Photographer: Jay Goodrich This 2800 sf single-family home was completed in 2009. The clients desired an intimate, yet dynamic family residence that reflected the beauty of the site and the lifestyle of the San Juan Islands. The house was built to be both a place to gather for large dinners with friends and family as well as a cozy home for the couple when they are there alone. The project is located on a stunning, but cripplingly-restricted site overlooking Griffin Bay on San Juan Island. The most practical area to build was exactly where three beautiful old growth trees had already chosen to live. A prior architect, in a prior design, had proposed chopping them down and building right in the middle of the site. From our perspective, the trees were an important essence of the site and respectfully had to be preserved. As a result we squeezed the programmatic requirements, kept the clients on a square foot restriction and pressed tight against property setbacks. The delineate concept is a stone wall that sweeps from the parking to the entry, through the house and out the other side, terminating in a hook that nestles the master shower. This is the symbolic and functional shield between the public road and the private living spaces of the home owners. All the primary living spaces and the master suite are on the water side, the remaining rooms are tucked into the hill on the road side of the wall. Off-setting the solid massing of the stone walls is a pavilion which grabs the views and the light to the south, east and west. Built in a position to be hammered by the winter storms the pavilion, while light and airy in appearance and feeling, is constructed of glass, steel, stout wood timbers and doors with a stone roof and a slate floor. The glass pavilion is anchored by two concrete panel chimneys; the windows are steel framed and the exterior skin is of powder coated steel sheathing.

Photo by Roger Wade
Example of a mid-sized mountain style master dark wood floor and brown floor bedroom design in Other with gray walls and no fireplace

Custom White Oak with ebony stain kitchen cabinets by Walnut Street Woodworks. High gloss white pantry wall cabinets. Solid marble backsplash. Photography by David Lauer Photography Lead Architect Caroline Wilding

A vaulted ceiling in the spacious master bedroom allows sunlight to pour in through the elliptical arch of a pointed sunburst transom and the shallow triple bay of oversized windows below. Roll shades are built into the architecture and at the press of a button the room’s television ascends from the shelf of the window paneling within which it’s otherwise concealed. James Merrell Photography

Old fixer-uppers often require two competing levels of priorities from their new homeowners. First and foremost is the need to immediately attend to those repairs that ensure the continued functioning and general well being of the house’s structure. By nature, these usually demand “house on fire!” status, especially when compared to other types of remodeling work that simply enhances aesthetics and general comfort. In the case of a Delaware couple, a structural issue with the front of their 125 year old Victorian (it was sinking!), along with some other more pressing challenges, put a 13 year long hold on getting the bathroom for which they had long dreamed. The shower enclosure features a base of hexagon patterned tile, bordered by marble subway tiles. The shower enclosure features a base of hexagon patterned tile, bordered by marble subway tiles. By the time Dave Fox Design Build Remodelers was hired to handle the construction, the couple certainly had put plenty of thought into converting a spare second-floor bedroom into the master bath. Courtney Burnett, Fox’s Interior Design Manager on the project, credits the owners for “having great creative minds, with lots of ideas to contribute.” By the time it came to put a formal design plan into place, the client “drove the look while we devised how the space would function.” It’s worth noting that there are drawbacks in being given too much time for advance planning. Owners’ tastes in design may change, while a steady stream of new fixtures and building products always demand consideration up to the last minute. “We had been collecting ideas for a while…pictures of what we liked, but as it turned out, when it came time to select fixtures, tile, etc., we used little from those pictures,” the owners admit. A framed herringbone pattern of subway tiles provides a perfect focal point for the shower. A framed herringbone pattern of subway tiles provides a perfect focal point for the shower. The finished bath exudes an art deco spirit that isn’t true to the home’s Victorian origins, which Burnett attributes to being more of a reflection of the homeowners’ preferences than the actual era of the structure. Despite that incongruity, everyone feels that they have remained true to the house by selecting vintage style elements, including subway tiles for the walls, hexagonal tile for the floors, and a pedestal sink that served as the focal point for the entire room. But as with all dreams, once one is achieved, a new one soon beckons. With the bathroom’s strikingly beautiful turquoise paint barely dry, the completion of that long-awaited project has served to kick-start plans for finishing off the remainder of the Victorian’s second floor.

Finding a home is not easy in a seller’s market, but when my clients discovered one—even though it needed a bit of work—in a beautiful area of the Santa Cruz Mountains, they decided to jump in. Surrounded by old-growth redwood trees and a sense of old-time history, the house’s location informed the design brief for their desired remodel work. Yet I needed to balance this with my client’s preference for clean-lined, modern style. Suffering from a previous remodel, the galley-like bathroom in the master suite was long and dank. My clients were willing to completely redesign the layout of the suite, so the bathroom became the walk-in closet. We borrowed space from the bedroom to create a new, larger master bathroom which now includes a separate tub and shower. The look of the room nods to nature with organic elements like a pebbled shower floor and vertical accent tiles of honed green slate. A custom vanity of blue weathered wood and a ceiling that recalls the look of pressed tin evoke a time long ago when people settled this mountain region. At the same time, the hardware in the room looks to the future with sleek, modular shapes in a chic matte black finish. Harmonious, serene, with personality: just what my clients wanted. Photo: Bernardo Grijalva

Finding a home is not easy in a seller’s market, but when my clients discovered one—even though it needed a bit of work—in a beautiful area of the Santa Cruz Mountains, they decided to jump in. Surrounded by old-growth redwood trees and a sense of old-time history, the house’s location informed the design brief for their desired remodel work. Yet I needed to balance this with my client’s preference for clean-lined, modern style. Suffering from a previous remodel, the galley-like bathroom in the master suite was long and dank. My clients were willing to completely redesign the layout of the suite, so the bathroom became the walk-in closet. We borrowed space from the bedroom to create a new, larger master bathroom which now includes a separate tub and shower. The look of the room nods to nature with organic elements like a pebbled shower floor and vertical accent tiles of honed green slate. A custom vanity of blue weathered wood and a ceiling that recalls the look of pressed tin evoke a time long ago when people settled this mountain region. At the same time, the hardware in the room looks to the future with sleek, modular shapes in a chic matte black finish. Harmonious, serene, with personality: just what my clients wanted. Photo: Bernardo Grijalva

Designed by Cure Design Group the Vibrant Loft space was featured in St Louis Magazine.
Example of a mid-sized eclectic master medium tone wood floor bedroom design in St Louis with brown walls

Cantabrica Estates is a private gated community located in North Scottsdale. Spec home available along with build-to-suit and incredible view lots. For more information contact Vicki Kaplan at Arizona Best Real Estate Spec Home Built By: LaBlonde Homes Photography by: Leland Gebhardt

Jane Messinger
Example of a classic home design design in Boston

A vaulted ceiling in the spacious master bedroom allows sunlight to pour in through the elliptical arch of a pointed sunburst transom and the shallow triple bay of oversized windows below. Roll shades are built into the architecture and at the press of a button the room’s television ascends from the shelf of the window paneling within which it’s otherwise concealed. James Merrell Photography

Converted a attached garage to a master bed bath suite with private entrance.
Example of a mid-sized classic master laminate floor and brown floor bedroom design in Other with gray walls and no fireplace

A vaulted ceiling in the spacious master bedroom allows sunlight to pour in through the elliptical arch of a pointed sunburst transom and the shallow triple bay of oversized windows below. Roll shades are built into the architecture and at the press of a button the room’s television ascends from the shelf of the window paneling within which it’s otherwise concealed. James Merrell Photography

Inspiration for a timeless bathroom remodel in Miami

Weathered wood panels and barn-style additions, make this master bathroom's appearance simulate an old western outhouse. Produced By: PrecisionCraft Log & Timber Homes Photo Cred: Heidi Long, Longview Studios

this dog wash is a great place to clean up your pets and give them the spa treatment they deserve. There is even an area to relax for your pet under the counter in the padded cabinet.

Virtual Studio Innovatons
Bedroom - cottage bedroom idea in Atlanta with beige walls

Elegant master medium tone wood floor bedroom photo in San Francisco

Photographer: Jay Goodrich This 2800 sf single-family home was completed in 2009. The clients desired an intimate, yet dynamic family residence that reflected the beauty of the site and the lifestyle of the San Juan Islands. The house was built to be both a place to gather for large dinners with friends and family as well as a cozy home for the couple when they are there alone. The project is located on a stunning, but cripplingly-restricted site overlooking Griffin Bay on San Juan Island. The most practical area to build was exactly where three beautiful old growth trees had already chosen to live. A prior architect, in a prior design, had proposed chopping them down and building right in the middle of the site. From our perspective, the trees were an important essence of the site and respectfully had to be preserved. As a result we squeezed the programmatic requirements, kept the clients on a square foot restriction and pressed tight against property setbacks. The delineate concept is a stone wall that sweeps from the parking to the entry, through the house and out the other side, terminating in a hook that nestles the master shower. This is the symbolic and functional shield between the public road and the private living spaces of the home owners. All the primary living spaces and the master suite are on the water side, the remaining rooms are tucked into the hill on the road side of the wall. Off-setting the solid massing of the stone walls is a pavilion which grabs the views and the light to the south, east and west. Built in a position to be hammered by the winter storms the pavilion, while light and airy in appearance and feeling, is constructed of glass, steel, stout wood timbers and doors with a stone roof and a slate floor. The glass pavilion is anchored by two concrete panel chimneys; the windows are steel framed and the exterior skin is of powder coated steel sheathing.