ZeroEnergy Design (ZED) created this modern home for a progressive family in the desirable community of Lexington. Thoughtful Land Connection. The residence is carefully sited on the infill lot so as to create privacy from the road and neighbors, while cultivating a side yard that captures the southern sun. The terraced grade rises to meet the house, allowing for it to maintain a structured connection with the ground while also sitting above the high water table. The elevated outdoor living space maintains a strong connection with the indoor living space, while the stepped edge ties it back to the true ground plane. Siting and outdoor connections were completed by ZED in collaboration with landscape designer Soren Deniord Design Studio. Exterior Finishes and Solar. The exterior finish materials include a palette of shiplapped wood siding, through-colored fiber cement panels and stucco. A rooftop parapet hides the solar panels above, while a gutter and site drainage system directs rainwater into an irrigation cistern and dry wells that recharge the groundwater. Cooking, Dining, Living. Inside, the kitchen, fabricated by Henrybuilt, is located between the indoor and outdoor dining areas. The expansive south-facing sliding door opens to seamlessly connect the spaces, using a retractable awning to provide shade during the summer while still admitting the warming winter sun. The indoor living space continues from the dining areas across to the sunken living area, with a view that returns again to the outside through the corner wall of glass. Accessible Guest Suite. The design of the first level guest suite provides for both aging in place and guests who regularly visit for extended stays. The patio off the north side of the house affords guests their own private outdoor space, and privacy from the neighbor. Similarly, the second level master suite opens to an outdoor private roof deck. Light and Access. The wide open interior stair with a glass panel rail leads from the top level down to the well insulated basement. The design of the basement, used as an away/play space, addresses the need for both natural light and easy access. In addition to the open stairwell, light is admitted to the north side of the area with a high performance, Passive House (PHI) certified skylight, covering a six by sixteen foot area. On the south side, a unique roof hatch set flush with the deck opens to reveal a glass door at the base of the stairwell which provides additional light and access from the deck above down to the play space. Energy. Energy consumption is reduced by the high performance building envelope, high efficiency mechanical systems, and then offset with renewable energy. All windows and doors are made of high performance triple paned glass with thermally broken aluminum frames. The exterior wall assembly employs dense pack cellulose in the stud cavity, a continuous air barrier, and four inches exterior rigid foam insulation. The 10kW rooftop solar electric system provides clean energy production. The final air leakage testing yielded 0.6 ACH 50 - an extremely air tight house, a testament to the well-designed details, progress testing and quality construction. When compared to a new house built to code requirements, this home consumes only 19% of the energy. Architecture & Energy Consulting: ZeroEnergy Design Landscape Design: Soren Deniord Design Paintings: Bernd Haussmann Studio Photos: Eric Roth Photography

Inspiration for a small timeless master white tile and marble tile marble floor, white floor and single-sink bathroom remodel in San Francisco with flat-panel cabinets, white cabinets, an undermount tub, a two-piece toilet, white walls, an undermount sink, marble countertops and a freestanding vanity

Backyard deck with dining area and fire pit. ©Daniel Bosler Photography
Photo of a mid-sized contemporary drought-tolerant backyard landscaping in Los Angeles with a fire pit and decking.

Bifolding Doors, stacking to each side letting our customer open their entire wall. Lanai doors give a comfortable sunroom a sense of high end luxury.

updated kid's room with floating bunk beds and integrated stairs for storage by highpointe dbr, llc
Mid-sized minimalist guest light wood floor bedroom photo in Miami

Complete bathroom remodel - The bathroom was completely gutted to studs. A curb-less stall shower was added with a glass panel instead of a shower door. This creates a barrier free space maintaining the light and airy feel of the complete interior remodel. The fireclay tile is recessed into the wall allowing for a clean finish without the need for bull nose tile. The light finishes are grounded with a wood vanity and then all tied together with oil rubbed bronze faucets.

Complete bathroom remodel - The bathroom was completely gutted to studs. A curb-less stall shower was added with a glass panel instead of a shower door. This creates a barrier free space maintaining the light and airy feel of the complete interior remodel. The fireclay tile is recessed into the wall allowing for a clean finish without the need for bull nose tile. The light finishes are grounded with a wood vanity and then all tied together with oil rubbed bronze faucets.

Close up After photo of tub space. Simulated slate porcelain tile was used to play off of the rustic feel of the home. A wainscot tile surrounded the tub and was broken by means of placing a real stone/glass tile decorative band that plays into the color of the simulated slate porcelain tile flooring installed in a pinwheel pattern. Oil rubbed bronze vintage fixtures were utilized to play of of the vintage feel of the claw-foot tub. Photo by: Chiemi Photography

Eclectic & Transitional Home, Living Room, Photography by Susie Brenner
Example of a mid-sized eclectic formal and open concept medium tone wood floor and brown floor living room design in Denver with gray walls, no fireplace and no tv

Designed by Victoria Highfill, Photography by Melissa M Mills
Large trendy master gray tile multicolored floor bathroom photo in Nashville with flat-panel cabinets, light wood cabinets, gray walls, a vessel sink, quartz countertops, a hinged shower door and white countertops

Milgard Thermally Broken Aluminum windows and Sliding Doors. And one large Panda 5 Panel multi-slide across the back. Photos by Merrick Ales
Contemporary two-story flat roof idea in Austin

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Example of a large trendy open concept medium tone wood floor and brown floor living room design in San Francisco with white walls, no fireplace and no tv

Custom built-in Vanity: slab doorstyle with a English walnut stain on cherry. Glass mosaic wall tile. Wall hung spout with a glass vessel sink. Countertop is Caesarstone. Vanity features a broken height / bi-level countertop. His and Hers matching vanities on either side.Bathroom floor: Porcelain wood grain tile.

design: Studio TOOP, 2008 location: Amersfoort, NL status: built in 2010, Vaate Hoveniers and DIY photos: Jolanthe Lalkens, 2012 This design is based on a series of concentric circles in alternating benches and walls. This makes the garden graphically interesting from above and allows for a large amount of integrated seating (both important criteria for the design). Contrasting with this clean graphic element is the rough texture of the broken cement pavers and the organic lines of the planting beds. The existing field maple is used as a focal point and gives the garden an intimate, mature quality. Despite that there is only one tree, the garden feels somehow like the woods.

Contemporary-Modern Design - Living Space - General View from Breakfast Nook
Inspiration for a large modern open concept ceramic tile family room remodel in Phoenix with gray walls, a two-sided fireplace, a plaster fireplace and a wall-mounted tv

This Kitchen located in a traditional Tudor-style home in Lake Forest, IL needed a drastic change to reflect the sophisticated style and personality of the young, modern family with its executive yet family-oriented lifestyle. Our clients presented us with multiple design and functionality challenges including, but not limited to their kitchen feeling dark and enclosed even with their wonderful 9’ ceilings. There was a true lack of connection between their family room and kitchen, which made it difficult for them to enjoy their time together as a young family. The kitchen lacked storage, included a small desk area used for storing china, and a broken working triangle between appliances and prep areas. From the client’s lackluster kitchen we set out to provide them with functional and attractive solutions to maximize their storage, space and provide quality that would stand the test of time. We started by changing the orientation of the kitchen in turn opening up the exterior wall with beautiful French sliding patio doors that originally housed an under-sized window where under perched the kitchen sink. Instantly ample light poured into the space connecting the wooded lot to the kitchen as well as large deck for entertaining. We also opened the adjoining wall to the family room, which allotted open passage and a clear view to join the family space together. A bar height countertop was added for entertaining yet allowed for some visual separation between the spaces. We added spice drawers, towel pull outs at the sink and a wall of display and china cabinetry that mimic the cabinetry designed in the family room with beautiful, serpentine curved mullions by a floating banquette in the breakfast nook. The exterior runs of the kitchen cabinetry are custom-made and hand finished with a beautiful warm white paint and café latte glaze. With espresso brown marble counters. The center ten-foot island is a rustic alder furniture-grade beauty with hand-turned legs and beautiful shaker panel doors and green marble top that brings in the tones of the teals, creams and browns running through the space. All of this sets on top of a beautiful twelve by twenty-four stone tile laid in an angled herringbone pattern. The kitchen backsplash is a custom tone crackle subway tile with a custom colored hand-cut Ann Sacks glass mosaic representing escargot over the professional-grade oven, surrounded by a hand-poured teal glass border. The great room appeared extremely dark despite having large windows that reached towards the vaulted ceilings. The client felt attention was not drawn to the outside. The solution we drafted included pulling the mullions out of the windows and painting the trim work white. The fireplace was on one wall and the television on another. With the current furniture arrangements the back would have been to the fireplace. We changed the orientation of the room by placing the television over the fireplace in a recessed niche trimmed with stone and faced the upper portion in silk and the lower in large-format travertine. In creating a more intriguing fireplace façade we provided a focus for the furniture grouping to sit within. An oversized section with extra deep seating allows for a comfortable place to perch and spend family time while watching movies. The lighting in the space prior was not adequate so we created the addition of a small chandelier over the game table near the windows and added volume to the ceiling by including a larger chandelier central within the room with more candles. These changes helped update the formerly outdated dark and dreary space. With the bones of the room uplifted we drew our attention to adding detail in furnishings and window treatments. We accented the room with subtle patterning on top of bold color choices. The chairs offer depth and dimension with the green citron accented seats and peacock-patterned back fabric that help tone the colors down. To lighting the space we added an oversized cocktail ottoman that floats beautifully within the space and brings in the blue accents with button tufts as a peek-a-boo effect within. The sliding tray works perfectly to function as both a cocktail table and place to rest one’s feet. The game table in the rear of the room has an inlaid cross-cut branch marquis within the top and is surrounded by clean-lined chairs and a curved banquette perfect for a family to play games at and spend their quality time. Beautiful bounding window treatments drape the two-story window wall with an over-sized medallion patterned top treatment cascading into solid blue striated fabric trimmed with beaded shell trim for an appropriately dynamic finishing touch to the space. The kitchen and family room meld beautifully together and offer a crisp yet welcoming feel to the home in keeping with the Tudor styling and modern family needs. It’s a space truly to be enjoyed by all who visit. Katherine Elizabeth Designs

Complete bathroom remodel - The bathroom was completely gutted to studs. A curb-less stall shower was added with a glass panel instead of a shower door. This creates a barrier free space maintaining the light and airy feel of the complete interior remodel. The fireclay tile is recessed into the wall allowing for a clean finish without the need for bull nose tile. The light finishes are grounded with a wood vanity and then all tied together with oil rubbed bronze faucets.

Part of the Modin Vinyl Plank Collection, Available Exclusively From www.Flooret.com $3.49 / sq ft, 22.08 sq ft per box 50% WIDER. 25% LONGER. TWICE AS DURABLE Luxury Vinyl Plank, 5 mm x 9" x 60" (1.0 mm / 40 mil wear-layer) Lifetime Residential Warranty, 20 year Commercial Warranty Rich, luxurious, refined. A deep tone punctuated by a slight bleached wire-brush. Barin will lift any space, and can live up to the highest design requirements. REDEFINING DURABILITY The most important specification for determining the durability of vinyl flooring is the thickness of the wear-layer. The best wear-layers are made of thick, clear virgin PVC, which covers the paper print-film that gives the floor its unique appearance. Once the wear-layer wears through, the paper is damaged and the floor will need replacement. Most vinyl floors come with a 8-12 mil wear-layer (0.2-3 mm). The top commercial specs in the industry are higher, at 20-22 mil (0.5 mm). A select few manufacturers offer a "super" commercial spec of 28 mil (0.7 mm). For Modin, we decided to set a new standard: 40 mil (1.0 mm) of premium virgin PVC. This allows us to offer an industry-leading 20 year Commercial Warranty (Lifetime Residential), compared to nearly all other commercial vinyl floors' 10 year Commercial Warranty. Beyond our superior wear-layer, we also use a patented click mechanism for superior hold, and a ceramic-bead coating. SIZE MATTERS Wider and longer planks create a sense of space and luxury. Most vinyl floors come in 6" or 7" widths, and 36" or 48" lengths. For Modin, we designed our planks to be 9" wide, and 60" long. This extra large size allows our gorgeous designs to be fully expressed. DETAILS THAT COUNT We made sure to get all the details right. Real texture, to create the feel of wire-brushed wood. Low sheen level, to ensure a natural look that wears well over time. 4-sided bevels, to more accurately emulate the look of real planks. When added together they help create the unique look that is Modin. DESIGNS THAT INSPIRE We spent nearly a year just focusing on our designs, to ensure they provide the right mix of color and depth. Focusing on timeless wire-brush and European Oak styles, as well as more contemporary modern washes, our collection offers truly beautiful design that is both functional and inspiring.