The owners of this stately 1903 Victorian home worked closely with Colleen Knowles Interior Design and Prestige Residential Construction to elevate each of the home’s four bathrooms. The master bathroom echoes the curve of the large bow window, with the tub positioned in the window’s arch and surrounded by tree top vistas. The laser cut mosaic shower wall is a beautiful focal point that showcases a successful merging of style and craftsmanship. The dignified furniture-like walnut double vanity features white marble countertops, strategic storage, and elegant mirror-mounted sconce lighting. Period-correct details were carried throughout the bathrooms on all three floors of the home. The jewelbox nature of the powder bath includes Brunschwig & Fils wallcovering, Phylrich Maison faucets, and a unique Calacatta Tucci polished counter and with metal console frame. The second floor guest bath includes additional period detailing, classic materials, and a soft color palate. Special Construction Note: This project required a particularly high level of care to protect the home during construction. The new bathrooms spanned three floors and all were connected by a narrow, millwork-wrapped staircase. Prestige also managed a thoughtful sequencing to allow homeowner occupancy with at least one functional bath at all times.

Full home renovation of a Burnaby single-family home completed over nine months. The project involved a complete structural rework of the main floor to create an open-concept layout, including steel beam installation to remove load-bearing walls, a full kitchen renovation, 4.5 bathroom renovations, new HVAC throughout, and structural repairs across the home. The scale and complexity of this project required careful sequencing — structural work, mechanical systems, and finish trades coordinated across an occupied neighbourhood site over a nine-month build. Every scope was managed under one process by Roka Projects, from engineer coordination and permit applications through to final finishes. Photography by Tracey Ayton Photography, interiors by JJ Interiors.

Jill Burwell Photography
Example of a trendy bathroom design in Seattle

The apartment occupies the third floor of a prominent corner property originally constructed in 1860. The building was formerly two neighbouring town houses, reconfigured in 1939 as a residential school for girls. In 1968, the State of Kuwait purchased the property which became their London Embassy until 2000 at which time the two houses were converted into 13 flats. Amos Goldreich Architecture was appointed as lead architects to create a contemporary 3 bedroom home within this Grade II Listed Building. AGA has sought to rationalise the formerly over-complex configuration, clarifying spatial sequences and creating a coherent visual palette. The apartment is finished to a high standard, with bespoke joinery and ingenious storage solutions.

New 2-story residence consisting of; kitchen, breakfast room, laundry room, butler’s pantry, wine room, living room, dining room, study, 4 guest bedroom and master suite. Exquisite custom fabricated, sequenced and book-matched marble, granite and onyx, walnut wood flooring with stone cabochons, bronze frame exterior doors to the water view, custom interior woodwork and cabinetry, mahogany windows and exterior doors, teak shutters, custom carved and stenciled exterior wood ceilings, custom fabricated plaster molding trim and groin vaults.

The apartment occupies the third floor of a prominent corner property originally constructed in 1860. The building was formerly two neighbouring town houses, reconfigured in 1939 as a residential school for girls. In 1968, the State of Kuwait purchased the property which became their London Embassy until 2000 at which time the two houses were converted into 13 flats. Amos Goldreich Architecture was appointed as lead architects to create a contemporary 3 bedroom home within this Grade II Listed Building. AGA has sought to rationalise the formerly over-complex configuration, clarifying spatial sequences and creating a coherent visual palette. The apartment is finished to a high standard, with bespoke joinery and ingenious storage solutions.

The Casa de Casey takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

Entry hall with a mirrored wall, black marble bench and a clustered pendant light installation, creating a reflective sequence along the circulation area

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

SDH Studio - Architecture and Design Location: Golden Beach, Florida, USA The Architecture is conceived as an ensemble of vertical and horizontal planes that guide the user through a sequence of spatial and visual experiences. Our clients’ passion for the outdoors is embedded in the entire project. Also, the use of color is an important feature that highlights certain accents along the design.

This home is in Noe Valley, a highly desirable and growing neighborhood of San Francisco. As young highly-educated families move into the area, we are remodeling and adding on to the aging homes found there. This project remodeled the entire existing two story house and added a third level, capturing the incredible views toward downtown. The design features integral color stucco, zinc roofing, an International Orange staircase, eco-teak cabinets and concrete counters. A flowing sequence of spaces were choreographed from the entry through to the family room.

Example of an arts and crafts living room design in New York

Inlays of crocodile leather trace the hallway to the powder room. Metal inlays divide up the limestone slab flooring which accentuate the entry sequence to bring the eye to the shapely scupture set against the vertical lacewood slats

Upper Valley Estate Curb Appeal – El Paso, Texas This curb appeal transformation was conceived as a deliberate sequence—an arrival experience where architecture, landscape, and lighting work together as one. Every element was designed to honor the home’s stone construction, turreted forms, and Old World character while responding precisely to the Upper Valley climate and lifestyle. By day, the experience is grounded and composed. Brick-edged concrete drives establish order and permanence, guiding movement through the property with clarity and intention. Natural stone walls and columns anchor the architecture, while layered gravel beds, drought-tolerant plantings, and manicured turf soften transitions and connect the home to its desert setting. Mature trees were preserved and carefully integrated, providing scale, shade, and a sense of continuity. As afternoon shifts toward sunset, the materials begin to speak differently. Stone warms, textures deepen, and sightlines subtly draw the eye toward the front entry. The landscape narrows the focus, creating a moment of pause before arrival—calm, quiet, and refined. At night, the design reveals its final layer. Low-voltage lighting is integrated with precision, washing stone surfaces, tracing architectural curves, and uplighting specimen trees to create depth without glare. The drive, walkways, and entry feel safe, legible, and inviting, while the home itself glows with a restrained elegance. Coming home after dark feels intentional—protected, welcoming, and unmistakably yours. What was created is more than curb appeal. It is a cohesive design-build solution where nothing is ornamental without purpose and nothing is built without intention. A daily experience of arrival that reflects craftsmanship, care, and the enduring character of the Upper Valley.

Located on a marsh in the upper reaches of the Lieutenant River in Old Lyme, the existing house was well-sited and well-built, but the design failed to exploit the views and more importantly was a confused combination of contemporary and traditional elements. The new homeowners, a successful businesswoman and an accomplished artist and photographer, were interested in creating a fully-contemporary environment to open up space, connect indoors with outdoors, display artwork and showcase the husband’s distinctive photographs. One glaring deficiency was the curb appeal and approach sequence: the grade sloped down and the path to the house followed, but this led to an uncomfortable dip and abrupt rise to the front door. By creating a virtual “moat,” occupied by a grid of raised-bed grasses contained in aluminum-clad boxes, and spanning the moat with an ipe bridge, the approach becomes level and engaging. The façade of the existing house was blank and bland, and with no cover. Adding a deep overhang with a wide porch creates a welcoming, covered condition, accentuated by a 6’ wide pivoting front door that feels more like a moving piece of wall. Another deficiency was the connection to the outdoors. By adding glass to the front and back of the house, and removing interior walls selectively, the house takes on a diaphanous quality that allows one to see through to the marsh beyond, even when in the driveway. The raised-bed grasses act as abstract, geometric versions of the marsh beyond. A large, pyramidal skylight establishes a spatial hierarchy around which the rooms revolve. The house featured several tray-ceilinged spaces – living room, kitchen, and master bedroom – that were poorly-proportioned and with panels at the top that resembled inset flat panel doors. The solution was to use a different strategy for each: the bedroom turns the ceiling into an eggshell through the use of a creative trim detail; the living room has an oversized sculptural, backlit lighting element; and the kitchen has a collage of painted rectangular forms that support or include lighting pieces. A palette of concrete, blackened steel, stainless steel and colors carefully chosen by homeowner and architect create an interior and exterior environment punctuated by moments that are as artistic as the featured works in the black-ceilinged gallery.

This home sits at a dramatic juncture between a state highway and the Columbia River, adjacent to the Lewis and Clark Scenic Byway. Steps away from its namesake, Steamboat Landing Park, the home has dramatic 180 degree views of the river, Mount Hood, and Oregon beyond. Creating a connection and celebrating this stunning natural setting while keeping highway noise at bay was one of this project's primary goals. Equally as important was the goal to design a high-performance building. These goals were met by implementing an energy-efficient heat pump system, radiant floor heating, 10" thick super-insulated concrete walls, closed-cell spray foam insulation in the attic, and triple-pane windows throughout. The sustainable attributes were balanced with durable and long-lasting materials, including standing seam metal roofing, stucco, and cedar siding to create a home that will stand for generations. Honoring the homeowner's request to design an age-in-place, one-level home, the plan is a simple sequence of bars with the two largest capped by gable roofs. The tallest of the bars closest to the highway is a garage, which houses the couple's much-loved Airstream. A smaller flat-roofed bar acts as a connector between the gabled forms and serves as the home's entry with the kitchen functions beyond. The largest of the bars, and the one closest to the river, includes an open concept great room flanked by two-bedroom suites on either side. A water-front deck spans the entire living and dining area, with a twenty-foot wide multi-slide panel door offering a seamless connection to an outdoor covered entertainment area. Inside, smooth concrete floors, walnut casework, and multiple skylights combine to create a truly inviting space. Photographer: Matt Swain Photography

The Courtyard House, designed in 1964 by Sarasota School of Architecture's Jack West, is a Homes for Better Living Award winner, published in Architectural Record Houses of 1965. Known for it's simple materiality, open plan, and sweeping curving roof shape, the home had seen several renovations before the current owners came to us with a challenge: let us celebrate the spirit of the Courtyard House with a serene reflecting pool at the entry of the home. The design strategy was to introduce several wall planes, perforated and screened with wood-look aluminum battens, that gradually reveal the home and provide a neutral base for the strong, sweeping curved form of the existing roof. The introduction of the wall planes allowed for a subtle reorganization of the entry sequence, and a unique opportunity to experience the reflecting pool with a sense of privacy. A new pool and terrace with integrated fire feature look over the beautiful Dolphin Waterway, and provide for a relaxing evening for the family, or a backdrop for a large gathering. Winner of 2020 SRQ Magazine Home of the Year Platinum aware for Best Remodel/Renovation and Gold award for Band Best Landscape Design.

Rectangular, full lite glass, double door set in hand forged wrought iron. Traditional. This set replaces the builder grade sidelite/door/sidelite sequence. It's a beautiful transformation and it adds value! Notice the privacy glass. Lots of light but visitors can't see inside.

Designer Bianca Ecklund opening the blue-gray Dutch door, with its steel-look glazing, and warm wood accents set a calm arrival sequence for this Manhattan Beach custom renovation. The palette hints at the indoor-outdoor living later expanded by NanaWall folding patio doors throughout the home.