Trendy master porcelain tile bedroom photo in Miami with white walls

Example of a classic front door design in Salt Lake City with a medium wood front door

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Free ebook, CREATING THE IDEAL KITCHEN Download now → http://bit.ly/idealkitchen The hall bath for this client started out a little dated with its 1970’s color scheme and general wear and tear, but check out the transformation! The floor is really the focal point here, it kind of works the same way wallpaper would, but -- it’s on the floor. I love this graphic tile, patterned after Moroccan encaustic, or cement tile, but this one is actually porcelain at a very affordable price point and much easier to install than cement tile. Once we had homeowner buy-in on the floor choice, the rest of the space came together pretty easily – we are calling it “transitional, Moroccan, industrial.” Key elements are the traditional vanity, Moroccan shaped mirrors and flooring, and plumbing fixtures, coupled with industrial choices -- glass block window, a counter top that looks like cement but that is actually very functional Corian, sliding glass shower door, and simple glass light fixtures. The final space is bright, functional and stylish. Quite a transformation, don’t you think? Designed by: Susan Klimala, CKD, CBD Photography by: Mike Kaskel For more information on kitchen and bath design ideas go to: www.kitchenstudio-ge.com

One of the main features of the space is the natural lighting. The windows allow someone to feel they are in their own private oasis. The wide plank European oak floors, with a brushed finish, contribute to the warmth felt in this bathroom, along with warm neutrals, whites and grays. The counter tops are a stunning Calcatta Latte marble as is the basket weaved shower floor, 1x1 square mosaics separating each row of the large format, rectangular tiles, also marble. Lighting is key in any bathroom and there is more than sufficient lighting provided by Ralph Lauren, by Circa Lighting. Classic, custom designed cabinetry optimizes the space by providing plenty of storage for toiletries, linens and more. Holger Obenaus Photography did an amazing job capturing this light filled and luxurious master bathroom. Built by Novella Homes and designed by Lorraine G Vale Holger Obenaus Photography

This second-story addition to an already 'picture perfect' Naples home presented many challenges. The main tension between adding the many 'must haves' the client wanted on their second floor, but at the same time not overwhelming the first floor. Working with David Benner of Safety Harbor Builders was key in the design and construction process – keeping the critical aesthetic elements in check. The owners were very 'detail oriented' and actively involved throughout the process. The result was adding 924 sq ft to the 1,600 sq ft home, with the addition of a large Bonus/Game Room, Guest Suite, 1-1/2 Baths and Laundry. But most importantly — the second floor is in complete harmony with the first, it looks as it was always meant to be that way. ©Energy Smart Home Plans, Safety Harbor Builders, Glenn Hettinger Photography

Interiors by SFA Design Photography by Meghan Beierle-O'Brien
Example of a mid-sized classic master dark wood floor bedroom design in Los Angeles with beige walls and no fireplace

The structural fireplace, light fixtures and staircase elements are juxtaposed with the airy, transluscent window treatments and the plush silk rug. Moving into the lower level then with this softened natural light was key, so the knotty pine walls, low-hanging ceilings and vinyl flooring were updated with a raised ceiling, natural stone finishes and reclaimed wood detailing.

Photos by Spacecrafting House built by Divine Custom Homes
Example of a large transitional open concept carpeted home theater design in Minneapolis with gray walls and a projector screen

Example of a large farmhouse white two-story gable roof design in New York

Tropical white one-story wood gable roof idea in Miami

©Abran Rubiner Photography www.rubinerphoto.com
Inspiration for a large transitional wooden straight staircase remodel in Los Angeles

Design ideas for a contemporary privacy backyard concrete paver landscaping in Orange County with no cover.

Paul Dyer Photography
Bedroom - farmhouse master concrete floor bedroom idea in San Francisco with brown walls, a standard fireplace and a plaster fireplace

Contact us for your own custom surfboard shower. Outdoor shower designed and custom made from a real surfboard. Wilco Bos, LLC.
Outdoor patio shower - mid-sized coastal backyard outdoor patio shower idea in Los Angeles with no cover

The project is a single-family home designed to amplify the awareness of nature through the manipulation of key viewpoints. Photo credit: Ben Hill
Trendy wood exterior home photo in Houston

Chad Davies Photography
Alcove bathtub - small transitional white tile and ceramic tile ceramic tile alcove bathtub idea in Phoenix with shaker cabinets, white cabinets, white walls, an undermount sink and quartz countertops

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Transforming key spaces in a home can really change the overall look and feel, especially in main living areas such as a kitchen or primary bathroom! Our goal was to create a bright, fresh, and timeless design in each space. We accomplished this by incorporating white cabinetry and by swapping out the small, seemingly useless island for a large and much more functional peninsula. And to transform the primary bathroom into a serene sanctuary, we incorporated a new open and spacious glass shower enclosure as well as a luxurious free-standing soaking tub, perfect for ultimate relaxation.