A walk-in closet is a luxurious and practical addition to any home, providing a spacious and organized haven for clothing, shoes, and accessories. Typically larger than standard closets, these well-designed spaces often feature built-in shelves, drawers, and hanging rods to accommodate a variety of wardrobe items. Ample lighting, whether natural or strategically placed fixtures, ensures visibility and adds to the overall ambiance. Mirrors and dressing areas may be conveniently integrated, transforming the walk-in closet into a private dressing room. The design possibilities are endless, allowing individuals to personalize the space according to their preferences, making the walk-in closet a functional storage area and a stylish retreat where one can start and end the day with ease and sophistication.

Made of furniture grade melamine, Organized Living Classica organizes spaces throughout the home. From closets, pantries, laundry rooms, office and more. Learn more about Classica;'s features and benefits here: http://organizedliving.com/home/products/classica/features-benefits

This is a good example of a built-in closet organizer. It has both crown and base molding which gives it that extra touch of old world craftsmanship. The white contrasts well with the dark hardwood floors.

This is a relaxed, timeless space, perfect for indoor/outdoor living. The house is a midcentury modern Spanish revival. It is well organized and easy to keep clean. There is a hallway landing of hardwood floors that goes through the edge of the room. It features double sliding black fiberglass sliders. Black fiberglass windows are used throughout the public areas of the house. The color pallet is blue, green, ochre and a grounding brown. If you look closely the coffee table is used to keep blankets, books, and a hat to go outside. There is more storage in the end table to the sofa. It stores photo albums as well as a laptop and other office supplies. There is a fireplace and a tv mounted to the wall on the opposite wall of the sofa, that can not be seen. As well as two access points into the kitchen. The space packs in a lot of punch. A little dusting and vacuuming and this place is clean in less than 10 min. Other than that the windows and mirror need to be clean periodically, usually once a quarter.

A fun updated to a once dated basement. We renovated this client’s basement to be the perfect play area for their children as well as a chic gathering place for their friends and family. In order to accomplish this, we needed to ensure plenty of storage and seating. Some of the first elements we installed were large cabinets throughout the basement as well as a large banquette, perfect for hiding children’s toys as well as offering ample seating for their guests. Next, to brighten up the space in colors both children and adults would find pleasing, we added a textured blue accent wall and painted the cabinetry a pale green. Upstairs, we renovated the bathroom to be a kid-friendly space by replacing the stand-up shower with a full bath. The natural stone wall adds warmth to the space and creates a visually pleasing contrast of design. Lastly, we designed an organized and practical mudroom, creating a perfect place for the whole family to store jackets, shoes, backpacks, and purses. Designed by Chi Renovation & Design who serve Chicago and it's surrounding suburbs, with an emphasis on the North Side and North Shore. You'll find their work from the Loop through Lincoln Park, Skokie, Wilmette, and all of the way up to Lake Forest. For more about Chi Renovation & Design, click here: https://www.chirenovation.com/ To learn more about this project, click here: https://www.chirenovation.com/portfolio/lincoln-square-basement-renovation/

Example of a trendy kitchen design in San Diego

Organization has to be key in a dressing room as well as looking beautiful. This was achieved by form and function, just gorgeous.
Inspiration for a transitional closet remodel in Indianapolis

As improbable as organizing a young child's room sounds, it IS possible as shown in this image using Organized Living's Classica. The combination of chrome baskets for toys, hanging rods for clothes, and shelves for all of the miscellaneous items children have, it CAN be possible to see the bedroom floor!

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by NIls Finne

This modern farmhouse kitchen features a beautiful combination of Navy Blue painted and gray stained Hickory cabinets that’s sure to be an eye-catcher. The elegant “Morel” stain blends and harmonizes the natural Hickory wood grain while emphasizing the grain with a subtle gray tone that beautifully coordinated with the cool, deep blue paint. The “Gale Force” SW 7605 blue paint from Sherwin-Williams is a stunning deep blue paint color that is sophisticated, fun, and creative. It’s a stunning statement-making color that’s sure to be a classic for years to come and represents the latest in color trends. It’s no surprise this beautiful navy blue has been a part of Dura Supreme’s Curated Color Collection for several years, making the top 6 colors for 2017 through 2020. Beyond the beautiful exterior, there is so much well-thought-out storage and function behind each and every cabinet door. The two beautiful blue countertop towers that frame the modern wood hood and cooktop are two intricately designed larder cabinets built to meet the homeowner’s exact needs. The larder cabinet on the left is designed as a beverage center with apothecary drawers designed for housing beverage stir sticks, sugar packets, creamers, and other misc. coffee and home bar supplies. A wine glass rack and shelves provides optimal storage for a full collection of glassware while a power supply in the back helps power coffee & espresso (machines, blenders, grinders and other small appliances that could be used for daily beverage creations. The roll-out shelf makes it easier to fill clean and operate each appliance while also making it easy to put away. Pocket doors tuck out of the way and into the cabinet so you can easily leave open for your household or guests to access, but easily shut the cabinet doors and conceal when you’re ready to tidy up. Beneath the beverage center larder is a drawer designed with 2 layers of multi-tasking storage for utensils and additional beverage supplies storage with space for tea packets, and a full drawer of K-Cup storage. The cabinet below uses powered roll-out shelves to create the perfect breakfast center with power for a toaster and divided storage to organize all the daily fixings and pantry items the household needs for their morning routine. On the right, the second larder is the ultimate hub and center for the homeowner’s baking tasks. A wide roll-out shelf helps store heavy small appliances like a KitchenAid Mixer while making them easy to use, clean, and put away. Shelves and a set of apothecary drawers help house an assortment of baking tools, ingredients, mixing bowls and cookbooks. Beneath the counter a drawer and a set of roll-out shelves in various heights provides more easy access storage for pantry items, misc. baking accessories, rolling pins, mixing bowls, and more. The kitchen island provides a large worktop, seating for 3-4 guests, and even more storage! The back of the island includes an appliance lift cabinet used for a sewing machine for the homeowner’s beloved hobby, a deep drawer built for organizing a full collection of dishware, a waste recycling bin, and more! All and all this kitchen is as functional as it is beautiful! Request a FREE Dura Supreme Brochure Packet: http://www.durasupreme.com/request-brochure

Here is a clean un-cluttered closet organizer
Inspiration for a large timeless home design remodel in San Francisco

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

The soaring cathedral ceilings and warm exposed beams were the only features to speak of in this non-descript open landing. Off the hallway near the kids’ rooms, its small size and open layout made it something in between a hallway and a room. While most might consider a TV or office nook for this space, its adjacency to the children’s quarters inspired the designer toward something more imaginative. Inspired by the bright open space, this design achieves a sort of Balinese treehouse aesthetic – and all of it is designed specifically for fun. Playful hanging beds swing freely on sisal rope, creating a beckoning space that draws in children and adults alike. The mattresses were filled especially with non-toxic, non-petroleum natural fiber fill to make them healthy to sleep and lounge on – and encased in removable, washable organic cotton slipcovers. As the children are young, the floor space (finished in non-toxic lacquer) is kept clear and available for sprawling play. Large storage benches topped with walnut seats keep toys and books well organized, and ready for action at any time. Dave Bryce Photography

Get the most out of your cabinets by creating organizational drawers.
Trendy master bathroom photo in Houston with medium tone wood cabinets and granite countertops

This medium sized bathroom had ample space to create a luxurious bathroom for this young professional couple with 3 young children. My clients really wanted a place to unplug and relax where they could retreat and recharge. New cabinets were a must with customized interiors to reduce cluttered counter tops and make morning routines easier and more organized. We selected Hale Navy for the painted finish with an upscale recessed panel door. Honey bronze hardware is a nice contrast to the navy paint instead of an expected brushed silver. For storage, a grooming center to organize hair dryer, curling iron and brushes keeps everything in place for morning routines. On the opposite, a pull-out organizer outfitted with trays for smaller personal items keeps everything at the fingertips. I included a pull-out hamper to keep laundry and towels off the floor. Another design detail I like to include is drawers in the sink cabinets. It is much better to have drawers notched for the plumbing when organizing bathroom products instead of filling up a large base cabinet. The room already had beautiful windows and was bathed in naturel light from an existing skylight. I enhanced the natural lighting with some recessed can lights, a light in the shower as well as sconces around the mirrored medicine cabinets. The best thing about the medicine cabinets is not only the additional storage but when both doors are opened you can see the back of your head. The inside of the cabinet doors are mirrored. Honey Bronze sconces are perfect lighting at the vanity for makeup and shaving. A larger shower for my very tall client with a built-in bench was a priority for this bathroom. I recommend stream showers whenever designing a bathroom and my client loved the idea of that feature as a surprise for his wife. Steam adds to the wellness and health aspect of any good bathroom design. We were able to access a small closet space just behind the shower a perfect spot for the steam unit. In addition to the steam, a handheld shower is another “standard” item in our shower designs. I like to locate these near a bench so you can sit while you target sore shoulder and back muscles. Another benefit is cleanability of the shower walls and being able to take a quick shower without getting your hair wet. The slide bar is just the thing to accommodate different heights. For Mrs. a tub for soaking and relaxing were the main ingredients required for this remodel. Here I specified a Bain Ultra freestanding tub complete with air massage, chromatherapy and a heated back rest. The tub filer is floor mounted and adds another element of elegance to the bath. I located the tub in a bay window so the bather can enjoy the beautiful view out of the window. It is also a great way to relax after a round of golf. Either way, both of my clients can enjoy the benefits of this tub. The tiles selected for the shower and the lower walls of the bathroom are a slightly oversized subway tile in a clean and bright white. The floors are a 12x24 porcelain marble. The shower floor features a flat cut marble pebble tile. Behind the vanity the wall is tiled with Zellage tile in a herringbone pattern. The colors of the tile connect all the colors used in the bath. The final touches of elegance and luxury to complete our design, the soft lilac paint on the walls, the mix of metal materials on the faucets, cabinet hardware, lighting and yes, an oversized heated towel warmer complete with robe hooks. This truly is a space for rejuvenation and wellness.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Garage workshop - mid-sized modern attached three-car garage workshop idea in Cleveland

This was a major kitchen remodel we worked on, that we provided the cabinetry for. They wanted a fresh airy look as well a working kitchen to accommodate a family of 6. We incorporated all white stacked cabinets with glass in the top, as well as 2 pantries with roll-outs flanking the large refrigerator. We also provided enough seating for everyone in the family by creating an over hang on 2 sides of the island supported my 3 posts. Other efficient storage accessories include a hidden spice pullout, lazy susan and hidden trash pull-out. We also provided cabinetry for the Organization Center and Bar Area in the same room. For the Organization Center we incorporated a lift up appliance garage to hide any paperwork or electronic charging, and also a chalk board for lists or notes. In the Bar Area we incorporated a wine rack and a shallow pantry to the left for extra storage. SELECTIONS: Door Style- 3" frame raised panel door with rounded over outside edge (Stage 1) Finish: Warm White Hardware: Jeffery Alexander "Lyon" in Brushed Oil Rubbed Bronze Countertops: Cambria "Ella"

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Elegant kitchen photo in Denver