Example of a huge transitional master dark wood floor bedroom design in Toronto with white walls and a ribbon fireplace

Example of a bedroom mountain style gender-neutral light wood floor kids' bedroom design with white walls

Matthew Milman
Inspiration for a cottage white two-story gable roof remodel in San Francisco with a metal roof

Alcove bathtub - small 1960s master white tile and ceramic tile porcelain tile and white floor alcove bathtub idea in Vancouver with flat-panel cabinets, medium tone wood cabinets, a two-piece toilet, white walls and wood countertops

Our kitchen is in the perfect harmony of blue and white.
Kitchen - farmhouse kitchen idea in DC Metro

The homeowners were seeking a major renovation from their original master bath. The young family had completed several remodeling projects on the first floor of their 1980’s era home and the time had finally come where they wanted to focus on the second floor, particularly their master bath which was cramped and overpowered by a Jacuzzi-style tub. After multiple design meetings spent choosing the right hardware and materials, everything was set, and the transformation began! Drury designer, Diana Burton, began by borrowing some space from the bedroom this way they were able to reconfigure the whole layout, which made a big difference to the homeowner. The floating vanity cabinets paired with quartz counters, wall-mounted fixtures, and mirrors featuring built-in lighting enhance the room’s sleek, clean look.

Springhill Residence by Locati Architects, Interior Design by Locati Interiors, Photography by Roger Wade
Example of a country dark wood floor bedroom design with gray walls

Susan Teare
Example of a small mountain style two-story wood gable roof design in Burlington

Photo by Grey Crawford
Example of a small beach style galley dark wood floor kitchen design in Orange County with a single-bowl sink, shaker cabinets, white cabinets, black backsplash, white walls and no island

Custom cabinetry makes this marble topped vanity a standout piece. Paired with unique lighting features and hardware. Jim Brady Architectural Photography

Gibeon Photography. Troy Lighting Edison Pendants / Phillip Jeffries Faux Leather Wall covering
Alcove shower - rustic alcove shower idea in New York with flat-panel cabinets, medium tone wood cabinets, beige walls, an integrated sink, concrete countertops and a hinged shower door

Located on farmland in McLean, Virginia, the American Farmhouse balances the expected comforts of a new home with the bucolic beauty of an old farmhouse. The final site plan still has evidence showing parallel courses of the barn’s destiny. The house mass is broken and lowered so that the home can remain secondary to the monolithic barn structure. Earthy and elemental materials are selected for the home that reference the barn without directly mimicking it. Wooden members found inside the barn and from other barns bridge ceilings and are used in floors along with rustic slate adding to a sense of simplicity to the farmhouse design. The age and patina of the barn is reflected in the house’s textural use of board and batten and field stone layered similar to stone foundations. The original development plan was to demolish the existing barn and construct three suburban homes. Part of an endangered breed, as one of the few remaining barns in the area, it was originally viewed as a challenge in a luxury home construction with several difficulties posed to the impending project: it would be expensive to renovate, vulnerable to demolition, and threatened by urban sprawl. However, instead of trying to alter or destroy the barn, the structure was fully embraced into the traditional architecture project as a centerpiece and was used as the inspiration for the home. The new house was sited parallel to the barn so that views to the barn gable were accessible.

Casey Dunn
Teen room - large and bedroom contemporary girl medium tone wood floor teen room idea in Austin with white walls

Collins Design-Build, Inc.
Inspiration for a timeless freestanding desk carpeted craft room remodel in Raleigh with beige walls

Photos by Francis and Francis Photography The Anderson Residence is ‘practically’ a new home in one of Las Vegas midcentury modern neighborhoods McNeil. The house is the current home of Ian Anderson the local Herman Miller dealer and Shanna Anderson of Leeland furniture family. When Ian first introduced CSPA studio to the project it was burned down house. Turns out that the house is a 1960 midcentury modern sister of two homes that was destroyed by arson in a dispute between landlord and tenant. Once inside the burned walls it was quite clear what a wonderful house it once was. Great care was taken to try and restore the house to a similar splendor. The reality is the remodel didn’t involve much of the original house, by the time the fire damage was remediated there wasn’t much left. The renovation includes an additional 1000 SF of office, guest bedroom, laundry, mudroom, guest toilet outdoor shower and a garage. The roof line was raised in order to accommodate a forced air mechanical system, but care was taken to keep the lines long and low (appearing) to match the midcentury modern style. The House is an H-shape. Typically houses of this time period would have small rooms with long narrow hallways. However in this case with the walls burned out one can see from one side of the house to other creating a huge feeling space. It was decided to totally open the East side of the house and make the kitchen which gently spills into the living room and wood burning fireplace the public side. New windows and a huge 16’ sliding door were added all the way around the courtyard so that one can see out and across into the private side. On the west side of the house the long thin hallway is opened up by the windows to the courtyard and the long wall offers an opportunity for a gallery style art display. The long hallway opens to two bedrooms, shared bathroom and master bedroom. The end of the hallway opens to a casual living room and the swimming pool area. The house has no formal dining room but a 15’ custom crafted table by Ian’s sculptor father that is an extension of the kitchen island. The H-shape creates two covered areas, one is the front entry courtyard, fenced in by a Brazilian walnut enclosure and crowned by a steel art installation by Ian’s father. The rear covered courtyard is a breezy spot for chilling out on a hot desert day. The pool was re-finished and a shallow soaking deck added. A new barbeque and covered patio added. Some of the large plant material was salvaged and nursed back to health and a complete new desert landscape was re-installed to bring the exterior to life.

Richard Leo Johnson
Inspiration for a small cottage gray one-story exterior home remodel in Atlanta

This project presented unique opportunities that are not often found in residential landscaping. The homeowners were not only restoring their 1840's era farmhouse, a piece of their family’s history, but also enlarging and updating the home for modern living. The landscape designers continued this idea by creating a space that is a modern day interpretation of an 1840s era farm rather then a strict recreation. The resulting design combines elements of farm living from that time, as well as acknowledging the property’s history as a horse farm, with staples of 21st century landscapes such as space for outdoor living, lighting, and newer plant varieties. Guests approach from the main driveway which winds through the property and ends at the main barn. There is secondary gated driveway just for the homeowners. Connected to this main driveway is a narrower gravel lane which leads directly to the residence. The lane passes near fruit trees planted in broken rows to give the illusion that they are the remains of an orchard that once existed on the site. The lane widens at the entrance to the gardens where there is a hitching post built into the fence that surrounds the gardens and a watering trough. The widened section is intended as a place to park a golf cart or, in a nod to the home’s past, tie up horses before entering. The gravel lane passes between two stone pillars and then ends at a square gravel court edged in cobblestones. The gravel court transitions into a wide flagstone walk bordered with yew hedges and lavender leading to the front door. Directly to the right, upon entering the gravel court, is located a gravel and cobblestone edged walk leading to a secondary entrance into the residence. The walk is gated where it connects with the gravel court to close it off so as not to confuse visitors and guests to the main residence and to emphasize the primary entrance. An area for a bench is provided along this walk to encourage stopping to view and enjoy the gardens. On either side of the front door, gravel and cobblestone walks branch off into the garden spaces. The one on the right leads to a flagstone with cobblestone border patio space. Since the home has no designated backyard like most modern suburban homes the outdoor living space had to be placed in what would traditionally be thought of as the front of the house. The patio is separated from the entrance walk by the yew hedge and further enclosed by three Amelanchiers and a variety of plantings including modern cultivars of old fashioned plants such as Itea and Hydrangea. A third entrance, the original front door to the 1840’s era section, connects to the patio from the home’s kitchen, making the space ideal for outdoor dining. The gravel and cobblestone walk branching off to the left of the front door leads to the vegetable and perennial gardens. The idea for the vegetable garden was to recreate the tradition of a kitchen garden which would have been planted close to the residence for easy access. The vegetable garden is surrounded by mixed perennial beds along the inside of the wood picket fence which surrounds the entire garden space. Another area designated for a bench is provided here to encourage stopping and viewing. The home’s original smokehouse, completely restored and used as a garden shed, provides a strong architectural focal point to the vegetable garden. Behind the smokehouse is planted lilacs and other plants to give mass and balance to the corner and help screen the garden from the neighboring subdivision. At the rear corner of the garden a wood arbor was constructed to provide a structure on which to grow grapes or other vines should the homeowners choose to. The landscape and gardens for this restored farmhouse and property are a thoughtfully designed and planned recreation of a historic landscape reinterpreted for modern living. The idea was to give a sense of timelessness when walking through the gardens as if they had been there for years but had possibly been updated and rejuvenated as lifestyles changed. The attention to materials and craftsmanship blend seamlessly with the residence and insure the gardens and landscape remain an integral part of the property. The farm has been in the homeowner’s family for many years and they are thrilled at the results and happy to see respect given to the home’s history and to its meticulous restoration.

INTERNATIONAL AWARD WINNER. 2018 NKBA Design Competition Best Overall Kitchen. 2018 TIDA International USA Kitchen of the Year. 2018 Best Traditional Kitchen - Westchester Home Magazine design awards. The designer's own kitchen was gutted and renovated in 2017, with a focus on classic materials and thoughtful storage. The 1920s craftsman home has been in the family since 1940, and every effort was made to keep finishes and details true to the original construction. For sources, please see the website at www.studiodearborn.com. Photography, Adam Kane Macchia

INTERNATIONAL AWARD WINNER. 2018 NKBA Design Competition Best Overall Kitchen. 2018 TIDA International USA Kitchen of the Year. 2018 Best Traditional Kitchen - Westchester Home Magazine design awards. The designer's own kitchen was gutted and renovated in 2017, with a focus on classic materials and thoughtful storage. The 1920s craftsman home has been in the family since 1940, and every effort was made to keep finishes and details true to the original construction. For sources, please see the website at www.studiodearborn.com. Photography, Adam Kane Macchia and Timothy Lenz