Ryan Garvin
Home design - coastal home design idea in Orange County

The paver patio with the garden in full bloom in the spring.
Mid-sized patio photo in Philadelphia

These two adjoining girls' rooms — a show-stopping nursery and a dreamy toddler bedroom — are among the most enchanting children's spaces imaginable. Each room has its own distinct personality while sharing a thread of botanical wonder, soft femininity, and elevated design that refuses to talk down to its young inhabitants. These are spaces designed not just for children, but with genuine artistry — rooms that will inspire wonder for years to come. The Nursery Step into this nursery and feel immediately transported into a secret garden at dusk. The design decision that sets the entire room apart is breathtakingly bold: a large-scale dark floral wallpaper — blooming with oversized peonies, roses, and wildflowers in dusty pink, peach, sage, and cream against a deep slate blue ground — wraps every wall from chair rail to ceiling, creating an immersive, almost painterly environment that feels simultaneously dramatic and deeply soft. The ceiling is painted a warm, powdery pink that picks up the blush tones within the wallpaper perfectly — a "fifth wall" design moment that makes the room feel like a complete, considered installation rather than a decorated room. The transition from wallpapered walls to pink ceiling at the crown molding line is seamless and intentional, wrapping the baby in a floral garden overhead and all around. Anchoring the room with genuine design authority is a spectacular gold and crystal chandelier — its circular brass frame hung with vertical crystal rods that catch and scatter light like a garden in rain — elevating the nursery from charming to genuinely luxurious. Beneath it, a natural oak arched spindle crib sits against the wallpapered feature wall, its warm honey wood grain providing organic contrast to the moody floral backdrop. Pink velvet pillows and a soft crib mobile of plush clouds and moons complete the crib vignette with gentle whimsy. A boucle glider chair and matching stacked ottoman in cream provide the nursing corner, paired with a small brass side table for midnight essentials. A soft blush pink area rug anchors the seating area and echoes the ceiling color. Linen drapery panels in soft ivory frame the windows without competing with the wallpaper, their pinch-pleat heading adding a refined tailoring detail. The Toddler Bedroom The connecting bedroom takes the botanical theme in a softer, sunnier direction — all blush pink walls (matching ceiling and walls in the same warm rose tone for a cocooning effect), botanical print drapery in cream with red and green wildflowers, and brass curtain hardware that ties to the nursery's gold palette. A gold spindle crib — the metallic version of the nursery's wooden one — grounds the room with warmth, while a sage green upholstered glider provides a reading corner. A white dresser with brass hardware doubles as a changing table, topped with art prints and a Matisse-inspired framed poster in a gold frame that adds a touch of grown-up gallery sensibility. Floating acrylic shelves hold a curated collection of board books at child-height — a detail that communicates that this room was designed for a child who will love and use it, not just admire it. A whimsical wicker llama toy basket, an indoor olive tree, and a fluffy white boucle child's armchair complete a room that balances magic with livability.

Luxury kitchen with white stone bench tops and customised barstools around the kitchen island. The kitchen stone island has built in dishwasher, washing machine (not visible) and dryer (not visible) to maximise on space within the apartment. Customised chandeliers provide a luxury environment when cooking.

Pallets were dry brushed I blue, yellow, and green and then covered in a coat of polyurethane to protect them long term from the elements. A variety of flowering plants and vines were scattered along the wall to add color and life. And finally, two strands of outdoor fairy lights were strung through the pallets and plants to bring warm ambient light to the patio. Photo credit to Alurewayne Photography of Nashville, TN

Beautiful fine art canvas wall art prints that will bring the beauty of the outdoors into your living rooms, bedrooms, dining rooms, offices and more. These photos are printed on museum quality archival canvas and ink; then finished off with a soft UV luster coating. Prints are available in 5 sizes right here on Houzz. This photo is also available on classic photo paper in a variety of sizes. About This Rural Scene: Hay Whatcha Doin in the Field is a daytime rural landscape photograph of rolled hay scattered about in a lush field one warm summer day. This photograph was taken on the peaceful grounds of Mount Harmon Plantation, located in Earlville Maryland.

A perfect blend of old world charm and modern luxury, this home is sure to be a neighborhood favorite. An open layout with inviting fireplaces make this the perfect place for entertaining and relaxing. Around the home you will find unique stone accents, wood and metal staircases, custom kitchen and bathrooms, and a rec room complete with bar and pool table. This craftsman style residence uses a mix of the Boston Blend Mosaic and Square & Rectangular thin stone veneer. It was used as a kitchen backsplash, interior wall accent, on multiple fireplaces, and stone archways. Great care was taken so the stones could be installed without a mortared joint. Corners were used along archways to create the illusion of full thickness stones and to allow for a more consistent and complete look. Scattered throughout, the mason cut custom large pieces of stone and wood to use as focal points. New England’s finest real stone veneer was the perfect choice to pair with the rustic décor. The variety of colors offered in our popular Boston Blend complement any design setting with an elegant touch. For more photos and video, please visit www.stoneyard.com/973

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Welcome to our latest renovation project! Dive into the elegance of our white transitional kitchen, an exquisite fusion of contemporary designs and classic elements, all while taking a leaf out of iconic Italian kitchen aesthetics. The dominant stainless steel hood isn't just a functional addition; it's a centerpiece that marries perfectly with the subtle yet striking brass accents scattered throughout the kitchen. But that's not all! Accompany us through a transformative journey as we uplift the floors, breathing new life and charm into the space. And for those who are workspace enthusiasts, our office renovation is nothing short of a visual treat. Infused with the sophistication of navy and black hues, the office space is a reflection of modernity. The industrial-inspired furniture not only elevates the room's design but provides an efficient and stylish work environment.

AJM Landscape Design Studio
Inspiration for a craftsman landscaping in Sacramento.

This property had not been landscaped for more than 25 years. The entryway and front hillside were covered in large juniper hedges, the Oaks and Redwoods on the property were littered with dead branches, and construction debris from decades was scattered throughout the creek-side property. After extensive tree work and removals, the front yard construction consisted of a moss rock boulder creek that wrapped down the front hillside. The backyard design integrated a new Redwood deck, black basalt gravel patio, and shade appropriate plants. The tree work allowed more light onto the property, and the home owners were able to finally enjoy their outdoor space.

Mike Moizer
Example of a large transitional underground carpeted basement design in Vancouver with gray walls, a standard fireplace and a tile fireplace

Taylor Linens Shore Rose Queen Duvet Charming cabbage roses are scattered over a soft petal background on our exceptionally soft Shore Rose duvets and shams.

PAEIZ 6 project is located in Tehran, at the intersection of 3 streets. There is a small green space in the northern part of the project. For this reason, the entrance of the complex was defined in this section to ensure easier access, and to be able to enjoy the desired view of the greenery from the lobby. The facade shell with its positive and negative horizontal levels is inspired from NAHAZ O NAKHIR (a kind of bricklaying method in Iranian historical architecture) so that the viewer can see different lights and shadows at each hour of the day. Among these shapes, Using plants also helps to avoid routine. choosing the combination of brick and stone, while having harmony with each other, has been done in order to respect the city and in order to accompany the surrounding buildings as much as possible. By designing windows like puzzles with different and various dimensions, in addition to being different from the common forms, has formed an integrated shape. Vertical access is placed in the middle of the eastern side so that the units can use as much natural light as possible, so that the division and common spaces are reduced to minimum. Stairs, elevators and corridors which are dividing the units with its transparent material led to maintaining the visual connection of the spaces and as a result, it appears larger. As our design mainstream, use of plants in the facade, lobby, basements, the lobby between units and interior design can be seen. The yard did not have enough space for landscaping as a result of having two ramps. In order to solve this challenge, The roof of the ramp is prepared to grow plants. The ground floor consists of two parts, the southern part is parking and the northern part is lobby. The lobby, while having seating and waiting areas, includes a guard post and security equipment, which is decorated with Fountain and plants. -1 and -2 levels are consisted of parking and storages, a gathering hall and a caretaker. The residential project with 5 floors, totally includes 15 three-bedroom residential units with 125 to 150 square meters. - The roof has various facilities such as bathroom, kitchen, barbeque, Jacuzzi, sunbathing area and seating and walking areas. Numerous seating spaces are located at scattered points due to the number of units and the possibility of simultaneous use. Walking paths through the gardens have defined a suitable space for walking. Due to the desirable view to the north (mountains in north of Tehran) and south (QEITARIEH Park), the walls of these two sides have been shortened with gaps, while the western wall overlooking the neighbor is surrounded by higher walls.

This new construction home was in need of a complete landscape design and installation. All details were considered to create intimate spaces as well as a sweeping backyard landscape to compliment the views from the home. The home sits on two lots which allowed it to be built at the desired size. The front yard includes a modern entry courtyard featuring bluestone, decorative gravel and granite sculpture - as well as decorative concrete planters. The backyard has several levels. The upper level is an expanse of lawn with hedging. The middle tier planting softens the poured concrete wall. A steep slope descends to the street below. The homeowners wanted to create access from parking below to the home above, so a series of pavers and granite risers was designed to create a comfortable pathway that also forms the focal point of the backyard. Ecoturf lawn was installed on the slope to minimize the need for water and mowing. Concrete edging deliniates the lawn from the beds where a mixture of evergreen and deciduous plants create year-round interest. The overall result includes modern details and some sweeping curves that draw the eye up to the home from the street below William Wright Photography

Meghan Morrison
Inspiration for a mid-sized transitional home design remodel in Raleigh

We completely redesigned the entire basement layout to open it up and make ample room for the spare bedroom, bathroom, pool table, bar, and full-size kitchenette. The bathroom features a large walk-in shower with slate walls and flooring. The kitchenette, complete with a fridge and sink, was custom made to match the coloring of the new pool table. Project designed by Skokie renovation firm, Chi Renovation & Design. They serve the Chicagoland area, and it's surrounding suburbs, with an emphasis on the North Side and North Shore. You'll find their work from the Loop through Lincoln Park, Skokie, Evanston, Wilmette, and all of the way up to Lake Forest. For more about Chi Renovation & Design, click here: https://www.chirenovation.com/ To learn more about this project, click here: https://www.chirenovation.com/portfolio/round-lake-basement-renovation/

This is what the garden is like in July of 2017, 10 months after it was planted.
This is an example of a rustic drought-tolerant and partial sun front yard garden path in Sacramento for summer.

Transitional living room photo in Toronto