Master He - Photos & Ideas

Gentleman's Quarters - Oakland Hills Modern

Wallpaper on bed wall: Phillip Jeffries, vinyl, color: Belgian Linen Khaki Photo by Eric Rorer While we adore all of our clients and the beautiful structures which we help fill and adorn, like a parent adores all of their children, this recent mid-century modern interior design project was a particular delight. This client, a smart, energetic, creative, happy person, a man who, in-person, presents as refined and understated — he wanted color. Lots of color. When we introduced some color, he wanted even more color: Bright pops; lively art. In fact, it started with the art. This new homeowner was shopping at SLATE ( https://slateart.net) for art one day… many people choose art as the finishing touches to an interior design project, however this man had not yet hired a designer. He mentioned his predicament to SLATE principal partner (and our dear partner in art sourcing) Danielle Fox, and she promptly referred him to us. At the time that we began our work, the client and his architect, Jack Backus, had finished up a massive remodel, a thoughtful and thorough update of the elegant, iconic mid-century structure (originally designed by Ratcliff & Ratcliff) for modern 21st-century living. And when we say, “the client and his architect” — we mean it. In his professional life, our client owns a metal fabrication company; given his skills and knowledge of engineering, build, and production, he elected to act as contractor on the project. His eye for metal and form made its way into some of our furniture selections, in particular the coffee table in the living room, fabricated and sold locally by Turtle and Hare. Color for miles: One of our favorite aspects of the project was the long hallway. By choosing to put nothing on the walls, and adorning the length of floor with an amazing, vibrant, patterned rug, we created a perfect venue. The rug stands out, drawing attention to the art on the floor. In fact, the rugs in each room were as thoughtfully selected for color and design as the art on the walls. In total, on this project, we designed and decorated the living room, family room, master bedroom, and patio. While my design firm is known for our work with traditional and transitional architecture, and we love those projects, I think it is clear from this project that Modern is also our cup of tea. If you have a Modern house and are thinking about how to make it more vibrantly YOU, contact us for a consultation.

Banker's Hill Loft Condo

Payte Miller Interiors

Vanity & Shelves are custom made. Wall tile is from Arizona Tile. Medicine Cabinet is from Kohler. Plumbing fixtures are from Newport Brass.
Example of a small 1960s master beige tile and glass tile marble floor and white floor bathroom design in San Diego with flat-panel cabinets, medium tone wood cabinets, a two-piece toilet, white walls, an undermount sink and marble countertops

Polo Addition

Davey McEathron Architecture

Twist Tours Photography
Trendy master blue tile and ceramic tile ceramic tile bathroom photo in Austin with flat-panel cabinets, white cabinets, white walls, an undermount sink and wood countertops

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Envisioning Possibilities

Daniel Antes Marquetry

The flooring that was originally envisioned for this house wasn't Wood Floor of the Year-caliber. When Steve Brattin, president at SVB Wood Floors in Grandview, Mo., got involved in the project, the designers were discussing a simple machine-sanded heart pine or reclaimed wood floor. But once Brattin visited the site—an old world traditional estate set on acreage with its own private lake—he knew it deserved more than a typical floor. "I chatted with the designers and said I would love to meet with the homeowners and have them in our showroom," he recalls. "I said I would really like to do something artistic with it." Brattin's mind was already envisioning the possibilities—something he says usually happens for him within a half hour of walking through a space. "I don't know how certain things come to me," he says, adding that often he draws things out and the designs don't end up being in the clients' budget. That wasn't the case here, however, and the final plans for the flooring called for five designs in various areas, including this Bordeaux parquet in the foyer. With the designs finalized, Brattin turned to Distinctive Floors' (Nashville, Tenn.) Dan Antes to create the walnut flooring, which called for hand-beveling with a circle-sawn and wire-brushed surface; in some areas the flooring was 10-inch plank. The width presented a challenge for Antes, as he had planned to contract out the circle-sawing, but the company he had in mind could handle widths only up to 81⁄2 inches. He decided he would have to do it himself. "We spent maybe $1,500 modifying $20,000 worth of equipment to end up with this awesome distressed product," he says. Due to a tight time frame to complete the job, once the flooring was milled, it was shipped to WD Flooring (Laona, Wis.) to be finished with hardwax oil—a choice Antes says he loves for its maintainability. The actual installation of all 3,000 square feet of flooring was uneventful, Brattin says, crediting his crew, experienced with high-end projects, for a great job. "They had a blast," he says. "They had so much fun out there on the project, and they do it quite frequently; it comes naturally for them at this point." Given the complexity of this job, from scribing around stone to large-scale chevron and mixed media, that's high praise. Antes, himself a Wood Floor of the Year winner and supplier to many more winning projects, sums up the scope of this job: "I think he could have entered any room in this house, really, and won."—K.M.W.

Art Deco Bathroom In Prairie District (Chicago, IL)

123 Remodeling Inc.

The client wanted a bigger shower, so we changed the existing floor plan and made there small tiny shower into an arched and more usable open storage closet concept, while opting for a combo shower/tub area. We incorporated art deco features and arches as you see in the floor tile, shower niche, and overall shape of the new open closet.

Dumbo Loft

DATE Interiors

photography by Seth Caplan, styling by Mariana Marcki
Mid-sized trendy master medium tone wood floor, brown floor and exposed beam bedroom photo in New York with beige walls

Sailor's Retreat in Newport

Amanda Martocchio Architecture

When a world class sailing champion approached us to design a Newport home for his family, with lodging for his sailing crew, we set out to create a clean, light-filled modern home that would integrate with the natural surroundings of the waterfront property, and respect the character of the historic district. Our approach was to make the marine landscape an integral feature throughout the home. One hundred eighty degree views of the ocean from the top floors are the result of the pinwheel massing. The home is designed as an extension of the curvilinear approach to the property through the woods and reflects the gentle undulating waterline of the adjacent saltwater marsh. Floodplain regulations dictated that the primary occupied spaces be located significantly above grade; accordingly, we designed the first and second floors on a stone “plinth” above a walk-out basement with ample storage for sailing equipment. The curved stone base slopes to grade and houses the shallow entry stair, while the same stone clads the interior’s vertical core to the roof, along which the wood, glass and stainless steel stair ascends to the upper level. One critical programmatic requirement was enough sleeping space for the sailing crew, and informal party spaces for the end of race-day gatherings. The private master suite is situated on one side of the public central volume, giving the homeowners views of approaching visitors. A “bedroom bar,” designed to accommodate a full house of guests, emerges from the other side of the central volume, and serves as a backdrop for the infinity pool and the cove beyond. Also essential to the design process was ecological sensitivity and stewardship. The wetlands of the adjacent saltwater marsh were designed to be restored; an extensive geo-thermal heating and cooling system was implemented; low carbon footprint materials and permeable surfaces were used where possible. Native and non-invasive plant species were utilized in the landscape. The abundance of windows and glass railings maximize views of the landscape, and, in deference to the adjacent bird sanctuary, bird-friendly glazing was used throughout. Photo: Michael Moran/OTTO Photography