The subdued tone of the stainless steel hood fan sets off the bold red finish of this kitchen.
Example of a large trendy l-shaped light wood floor eat-in kitchen design in Calgary with flat-panel cabinets, red cabinets, granite countertops, stone slab backsplash, stainless steel appliances, an island, an undermount sink and gray backsplash

The client’s brief was to create a space reminiscent of their beloved downtown Chicago industrial loft, in a rural farm setting, while incorporating their unique collection of vintage and architectural salvage. The result is a custom designed space that blends life on the farm with an industrial sensibility. The new house is located on approximately the same footprint as the original farm house on the property. Barely visible from the road due to the protection of conifer trees and a long driveway, the house sits on the edge of a field with views of the neighbouring 60 acre farm and creek that runs along the length of the property. The main level open living space is conceived as a transparent social hub for viewing the landscape. Large sliding glass doors create strong visual connections with an adjacent barn on one end and a mature black walnut tree on the other. The house is situated to optimize views, while at the same time protecting occupants from blazing summer sun and stiff winter winds. The wall to wall sliding doors on the south side of the main living space provide expansive views to the creek, and allow for breezes to flow throughout. The wrap around aluminum louvered sun shade tempers the sun. The subdued exterior material palette is defined by horizontal wood siding, standing seam metal roofing and large format polished concrete blocks. The interiors were driven by the owners’ desire to have a home that would properly feature their unique vintage collection, and yet have a modern open layout. Polished concrete floors and steel beams on the main level set the industrial tone and are paired with a stainless steel island counter top, backsplash and industrial range hood in the kitchen. An old drinking fountain is built-in to the mudroom millwork, carefully restored bi-parting doors frame the library entrance, and a vibrant antique stained glass panel is set into the foyer wall allowing diffused coloured light to spill into the hallway. Upstairs, refurbished claw foot tubs are situated to view the landscape. The double height library with mezzanine serves as a prominent feature and quiet retreat for the residents. The white oak millwork exquisitely displays the homeowners’ vast collection of books and manuscripts. The material palette is complemented by steel counter tops, stainless steel ladder hardware and matte black metal mezzanine guards. The stairs carry the same language, with white oak open risers and stainless steel woven wire mesh panels set into a matte black steel frame. The overall effect is a truly sublime blend of an industrial modern aesthetic punctuated by personal elements of the owners’ storied life. Photography: James Brittain

"Gavin Dale is a registered building designer of works primarily focused within the rural landscape of western New South Wales. Origami House looks at the core idea of the iconic Australian rural shed in an exposed environment. Open spaces that contain the necessary activities of daily life that can be easily manipulated to provide for large family gatherings or quieter spaces of reflection. The residence sets out primarily to achieve the expectations of the clients and reinforce the rural context of corrugated iron and raw and robust building materials. Two rectangular ‘tubes’ were aligned to the North then slid apart. This provided for unobstructed views combined with effective cross ventilation. The gabled roof line folds along a branched ridge, which in turn creates a vanishing point for the internal timber lined ceilings. The simple palette of grey metal, Barestone and radial sawn timber blends with the subdued basalt geology and agricultural landscape. This robust exterior is warmed internally by local crushed granite rammed earth thermal mass spline walls. These walls separate bedroom and living spaces that reach out beyond the façade to integrate with the landscaping and provide the robust shelter and protection from the elements."

Costa Esmerelda granite counter, Bertazzoni stove, custom cabinets and stain glass pendant lights.
Mid-sized elegant l-shaped slate floor kitchen photo in Los Angeles with raised-panel cabinets, granite countertops, white backsplash, ceramic backsplash, stainless steel appliances and a drop-in sink

Mid-sized minimalist u-shaped travertine floor eat-in kitchen photo in Albuquerque with an undermount sink, shaker cabinets, distressed cabinets, quartz countertops, multicolored backsplash, mosaic tile backsplash and an island

Our client requested a secure room to store his rare and expensive firearms so, hidden behind a beautiful yet subdued sliding barn door, we crafted a structure with concrete walls and ceiling and bank vault door.

Subdued colors in the master bedroom make for a simple beauty.
Example of a transitional bedroom design in DC Metro

For this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living. The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.

Antique Indian Furniture designs are full of an earthy vibrancy, a tumultuous love story of pattern and texture with the sandy whitewashed cabinets, Jaipur blue consoles, deep green rustic door cabinets. Each room starts with a stillness of subdued, soft base that allows the vibrancy of design elements to emerge.The structured decor is neutral and the accessories or furnitures are bold and exotic.

Gavin Dale is a registered building designer of works primarily focused within the rural landscape of western New South Wales. Origami House looks at the core idea of the iconic Australian rural shed in an exposed environment. Open spaces that contain the necessary activities of daily life that can be easily manipulated to provide for large family gatherings or quieter spaces of reflection. The residence sets out primarily to achieve the expectations of the clients and reinforce the rural context of corrugated iron and raw and robust building materials. Two rectangular ‘tubes’ were aligned to the North then slid apart. This provided for unobstructed views combined with effective cross ventilation. The gabled roof line folds along a branched ridge, which in turn creates a vanishing point for the internal timber lined ceilings. The simple palette of grey metal, Barestone and radial sawn timber blends with the subdued basalt geology and agricultural landscape. This robust exterior is warmed internally by local crushed granite rammed earth thermal mass spline walls. These walls separate bedroom and living spaces that reach out beyond the façade to integrate with the landscaping and provide the robust shelter and protection from the elements.

Rustic yet refined, this modern country retreat blends old and new in masterful ways, creating a fresh yet timeless experience. The structured, austere exterior gives way to an inviting interior. The palette of subdued greens, sunny yellows, and watery blues draws inspiration from nature. Whether in the upholstery or on the walls, trailing blooms lend a note of softness throughout. The dark teal kitchen receives an injection of light from a thoughtfully-appointed skylight; a dining room with vaulted ceilings and bead board walls add a rustic feel. The wall treatment continues through the main floor to the living room, highlighted by a large and inviting limestone fireplace that gives the relaxed room a note of grandeur. Turquoise subway tiles elevate the laundry room from utilitarian to charming. Flanked by large windows, the home is abound with natural vistas. Antlers, antique framed mirrors and plaid trim accentuates the high ceilings. Hand scraped wood flooring from Schotten & Hansen line the wide corridors and provide the ideal space for lounging.

Choosing to abandon uniformity in your kitchen can be a great choice if you're looking to opt out of a monochrome aesthetic. Two-toned kitchen cabinets add visual interest and contrast while drawing focus to different features within the space. Designs utilizing two-toned cabinets have become very popular in recent years and it's not a trend that will be fading out any time soon. Our clients opted for a combination of Earl Grey and Macchiato Classic cabinetry in their two-toned kitchen. The large island with its second faucet, sink, microwave drawer and lower storage is the focal point of the room and a great work surface for food prep and entertaining. A vertical pull out PowerDock was installed into the top of the island for plugging in kitchen tools, phones and laptops. Dolomite Marble subway tile and Brunello quartz countertops brighten up the kitchen and balance out the tone of the cabinets creating a light and airy feel. The addition of contrasting touches such as the Honey Bronze, Flat Black hardware and Champaign Bronze faucets, accessories the room beautifully. The subdued and sophisticated style of this two-toned kitchen is exquisite and shows the various ways that two-tone cabinets can be versatile and appealing. Some of the other areas that were remodeled in this home included the complete overhaul of the existing stair well, a guest bath and laundry area. The guest bath has beautiful vanity cabinets in Celest finish, Monochrome Lotus Deco tile and very reflective Midnight Dots in the shower floor and niche. The combination of all three give a striking white, blue and black design that will inspire and show that you can use pattern and texture in small spaces. A twenty four inch wall mounted shower seat can be lifted and secured when in use and tucked away to allow access out of the shower. A pocket door from the guest bathroom provides a second access point to the hallway with the laundry that has also been revamped with the same style and finish of cabinetry.

A subdued color palette and luxurious textures set the stage for peaceful relaxation in this handsome bedroom. Hamptons, NY Home | Interior Architecture by Brian O'Keefe Architect, PC, with Interior Design by Marjorie Shushan | Photo by Ron Pappageorge

This home theater has the warm, inviting feel of a golden age movie palace. The look was achieved through the use of extensive detail molding, upholstered walls within the upper framing (for better sound absorption), subdued theater lighting, and three paint colors—two browns and a cream for the highlights. The resulting textured ambience of the interior design is key to the vintage feel. The leather seating for nine–both single chairs and sofas–recline for cozier viewing. The table in the picture is burl wood and the carpet is patterned wool. The projector system produces the clearest image I’ve seen in a screen of this size (130 inches.) If this were my home theatre I’d be extremely popular with my friends.

This homeowner wanted to create a traditional space that would still feed modern and fresh. To accomplish this, we used light and bright materials, warm neutrals, and special touches of classic and traditional American design. The cabinetry is a warm white, complete with hand applied glazing, distressing, and over sanded edges, exposing the natural wood. The lighting and plumbing fixtures use old-world bronze tones, but with a modern farmhouse design flair. The counters offer subdued variation. The back-splash tiles have a handmade aesthetic, complete with undulated surface texture and subtle color variation, that high lights the artisan characteristic running through this space

A new, ground-up attached house facing Cooper Park in Williamsburg Brooklyn. The site is in a row of small 1950s two-story, split-level brick townhouses, some of which have been modified and enlarged over the years and one of which was replaced by this building. The exterior is intentionally subdued, reminiscent of the brick warehouse architecture that occupies much of the neighborhood. In contrast, the interior is bright, dynamic and highly-innovative. In a nod to the original house, nC2 opted to explore the idea of a new, urban version of the split-level home. The house is organized around a stair oriented laterally at its center, which becomes a focal point for the free-flowing spaces that surround it. All of the main spaces of the house - entry hall, kitchen/dining area, living room, mezzanine and a tv room on the top floor - are open to each other and to the main stair. The split-level configuration serves to differentiate these spaces while maintaining the open quality of the house. A four-story high mural by the artist Jerry Inscoe occupies one entire side of the building and creates a dialog with the architecture. Like the building itself, it can only be truly appreciated by moving through the spaces.

The vivid splash of fuschia across the custom rug provides zesty contrast for the subdued hues of the bedding and walls. - Photo by Jeff Mateer
Bedroom - transitional master light wood floor and brown floor bedroom idea in Chicago

Design by Melodie Durham by Durham Designs & Consulting, LLC Photography by Livengood Photography
Example of a large transitional home design design in Charlotte

The client’s brief was to create a space reminiscent of their beloved downtown Chicago industrial loft, in a rural farm setting, while incorporating their unique collection of vintage and architectural salvage. The result is a custom designed space that blends life on the farm with an industrial sensibility. The new house is located on approximately the same footprint as the original farm house on the property. Barely visible from the road due to the protection of conifer trees and a long driveway, the house sits on the edge of a field with views of the neighbouring 60 acre farm and creek that runs along the length of the property. The main level open living space is conceived as a transparent social hub for viewing the landscape. Large sliding glass doors create strong visual connections with an adjacent barn on one end and a mature black walnut tree on the other. The house is situated to optimize views, while at the same time protecting occupants from blazing summer sun and stiff winter winds. The wall to wall sliding doors on the south side of the main living space provide expansive views to the creek, and allow for breezes to flow throughout. The wrap around aluminum louvered sun shade tempers the sun. The subdued exterior material palette is defined by horizontal wood siding, standing seam metal roofing and large format polished concrete blocks. The interiors were driven by the owners’ desire to have a home that would properly feature their unique vintage collection, and yet have a modern open layout. Polished concrete floors and steel beams on the main level set the industrial tone and are paired with a stainless steel island counter top, backsplash and industrial range hood in the kitchen. An old drinking fountain is built-in to the mudroom millwork, carefully restored bi-parting doors frame the library entrance, and a vibrant antique stained glass panel is set into the foyer wall allowing diffused coloured light to spill into the hallway. Upstairs, refurbished claw foot tubs are situated to view the landscape. The double height library with mezzanine serves as a prominent feature and quiet retreat for the residents. The white oak millwork exquisitely displays the homeowners’ vast collection of books and manuscripts. The material palette is complemented by steel counter tops, stainless steel ladder hardware and matte black metal mezzanine guards. The stairs carry the same language, with white oak open risers and stainless steel woven wire mesh panels set into a matte black steel frame. The overall effect is a truly sublime blend of an industrial modern aesthetic punctuated by personal elements of the owners’ storied life. Photography: James Brittain