Philip Siciliano
Trendy bedroom photo in New York

KITCHEN RENOVATION  CURRENT CRAFTSMAN This client started off just being curious about our services - what we could do, and if we could even help her update her kitchen. She and her husband with their two teenage kids have lived in their home for several years without updating anything since the house was originally built. They didn’t quite have a budget in mind yet. They didn’t know their style, or even if they had one. Their timeline was simple, “as fast as you can so we’re not without a kitchen for very long” (usually what we hear for kitchen updates). After a very productive consultation: determining the scope of work and zeroing in on a budget, I was very excited to update this underwhelming space to something that is modern but timeless, something that is theirs. And, it was easy to see what type of design style they gravitated toward looking at the pieces they already own: Craftsman/Prairie Style. I left the meeting so excited to weave in yet another genre of design to my CDG portfolio! We circled in our contractor to discuss the changes they were looking to make and the scope of work that would be theirs. Then I was off to get designing: // Because the kitchen’s footprint and the defined breakfast space delineated by the bay, we kept the perimeter cabinetry as it was originally laid out. We updated these cabinets to a beautiful soft Alabaster White with a Barn Wood Glaze to highlight the simplicity of the shaker style doors. We added transom cabinets above the uppers, with only the back wall having seeded glass inserts to highlight some of their collectables. // The original shaped island was counter-productive (See what I did there?) in functionality and design. We squared this off to reduce some of the angles and gain more storage. We highlighted the new island with a contrasting oak cabinet in a dark finish, to pay our respects to the craftsman style, and topped with a concrete-like countertop as a nod to the Prairie Style, allowing the homeowners to gain two extra seats and a massive -uninterrupted- work surface. // The small section of cabinetry between the garage entry and fridge now is the perfect dump-station for mail, electronics, whatever is in their hands when they come into the house; and completely hidden by the refrigerator. // The disconnected cabinetry in the breakfast area makes for a great place to have a working office. Accessible from the kitchen or the adjacent great room, this is the perfect place for the kids to do their homework while mom and dad are putting together dinner. The base cabinets are built out for office-type storage: paper and pencil drawers, filing systems, and cord management. Additionally, the long counter provides a ton of worksurface to spread out. // The largest transformation was the pantry. We raised the height of the doorway and added huge custom designed bypass sliding barndoors. Finished with a dark stain to compliment the island and cut to inset 4 stained glass windows, typical of this style of design, and driving home the concept for the whole space. // They were desperate to replace their flooring with something extremely durable to flow throughout the kitchen and the whole main level. This beautiful new flooring is actually a textured LVT(!) Which allowed them to save on overall cost and extend the life of their new flooring purchase. // They loved their copper table, so we kept it and added new simple, mid-century modern chairs around it and a shiny new craftsman-style chandelier above. We added bright barstools in a burnt orange-red accent, and a bright woven rug to tie it all together. // Because the kitchen renovation was shaping up to be pretty spectacular, they decided they needed to now replace their ‘now-these-look-a-little-too-old’ upholstered seating in the neighboring great room with 2 new sofas. We found the perfect sage-y-grey fabric which we covered on sofa frames that have and exposed oak-wood base, which we finished in a warm weathered grey. // As every designer knows, a room isn’t finished until there’s something on the windows. Now that the new flooring was installed and every other room on the main level ‘seemed’ to be updated, we needed to update the window treatments in the dining, and great rooms to reflect their new design concept. I hope you find the ‘after’ photos refreshing (as refreshing as it was for me to work on something that’s not a “Farm House” style that’s saturating the industry right now!) This was such a fun project and a great collaboration with our contractor.

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Located in the heart of Manhattan’s Lower East Side, the building was erected on a shallow commercial lot between two 120 year old masonry buildings and a new residential rental building. 330 Grand Street is a mix of 725 SF 1BRs and 1050 SF 2BR apartments. It also contains a 1100 SF two story duplex as well as private and public rooftop space, large private balconies for most units and two large private terraces for the ground floor units. 330 Grand Street was originally designed and approved at the NYC DOB as a prefabricated modular building. During the pandemic, as shipping costs skyrocketed putting the project at risk, we suggested redesigning the building as a reinforced cast-in-place concrete structure. Concrete was readily available and prices had not been affected by the demand increase that many other materials suffered in the pandemic. We took this opportunity to raise floor to ceiling heights, enlarge high performance windows and redistribute the buildings MEPFS and Structural Systems to create very open floor plans. The challenge was to create a luxurious sensorial living experience with very limited means. In a city with very high construction costs, low cost residential buildings in the area are usually devoid of good quality, design and character. Our approach was to aim high for the end user, prioritizing natural light, open space with long visual perspectives, high ceilings and as always, rejecting the use of predefined building templates. Our biggest challenge was to ensure that the small spaces feel as clean cut, large and bright as possible. Several unique design decisions were made to ensure low cost and high quality; Floor plans were laid out so that spaces were wide open and free of clutter from mechanical or structural interruptions. Therefore all infrastructure was placed in lateral demising walls, which in turn act as the unit’s storage and kitchen. The apartments feel wide open, are super quiet and have more storage space than any other comparable apartment in the city. To solve the problem of the site’s shallow commercial lot which is typically prone to dark interior spaces we focused our attention on the building’s envelope. Instead of the usual small punched window openings, oversized high performance windows were designed to ensure that light penetrated as far as possible into the units. In the smaller 1BR units, the full 50’ depth of the lot is perceived by partitioning spaces with sliding pocket doors that can be retracted to allow deep visual perspectives, making the sight lines in the space feel longer, larger, more ample than normal. In addition to the full height glazing, each unit above the 2nd floor receives a 7 foot covered balcony, adding 120 to 240 sf to each apartment, something unusual in New York City buildings. The space is large enough for a full size dining table, when the weather permits being outside. We also worked hard to ensure modularity. For example, all kitchen units are all identical throughout the building. The idea of modularity and the economy of the repetitive unit is exercised to the maximum through the building. Hardware, appliances, flooring, wall coverings and material finishes are all carefully selected to feel bespoke, high quality and unique. It was important to KURV that the result of this work manifest into something that would deeply connect with the end user and sustain relationships with the consumers of this space. All images by KURV Architecture ©