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Inspired by the majesty of the Northern Lights and this family's everlasting love for Disney, this home plays host to enlighteningly open vistas and playful activity. Like its namesake, the beloved Sleeping Beauty, this home embodies family, fantasy and adventure in their truest form. Visions are seldom what they seem, but this home did begin 'Once Upon a Dream'. Welcome, to The Aurora.

Modern Duplex in the heart of Chelsea hosts a family with a love for art.
Master bedroom view.
Photo Credit: Francis Augustine
Inspiration for a mid-sized modern master light wood floor bedroom remodel in Los Angeles with white walls and no fireplace
Inspiration for a mid-sized modern master light wood floor bedroom remodel in Los Angeles with white walls and no fireplace

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.
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This polished dining room keeps sleek lines in play, while still feeling warm and welcoming. The custom-designed zebra-print host chairs take center stage, and play beautifully with the rich teal silk curtains. The art deco lines of the table maintain the air of luxury in a clean, crisp way.
Photo by: Robert Radifera Styling: Charlotte Safavi

The back of the house has a large bank of windows that extend from the dining area to the main living area; so there is a very strong indoor outdoor connection. Curving planting beds filled with green plants of varied textures enclose the new bluestone patio. To the right is the Tea House which is a major focal point in the rear portion of this Zen Garden.

Custom wall recess built to house restoration hardware shelving units, This contemporary living space houses a full size golf simulator and pool table on the left hand side. The windows above the bar act as a pass through to the lanai. This is the perfect room to host your guests in .

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Andrea Pietrangeli http://andrea.media/
Inspiration for a small coastal open concept light wood floor and beige floor living room remodel in Providence with beige walls
Inspiration for a small coastal open concept light wood floor and beige floor living room remodel in Providence with beige walls

This was a complete interior renovation project of a client’s second home. DEANE collaborated with the client on the design of 5 bathrooms and all the built-ins in addition to the kitchen. The home had an open floor plan with wide pine, bleached flooring throughout but was a challenge because of the various ceiling heights and support beams that needed to be accommodated.The homeowner wanted to able to casually host large gatherings without worrying about maintenance or upkeep. The kitchen cabinetry, featuring chamfer style doors, is painted a pale grey, with a darker, charcoal grey selected for the center island to accent the space. All appliances are stainless steel, with the dishwasher and trash/recycling drawers faced in the same material to mimic the dishwasher. The countertops are an engineered quartz in white, while the cooktop backsplash is a white ceramic tile in a soothing herringbone pattern. The counter cabinet with its glass front for dish storage and floating shelves that anchor two corners of the room are the designer’s favorite things about the space.
Photographer – Kit Noble Photography
Builder – Todd Burns Building and Restoration Inc.
Nantucket, MA

Modern Duplex in the heart of Chelsea hosts a family with a love for art.
Master bedroom with a mid century modern flair.
Photo Credit: Francis Augustine

After having lived in 22 different places all around the world, this family decided to settle in a Dutch colonial home in Harding Township. The house sits on a wonderful piece of property that is only challenged by the wetlands that surround it. For this reason, we had to work within the existing footprint and not consider any additions. The homeowners wanted to be able to host the holidays in their new home which meant we had an aggressive design and construction schedule. We started the design work in the Spring of 2012 and construction took place over the Summer and into the Fall. By Thanksgiving, the project was complete, with no meaningful cost overruns.
Renovations included a new kitchen, mudroom, and office/library on the first floor and a new master suite, hall bath, home office, and laundry room upstairs. The challenge was creating comfortable space with clean lines that would accommodate the homeowner’s casual and worldly lifestyle, but would not feel out of place with the character of the existing house.
The kitchen is a glorious hard-working space with lots of counter space, space for a giant farmer’s table, and symmetrical views through oversized double hung-windows out to the expansive yard. The master bath is outfitted with wood, stone, and metal, and also includes artifacts from some of their world travels. In a second phase of work, we designed some outbuilding to further enhance the character of the property. Currently we are working with the family to design a memorial to honor their child who died of Leukemia.

Peter Rymwid
Bedroom - mid-sized transitional dark wood floor bedroom idea in New York with gray walls
Bedroom - mid-sized transitional dark wood floor bedroom idea in New York with gray walls

Larry Field
Example of a huge classic master blue tile, white tile and ceramic tile ceramic tile drop-in bathtub design in Houston with raised-panel cabinets, medium tone wood cabinets, a two-piece toilet, beige walls, an undermount sink, granite countertops and blue countertops
Example of a huge classic master blue tile, white tile and ceramic tile ceramic tile drop-in bathtub design in Houston with raised-panel cabinets, medium tone wood cabinets, a two-piece toilet, beige walls, an undermount sink, granite countertops and blue countertops

The Laurel was a project that required a rigorous lesson in southern architectural vernacular. The site being located in the hot climate of the Carolina shoreline, the client was eager to capture cross breezes and utilize outdoor entertainment spaces. The home was designed with three covered porches, one partially covered courtyard, and one screened porch, all accessed by way of French doors and extra tall double-hung windows. The open main level floor plan centers on common livings spaces, while still leaving room for a luxurious master suite. The upstairs loft includes two individual bed and bath suites, providing ample room for guests. Native materials were used in construction, including a metal roof and local timber.

This 4,000-square foot home is located in the Silverstrand section of Hermosa Beach, known for its fabulous restaurants, walkability and beach access. Stylistically, it’s coastal-meets-traditional, complete with 4 bedrooms, 5.5 baths, a 3-stop elevator and a roof deck with amazing ocean views.
The client, an art collector, wanted bold color and unique aesthetic choices. In the living room, the built-in shelving is lined in luminescent mother of pearl. The dining area’s custom hand-blown chandelier was made locally and perfectly diffuses light. The client’s former granite-topped dining table didn’t fit the size and shape of the space, so we cut the granite and built a new base and frame around it.
The bedrooms are full of organic materials and personal touches, such as the light raffia wall-covering in the master bedroom and the fish-painted end table in a college-aged son’s room—a nod to his love of surfing.
Detail is always important, but especially to this client, so we searched for the perfect artisans to create one-of-a kind pieces. Several light fixtures were commissioned by an International glass artist. These include the white, layered glass pendants above the kitchen island, and the stained glass piece in the hallway, which glistens blues and greens through the window overlooking the front entrance of the home.
The overall feel of the house is peaceful but not complacent, full of tiny surprises and energizing pops of color.

For three years this Westlake Village couple lived in a house that didn't quite fit their needs. With frequent houseguests staying for weeks at a time, the family needed more space, particularly in the cramped kitchen. So began their search for a new home. Though the couple viewed several residences, they realized nothing compared to the space and location of the house they already owned. The family knew JRP by reputation from friends who were JRP clients. After consulting with our team, the couple agreed a whole-home renovation was the way to the dream home they had been searching for. Inspired by top architectural magazines, the couple had a clear vision of how their home should look and feel: a clean, open, modern space with a mix of details that played to the family's lively spirit.
The highlight of this new, open floorplan home is the gorgeous kitchen perfect for hosting. The unified palette is soft and beautiful. Clean, bright surfaces underpin strong visual elements such as polished quartz countertops, brushed oak floors, and glass tiles set in a herringbone pattern. A center-island breakfast bar now sits opposite a giant picture window and a show-stopping view of the Santa Monica mountains. Upstairs, the redesigned master bath is what dreams are made of. The double vanity and freestanding tub were rearranged to maximize space while the wood tile floors and stunning rock backsplash add an elemental feel. Now completely transformed, every detail of this transitional home creates the perfect atmosphere for relaxing and entertaining.
Cabinets (Manufacturer, Door Style, Material, Color/Stain or Finish)
- Dewils, Shaker Frameless, Maple, Just White
- Dewils, Shaker Frameless, Maple, Fashion Grey
- Dewils, Shaker Frameless, Maple, North Sea
Countertops (Material Type - Manufacturer, Collection, Color)
- Quartz – Vadara, Toledo, Calacatta Dorado
Light Fixture (Type - Manufacturer, Collection, Color)
- Dining Chandelier – Existing
- Breakfast Area Pendant – 1213 Madison Collection, Polished Nickel/Royal Cut Crystal
- Dining Wall Mount Sconce – Heart Sconce, Aged Iron with Natural Percale
- Kitchen Island Pendant – Darlana, Polished Chrome
- Master Bath Ceiling – Bling Flushmount
- Master Bath Vanity – Robert Abbey Fine Lighting Double Shade Bath, Polished Nickel over Steel
- Exterior – Primo Lanterns, The Yorkshire Electric Lantern, Custom Graphite Finish
Plumbing Fixture (Type - Manufacturer, Color)
- Freestanding Tub – Existing
- Tubfiller – Existing
- Master Bath Faucets – Existing
- Kitchen Faucets – Hansgrohe, Chrome
Sink (Type – Manufacturer, Material)
- Undermount Single Bowl Kitchen– Kohler, Stainless Steel
- Undermount Single Prep – Elkay, Stainless Steel
- Undermount Bar Sink – Kohler, Stainless Steel
- Ladena Undermount Lavatory – Kohler, Ceramic
Hardware (Type – Manufacturer, Color)
- Deadbolt – Emtek, Satin Nickel
- Dummy - Emtek, Satin Nickel
- Passage & Privacy - Emtek, Stainless Steel
Color of wall:
- Kitchen, Breakfast Area, Family Room – Dunn Edwards Edgecomb Grey
- Master Bath – Dunn Edwards Foggy Day
- Living and Dining – Dunn Edwards Winter Morning
Tile (Location: Material Type – Manufacturer, Collection/Style, Color)
- KITCHEN BACKSPLASH: Glass - Ann Sacks, Jute, Ecru/Gloss
- MASTER BATH FLOORS, TUB ACCENT WALL, & HALL BATH FLOORS: Porcelain – Bedrosians, Tahoe, Frost/Glazed
- ACCENT WALL BEHIND TUB: Mosaic – Daltile, Flat River Pebble, Creamy Sand
- FIREPLACE FLOOR: Porcelain Tile - Agora Surfaces, Almeria, Lava/Matte
Stone/Masonry (Location: Material Type – Manufacturer, Collection/Style, Color)
- FIREPLACE: Stone Veneer – Eldorado, European Ledge, Zinc/Dry Stacked
Wood Floor (Type – Manufacturer, Collection/Style, Color/Wash)
- Siberian Oak – Provenza, Heirloom, Light Wire Brushed
Windows/Exterior Doors (Type - Manufacturer)
- 2 Wide Casement – Jeld-Wen
- 3 Wide Casement – Jeld-Wen
- Awning – Jeld-Wen
- Single Casement – Jeld-Wen
- Stationary – Jeld-Wen
Photographer: Andrew Abouna

This client couple, from out of town, searched far and wide for views like these. The 10-acre parcel features a long driveway through the woods, up to a relatively flat building site. Large windows out the front and back take in the layers of mountain ranges. The wood-beamed high ceilings and the wood-carved master bathroom barn add to the decor. Wide open floorplan is well-suited to the gatherings and parties they often host.

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Each wing of this former stable and carriage house became separate homes for two brothers. Although the structure is symmetrical from the exterior, it is uniquely distinct inside. The two siblings have different personalities and lifestyles; each wing takes on characteristics of the brother inhabiting it. The domed and vaulted space between the two wings functions as their common area and can be used to host large- scale social events.
Contractor: Brackett Construction
Photographer: Greg Premru Photography

"Dramatically positioned along Pelican Crest's prized front row, this Newport Coast House presents a refreshing modern aesthetic rarely available in the community. A comprehensive $6M renovation completed in December 2017 appointed the home with an assortment of sophisticated design elements, including white oak & travertine flooring, light fixtures & chandeliers by Apparatus & Ladies & Gentlemen, & SubZero appliances throughout. The home's unique orientation offers the region's best view perspective, encompassing the ocean, Catalina Island, Harbor, city lights, Palos Verdes, Pelican Hill Golf Course, & crashing waves. The eminently liveable floorplan spans 3 levels and is host to 5 bedroom suites, open social spaces, home office (possible 6th bedroom) with views & balcony, temperature-controlled wine and cigar room, home spa with heated floors, a steam room, and quick-fill tub, home gym, & chic master suite with frameless, stand-alone shower, his & hers closets, & sprawling ocean views. The rear yard is an entertainer's paradise with infinity-edge pool & spa, fireplace, built-in BBQ, putting green, lawn, and covered outdoor dining area. An 8-car subterranean garage & fully integrated Savant system complete this one of-a-kind residence. Residents of Pelican Crest enjoy 24/7 guard-gated patrolled security, swim, tennis & playground amenities of the Newport Coast Community Center & close proximity to the pristine beaches, world-class shopping & dining, & John Wayne Airport." via Cain Group / Pacific Sotheby's International Realty
Photo: Chris Snitko

Navy penny tile is a striking backdrop in this handsome guest bathroom. A mix of wood cabinetry with leather pulls enhances the masculine feel of the room while a smart toilet incorporates modern-day technology into this timeless bathroom.
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http://www.tiffanybrooksinteriors.com Inquire about our design services. Spaced designed by Tiffany Brooks
Photo 2019 Scripps Network, LLC.
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