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These two adjoining girls' rooms — a show-stopping nursery and a dreamy toddler bedroom — are among the most enchanting children's spaces imaginable. Each room has its own distinct personality while sharing a thread of botanical wonder, soft femininity, and elevated design that refuses to talk down to its young inhabitants. These are spaces designed not just for children, but with genuine artistry — rooms that will inspire wonder for years to come.
The Nursery
Step into this nursery and feel immediately transported into a secret garden at dusk. The design decision that sets the entire room apart is breathtakingly bold: a large-scale dark floral wallpaper — blooming with oversized peonies, roses, and wildflowers in dusty pink, peach, sage, and cream against a deep slate blue ground — wraps every wall from chair rail to ceiling, creating an immersive, almost painterly environment that feels simultaneously dramatic and deeply soft.
The ceiling is painted a warm, powdery pink that picks up the blush tones within the wallpaper perfectly — a "fifth wall" design moment that makes the room feel like a complete, considered installation rather than a decorated room. The transition from wallpapered walls to pink ceiling at the crown molding line is seamless and intentional, wrapping the baby in a floral garden overhead and all around.
Anchoring the room with genuine design authority is a spectacular gold and crystal chandelier — its circular brass frame hung with vertical crystal rods that catch and scatter light like a garden in rain — elevating the nursery from charming to genuinely luxurious. Beneath it, a natural oak arched spindle crib sits against the wallpapered feature wall, its warm honey wood grain providing organic contrast to the moody floral backdrop. Pink velvet pillows and a soft crib mobile of plush clouds and moons complete the crib vignette with gentle whimsy.
A boucle glider chair and matching stacked ottoman in cream provide the nursing corner, paired with a small brass side table for midnight essentials. A soft blush pink area rug anchors the seating area and echoes the ceiling color. Linen drapery panels in soft ivory frame the windows without competing with the wallpaper, their pinch-pleat heading adding a refined tailoring detail.
The Toddler Bedroom
The connecting bedroom takes the botanical theme in a softer, sunnier direction — all blush pink walls (matching ceiling and walls in the same warm rose tone for a cocooning effect), botanical print drapery in cream with red and green wildflowers, and brass curtain hardware that ties to the nursery's gold palette. A gold spindle crib — the metallic version of the nursery's wooden one — grounds the room with warmth, while a sage green upholstered glider provides a reading corner. A white dresser with brass hardware doubles as a changing table, topped with art prints and a Matisse-inspired framed poster in a gold frame that adds a touch of grown-up gallery sensibility.
Floating acrylic shelves hold a curated collection of board books at child-height — a detail that communicates that this room was designed for a child who will love and use it, not just admire it. A whimsical wicker llama toy basket, an indoor olive tree, and a fluffy white boucle child's armchair complete a room that balances magic with livability.

A corroded pipe in the 2nd floor bathroom was the original prompt to begin extensive updates on this 109 year old heritage home in Elbow Park. This craftsman home was build in 1912 and consisted of scattered design ideas that lacked continuity. In order to steward the original character and design of this home while creating effective new layouts, we found ourselves faced with extensive challenges including electrical upgrades, flooring height differences, and wall changes. This home now features a timeless kitchen, site finished oak hardwood through out, 2 updated bathrooms, and a staircase relocation to improve traffic flow. The opportunity to repurpose exterior brick that was salvaged during a 1960 addition to the home provided charming new backsplash in the kitchen and walk in pantry.

The goal was to create a warm space that flowed from the abutting master bedroom. The rest of the house has a down-to-earth sophistication that combines antiques, rich textures with a botanical theme. The master bedroom has a lush tapestry bedspread full of different leaves randomly scattered across the fabric. This became the inspiration for the bath. Taking a random fern as a motif, I initially found gorgeous wallpaper with the ferns against a rich chocolate background. Concerned with durability in certain areas of the bathroom, I shifted the approach to be a custom wall finish still using the deep chocolate background in a matte finish and adding hand-painted coppery bronze ferns randomly across the surface.
The homeowners wanted a vanity that incorporated a make-up area for her and plenty of counter space for both. In order to keep the wainscoting lines in check, the vanity section maintained the same counter height as the rest of the vanity therefore a custom height was required for the vanity stool. The wainscoting was kept relatively simple so as to find matching flexible moldings for the tub face.
The ivory trim color contrasts nicely with the browns. The cabinet finish was selected to bring out the coppery-bronze topped with complimenting granite. Kohler’s Vibrant Brushed Bronze finish lent itself perfectly to the palette. The rich brown colors are offset nicely with ivory tiles which are accented with bronze and Sonoma Tilemaker’s Tantrum glass tiles.
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Photo of a large transitional drought-tolerant and full sun backyard mulch landscaping in San Francisco.

At our Ruyteplaats Project the 2 little girls are still young and they requested double bunks for their bedrooms which had to be in the same design.
Cheryl took into account what colours, designs and patterns each child liked so that it reflected their own individual personalities.
In this sweet little one’s bedroom we designed the most beautiful double bunk, with a bed above and a free standing double bed below it, making sure that it is modular so that the top section can be removed once the girls grow up and don’t want a double bunk any longer.
The top section has a “roof” design, adorned with twinkling fairy lights which gives the girls bedrooms a warm and whimsical feel at night.
A custom made “Narnia” chair was manufactured and upholstered in a stunning, textured boucle fabric for the corner of the room.
We had hot air balloon wall paper printed as the canvas of this bedroom, which is contained inside the architectural mouldings, and we had a hot air balloon shelf made to go with this wall paper.
Gorgeously patterned and tactile fabrics were used for the scatter cushions, and a chunky knit throw was made for the end of the bed.
The dressing table with its Hollywood mirror and cute little dressing table stool was also custom made to fit this space perfectly. A soft luxurious round rug finishes off the room.
This is truly the perfect bedroom for the cutest little Princess and she absolutely loves it, which makes our hearts very warm. This is why we love doing what we do so much.
It’s all in the details, always and in all ways.

Luxury living room with dining area. Mirror TV built into a customised Bellini Frame from Italy allows the space to be used for multiple occasions. Customised floor rugs creates more warmth to the room. The hanging light fixtures were customised and brought into the space to showcase the detailed ceiling.

This house design was inspired by the 19th century style farm houses that are scattered about the flat open farmland of Eastern Shore, Virginia. The building site for this project was on a waterfront peninsula that made it picturesque as well as historical version of a bygone era. Versions of this house and others like it can be found on downhomeplans.com

bedroom, landscape photography, modern furniture, desert photography, marble side table, clean design
Inspiration for a modern concrete floor and gray floor bedroom remodel in Los Angeles with white walls
Inspiration for a modern concrete floor and gray floor bedroom remodel in Los Angeles with white walls

We redesigned the kitchen in In two contrasting Homecrest cabinet finishes, Maple Anchor and Maple Iceberg. As a focal point, a custom wood hood with metal straps was built. For the counters, luxurious quartz counters were installed creating a large eat-in island. We chose Orian Blanco by Silestone for the kitchen, island and bar countertop. A stylish hexagon tile was used for the backsplash. Decorate elements of white lines in scattered tiles were subtly incorporated adding an element of fun to the space.

2x3 Pakistani 'Choeb Rang' hand-knotted scatter rug.
Elegant bathroom photo in Indianapolis
Elegant bathroom photo in Indianapolis

Living room - small traditional formal and enclosed carpeted and brown floor living room idea in Salt Lake City with white walls, no fireplace and no tv

This coastal-themed bedroom is where the tranquil palette of cyan and blue envelops the space like the gentle embrace of ocean waters. A tray resting atop the bed presents a comforting scene, with cups of coffee and a bouquet of flowers, infusing the room with morning tranquility. Crisp white bedding sets the stage for the vibrant cyan accents scattered throughout, reminiscent of seafoam and clear skies. With its harmonious blend of calming colors and refreshing details, this coastal retreat offers a peaceful sanctuary for rest and relaxation, where the soothing rhythm of the ocean beckons you to unwind and rejuvenate.

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Sallie Smith
Example of a large beach style backyard stone patio design in Philadelphia with a fire pit and a pergola
Example of a large beach style backyard stone patio design in Philadelphia with a fire pit and a pergola

Encore Construction and Susan Gerlach designed this beautiful beach home. The color is welcoming and fun. The design is welcoming and fun! The octopi are scattered throughout the home....drawer pulls, pictures, towels, etc....a favorite creature of the homeowner and the jumping off them to this intricately designed home!

The "blue hour" is that magical time of day when sunlight scatters and the sky becomes a deep shade of blue. For this Mediterranean-style Sea Cliff home from the 1920s, we took our design inspiration from the twilight period that inspired artists and photographers. The living room features moody blues and neutral shades on the main floor. We selected contemporary furnishings and modern art for this active family of five. Upstairs are the bedrooms and a home office, while downstairs, a media room, and wine cellar provide a place for adults and young children to relax and play.

We completely redesigned the entire basement layout to open it up and make ample room for the spare bedroom, bathroom, pool table, bar, and full-size kitchenette. The bathroom features a large walk-in shower with slate walls and flooring. The kitchenette, complete with a fridge and sink, was custom made to match the coloring of the new pool table.
Project designed by Skokie renovation firm, Chi Renovation & Design. They serve the Chicagoland area, and it's surrounding suburbs, with an emphasis on the North Side and North Shore. You'll find their work from the Loop through Lincoln Park, Skokie, Evanston, Wilmette, and all of the way up to Lake Forest.
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