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Photo Credit: Matt Edington
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Classic Bethesda elevation with the perfect amount of detail. From the stone to the paneled tapered columns on stone bases, this home is very inviting.

Overlooking the Back Bay of Biloxi, the post and beam architecture of this Topsider home allows expansive windows across both the front and back of the house. Over 20 concrete pilings and wood stilts elevate the home, protecting it from flooding while high-impact glass windows provide safety from hurricane-strength winds. Visit http://www.topsiderhomes.com/beachfront-homes.php for more information.

Trent Bell Photography
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Front Elevation
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This minute addition reimagined the entry of a St. Martins home into a gracious gesture, motivated by acute space constraints that rendered moving furniture to the second floor impossible. A focal aspect of the 221 square-foot addition is its stairway. Beyond its newel post, the railing ribbons up to the second floor, bridging over the doorway. The resulting open space, canopied above the foyer contributes to an airy atmosphere, allowing natural light to sprawl throughout the entry space and to the private second-floor family area. The new windows further add buoyancy and sunlight. The addition also provided an opportunity to move the powder room to a more discreet location adjacent to the dining room. On the outside of the home, the entry addition introduces a gambrel form, drawing from and repurposing the design of the original structure. Despite its modest size, the addition transformed the entry of the home and its first impression, communicating openness and warmth within first acquainting steps.

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Julia Lynn
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The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

Project: Sonoran Desert House, Arizona Design Architect: Stephen Sullivan AIA Architect of Record: Stephen Sullivan Designs Project Team: Andrea Ermolli (project architect), Maria Simon, Freya Johnson Interior Designer: Doug Rasar Interior Design Contractor: AZ-GKO, Kyle Kartic Landscape Architect: Donna M. Winters and Associates Photographer: Andrea Ermolli

Robert Brewster Photography
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The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

The 2024 Southern Living Idea House is a new build that fits perfectly into the lush countryside. Designer and architect Kirsten Schoettelkotte’s design was inspired by the historic farmsteads and traditional architectural styles of South Carolina’s Lowcountry. The home has a wide front porch, brick stairway, copper gutters, and a standalone carriage house. The house’s design blended the indoor and outdoor spaces to take full advantage of the surrounding natural environment. “[Nearly] every room in the house has a window, and that was intentional,” said Schoettelkotte. Multiple Marvin products from the Ultimate and Elevate collections were selected for the home. Their durability and customization ability were a perfect fit for the project. MARVIN PRODUCTS USED: Marvin Ultimate Inswing French Door Marvin Ultimate Multi-Slide Door Marvin Elevate Direct Glaze Windows Marvin Elevate Casement Windows Elevate Awning Windows Architecture Firm: MHK Architecture Builder: Dillard-Jones Interior Designer: Allison Elebash Interior Design Landscape: DesignWorks Photos: 22 Waves Creative