Pairing dark furniture pieces with a white washed environment proves that all white is anything but boring. Continuing the color to the floor expands the feeling of the space, while espresso-stained pieces punctuate the arrangement with a welcome contrast. Adrienne DeRosa Photography

With expansive windows and lots of natural lighting, the great room of The Sequoia is a welcoming, open environment.

Oliver Irwin Photography www.oliveriphoto.com Park Lane Residence is a single family house designed in a unique, northwest modern style. The goal of the project is to create a space that allows the family to entertain their guests in a welcoming one-of-a-kind environment. Uptic Studios took into consideration the relation between the exterior and interior spaces creating a smooth transition with an open concept design and celebrating the natural environment. The Clean geometry and contrast in materials creates an integrative design that is both artistic, functional and in harmony with its surroundings. Uptic Studios provided the privacy needed, while also opening the space to the surrounding environment with large floor to ceiling windows. The large overhangs and trellises reduce solar exposure in the summer, while provides protection from the elements and letting in daylight in the winter. The crisp hardwood, metal and stone blends the exterior with the beautiful surrounding nature.

Tuck Fauntlerey
Kitchen - rustic l-shaped dark wood floor kitchen idea with a farmhouse sink, flat-panel cabinets, medium tone wood cabinets, black backsplash, stone slab backsplash, colored appliances and no island

A prominent fireplace, surrounded by built-in wood cabinetry and shelving, creates a warm and welcoming environment.
Living room - large 1950s formal and open concept light wood floor living room idea in Ottawa with brown walls, a ribbon fireplace, a tile fireplace and no tv

For many residents in Continuing Care facilities like The Covington, a visit to the beauty salon is a highlight of the week. Creating a fresh, welcoming environment with great finishes, excellent lighting & a spa like feel create a welcoming environment to help make the experience positive, fun & pleasant.

The site's privacy permitted the use of extensive glass. Overhangs were calibrated to minimize summer heat gain.
Inspiration for a mid-sized rustic black three-story concrete fiberboard flat roof remodel in Chicago with a green roof

Cleanse the clutter in your bathroom by selecting a coordinated collection of bath furniture with spare sensibility. Dura Supreme’s “Style Six” furniture series is designed to create sleek, minimalist appeal. Bookended on both sides and across the top, a set of doors and/or drawers are suspended beneath the countertop. If preferred, a floating shelf can be added for additional and attractive storage underneath. An offset sink is sensitive to space limitations and maximizes countertop capacity in this small bathroom. Louvered linen storage adds drama and coordinated beautifully with the vanity style. Style Six furniture series offers 10 different configurations (for single sink vanities, double sink vanities, or offset sinks), and an optional floating shelf (vanity floor). Any combination of Dura Supreme’s many door styles, wood species, and finishes can be selected to create a one-of-a-kind bath furniture collection. The bathroom has evolved from its purist utilitarian roots to a more intimate and reflective sanctuary in which to relax and reconnect. A refreshing spa-like environment offers a brisk welcome at the dawning of a new day or a soothing interlude as your day concludes. Our busy and hectic lifestyles leave us yearning for a private place where we can truly relax and indulge. With amenities that pamper the senses and design elements inspired by luxury spas, bathroom environments are being transformed from the mundane and utilitarian to the extravagant and luxurious. Bath cabinetry from Dura Supreme offers myriad design directions to create the personal harmony and beauty that are a hallmark of the bath sanctuary. Immerse yourself in our expansive palette of finishes and wood species to discover the look that calms your senses and soothes your soul. Your Dura Supreme designer will guide you through the selections and transform your bath into a beautiful retreat. Request a FREE Dura Supreme Brochure Packet: http://www.durasupreme.com/request-brochure Find a Dura Supreme Showroom near you today: http://www.durasupreme.com/dealer-locator

This unique, custom, firepit design makes this outdoor living space a warm, and welcoming environment regardless of the time of day or season.

Bathe your bathroom in beautiful details and luxurious design with floating vanities from Dura Supreme Cabinetry. With Dura Supreme’s floating vanity system, vanities and even linen cabinets are suspended on the wall leaving a sleek, clean look that is ideal for transitional and contemporary design themes. Floating vanities are a favorite look for small bathrooms to impart an open, airy and expansive feel. For this bath, painted and stained finishes were combined for a stunning effect, with matching Dura Supreme medicine cabinets over a floating shelf. This double sink basin design offers stylish functionality for a shared bath. A variety of vanity console configurations are available with floating linen cabinets to maintain the style throughout the design. Floating Vanities by Dura Supreme are available in 12 different configurations (for single sink vanities, double sink vanities, or offset sinks) or individual cabinets that can be combined to create your own unique look. Any combination of Dura Supreme’s many door styles, wood species and finishes can be selected to create a one-of-a-kind bath furniture collection. The bathroom has evolved from its purist utilitarian roots to a more intimate and reflective sanctuary in which to relax and reconnect. A refreshing spa-like environment offers a brisk welcome at the dawning of a new day or a soothing interlude as your day concludes. Our busy and hectic lifestyles leave us yearning for a private place where we can truly relax and indulge. With amenities that pamper the senses and design elements inspired by luxury spas, bathroom environments are being transformed form the mundane and utilitarian to the extravagant and luxurious. Bath cabinetry from Dura Supreme offers myriad design directions to create the personal harmony and beauty that are a hallmark of the bath sanctuary. Immerse yourself in our expansive palette of finishes and wood species to discover the look that calms your senses and soothes your soul. Your Dura Supreme designer will guide you through the selections and transform your bath into a beautiful retreat. Request a FREE Dura Supreme Brochure Packet: http://www.durasupreme.com/request-brochure Find a Dura Supreme Showroom near you today: http://www.durasupreme.com/dealer-locator

In Manhattan’s landmarked Tribeca North, the top floor and roof of an 1884 warehouse are reconceived as a warm and welcoming residence with a fluid connection to the outdoor environment. A relocated mezzanine features a sunken court yard with a retractable glass roof and connects to the new green roof garden above. Embracing the building’s industrial past, a visual discourse between new and old is devised through insertions of modern materials along with restored or reclaimed materials. Photography: Albert Vecerka-Esto

The need for a productive and comfortable space was the motive for the study design. A culmination of ideas supports daily routines from the computer desk for correspondence, the worktable to review documents, or the sofa to read reports. The wood mantel creates the base for the art niche, which provides a space for one homeowner’s taste in modern art to be expressed. Horizontal wood elements are stained for layered warmth from the floor, wood tops, mantel, and ceiling beams. The walls are covered in a natural paper weave with a green tone that is pulled to the built-ins flanking the marble fireplace for a happier work environment. Connections to the outside are a welcome relief to enjoy views to the front, or pass through the doors to the private outdoor patio at the back of the home. The ceiling light fixture has linen panels as a tie to personal ship artwork displayed in the office.

Longviews Studios, Inc.
Large mountain style u-shaped medium tone wood floor kitchen photo with an undermount sink, white cabinets, granite countertops, gray backsplash, stainless steel appliances, an island, shaker cabinets and subway tile backsplash

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

A neutral color palette punctuated by warm wood tones and large windows create a comfortable, natural environment that combines casual southern living with European coastal elegance. The 10-foot tall pocket doors leading to a covered porch were designed in collaboration with the architect for seamless indoor-outdoor living. Decorative house accents including stunning wallpapers, vintage tumbled bricks, and colorful walls create visual interest throughout the space. Beautiful fireplaces, luxury furnishings, statement lighting, comfortable furniture, and a fabulous basement entertainment area make this home a welcome place for relaxed, fun gatherings. --- Project completed by Wendy Langston's Everything Home interior design firm, which serves Carmel, Zionsville, Fishers, Westfield, Noblesville, and Indianapolis. For more about Everything Home, click here: https://everythinghomedesigns.com/ To learn more about this project, click here: https://everythinghomedesigns.com/portfolio/aberdeen-living-bargersville-indiana/

a studio wrapped in cream with hints of brown and orange make fir a welcoming and serene environment in the heart for NYC
Inspiration for a small contemporary living room remodel in New York

Oliver Irwin Photography www.oliveriphoto.com Park Lane Residence is a single family house designed in a unique, northwest modern style. The goal of the project is to create a space that allows the family to entertain their guests in a welcoming one-of-a-kind environment. Uptic Studios took into consideration the relation between the exterior and interior spaces creating a smooth transition with an open concept design and celebrating the natural environment. The Clean geometry and contrast in materials creates an integrative design that is both artistic, functional and in harmony with its surroundings. Uptic Studios provided the privacy needed, while also opening the space to the surrounding environment with large floor to ceiling windows. The large overhangs and trellises reduce solar exposure in the summer, while provides protection from the elements and letting in daylight in the winter. The crisp hardwood, metal and stone blends the exterior with the beautiful surrounding nature.

THE SETUP Client Background: Our clients, a couple who have transitioned into the empty nest phase, have cherished their home for over three decades without undergoing any significant renovations. With a newfound desire to adapt their living space to better suit their current lifestyle, they’ve embarked on a journey to reimagine their kitchen — the heart of their home. Their aspiration is to cultivate a serene, neutral-toned sanctuary on the first floor that seamlessly merges with their family room, ensuring a harmonious and inviting environment. Design Inspiration: The renovation is inspired by the couple’s penchant for soft, calming neutrals, using their cherished family room and the kitchen’s existing tile flooring as the cornerstone for the color scheme. This approach aims to foster a sense of warmth and tranquility throughout. Design Objectives: Harmonize the kitchen with the family room by adopting a soothing, neutral color scheme, ensuring a seamless flow across the first floor. Enhance kitchen functionality with thoughtfully designed cabinetry, providing a designated place for every item and maximizing storage efficiency. Cultivate an inviting and comfortable atmosphere that reflects the homeowners’ desire for a calm and relaxing space. Design Challenges: The homeowners wish to retain the existing kitchen tile flooring and integrate it into a refreshed, modern design. Accommodating a dining area spacious enough for family visits without compromising the kitchen’s open feel or functional layout. Despite liking the current placement of plumbing and appliances, the homeowners aspire for a more open floor plan to facilitate better movement and interaction. The need to amplify natural light in the kitchen, especially around the sink area, where existing lighting is insufficient. Preserving the half-wall between the kitchen and family room, a feature the homeowners want to keep, while ensuring it complements the new design. THE RENEWED SPACE Design Solutions: By choosing a neutral color palette that complements the existing tile, the design unifies the kitchen with the adjacent spaces. The tile’s grout was cleaned and restored, enhancing the floor’s appearance and integrating it seamlessly with the new kitchen aesthetic. The inclusion of a larger island with seating for two, alongside maintaining a substantial dining table, was achieved by optimizing the spatial layout. This allowed for a sociable yet functional kitchen, accommodating large family gatherings without feeling crowded. Minor adjustments to the kitchen’s layout maintained the preferred locations for plumbing and appliances while introducing an ‘open’ design concept. Strategic modifications, such as angling the pantry wall, improved the flow and accessibility within the space. Replacing the garden window with a broader, standard window significantly increased natural light, transforming the sink area into a bright, welcoming space with enhanced views of the outdoors. The decision to keep the half-wall was ingeniously leveraged to define the dining area while maintaining an open connection to the family room. This feature not only serves as a visual separator but also ties the two spaces together through the shared color scheme and design elements. The homeowners are thrilled with their newly remodeled kitchen, which has become a hub of warmth and hospitality. Hosting a wedding shower and a birthday party, they have shared their renewed space with friends and family, who have been equally enamored. This remodel has not only met their functional and aesthetic desires but has also enriched their home with a fresh sense of serenity and joy. The upstairs part of the home is shaping up nicely. Here’s their newly remodeled primary bathroom.

Oliver Irwin Photography www.oliveriphoto.com Uptic Studios designed the space in such a way that the exterior and interior blend together seamlessly, bringing the outdoors in. The interior of the space is designed to provide a smooth, heartwarming, and welcoming environment. With floor to ceiling windows, the views from inside captures the amazing scenery of the great northwest. Uptic Studios provided an open concept design to encourage the family to stay connected with their guests and each other in this spacious modern space. The attention to details gives each element and individual feature its own value while cohesively working together to create the space as a whole.