David Duncan Livingston
Example of a mid-sized eclectic open concept slate floor family room design in San Francisco with white walls and a media wall

Blue Horse Building + Design // Tre Dunham Fine Focus Photography
Example of an eclectic two-story blue front door design in Austin with a glass front door

Photo: Charles Davis Smith, AIA
Example of an urban medium tone wood floor eat-in kitchen design in Dallas with a farmhouse sink, open cabinets, stainless steel cabinets, wood countertops, brick backsplash, stainless steel appliances and an island

Tatum Brown Custom Homes {Photo credit: Shoot 2 Sell} {Architectural credit: Stocker Hoesterey Montenegro Architects}
Inspiration for a transitional exterior home remodel in Dallas

Adding a penthouse perch to this 1899 row house with a harbor view demanded unusual tactics. To circumvent municipal limitations on floor area, a section of floor was removed from one level and “transferred” to the roof as a new studio space. To comply with local height limitations, an innovative structure of solid wood studs was deployed to reduce floor and ceiling thicknesses to the bare minimum. Aside from creating the desired rooftop refuge, these gymnastics also created a dynamic cascade of interior living spaces for an urban designer and his family. Photos by Bruce Buck

I built this on my property for my aging father who has some health issues. Handicap accessibility was a factor in design. His dream has always been to try retire to a cabin in the woods. This is what he got. It is a 1 bedroom, 1 bath with a great room. It is 600 sqft of AC space. The footprint is 40' x 26' overall. The site was the former home of our pig pen. I only had to take 1 tree to make this work and I planted 3 in its place. The axis is set from root ball to root ball. The rear center is aligned with mean sunset and is visible across a wetland. The goal was to make the home feel like it was floating in the palms. The geometry had to simple and I didn't want it feeling heavy on the land so I cantilevered the structure beyond exposed foundation walls. My barn is nearby and it features old 1950's "S" corrugated metal panel walls. I used the same panel profile for my siding. I ran it vertical to match the barn, but also to balance the length of the structure and stretch the high point into the canopy, visually. The wood is all Southern Yellow Pine. This material came from clearing at the Babcock Ranch Development site. I ran it through the structure, end to end and horizontally, to create a seamless feel and to stretch the space. It worked. It feels MUCH bigger than it is. I milled the material to specific sizes in specific areas to create precise alignments. Floor starters align with base. Wall tops adjoin ceiling starters to create the illusion of a seamless board. All light fixtures, HVAC supports, cabinets, switches, outlets, are set specifically to wood joints. The front and rear porch wood has three different milling profiles so the hypotenuse on the ceilings, align with the walls, and yield an aligned deck board below. Yes, I over did it. It is spectacular in its detailing. That's the benefit of small spaces. Concrete counters and IKEA cabinets round out the conversation. For those who cannot live tiny, I offer the Tiny-ish House. Photos by Ryan Gamma Staging by iStage Homes Design Assistance Jimmy Thornton

An Organic Southwestern Living Room with Ceiling beams and flagstone floors. Architect: Urban Design Associates, Lee Hutchison Interior Designer: Bess Jones Interiors Builder: R-Net Custom Homes Photography: Dino Tonn

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Relaxed modern home in the SMU area of Dallas. Living room features a conversational layout with art and décor in lieu of television. It displays a beautiful monochromatic style that elegantly flows among white walls and oak wood floors.

Builder: Pillar Homes - Photography: Landmark Photography
Mid-sized elegant brick floor and red floor sunroom photo in Minneapolis with a standard fireplace, a brick fireplace and a standard ceiling

Living room - mid-sized mediterranean formal and enclosed limestone floor and beige floor living room idea in New Orleans with a standard ceiling, white walls and no fireplace

This English-inspired garden in Highland Village, TX offers stunning lakeside views using native Texas plants.
Design ideas for a rustic drought-tolerant landscaping in Dallas.

With porches on every side, the “Georgetown” is designed for enjoying the natural surroundings. The main level of the home is characterized by wide open spaces, with connected kitchen, dining, and living areas, all leading onto the various outdoor patios. The main floor master bedroom occupies one entire wing of the home, along with an additional bedroom suite. The upper level features two bedroom suites and a bunk room, with space over the detached garage providing a private guest suite.

This project presented unique opportunities that are not often found in residential landscaping. The homeowners were not only restoring their 1840's era farmhouse, a piece of their family’s history, but also enlarging and updating the home for modern living. The landscape designers continued this idea by creating a space that is a modern day interpretation of an 1840s era farm rather then a strict recreation. The resulting design combines elements of farm living from that time, as well as acknowledging the property’s history as a horse farm, with staples of 21st century landscapes such as space for outdoor living, lighting, and newer plant varieties. Guests approach from the main driveway which winds through the property and ends at the main barn. There is secondary gated driveway just for the homeowners. Connected to this main driveway is a narrower gravel lane which leads directly to the residence. The lane passes near fruit trees planted in broken rows to give the illusion that they are the remains of an orchard that once existed on the site. The lane widens at the entrance to the gardens where there is a hitching post built into the fence that surrounds the gardens and a watering trough. The widened section is intended as a place to park a golf cart or, in a nod to the home’s past, tie up horses before entering. The gravel lane passes between two stone pillars and then ends at a square gravel court edged in cobblestones. The gravel court transitions into a wide flagstone walk bordered with yew hedges and lavender leading to the front door. Directly to the right, upon entering the gravel court, is located a gravel and cobblestone edged walk leading to a secondary entrance into the residence. The walk is gated where it connects with the gravel court to close it off so as not to confuse visitors and guests to the main residence and to emphasize the primary entrance. An area for a bench is provided along this walk to encourage stopping to view and enjoy the gardens. On either side of the front door, gravel and cobblestone walks branch off into the garden spaces. The one on the right leads to a flagstone with cobblestone border patio space. Since the home has no designated backyard like most modern suburban homes the outdoor living space had to be placed in what would traditionally be thought of as the front of the house. The patio is separated from the entrance walk by the yew hedge and further enclosed by three Amelanchiers and a variety of plantings including modern cultivars of old fashioned plants such as Itea and Hydrangea. A third entrance, the original front door to the 1840’s era section, connects to the patio from the home’s kitchen, making the space ideal for outdoor dining. The gravel and cobblestone walk branching off to the left of the front door leads to the vegetable and perennial gardens. The idea for the vegetable garden was to recreate the tradition of a kitchen garden which would have been planted close to the residence for easy access. The vegetable garden is surrounded by mixed perennial beds along the inside of the wood picket fence which surrounds the entire garden space. Another area designated for a bench is provided here to encourage stopping and viewing. The home’s original smokehouse, completely restored and used as a garden shed, provides a strong architectural focal point to the vegetable garden. Behind the smokehouse is planted lilacs and other plants to give mass and balance to the corner and help screen the garden from the neighboring subdivision. At the rear corner of the garden a wood arbor was constructed to provide a structure on which to grow grapes or other vines should the homeowners choose to. The landscape and gardens for this restored farmhouse and property are a thoughtfully designed and planned recreation of a historic landscape reinterpreted for modern living. The idea was to give a sense of timelessness when walking through the gardens as if they had been there for years but had possibly been updated and rejuvenated as lifestyles changed. The attention to materials and craftsmanship blend seamlessly with the residence and insure the gardens and landscape remain an integral part of the property. The farm has been in the homeowner’s family for many years and they are thrilled at the results and happy to see respect given to the home’s history and to its meticulous restoration.

Inspiration for a craftsman home design remodel in San Francisco

This is an example of a large traditional partial sun backyard stone landscaping in Philadelphia with a fire pit for spring.

Inspiration for a modern master light wood floor, brown floor and double-sink freestanding bathtub remodel in Indianapolis with shaker cabinets, medium tone wood cabinets, white walls, an undermount sink, quartz countertops, a hinged shower door, white countertops and a built-in vanity

Erin Lau
Design ideas for a traditional landscaping in Seattle.

Jason Roehner
Urban black backyard and one-story stamped concrete gable roof photo in Phoenix with an awning