, ON
Stone Installer
D. L. Engineering Inc.,
Richmond Hill, ON
Gentile Stone, Stouffville, ON
Stone Suppliers
Owen Sound Ledgerock Ltd.,
Georgian Bluffs, ON
Stone-Tile International,
Toronto, ON

This home was designed with a clean, modern aesthetic that imposes a commanding view of its expansive riverside lot. The wide-span, open wing design provides a feeling of open movement and flow throughout the home. Interior design elements are tightly edited to their most elemental form. Simple yet daring lines simultaneously convey a sense of energy and tranquility. Super-matte, zero sheen finishes are punctuated by brightly polished stainless steel and are further contrasted by thoughtful use of natural textures and materials. The judges said “this home would be like living in a sculpture. It’s sleek and luxurious at the same time.”
The award for Best In Show goes to
RG Designs Inc. and K2 Design Group
Designers: Richard Guzman with Jenny Provost
From: Bonita Springs, Florida

Folk Victorian houses often feature clapboard as the dominant exterior cladding. Vinyl siding clapboard comes in a variety of configurations, including 3" to 8" reveals. When using standard clapboard on the main body, gables or accent walls may feature board & batten siding, shakes, shingles, or shapes. All these options are available in vinyl.

Architect
Bohlin Cywinski Jackson, San Francisco, CA
Landscape Architect
Bernard Trainor and Associates,
Monterey, CA
Stone Installers
Jamey DeMaria Masonry, Carmel, CA
Stone Quarry
Finger Lakes Stone Company, Conklin, NY

In the home’s interior, leather-finish Cippolino marble paving was painstakingly end-matched to create the illusion of one continuous
piece of stone traveling through the whole level, under a bathtub made from a single block of Cippolino marble, and transitioning into the master bath’s shower walls. On this same level the kitchen is outfitted with a
15 foot long book-matched Lapis Lazuli island countertop shaped at its perimeter with a “knife edge,” adjacent to a countertop and sink clad
in book-matched Cippolino marble. Matched vein-cut travertine paving covers the floor and seamlessly continues through the living room and out onto the exterior sundeck, terminating at the swimming pool which is completely bordered by travertine coping containing slots for drainage that allow the top edge of the pool’s water to become perfectly aligned with the top edge of the adjacent travertine paving, thus creating a level surface from the kitchen to the infinity edge of the pool.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature.
The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the
landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it
continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays
a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Stair case re-design by Kim Colwell for the Shambhalla Institute.
Mid-sized eclectic wooden straight staircase photo in Los Angeles with wooden risers
Mid-sized eclectic wooden straight staircase photo in Los Angeles with wooden risers

The outdoor living area utilizes bold radial lines to offer a sense of unobstructed openness along the panoramic riverside views. Special consideration was given to the design and engineering of the outdoor space to allow a massive 60-foot span between columns, resulting in an unparalleled view. Playful geometric shapes speak to an easy livability that belie the bold and glamorous design. The second floor deck provides seamless access from the guest bedrooms, office and exercise rooms. The use of glass railing and zero-edge doors carefully preserve the view.
A Grand ARDA for Outdoor Living Design goes to
RG Designs and K2 Design Group
Designers: Richard Guzman with Jenny Provost
From: Bonita Springs, Florida
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