This project combines high end earthy elements with elegant, modern furnishings. We wanted to re invent the beach house concept and create an home which is not your typical coastal retreat. By combining stronger colors and textures, we gave the spaces a bolder and more permanent feel. Yet, as you travel through each room, you can't help but feel invited and at home.

Clean contemporary bathroom. Backsplash on vanity breaks away from the subway tile while still having a modern clean look. Wood-looking tile floors gives you the wood look you want that can handle the typical water and moisture of a bathroom.

Main stairwell at Weston Modern project. Architect: Stern McCafferty.
Inspiration for a large modern wooden u-shaped open staircase remodel in Boston

Custom design by Cynthia Soda of Soda Pop Design Inc. in Toronto, Canada. Photography by Stephani Buchman Photography.
Example of a large transitional l-shaped medium tone wood floor open concept kitchen design in Toronto with recessed-panel cabinets, white cabinets, beige backsplash, stone tile backsplash and an island

Modern Transitional residence blending a tall white stucco gable with a slim vertical slot window and large format two story black steel frame glazing on the left against a lower hipped roof volume with grey stone panel base, dark asphalt shingle roof, shed dormers, and black bracket corbels on the right. A dark wood two-car garage door sits flush in the stone base beside a black steel frame glass entry door under a flat canopy.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Large rustic three-story mixed siding exterior home idea in Denver with a shed roof

Featured on Houzz: 'Kitchen of the Week' Photographer: Dan Farmer
Inspiration for a mid-sized contemporary u-shaped medium tone wood floor and brown floor eat-in kitchen remodel in Boise with an undermount sink, flat-panel cabinets, brown cabinets, granite countertops, white backsplash, stone slab backsplash, paneled appliances, an island and gray countertops

Kitchen - large contemporary l-shaped light wood floor kitchen idea in Atlanta with a farmhouse sink, shaker cabinets, white cabinets, soapstone countertops, gray backsplash, stone tile backsplash, stainless steel appliances and an island

Design Credit: Mary Michael O'Hare (MMO Designs) Photo Credit: Emily O'Brien
Elegant bedroom photo in Boston with blue walls

Martha O'Hara Interiors, Interior Design & Photo Styling | John Kraemer & Sons, Remodel | Troy Thies, Photography Please Note: All “related,” “similar,” and “sponsored” products tagged or listed by Houzz are not actual products pictured. They have not been approved by Martha O’Hara Interiors nor any of the professionals credited. For information about our work, please contact design@oharainteriors.com.

MULTIPLE AWARD WINNING KITCHEN. 2019 Westchester Home Design Awards Best Traditional Kitchen. KBDN magazine Award winner. Houzz Kitchen of the Week January 2019. Kitchen design and cabinetry – Studio Dearborn. This historic colonial in Edgemont NY was home in the 1930s and 40s to the world famous Walter Winchell, gossip commentator. The home underwent a 2 year gut renovation with an addition and relocation of the kitchen, along with other extensive renovations. Cabinetry by Studio Dearborn/Schrocks of Walnut Creek in Rockport Gray; Bluestar range; custom hood; Quartzmaster engineered quartz countertops; Rejuvenation Pendants; Waterstone faucet; Equipe subway tile; Foundryman hardware. Photos, Adam Kane Macchia.

This gray and white family kitchen has touches of gold and warm accents. The Diamond Cabinets that were purchased from Lowes are a warm grey and are accented with champagne gold Atlas cabinet hardware. The Taj Mahal quartzite countertops have a nice cream tone with veins of gold and gray. The mother or pearl diamond mosaic tile backsplash by Jeffery Court adds a little sparkle to the small kitchen layout. The island houses the glass cook top with a stainless steel hood above the island. The white appliances are not the typical thing you see in kitchens these days but works beautifully. This family friendly casual kitchen brings smiles. Designed by Danielle Perkins @ DANIELLE Interior Design & Decor Taylor Abeel Photography

Iran Watson
Small transitional single-wall dark wood floor and brown floor kitchen pantry photo in Atlanta with glass-front cabinets, white cabinets, multicolored backsplash, marble countertops and ceramic backsplash

Jeff Herr
Small transitional formal and enclosed dark wood floor living room photo in Atlanta with gray walls, a standard fireplace and a stone fireplace

Inspiration for a small timeless single-wall wet bar remodel in Cincinnati with an undermount sink, recessed-panel cabinets, white cabinets, white backsplash and mosaic tile backsplash

This dreamy master bath remodel in East Cobb offers generous space without going overboard in square footage. The homeowner chose to go with a large double vanity with a custom seated space as well as a nice shower with custom features and decided to forgo the typical big soaking tub. The vanity area shown in the photos has plenty of storage within the wall cabinets and the large drawers below. The countertop is Cedar Brown slab marble with undermount sinks. The brushed nickel metal details were done to work with the theme through out the home. The floor is a 12x24 honed Crema Marfil. The stunning crystal chandelier draws the eye up and adds to the simplistic glamour of the bath. The shower was done with an elegant combination of tumbled and polished Crema Marfil, two rows of Emperador Light inlay and Mirage Glass Tiles, Flower Series, Polished.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider