Our client had previously employed another company to tackle this large Slate floor in Walton on Thames but they hadn’t managed to remove the old sealer due to it being an old varnish seal. Varnish was used as a traditional way of sealing stone but can be damaged by scratching and it does little to improve the look of the stone. Varnish is also very difficult to break down which is a problem as it’s important to remove the old sealant before applying new, applying a new sealer onto Varnish simply wouldn’t work. I visited the property to survey the floor and work out which combination of products and methods would work best and after some testing and I was able to confirm that not only could the old varnish be removed but once re-sealed with a modern sealer the slate would be transformed. The client was over the moon to hear this news as they had thought there was nothing, they could do to improve the floor. With a price and schedule agreed I returned to the property at a later date and started by tackling the varnish. The method I used was to apply Tile Doctor Remove and Go, let it soak into the floor for ten minutes and then work it in with a heavy rotary scrubbing machine fitted with a black pad. The soil was then rinsed with water and extracted off the floor with a wet vacuum. The floor was then inspected, and each tile checked to ensure the varnish was completely gone, any stubborn areas were then spot treated and scrubbed by hand. Once I was satisfied, I set about giving the stone a deep clean by repeating the same process with Tile Doctor Pro-Clean. As before all the soil and cleaning products were then low pressure rinsed off the stone and vacuumed away. The floor was then left to dry overnight. I returned the following day to apply a new modern sealer. First, I tested the floor was dry using the moisture meter. It was in the acceptable readings range, so I was able to start applying the sealer straight away. For this floor I chose to apply Tile Doctor Seal and Go, it works really well on Slate tiles and as you can see from the photographs it completely transformed the appearance of the stone. Seal and Go is a water-based blend of acrylic polymers that provides both a stain resistant surface seal and a durable low-sheen finish, being water based it has the added advantage of not giving off any odour as it dries. The client had specified earlier that they didn’t want the floor to look shiny to the resultant silky appearance was the perfect solution. Thee coats were applied, and my client was very pleased with the finish. Jonathan Oldham South Middlesex Tile Doctor

When Tom and Michelle Stien decided to remodel their kitchen, they chose Advance Design Studio to make it happen. They were looking for an innovative design that would open up an awkward wall, and we're hoping to remove some half walls that closed off their family room. "Of all the people we had come and give us quotes for our project, ADS/Scott, was the only one who came in with an idea right off the bat for what we could do. His knowledge of design and code was evident from the start," said the Stiens. The new design increased the seating area with a large peninsula, and the cooking area was expanded to accommodate Tom's cooking skills. A warming drawer was incorporated beneath a nearly hidden microwave drawer, along with a clever pull out for increased pantry storage. A built in message board area was custom designed for kids art and family communication. Roll out trays grace every base cabinet for easy pull out storage and a single floating shelf ties the contemporary kitchen design together. Starlight quartz countertops create ease of clean up, and the look is finished off with sharp gray and white mosaic backsplash tiles. The Stiens really liked a clean modern look, so the new crisp transitional kitchen design incorporated bright white shaker cabinetry from Medallion with gray and metal accents along with a modern feel. "Scott's presentation of what we could expect with ADS was clear and concise. He gave us a great deal of confidence in how the project would be handled". Homeowners are frequently concerned about project budgets that get quickly get out of control. "Scott's quote was well thought out, organized and offered options based on our budget," said Michelle. "I was worried about the project budget changing as we went through the process, but they did a good job managing the situation and minimized change orders as much as possible." When asked about their overall experience with their kitchen renovation he Stien's said; "Scott, Justin, Matt and Jason were great! They were all very friendly, personable, responsible and trustworthy. Advance Design definitely met and exceeded our expectations. Remodeling is a very challenging process to endure, but ADS minimized discomfort and inconvenience as much as possible and kept on schedule. The end result was well worth the investment in time and money." Designer: Scott Christensen Photographer: Joe Nowak

Builder: AVB Inc. Interior Design: Vision Interiors by Visbeen Photographer: Ashley Avila Photography The Holloway blends the recent revival of mid-century aesthetics with the timelessness of a country farmhouse. Each façade features playfully arranged windows tucked under steeply pitched gables. Natural wood lapped siding emphasizes this homes more modern elements, while classic white board & batten covers the core of this house. A rustic stone water table wraps around the base and contours down into the rear view-out terrace. Inside, a wide hallway connects the foyer to the den and living spaces through smooth case-less openings. Featuring a grey stone fireplace, tall windows, and vaulted wood ceiling, the living room bridges between the kitchen and den. The kitchen picks up some mid-century through the use of flat-faced upper and lower cabinets with chrome pulls. Richly toned wood chairs and table cap off the dining room, which is surrounded by windows on three sides. The grand staircase, to the left, is viewable from the outside through a set of giant casement windows on the upper landing. A spacious master suite is situated off of this upper landing. Featuring separate closets, a tiled bath with tub and shower, this suite has a perfect view out to the rear yard through the bedrooms rear windows. All the way upstairs, and to the right of the staircase, is four separate bedrooms. Downstairs, under the master suite, is a gymnasium. This gymnasium is connected to the outdoors through an overhead door and is perfect for athletic activities or storing a boat during cold months. The lower level also features a living room with view out windows and a private guest suite.

Builder: AVB Inc. Interior Design: Vision Interiors by Visbeen Photographer: Ashley Avila Photography The Holloway blends the recent revival of mid-century aesthetics with the timelessness of a country farmhouse. Each façade features playfully arranged windows tucked under steeply pitched gables. Natural wood lapped siding emphasizes this homes more modern elements, while classic white board & batten covers the core of this house. A rustic stone water table wraps around the base and contours down into the rear view-out terrace. Inside, a wide hallway connects the foyer to the den and living spaces through smooth case-less openings. Featuring a grey stone fireplace, tall windows, and vaulted wood ceiling, the living room bridges between the kitchen and den. The kitchen picks up some mid-century through the use of flat-faced upper and lower cabinets with chrome pulls. Richly toned wood chairs and table cap off the dining room, which is surrounded by windows on three sides. The grand staircase, to the left, is viewable from the outside through a set of giant casement windows on the upper landing. A spacious master suite is situated off of this upper landing. Featuring separate closets, a tiled bath with tub and shower, this suite has a perfect view out to the rear yard through the bedrooms rear windows. All the way upstairs, and to the right of the staircase, is four separate bedrooms. Downstairs, under the master suite, is a gymnasium. This gymnasium is connected to the outdoors through an overhead door and is perfect for athletic activities or storing a boat during cold months. The lower level also features a living room with view out windows and a private guest suite.

San Marino based clients were interested in developing a property that had been in their family for generations. This was an exciting proposition as it was one of the last surviving bayside double lots on the scenic Coronado peninsula in San Diego. They desired a holiday home that would be a gathering place for their large, close- knit family. San Marino based clients were interested in developing a property that had been in their family for generations. This was an exciting proposition as it was one of the last surviving bayside double lots on the scenic Coronado peninsula in San Diego. They desired a holiday home that would be a gathering place for their large, close-knit family. Facing the Back Bay, overlooking downtown and the Bay Bridge, this property presented us with a unique opportunity to design a vacation home with a dual personality. One side faces a bustling harbor with a constant parade of yachts, cargo vessels and military ships while the other opens onto a deep, quiet contemplative garden. The home’s shingle-style influence carries on the historical Coronado tradition of clapboard and Craftsman bungalows built in the shadow of the great Hotel Del Coronado which was erected at the turn of the last century. In order to create an informal feel to the residence, we devised a concept that eliminated the need for a “front door”. Instead, one walks through the garden and enters the “Great Hall” through either one of two French doors flanking a walk-in stone fireplace. Both two-story bedroom wings bookend this central wood beam vaulted room which serves as the “heart of the home”, and opens to both views. Three sets of stairs are discretely tucked away inside the bedroom wings. In lieu of a formal dining room, the family convenes and dines around a beautiful table and banquette set into a circular window bay off the kitchen which overlooks the lights of the city beyond the harbor. Working with noted interior designer Betty Ann Marshall, we designed a unique kitchen that was inspired by the colors and textures of a fossil the couple found on a honeymoon trip to the quarries of Montana. We set that ancient fossil into a matte glass backsplash behind the professional cook’s stove. A warm library with walnut paneling and a bayed window seat affords a refuge for the family to read or play board games. The couple’s fine craft and folk art collection is on prominent display throughout the house and helps to set an intimate and whimsical tone. Another architectural feature devoted to family is the play room lit by a dramatic cupola which beacons the older grandchildren and their friends. Below the play room is a four car garage that allows the patriarch space to refurbish an antique fire truck, a mahogany launch boat and several vintage cars. Their jet skis and kayaks are housed in another garage designed for that purpose. Lattice covered skylights that allow dappled sunlight to bathe the loggia affords a comfortable refuge to watch the kids swim and gaze out upon the rushing water, the Coronado Bay Bridge and the romantic downtown San Diego skyline. Architect: Ward Jewell Architect, AIA Interior Design: Betty Ann Marshall Construction: Bill Lyons Photographer: Laura Hull Styling: Zale Design Studio

Despite its diamond-mullioned exterior, this stately home’s interior takes a more light-hearted approach to design. The Dove White inset cabinetry is classic, with recessed panel doors, a deep bevel inside profile and a matching hood. Streamlined brass cup pulls and knobs are timeless. Departing from the ubiquitous crown molding is a square top trim. The layout supplies plenty of function: a paneled refrigerator; prep sink on the island; built-in microwave and second oven; built-in coffee maker; and a paneled wine refrigerator. Contrast is provided by the countertops and backsplash: honed black Jet Mist granite on the perimeter and a statement-making island top of exuberantly-patterned Arabescato Corchia Italian marble. Flooring pays homage to terrazzo floors popular in the 70’s: “Geotzzo” tiles of inlaid gray and Bianco Dolomite marble. Field tiles in the breakfast area and cooking zone perimeter are a mix of small chips; feature tiles under the island have modern rectangular Bianco Dolomite shapes. Enameled metal pendants and maple stools and dining chairs add a mid-century Scandinavian touch. The turquoise on the table base is a delightful surprise. An adjacent pantry has tall storage, cozy window seats, a playful petal table, colorful upholstered ottomans and a whimsical “balloon animal” stool. This kitchen was done in collaboration with Daniel Heighes Wismer and Greg Dufner of Dufner Heighes and Sarah Witkin of Bilotta Architecture. It is the personal kitchen of the CEO of Sandow Media, Erica Holborn. Click here to read the article on her home featured in Interior Designer Magazine. Photographer: John Ellis Description written by Paulette Gambacorta adapted for Houzz.

Builder: AVB Inc. Interior Design: Vision Interiors by Visbeen Photographer: Ashley Avila Photography The Holloway blends the recent revival of mid-century aesthetics with the timelessness of a country farmhouse. Each façade features playfully arranged windows tucked under steeply pitched gables. Natural wood lapped siding emphasizes this homes more modern elements, while classic white board & batten covers the core of this house. A rustic stone water table wraps around the base and contours down into the rear view-out terrace. Inside, a wide hallway connects the foyer to the den and living spaces through smooth case-less openings. Featuring a grey stone fireplace, tall windows, and vaulted wood ceiling, the living room bridges between the kitchen and den. The kitchen picks up some mid-century through the use of flat-faced upper and lower cabinets with chrome pulls. Richly toned wood chairs and table cap off the dining room, which is surrounded by windows on three sides. The grand staircase, to the left, is viewable from the outside through a set of giant casement windows on the upper landing. A spacious master suite is situated off of this upper landing. Featuring separate closets, a tiled bath with tub and shower, this suite has a perfect view out to the rear yard through the bedrooms rear windows. All the way upstairs, and to the right of the staircase, is four separate bedrooms. Downstairs, under the master suite, is a gymnasium. This gymnasium is connected to the outdoors through an overhead door and is perfect for athletic activities or storing a boat during cold months. The lower level also features a living room with view out windows and a private guest suite.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

The photographs below are from the bathroom of a house in the Moston area of Manchester which is primarily residential and only 3 miles away from the city centre. My customer had been primarily concerned with the removal of unsightly mould but was also keen to have the grout in the ceramic tiled shower cubicle given a good deep clean. To clean the Shower Cubicle, I used a strong dilution of Tile Doctor Pro Clean which is a strong alkaline cleaner that works really well on grout. The Pro-Clean solution was decanted into a spray bottle and then sprayed onto the grout lines and left it to dwell. The air in the solution makes it lighter and easier for it to stick to vertical surfaces. After a few minutes the Pro-Clean was scrubbed in using a stiff grout brush. The tiles were then rinsed with water to remove the soiled solution from the tiles and the process repeated where required. Although cleaning process was a success there were still a few mould marks left so to tackle these I used Tile Doctor Mould Away spray using the same process of scrubbing and rinsing. The Mould Away spray did the trick for me and I moved on to remove the silicone around the shower cubicle. When removing silicone, you must make sure you get all mouldy silicone out otherwise it can spread from the old to the new. After I had finished removing the silicone I tidied the shower cubicle and used a bit of gentle heat from my heat gun to dry the grout lines and edges where silicone used to be. I used my damp tester to make ensure there was no dampness anywhere around the working area and then moved on to colouring the grout which would give the whole shower a fresh and consistent appearance. On this occasion, I used a White colour from the Tile Doctor range of Grout Colourant’s, it’s an epoxy based colourant that protects and rejuvenate the grout lines. I had to use 2 coats of colourant to get the best result and then moved on to putting new silicone around the shower base with a high-quality mould resistant silicone. When finished adding fresh silicone I tidied up again and the job was complete. I think you can’t argue the shower cubicle was transformed and customer even said it looks better then when it was new; we also fixed few chips for her whilst there and stripped and replaced the silicone around the sink as a bonus. Tony Olmet Greater Manchester Tile Doctor

When Tom and Michelle Stien decided to remodel their kitchen, they chose Advance Design Studio to make it happen. They were looking for an innovative design that would open up an awkward wall, and we're hoping to remove some half walls that closed off their family room. "Of all the people we had come and give us quotes for our project, ADS/Scott, was the only one who came in with an idea right off the bat for what we could do. His knowledge of design and code was evident from the start," said the Stiens. The new design increased the seating area with a large peninsula, and the cooking area was expanded to accommodate Tom's cooking skills. A warming drawer was incorporated beneath a nearly hidden microwave drawer, along with a clever pull out for increased pantry storage. A built in message board area was custom designed for kids art and family communication. Roll out trays grace every base cabinet for easy pull out storage and a single floating shelf ties the contemporary kitchen design together. Starlight quartz countertops create ease of clean up, and the look is finished off with sharp gray and white mosaic backsplash tiles. The Stiens really liked a clean modern look, so the new crisp transitional kitchen design incorporated bright white shaker cabinetry from Medallion with gray and metal accents along with a modern feel. "Scott's presentation of what we could expect with ADS was clear and concise. He gave us a great deal of confidence in how the project would be handled". Homeowners are frequently concerned about project budgets that get quickly get out of control. "Scott's quote was well thought out, organized and offered options based on our budget," said Michelle. "I was worried about the project budget changing as we went through the process, but they did a good job managing the situation and minimized change orders as much as possible." When asked about their overall experience with their kitchen renovation he Stien's said; "Scott, Justin, Matt and Jason were great! They were all very friendly, personable, responsible and trustworthy. Advance Design definitely met and exceeded our expectations. Remodeling is a very challenging process to endure, but ADS minimized discomfort and inconvenience as much as possible and kept on schedule. The end result was well worth the investment in time and money." Designer: Scott Christensen Photographer: Joe Nowak

Builder: AVB Inc. Interior Design: Vision Interiors by Visbeen Photographer: Ashley Avila Photography The Holloway blends the recent revival of mid-century aesthetics with the timelessness of a country farmhouse. Each façade features playfully arranged windows tucked under steeply pitched gables. Natural wood lapped siding emphasizes this homes more modern elements, while classic white board & batten covers the core of this house. A rustic stone water table wraps around the base and contours down into the rear view-out terrace. Inside, a wide hallway connects the foyer to the den and living spaces through smooth case-less openings. Featuring a grey stone fireplace, tall windows, and vaulted wood ceiling, the living room bridges between the kitchen and den. The kitchen picks up some mid-century through the use of flat-faced upper and lower cabinets with chrome pulls. Richly toned wood chairs and table cap off the dining room, which is surrounded by windows on three sides. The grand staircase, to the left, is viewable from the outside through a set of giant casement windows on the upper landing. A spacious master suite is situated off of this upper landing. Featuring separate closets, a tiled bath with tub and shower, this suite has a perfect view out to the rear yard through the bedrooms rear windows. All the way upstairs, and to the right of the staircase, is four separate bedrooms. Downstairs, under the master suite, is a gymnasium. This gymnasium is connected to the outdoors through an overhead door and is perfect for athletic activities or storing a boat during cold months. The lower level also features a living room with view out windows and a private guest suite.

Builder: AVB Inc. Interior Design: Vision Interiors by Visbeen Photographer: Ashley Avila Photography The Holloway blends the recent revival of mid-century aesthetics with the timelessness of a country farmhouse. Each façade features playfully arranged windows tucked under steeply pitched gables. Natural wood lapped siding emphasizes this homes more modern elements, while classic white board & batten covers the core of this house. A rustic stone water table wraps around the base and contours down into the rear view-out terrace. Inside, a wide hallway connects the foyer to the den and living spaces through smooth case-less openings. Featuring a grey stone fireplace, tall windows, and vaulted wood ceiling, the living room bridges between the kitchen and den. The kitchen picks up some mid-century through the use of flat-faced upper and lower cabinets with chrome pulls. Richly toned wood chairs and table cap off the dining room, which is surrounded by windows on three sides. The grand staircase, to the left, is viewable from the outside through a set of giant casement windows on the upper landing. A spacious master suite is situated off of this upper landing. Featuring separate closets, a tiled bath with tub and shower, this suite has a perfect view out to the rear yard through the bedrooms rear windows. All the way upstairs, and to the right of the staircase, is four separate bedrooms. Downstairs, under the master suite, is a gymnasium. This gymnasium is connected to the outdoors through an overhead door and is perfect for athletic activities or storing a boat during cold months. The lower level also features a living room with view out windows and a private guest suite.

The Kitchen in this residence had to be outstanding for the owner’s ego and provide a template of future styles. We scoured kitchen showrooms from New York to Los Angeles to see cutting edge design, gadgets and layouts. After much consideration and given our long-standing relationship, we worked with New England Custom Cabinets, our go to contractor for custom millwork. We worked tirelessly with them to create the dream kitchen. The limited amount of space available in this waterfront home challenged us to not only make the best use of the available space, but also to make each space highly functional. In order to create the desired aesthetic and still provide storage, we created a floor to ceiling Wegne bank of cabinetry concealing the refrigerator and freezer and incorporating a pantry with a hidden pocket door and an appliance cabinet that has a one of a kind folding mechanism that allows it to sit flat against the adjacent wall. The Wenge cabinetry has a matte finish and is replicated in the cabinet paneling under the Princess White marble double waterfall island. To contrast the dark wood finish, the rest of the kitchen is completed in a high gloss polyester hand buffed white finish with walnut interiors. The upper cabinets appear to float on the three dimensional tile backsplash purchased directly from a vendor in Spain. The special touch latch magic hydraulic openers lift the cabinets vertically and are closed by the touch of a button as well. This is a feature that is years ahead on the design curve. All drawers and drawer fronts are installed using Blum’s Servo-Drive electronic opening system. Hafele LED interior cabinet lighting is applied throughout. Wow – State of the Art, High Tech Appliances that the owner and his friends are still figuring out. The kitchen is fitted out with Gagganeu appliances incorporating an induction cooktop and a state of the art electronic drop down exhaust hood. The microwave, special high-tech oven and warming drawer will keep the owner and his friends reading manuals for years to come. The perimeter counter tops are finished in the innovative Dekton indestructible man-made stone. All base cabinets have electronic openers and automatically light up upon opening. The square flush mounted recessed lights by Tech Lighting accentuate the clean lines of the kitchen. Two hand blown glass and brushed aluminum pendants from California illuminate the beautiful marble waterfall island. Unique toe kick lighting is also incorporated to illuminate the base as a nightlight and accent feature. In order to keep the ceiling “uncluttered” seamless speakers by SpeakerCraft was utilized. The audio, television and lighting are all controlled by Control4 Smart System, which is incorporated throughout the house. The select rift white oak planks in long lengths are finished in a special brushed patina with a gray stain to give the floors a natural driftwood finish. The kitchen exceeds the owner, his friends and family’s expectations for design, function and format. Photographer Kelly Marshall

The Holloway blends the recent revival of mid-century aesthetics with the timelessness of a country farmhouse. Each façade features playfully arranged windows tucked under steeply pitched gables. Natural wood lapped siding emphasizes this homes more modern elements, while classic white board & batten covers the core of this house. A rustic stone water table wraps around the base and contours down into the rear view-out terrace. Inside, a wide hallway connects the foyer to the den and living spaces through smooth case-less openings. Featuring a grey stone fireplace, tall windows, and vaulted wood ceiling, the living room bridges between the kitchen and den. The kitchen picks up some mid-century through the use of flat-faced upper and lower cabinets with chrome pulls. Richly toned wood chairs and table cap off the dining room, which is surrounded by windows on three sides. The grand staircase, to the left, is viewable from the outside through a set of giant casement windows on the upper landing. A spacious master suite is situated off of this upper landing. Featuring separate closets, a tiled bath with tub and shower, this suite has a perfect view out to the rear yard through the bedroom's rear windows. All the way upstairs, and to the right of the staircase, is four separate bedrooms. Downstairs, under the master suite, is a gymnasium. This gymnasium is connected to the outdoors through an overhead door and is perfect for athletic activities or storing a boat during cold months. The lower level also features a living room with a view out windows and a private guest suite. Architect: Visbeen Architects Photographer: Ashley Avila Photography Builder: AVB Inc.

This house was a new purchase for my clients. I was entrusted with the task to make this 1980’s kitchen into a beautiful chef’s kitchen. The challenge with this kitchen renovation was making sure that I gave my client, a kitchen that a pastry chef would be proud to bake in. Because she is a pastry chef, the original space was not functional for her. It was dark, dated and did not have enough storage. The cabinets were an old traditional expresso finish, small electric drop-in cooktop, and double wall oven with florescent ceiling light fixtures. I wanted to make sure that I capitalized on the square footage in the kitchen and gave them a more Contemporary Style. The first thing, I had to address was the damaged floor. One of the selling points to the house for my clients was the hardwood floors but, a portion of the floor in the kitchen was rotted by years of water decay. We replaced the hardwood floors that were damaged and refinished them. The second, was to open the entryway between the kitchen and dining room and swapping the refrigerator and the pantry. The contractor demoed the kitchen changing the position of the original pantry and the refrigerator. By doing this, provided more floor space for my clients to walk through. The third, was to address the dark cabinet finish. We went with two-tone color cabinetry. The wall and base cabinets are white and the island is a gray finish. As a pastry chef, I had to make sure my client had enough countertop/prep and storage space. The fourth, was very important to her which was replacing the drop-in electric cooktop with a freestanding professional gas range. After addressing these four concerns, my clients are very pleased with the renovation. Happy clients! Photographer: Haigwood Studios

Builder: AVB Inc. Interior Design: Vision Interiors by Visbeen Photographer: Ashley Avila Photography The Holloway blends the recent revival of mid-century aesthetics with the timelessness of a country farmhouse. Each façade features playfully arranged windows tucked under steeply pitched gables. Natural wood lapped siding emphasizes this homes more modern elements, while classic white board & batten covers the core of this house. A rustic stone water table wraps around the base and contours down into the rear view-out terrace. Inside, a wide hallway connects the foyer to the den and living spaces through smooth case-less openings. Featuring a grey stone fireplace, tall windows, and vaulted wood ceiling, the living room bridges between the kitchen and den. The kitchen picks up some mid-century through the use of flat-faced upper and lower cabinets with chrome pulls. Richly toned wood chairs and table cap off the dining room, which is surrounded by windows on three sides. The grand staircase, to the left, is viewable from the outside through a set of giant casement windows on the upper landing. A spacious master suite is situated off of this upper landing. Featuring separate closets, a tiled bath with tub and shower, this suite has a perfect view out to the rear yard through the bedrooms rear windows. All the way upstairs, and to the right of the staircase, is four separate bedrooms. Downstairs, under the master suite, is a gymnasium. This gymnasium is connected to the outdoors through an overhead door and is perfect for athletic activities or storing a boat during cold months. The lower level also features a living room with view out windows and a private guest suite.

Builder: AVB Inc. Interior Design: Vision Interiors by Visbeen Photographer: Ashley Avila Photography The Holloway blends the recent revival of mid-century aesthetics with the timelessness of a country farmhouse. Each façade features playfully arranged windows tucked under steeply pitched gables. Natural wood lapped siding emphasizes this homes more modern elements, while classic white board & batten covers the core of this house. A rustic stone water table wraps around the base and contours down into the rear view-out terrace. Inside, a wide hallway connects the foyer to the den and living spaces through smooth case-less openings. Featuring a grey stone fireplace, tall windows, and vaulted wood ceiling, the living room bridges between the kitchen and den. The kitchen picks up some mid-century through the use of flat-faced upper and lower cabinets with chrome pulls. Richly toned wood chairs and table cap off the dining room, which is surrounded by windows on three sides. The grand staircase, to the left, is viewable from the outside through a set of giant casement windows on the upper landing. A spacious master suite is situated off of this upper landing. Featuring separate closets, a tiled bath with tub and shower, this suite has a perfect view out to the rear yard through the bedrooms rear windows. All the way upstairs, and to the right of the staircase, is four separate bedrooms. Downstairs, under the master suite, is a gymnasium. This gymnasium is connected to the outdoors through an overhead door and is perfect for athletic activities or storing a boat during cold months. The lower level also features a living room with view out windows and a private guest suite.

breakfast bar separating kitchen from living room photographer: Canary Grey
Example of a large mid-century modern u-shaped dark wood floor eat-in kitchen design in Minneapolis with an undermount sink, flat-panel cabinets, white cabinets, quartz countertops, white backsplash, stone tile backsplash, stainless steel appliances and no island

Situated on a prominent corner lot in the Zilker neighborhood, this Mid-Century inspired home presents a unique opportunity to activate two street elevations, while maintaining a sense of scale and character within the neighborhood. An exposed glulam roof structure radiates from a single steel column, wrapping and folding around the corner to create a home with two striking facades. Tucked to the side and back of the lot, the second story is sited to help de-scale the corner and create spectacular vistas of the folded roof and the courtyard below. The interior courtyard is best viewed as you descend the stairwell and look out over the private pool scape. On a very exposed corner lot, the U-shaped plan also allows for privacy and seclusion for the homeowner. Public spaces such as the kitchen, living room and dining room, are located in direct relationship to the courtyard to enhance bringing the outside in. Natural light filters in throughout the home, creating an airy open feel. The photographer credit is – Atelier Wong Photography