Winner of the 2018 Tour of Homes Best Remodel, this whole house re-design of a 1963 Bennet & Johnson mid-century raised ranch home is a beautiful example of the magic we can weave through the application of more sustainable modern design principles to existing spaces. We worked closely with our client on extensive updates to create a modernized MCM gem. Extensive alterations include: - a completely redesigned floor plan to promote a more intuitive flow throughout - vaulted the ceilings over the great room to create an amazing entrance and feeling of inspired openness - redesigned entry and driveway to be more inviting and welcoming as well as to experientially set the mid-century modern stage - the removal of a visually disruptive load bearing central wall and chimney system that formerly partitioned the homes’ entry, dining, kitchen and living rooms from each other - added clerestory windows above the new kitchen to accentuate the new vaulted ceiling line and create a greater visual continuation of indoor to outdoor space - drastically increased the access to natural light by increasing window sizes and opening up the floor plan - placed natural wood elements throughout to provide a calming palette and cohesive Pacific Northwest feel - incorporated Universal Design principles to make the home Aging In Place ready with wide hallways and accessible spaces, including single-floor living if needed - moved and completely redesigned the stairway to work for the home’s occupants and be a part of the cohesive design aesthetic - mixed custom tile layouts with more traditional tiling to create fun and playful visual experiences - custom designed and sourced MCM specific elements such as the entry screen, cabinetry and lighting - development of the downstairs for potential future use by an assisted living caretaker - energy efficiency upgrades seamlessly woven in with much improved insulation, ductless mini splits and solar gain

Photo: Hoi Ning Wong © 2014 Houzz
Example of a transitional living room design in San Francisco

Bathroom - mediterranean bathroom idea in Dallas

Photograph by Alan Abramowitz
Kitchen - contemporary kitchen idea in Seattle

Winner of the 2018 Tour of Homes Best Remodel, this whole house re-design of a 1963 Bennet & Johnson mid-century raised ranch home is a beautiful example of the magic we can weave through the application of more sustainable modern design principles to existing spaces. We worked closely with our client on extensive updates to create a modernized MCM gem. Extensive alterations include: - a completely redesigned floor plan to promote a more intuitive flow throughout - vaulted the ceilings over the great room to create an amazing entrance and feeling of inspired openness - redesigned entry and driveway to be more inviting and welcoming as well as to experientially set the mid-century modern stage - the removal of a visually disruptive load bearing central wall and chimney system that formerly partitioned the homes’ entry, dining, kitchen and living rooms from each other - added clerestory windows above the new kitchen to accentuate the new vaulted ceiling line and create a greater visual continuation of indoor to outdoor space - drastically increased the access to natural light by increasing window sizes and opening up the floor plan - placed natural wood elements throughout to provide a calming palette and cohesive Pacific Northwest feel - incorporated Universal Design principles to make the home Aging In Place ready with wide hallways and accessible spaces, including single-floor living if needed - moved and completely redesigned the stairway to work for the home’s occupants and be a part of the cohesive design aesthetic - mixed custom tile layouts with more traditional tiling to create fun and playful visual experiences - custom designed and sourced MCM specific elements such as the entry screen, cabinetry and lighting - development of the downstairs for potential future use by an assisted living caretaker - energy efficiency upgrades seamlessly woven in with much improved insulation, ductless mini splits and solar gain

Marion Brenner Photography
Design ideas for a large modern drought-tolerant front yard concrete paver garden path in San Francisco.

Martha O'Hara Interiors, Interior Design | John Kraemer & Sons, Builder | Troy Thies, Photography | Shannon Gale, Photo Styling
Kids' room - contemporary kids' room idea in Minneapolis

Sweeping views of Downtown Sarasota across the Bay from Bird Key create a dramatic backdrop for this Neo-Modern renovation. Situated at the corner of a waterfront street, the original home had strong bones and great sight-lines. The owner sought to re-imagine the interiors in a more contemporary style, complementing the owner's eclectic art collection. Echt-Architects worked with the owner closely to realize this collaborative design, with the help of Interior Designer Marie Bowman, and General Contractor Nathan Cross. The spaces are opened inward toward each other, and out toward the dramatic views. Large format concrete-look porcelain tiles blend them together. A tall walnut-stained front door welcomes guests into the Living Room, with a broad custom concrete fireplace surround with tapering edges, and a soaring walnut paneled over-mantle and ceiling detail. A broad threshold overlooks the Dining area with Family Room beyond. A large, open Kitchen sits at center stage, with walnut and lacquer finishes. An elegant stair with a center stringer and wood block treads brings you upstairs to the guest suites. Beside the Family Room, a custom concrete bartop with waterfall and tapering details provides ample space for relaxation and play.

At CI Design + Build, a referral is the highest form of flattery. And when said word of mouth leads to a luxe, full-scope renovation for a pair of clients who have a genuine love for transformative design, well — now we’re really in our element. For the reno of this two-bedroom, high-rise condo overlooking the Chicago River, our design team was tapped to touch every surface while infusing the footprint with sophistication and timeless glamour. FOR A DECIDEDLY MODERN FEEL WITH TEMPERED MOMENTS OF DRAMA, WE OPTED FOR BOLD MATERIALS AND COLORS, INCLUDING DYNAMIC BLUE ROMA QUARTZITE FOR THE KITCHEN AND BAR. Intent on making the home a unique reflection of its owners, a couple who love hosting friends and family on the regular, we set the stage for elevated entertaining, leaning into statement-making design choices for the main living spaces. A geometric media wall in the living room, for example, commands attention via custom millwork boxes of varying depths, each punctuated by beautiful slabs of backlit onyx. Playful geometries continue in the presentation-worthy kitchen, where intersecting volumes and mixed materials define a bar top, an island counter, and a dining table. Here, a striking Sub-Zero/Wolf appliance suite, including a floor-to-ceiling wine fridge, makes functionality utterly fabulous. Incorporating white oak hardwood and gorgeous porcelain tile, every inch of flooring was updated for seamless continuity. In the primary bedroom, a calm and inviting sanctuary was defined, including a dramatic headboard wall that features shagreen-upholstered channels and angled millwork panels, and a statement fireplace that adds a strong focal point. The adjacent en suite stuns courtesy of Port Black marble-topped vanities and a shower bench that extends through the glass. Throughout, CI provided all the furnishings and decorative lighting for the home, making this a true turnkey project.

Winner of the 2018 Tour of Homes Best Remodel, this whole house re-design of a 1963 Bennet & Johnson mid-century raised ranch home is a beautiful example of the magic we can weave through the application of more sustainable modern design principles to existing spaces. We worked closely with our client on extensive updates to create a modernized MCM gem. Extensive alterations include: - a completely redesigned floor plan to promote a more intuitive flow throughout - vaulted the ceilings over the great room to create an amazing entrance and feeling of inspired openness - redesigned entry and driveway to be more inviting and welcoming as well as to experientially set the mid-century modern stage - the removal of a visually disruptive load bearing central wall and chimney system that formerly partitioned the homes’ entry, dining, kitchen and living rooms from each other - added clerestory windows above the new kitchen to accentuate the new vaulted ceiling line and create a greater visual continuation of indoor to outdoor space - drastically increased the access to natural light by increasing window sizes and opening up the floor plan - placed natural wood elements throughout to provide a calming palette and cohesive Pacific Northwest feel - incorporated Universal Design principles to make the home Aging In Place ready with wide hallways and accessible spaces, including single-floor living if needed - moved and completely redesigned the stairway to work for the home’s occupants and be a part of the cohesive design aesthetic - mixed custom tile layouts with more traditional tiling to create fun and playful visual experiences - custom designed and sourced MCM specific elements such as the entry screen, cabinetry and lighting - development of the downstairs for potential future use by an assisted living caretaker - energy efficiency upgrades seamlessly woven in with much improved insulation, ductless mini splits and solar gain

A cozy media lounge designed for comfort and personality. A deep navy accent wall sets the stage for playful artwork, while a mustard sectional with oversized ottoman offers plenty of space for family lounging. Layered textures — from the rich blue rug to patterned pillows — create warmth and vibrancy, making this a favorite spot to relax and unwind.

Gemini said This powder room serves as a bold, immersive jewelry box within the home, where texture and heritage take center stage. A monolithic marble vanity provides a sense of architectural weight and permanence, anchored by a vibrant, geometric wallcovering that pulses with rich terracotta and obsidian tones. The play of light from the sculptural sconce and the backlit mirror creates a dramatic, atmospheric glow, highlighting the depth of the pattern. It is a space that feels both modern and deeply storied - a small but significant moment of celebratory design that invites pause and reflection. Colorful Jewel Toned powder room.

Our client’s foremost design priority was to create a space that is both glamorous and highly functional—equally suited to everyday living and to serve as a true stage for entertainment. At the core of the project was the restoration of the loft’s authentic character, thoughtfully reimagined to complement a refined industrial-chic aesthetic. The apartment’s previous incarnation leaned toward traditional design, with wainscoting, dropped ceilings, crown moldings, and concealed structural elements. In contrast, the new vision embraces the building’s industrial roots. Ceilings were opened to reveal the original structure, steel columns were exposed, and historic brick walls were uncovered, reintroducing a sense of honesty and architectural depth to the space. From the outset, the project involved close collaboration with a lighting specialist to transform what had been notably dark interiors: a layered lighting strategy was implemented, combining concealed architectural illumination with focused overhead accents. In the kitchen, salvaged industrial “X-Ray Shade” mercury-glass fixtures—originally designed for maximum reflectivity—introduce both character and warmth. Artist Cimone Berman was commissioned to create a series of bespoke mirrors for the space to further enhance the play of light. Each one-of-a-kind piece blends historical influences (reminiscent of aged material,) with contemporary artistic expression futher enhancing the sense of openness and luminosity throughout the loft while reinforcing the project’s balance between industrial authenticity and refined sophistication. Whole House Renovation: Society Hill - Philadelphia, Pennsylvania. 2026. Philadelphia Interior Design, Philadelphia Kitchen and Bath Design, Lighting Design, Space Planning, Loft Design, Custom Window Treatment, Custom Millwork

Framed by floor-to-ceiling views of the Manhattan skyline, this kitchen serves as a luminous social anchor within the home. A waterfall marble island takes center stage, its bold veining providing a natural, sculptural contrast to the warm wood cabinetry and clean architectural lines. The design artfully balances the owners' sophisticated lifestyle with moments of playful individuality—seen in the geometric origami-style chandelier and the soulful infusion of lavender and plum accents. It is a space that feels both elevated and intimate, designed as much for quiet morning reflections over the city as for celebratory evenings with family.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Combining elegance and timelessness, this luxury home captures the essence of fine living. Stone, shakes and massive timbers create a welcoming façade and make a grand statement in this French Country European style home. Luxurious details and abundant conveniences define this beautiful new home for a young family of five. The exterior was finished in natural stone and Hardi-Plank siding. A grand foyer, luxurious library and stunning powder room form a sophisticated entry that flows into the large great room which perfect for family living and entertaining. A gourmet kitchen adjoins to the morning room that features a cherry lined 20” with great views to woods, cabana and pool. The master suite offers a beautiful two huge closets while the spa bath offers separate vanities and spacious shower. Two separate stairways lead to the upstairs. The little girl’s room is fit for a princess while a Jack & Jill bath adjoins the boy’s room. A guest suite was also provided. A fun play area was created in the loft. The spectacular walkout basement feature a walnut bar, billiards room lounge, exercise room as well as a game room. The basement also features an extraordinary state of the art home theater with personalized marquee sign and includes a Hollywood glam bath. Outdoor living takes center stage, with an old world cabana, pool & spa and lavish landscapes on both levels. Additional details include a three-car garage, large laundry room and so much more. Photo Credit - Richard Hall

Inspiration for a timeless underground carpeted and beige floor basement remodel in Las Vegas with beige walls

The fireplace in this Living Room gives a beautiful statement to the space playing with soft neutrals. The grey mosaics pull out the grey undertones in the hardwood flooring so nicely while the white waterfall mantel is crisp and clean finishing off the fireplace in a timeless way.