This updated master suite is a blend of European Antiques and transitional furnishings. Designed for relaxation and repose with a gentle color palette and detailed patterns.

Description: In early 1994, the architects began work on the project and while in construction (demolition, grading and foundations) the owner, due to circumstances beyond his control, halted all construction of the project. Seven years later the owner returned to the architects and asked them to complete the partially constructed house. Due to code changes, city ordinances and a wide variety of obstacles it was determined that the house was unable to be completed as originally designed. After much consideration the client asked the architect if it were possible to alter/remodel the partially constructed house, which was a remodel/addition to a 1970’s ranch style house, into a project that fit into current zoning and structural codes. The owner also requested that the house’s footprint and partially constructed foundations remain to avoid the need for further entitlements and delays on an already long overdue and difficult hillside site. The architects’ main challenge was how to alter the design that reflected an outdated philosophical approach to architecture that was nearly a decade old. How could the house be re-conceived reflecting the architect and client’s maturity on a ten-year-old footprint? The answer was to remove almost all of the previously proposed existing interior walls and transform the existing footprint into a pavilion-like structure that allows the site to in a sense “pass through the house”. This allowed the client to take better advantage of a limited and restricted building area while capturing extraordinary panoramic views of the San Fernando Valley and Hollywood Hills. Large 22-foot high custom sliding glass doors allow the interior and exterior to become one. Even the studio is separated from the house and connected only by an exterior bridge. Private spaces are treated as loft-like spaces capturing volume and views while maintaining privacy. Limestone floors extend from inside to outside and into the lap pool that runs the entire length of the house creating a horizon line at the edge of the view. Other natural materials such as board formed concrete, copper, steel and cherry provides softness to the objects that seem to float within the interior volume. By placing objects and materials "outside the frame," a new frame of reference deepens our sense of perception. Art does not reproduce what we see; rather it makes us see.

Description: In early 1994, the architects began work on the project and while in construction (demolition, grading and foundations) the owner, due to circumstances beyond his control, halted all construction of the project. Seven years later the owner returned to the architects and asked them to complete the partially constructed house. Due to code changes, city ordinances and a wide variety of obstacles it was determined that the house was unable to be completed as originally designed. After much consideration the client asked the architect if it were possible to alter/remodel the partially constructed house, which was a remodel/addition to a 1970’s ranch style house, into a project that fit into current zoning and structural codes. The owner also requested that the house’s footprint and partially constructed foundations remain to avoid the need for further entitlements and delays on an already long overdue and difficult hillside site. The architects’ main challenge was how to alter the design that reflected an outdated philosophical approach to architecture that was nearly a decade old. How could the house be re-conceived reflecting the architect and client’s maturity on a ten-year-old footprint? The answer was to remove almost all of the previously proposed existing interior walls and transform the existing footprint into a pavilion-like structure that allows the site to in a sense “pass through the house”. This allowed the client to take better advantage of a limited and restricted building area while capturing extraordinary panoramic views of the San Fernando Valley and Hollywood Hills. Large 22-foot high custom sliding glass doors allow the interior and exterior to become one. Even the studio is separated from the house and connected only by an exterior bridge. Private spaces are treated as loft-like spaces capturing volume and views while maintaining privacy. Limestone floors extend from inside to outside and into the lap pool that runs the entire length of the house creating a horizon line at the edge of the view. Other natural materials such as board formed concrete, copper, steel and cherry provides softness to the objects that seem to float within the interior volume. By placing objects and materials "outside the frame," a new frame of reference deepens our sense of perception. Art does not reproduce what we see; rather it makes us see.

Description: In early 1994, the architects began work on the project and while in construction (demolition, grading and foundations) the owner, due to circumstances beyond his control, halted all construction of the project. Seven years later the owner returned to the architects and asked them to complete the partially constructed house. Due to code changes, city ordinances and a wide variety of obstacles it was determined that the house was unable to be completed as originally designed. After much consideration the client asked the architect if it were possible to alter/remodel the partially constructed house, which was a remodel/addition to a 1970’s ranch style house, into a project that fit into current zoning and structural codes. The owner also requested that the house’s footprint and partially constructed foundations remain to avoid the need for further entitlements and delays on an already long overdue and difficult hillside site. The architects’ main challenge was how to alter the design that reflected an outdated philosophical approach to architecture that was nearly a decade old. How could the house be re-conceived reflecting the architect and client’s maturity on a ten-year-old footprint? The answer was to remove almost all of the previously proposed existing interior walls and transform the existing footprint into a pavilion-like structure that allows the site to in a sense “pass through the house”. This allowed the client to take better advantage of a limited and restricted building area while capturing extraordinary panoramic views of the San Fernando Valley and Hollywood Hills. Large 22-foot high custom sliding glass doors allow the interior and exterior to become one. Even the studio is separated from the house and connected only by an exterior bridge. Private spaces are treated as loft-like spaces capturing volume and views while maintaining privacy. Limestone floors extend from inside to outside and into the lap pool that runs the entire length of the house creating a horizon line at the edge of the view. Other natural materials such as board formed concrete, copper, steel and cherry provides softness to the objects that seem to float within the interior volume. By placing objects and materials "outside the frame," a new frame of reference deepens our sense of perception. Art does not reproduce what we see; rather it makes us see.

Description: In early 1994, the architects began work on the project and while in construction (demolition, grading and foundations) the owner, due to circumstances beyond his control, halted all construction of the project. Seven years later the owner returned to the architects and asked them to complete the partially constructed house. Due to code changes, city ordinances and a wide variety of obstacles it was determined that the house was unable to be completed as originally designed. After much consideration the client asked the architect if it were possible to alter/remodel the partially constructed house, which was a remodel/addition to a 1970’s ranch style house, into a project that fit into current zoning and structural codes. The owner also requested that the house’s footprint and partially constructed foundations remain to avoid the need for further entitlements and delays on an already long overdue and difficult hillside site. The architects’ main challenge was how to alter the design that reflected an outdated philosophical approach to architecture that was nearly a decade old. How could the house be re-conceived reflecting the architect and client’s maturity on a ten-year-old footprint? The answer was to remove almost all of the previously proposed existing interior walls and transform the existing footprint into a pavilion-like structure that allows the site to in a sense “pass through the house”. This allowed the client to take better advantage of a limited and restricted building area while capturing extraordinary panoramic views of the San Fernando Valley and Hollywood Hills. Large 22-foot high custom sliding glass doors allow the interior and exterior to become one. Even the studio is separated from the house and connected only by an exterior bridge. Private spaces are treated as loft-like spaces capturing volume and views while maintaining privacy. Limestone floors extend from inside to outside and into the lap pool that runs the entire length of the house creating a horizon line at the edge of the view. Other natural materials such as board formed concrete, copper, steel and cherry provides softness to the objects that seem to float within the interior volume. By placing objects and materials "outside the frame," a new frame of reference deepens our sense of perception. Art does not reproduce what we see; rather it makes us see.

Description: In early 1994, the architects began work on the project and while in construction (demolition, grading and foundations) the owner, due to circumstances beyond his control, halted all construction of the project. Seven years later the owner returned to the architects and asked them to complete the partially constructed house. Due to code changes, city ordinances and a wide variety of obstacles it was determined that the house was unable to be completed as originally designed. After much consideration the client asked the architect if it were possible to alter/remodel the partially constructed house, which was a remodel/addition to a 1970’s ranch style house, into a project that fit into current zoning and structural codes. The owner also requested that the house’s footprint and partially constructed foundations remain to avoid the need for further entitlements and delays on an already long overdue and difficult hillside site. The architects’ main challenge was how to alter the design that reflected an outdated philosophical approach to architecture that was nearly a decade old. How could the house be re-conceived reflecting the architect and client’s maturity on a ten-year-old footprint? The answer was to remove almost all of the previously proposed existing interior walls and transform the existing footprint into a pavilion-like structure that allows the site to in a sense “pass through the house”. This allowed the client to take better advantage of a limited and restricted building area while capturing extraordinary panoramic views of the San Fernando Valley and Hollywood Hills. Large 22-foot high custom sliding glass doors allow the interior and exterior to become one. Even the studio is separated from the house and connected only by an exterior bridge. Private spaces are treated as loft-like spaces capturing volume and views while maintaining privacy. Limestone floors extend from inside to outside and into the lap pool that runs the entire length of the house creating a horizon line at the edge of the view. Other natural materials such as board formed concrete, copper, steel and cherry provides softness to the objects that seem to float within the interior volume. By placing objects and materials "outside the frame," a new frame of reference deepens our sense of perception. Art does not reproduce what we see; rather it makes us see.

Twin magnificent and historic valleys – named according to lore and legend for two star crossed lovers of warring Native American tribes - make up the unincorporated area of White County that has become a pivot point for the arts, activism, community and preservation. The Sautee and Nacoochee Valleys – both listed on the National Register of Historic Places – are primarily the naturally occurring, lowland landscape punctuated by the sites and assets that give the area its vibrant character. Even the mapping department in White County asserts that Sautee Nacoochee defies definitive boundaries as pride of place has propelled innovative expansion. Dedicated to Preserving and Protecting Although Sautee Nacoochee lacks conventional city government, clearly the "mayor" of this hamlet is the Sautee Nacoochee Community Association, a non-profit organization dedicated to preserving and protecting the region and to nurturing the creativity that thrives here. The Association maintains the Sautee Nacoochee Center, a restored red brick schoolhouse, that is home to dual galleries, a history museum showcasing Cherokee heritage, gold strikes, timber and railroads, the Folk Pottery Museum of Northeast Georgia, art and dance studios, a heritage site and nature preserve, an intimate theater, an environmental studies room and a conference and special event facility. The Community Association was instrumental in establishing the official Historic Districts and brought acclaim to Sautee Nacoochee by securing its nomination as one of “The 100 Best Small Arts Towns in America.” Arts programming, among other endeavors, remains one of the Center’s most valuable community resources. In addition to fostering children’s activities in music, dance, theatre and visual arts, the Center hosts the 50 member Sautee Nacoochee Community Chorale, art studio workshops, speaker luncheons for seniors, gallery exhibits, Contra dances, feature films, sustainable living forums and Open Stage nights. The Center’s six week long SummerFest is highlighted by the home grown folk life play, Headwaters, now in its fourth season, which serves as an unvarnished Valentine to and about the people, places and perceptions that shape the Valleys, and is consistently ranked as a Top 20 Event by the Southeastern Tourism Society.

Surroundings have the power to significantly impact the perception of reality and influence whether or not we return to it, and cafés and restaurants are no different. Commercial design plays a fundamental role in creating a complete and memorable experience for the consumer, which can often influence the customer's decision to buy or whether they will return to your space. If you’re the owner of a café or bistro and want to remodel your space continue reading this article so that you can be inspired by this aesthetic, which draws a little from French café vibes, and which will make even the most demanding coffee lovers not want to leave your café. To provide you with the maximum comfort and bring you the unique feelings that autumn provides, the Anna Chair is customised in scarlet tones, just like the leaves that fall delicately in the street it’s the perfect bistro chair. This sumptuous upholstery piece is inspired by the classic style up-to-date influences to create a furniture masterpiece of timeless elegance. The bespoke Anna chair brings a feeling of mystery and irresistible luxury, providing maximum cosiness and allure to the most exquisite spaces. Keeping up with the Art Déco Style, the Haring Table is in this space to serve as a support for the hot drinks typical of this season, which will be followed by the long conversations between friends, lovers or family members that will be shared in this space. With a delicate nature, Haring is the perfect decorative piece to a luxurious place like this one, giving an exclusive touch to the surrounding area. Surrender to this gorgeous statement piece as it will make any room complete. Immediately above the table is the Royal Pendant. As Belgium is a country linked to royal customs, we wanted to bring a little of this heritage to this space by incorporating this lighting collection into it. Composed of brass and glass, the different levels of this handmade pendant are a remarkable display of how a modern touch can elevate a traditional design. In order to complement the space, bringing a cosy ambient light, much needed now that the days are getting shorter, the Floor Lamp, from the same collection, was also incorporated to make the space comfier for those who visit it. Be inspired to decorate your own aesthetic café inspired by the French café vibes, while incorporating the colours of this magical season and creating a welcoming space that is sure to catch the eye of everyone who passes by, making them come back again and again.

Twin magnificent and historic valleys – named according to lore and legend for two star crossed lovers of warring Native American tribes - make up the unincorporated area of White County that has become a pivot point for the arts, activism, community and preservation. The Sautee and Nacoochee Valleys – both listed on the National Register of Historic Places – are primarily the naturally occurring, lowland landscape punctuated by the sites and assets that give the area its vibrant character. Even the mapping department in White County asserts that Sautee Nacoochee defies definitive boundaries as pride of place has propelled innovative expansion. Dedicated to Preserving and Protecting Although Sautee Nacoochee lacks conventional city government, clearly the "mayor" of this hamlet is the Sautee Nacoochee Community Association, a non-profit organization dedicated to preserving and protecting the region and to nurturing the creativity that thrives here. The Association maintains the Sautee Nacoochee Center, a restored red brick schoolhouse, that is home to dual galleries, a history museum showcasing Cherokee heritage, gold strikes, timber and railroads, the Folk Pottery Museum of Northeast Georgia, art and dance studios, a heritage site and nature preserve, an intimate theater, an environmental studies room and a conference and special event facility. The Community Association was instrumental in establishing the official Historic Districts and brought acclaim to Sautee Nacoochee by securing its nomination as one of “The 100 Best Small Arts Towns in America.” Arts programming, among other endeavors, remains one of the Center’s most valuable community resources. In addition to fostering children’s activities in music, dance, theatre and visual arts, the Center hosts the 50 member Sautee Nacoochee Community Chorale, art studio workshops, speaker luncheons for seniors, gallery exhibits, Contra dances, feature films, sustainable living forums and Open Stage nights. The Center’s six week long SummerFest is highlighted by the home grown folk life play, Headwaters, now in its fourth season, which serves as an unvarnished Valentine to and about the people, places and perceptions that shape the Valleys, and is consistently ranked as a Top 20 Event by the Southeastern Tourism Society.

AM2245 ROCK DROP LIGHT DESCRIPTION: The light installation is a chandelier with deliciously unique lights that celebrate the fascinating nature of the rock, where no rock is the same as the next. When you see a light sculpture designed to increase the visual appeal of a room and define its luminous character, you stop on your way to admire it. The word "crystal" comes from Ancient Greek and it means ice which is, similar to real crystal, characterized by purity, clarity, and coolness. Greeks were always surprised when ordinary water turned into "rock". But they soon discovered that something resembling ice can be found deep in the mountains – they found colorless, pure, transparent, and cold mono-crystals of silicon dioxide. The Greek word for ice was quickly transferred to this sought-after material and since then these colorless silica mono-crystals are known as rock crystal or quartz. However, people were fascinated by rock crystal even before the Greek civilization; it can be even said that it is an important part of human history. It is astonishing how quickly ancient civilizations learned to cut rock crystal using sand, a material of equal hardness. Rock crystal was used to make jewelry, luxury items for the upper classes, and also items related to magic. This led to the perception of crystal as something noble and mysterious. SPECIFICATIONS: Collection: Commercial Size: (Custom sizes also available) Shape: Pending Rectangular Glass Color: Clear/Blue glass Frame Finished: Stainless Steel (Different finish available at no additional cost) Materials: Glass, Stainless Steel Weight: NA Extension: 12' feet adjustable wiring available in black or silver Bulbs: GU10 LED Bulb Assembly: Some assembly required. Dimmer Switch Compatible: Optional Shipping: Free Door-To-Door Shipping Worldwide! Rush Order: 4-6 Weeks; 15% added to the total Regular Lead Time: 6-10 Weeks Warranty: 5 Years Full Coverage (includes replacement parts) Custom Sizes, Finishes, Colors Available Upon Request

Lemon Remodeling Earns Diamond Certified®! Scores Highest in Quality in Local Service Company Customer Satisfaction Study Lemon Remodeling a design and build construction business in the bay area, has been awarded the prestigious Diamond Certified symbol after being rated highest in quality in ongoing customer satisfaction ratings performed by American Ratings Corporation. In order to earn Diamond Certified, a local service company must apply to be rated by American Ratings Corporation (ARC) and pass each step of its twelve-step rating and certification process. ARC actually pulls a random sample of past customers from the applicant company’s files and surveys typically 100 customers by telephone. Not only do the customers rate the applicant company on a 1 to 10 scale for quality, but also they indicate their willingness to return or refer other consumers to the company. Most companies can’t pass the rating because a customer satisfaction survey score of greater than 90 on a 100 scale is required. In addition, ARC verifies liability and workers’ compensation insurance, state license status, complaint status, business practices, financial stability and legal judgment status. Additionally, ongoing customer satisfaction surveys are conducted to ensure the Diamond Certified Company is maintaining its high customer satisfaction. “Our entire team at Lemon Remodeling is pleased to earn this prestigious award. And, it is especially gratifying because it’s based on our customers’ perception of our quality,” said the owner of Lemon Remodeling and Services. “Personally, I’ve been focused on rating local service companies for the past 20 years and I’m always impressed at how certain organizations are so focused on satisfying their customers. Your Company Name is one of those special companies,” said the Founder and CEO of American Ratings Corporation. About American Ratings Corporation American Ratings Corporation’s mission is to define excellence and to identify for consumers the highest quality local companies. It rates local service companies in Northern California and awards the Diamond Certified symbol to companies rated highest in quality. It backs these companies for consumers by providing, when necessary, Diamond Certified mediation services and a money-back guarantee. For more information, visit www.diamondcertified.org or call 800-738-1138.

AM2245 ROCK DROP LIGHT DESCRIPTION: The light installation is a chandelier with deliciously unique lights that celebrate the fascinating nature of the rock, where no rock is the same as the next. When you see a light sculpture designed to increase the visual appeal of a room and define its luminous character, you stop on your way to admire it. The word "crystal" comes from Ancient Greek and it means ice which is, similar to real crystal, characterized by purity, clarity, and coolness. Greeks were always surprised when ordinary water turned into "rock". But they soon discovered that something resembling ice can be found deep in the mountains – they found colorless, pure, transparent, and cold mono-crystals of silicon dioxide. The Greek word for ice was quickly transferred to this sought-after material and since then these colorless silica mono-crystals are known as rock crystal or quartz. However, people were fascinated by rock crystal even before the Greek civilization; it can be even said that it is an important part of human history. It is astonishing how quickly ancient civilizations learned to cut rock crystal using sand, a material of equal hardness. Rock crystal was used to make jewelry, luxury items for the upper classes, and also items related to magic. This led to the perception of crystal as something noble and mysterious. SPECIFICATIONS: Collection: Commercial Size: (Custom sizes also available) Shape: Pending Rectangular Glass Color: Clear/Blue glass Frame Finished: Stainless Steel (Different finish available at no additional cost) Materials: Glass, Stainless Steel Weight: NA Extension: 12' feet adjustable wiring available in black or silver Bulbs: GU10 LED Bulb Assembly: Some assembly required. Dimmer Switch Compatible: Optional Shipping: Free Door-To-Door Shipping Worldwide! Rush Order: 4-6 Weeks; 15% added to the total Regular Lead Time: 6-10 Weeks Warranty: 5 Years Full Coverage (includes replacement parts) Custom Sizes, Finishes, Colors Available Upon Request

This California residence went from dark and dull to modern and bright with the help of Woodcliff Builders designer Jessica Peters. Remodeled with the thought of entertaining guests in mind, form and functionality played equal roles in the design process. Light cream tones wash over the home, punctuated by the bold statement that Banker Wire’s S-12 makes in it’s Antique Brass plated finish. This woven wire mesh pattern catches the eye throughout the kitchen, living room, and bar as various cabinet door infills. The unique texture of S-12 brings balance to the stark contrasting color scheme throughout the kitchen. While the open-concept room boasts predominantly pale features, the highlights of the Antique Brass finish draw out the deeper rich tones in the white marble backsplash and counter tops. The shadows created by the weave of the wire mesh help tie in the dark accents in the kitchen, including the black light fixtures and the oil-rubbed bronze cabinet and drawer hardware. Across from the kitchen, the eye is drawn to the main focal point of the living room, the built-in bookshelves. Banker Wire’s S-12 clads the four central cabinet doors, creating a unique hideaway for television components and other electronics. The Antique Brass finish brings warmth into the otherwise neutral structure, complimented by the displayed curios and the cozy furniture surrounding it. Both the wire mesh and the oil-rubbed bronze hardware are carried over from the kitchen, making for a cohesive home design. In the home’s custom bar, S-12 adorns the front of the ceiling-high white cabinets. For this area, the former cabinet and drawer pulls have been replaced with brass and ivory colored hardware, underscoring the brass of the cabinet’s panel. Emphasized by the dark stone counter-top, the lowlights of the pattern accentuate the texture of the mesh, while the Antique Brass face coordinates with the wood of the lower cabinets, bringing a consistent appearance to the space. “I just love that extra level of detail that this wire mesh provides for cabinets,” states Peters. “It really takes the design to the next level.” The low open area of woven wire mesh pattern S-12 lends itself well to surfacing, cladding, and other applications where partial coverage is key. At 21.6%, only subtle glimpses will be perceptible through the mesh. Embossed and highly faceted, the highs and lows of this distinctive weave are more defined in plated and powder coat finishes, making Antique Brass plating the perfect choice for this residential cabinetry project.

Twin magnificent and historic valleys – named according to lore and legend for two star crossed lovers of warring Native American tribes - make up the unincorporated area of White County that has become a pivot point for the arts, activism, community and preservation. The Sautee and Nacoochee Valleys – both listed on the National Register of Historic Places – are primarily the naturally occurring, lowland landscape punctuated by the sites and assets that give the area its vibrant character. Even the mapping department in White County asserts that Sautee Nacoochee defies definitive boundaries as pride of place has propelled innovative expansion. Dedicated to Preserving and Protecting Although Sautee Nacoochee lacks conventional city government, clearly the "mayor" of this hamlet is the Sautee Nacoochee Community Association, a non-profit organization dedicated to preserving and protecting the region and to nurturing the creativity that thrives here. The Association maintains the Sautee Nacoochee Center, a restored red brick schoolhouse, that is home to dual galleries, a history museum showcasing Cherokee heritage, gold strikes, timber and railroads, the Folk Pottery Museum of Northeast Georgia, art and dance studios, a heritage site and nature preserve, an intimate theater, an environmental studies room and a conference and special event facility. The Community Association was instrumental in establishing the official Historic Districts and brought acclaim to Sautee Nacoochee by securing its nomination as one of “The 100 Best Small Arts Towns in America.” Arts programming, among other endeavors, remains one of the Center’s most valuable community resources. In addition to fostering children’s activities in music, dance, theatre and visual arts, the Center hosts the 50 member Sautee Nacoochee Community Chorale, art studio workshops, speaker luncheons for seniors, gallery exhibits, Contra dances, feature films, sustainable living forums and Open Stage nights. The Center’s six week long SummerFest is highlighted by the home grown folk life play, Headwaters, now in its fourth season, which serves as an unvarnished Valentine to and about the people, places and perceptions that shape the Valleys, and is consistently ranked as a Top 20 Event by the Southeastern Tourism Society.

Description: In early 1994, the architects began work on the project and while in construction (demolition, grading and foundations) the owner, due to circumstances beyond his control, halted all construction of the project. Seven years later the owner returned to the architects and asked them to complete the partially constructed house. Due to code changes, city ordinances and a wide variety of obstacles it was determined that the house was unable to be completed as originally designed. After much consideration the client asked the architect if it were possible to alter/remodel the partially constructed house, which was a remodel/addition to a 1970’s ranch style house, into a project that fit into current zoning and structural codes. The owner also requested that the house’s footprint and partially constructed foundations remain to avoid the need for further entitlements and delays on an already long overdue and difficult hillside site. The architects’ main challenge was how to alter the design that reflected an outdated philosophical approach to architecture that was nearly a decade old. How could the house be re-conceived reflecting the architect and client’s maturity on a ten-year-old footprint? The answer was to remove almost all of the previously proposed existing interior walls and transform the existing footprint into a pavilion-like structure that allows the site to in a sense “pass through the house”. This allowed the client to take better advantage of a limited and restricted building area while capturing extraordinary panoramic views of the San Fernando Valley and Hollywood Hills. Large 22-foot high custom sliding glass doors allow the interior and exterior to become one. Even the studio is separated from the house and connected only by an exterior bridge. Private spaces are treated as loft-like spaces capturing volume and views while maintaining privacy. Limestone floors extend from inside to outside and into the lap pool that runs the entire length of the house creating a horizon line at the edge of the view. Other natural materials such as board formed concrete, copper, steel and cherry provides softness to the objects that seem to float within the interior volume. By placing objects and materials "outside the frame," a new frame of reference deepens our sense of perception. Art does not reproduce what we see; rather it makes us see.

No matter what your perception of Chicago is, no one can deny that the most renowned adjective for it is Chicago is the city that never sleeps. Almost literally, just when firms and offices start closing at twilight, so does the nightlife starts stirring. After a long day's work in the busiest industrial civilization, everyone yearns for a well earned the night of unwinding and fun. These havens of fun and excitement have contributed to Chicago's reputation as a nocturnal city. Because the people here work hard doesn't mean they don't know how to play hard. While the jobs in this fabulous city are amazing and relatively high-paying the stress that comes with it is no joke either. You have to work hard to earn it. That's why bar hopping and clubbing is not unusual for people in Chicago. But then again, seeing the same old places, hearing the same old music and experiencing the same old experience will eventually result to boredom. If the boredom continues, nightlife wouldn't be so fun anymore. It is going to defeat the purpose of relaxation and fun. The party people are going to suffocate. Fortunately, there is now a new style of clubbing that will definitely account for the best bar experience in Chicago. It is the private party rooms in Chicago, it is world's number one with a fully enclosed penthouse lounge, Irish bar and Sports Bar in Chicago. The private party rooms Chicago guarantees to give you one of the best restaurants Chicago experience. Not only that but the partially heated Chicago Irish bar is spacious enough to accommodate more than 1,000 guests without actually sacrificing comfort. It is indeed the ideal place for meeting people or even just for simple night scenic viewing among the best Bar Chicago. To top it off, the restaurants with private party rooms in Chicago is a venue flexible enough to suit any gathering you might want to hold. From cocktails that entail hors d'oeuvres, to sumptuous buffet luncheons for business meetings to the more formal and intimate dinners, among many best bars Chicago. Private party rooms in Chicago are the best you could offer either to family, friend or special someone. There is indeed nothing you can't do in Chicago and the best place to start the thrill would be at private party rooms in Chicago. Are you heading to Chicago on business or for pleasure? If so, you need to check out one of the best bars Chicago has to offer. Chicago is great during the day, there is tons of shopping and sightseeing, but when the sun goes down, the nightlife comes alive and must be checked out by all. Locating the hottest private party rooms in Chicago has to offer is as easy as visiting our website. Original Source : https://mcfaddenschicago.wordpress.com/

This California residence went from dark and dull to modern and bright with the help of Woodcliff Builders designer Jessica Peters. Remodeled with the thought of entertaining guests in mind, form and functionality played equal roles in the design process. Light cream tones wash over the home, punctuated by the bold statement that Banker Wire’s S-12 makes in it’s Antique Brass plated finish. This woven wire mesh pattern catches the eye throughout the kitchen, living room, and bar as various cabinet door infills. The unique texture of S-12 brings balance to the stark contrasting color scheme throughout the kitchen. While the open-concept room boasts predominantly pale features, the highlights of the Antique Brass finish draw out the deeper rich tones in the white marble backsplash and counter tops. The shadows created by the weave of the wire mesh help tie in the dark accents in the kitchen, including the black light fixtures and the oil-rubbed bronze cabinet and drawer hardware. Across from the kitchen, the eye is drawn to the main focal point of the living room, the built-in bookshelves. Banker Wire’s S-12 clads the four central cabinet doors, creating a unique hideaway for television components and other electronics. The Antique Brass finish brings warmth into the otherwise neutral structure, complimented by the displayed curios and the cozy furniture surrounding it. Both the wire mesh and the oil-rubbed bronze hardware are carried over from the kitchen, making for a cohesive home design. In the home’s custom bar, S-12 adorns the front of the ceiling-high white cabinets. For this area, the former cabinet and drawer pulls have been replaced with brass and ivory colored hardware, underscoring the brass of the cabinet’s panel. Emphasized by the dark stone counter-top, the lowlights of the pattern accentuate the texture of the mesh, while the Antique Brass face coordinates with the wood of the lower cabinets, bringing a consistent appearance to the space. “I just love that extra level of detail that this wire mesh provides for cabinets,” states Peters. “It really takes the design to the next level.” The low open area of woven wire mesh pattern S-12 lends itself well to surfacing, cladding, and other applications where partial coverage is key. At 21.6%, only subtle glimpses will be perceptible through the mesh. Embossed and highly faceted, the highs and lows of this distinctive weave are more defined in plated and powder coat finishes, making Antique Brass plating the perfect choice for this residential cabinetry project.

GAO Zhiqiang: Exploring the infinite possibilities beyond boundaries - Space Emotion Design Series - Vniau Office The essence of space design is to pay attention to people’s emotional needs, especially in office designs. Vniau office is designed by GAO Zhiqiang, a space emotion designer. He created an extremely comfortable and inclusive office space by modern design tech-niques, combined with technology, history and humanities. / Explore / Infinite possibilities beyond boundaries A humanistic caring, warm and emotional design work, under the continuous changes of social forms, evolves into a space in accordance with the develop-ment of the current era, which is the most solid response from the designer to the space. This open space makes you feel like entering into a movie scene. Large areas of black and white contrast, and smooth lines create a powerful aura. However, soft lights bring back a romantic atmosphere. The space is highlighted by vir-tuality and reality. The development of modern technology diversified people’s cognition and iden-tification of space dimension. The designer tries to break the inherent bound-ary consciousness among technology, humanities and nature by comfortable and efficient spatial perception. Wandering between virtual and real, light and shadow, the space presents a fu-ture sense through symbols. It shows a bold, free, open, lush, and new office format. "Compared with technology, we pay more attention to people's emotions and feelings. We have always been advocating using the most common materials to create different spaces, and the key is depended on design." Said designer GAO Zhiqiang. Therefore, when it came to the selection of materials, pureness presents in-finity, simplicity creates richness. Bright green brings cheerfulness, and the exposed ceiling and cloud-like chandeliers create a natural and agile visual perception. The combination of dynamic and stillness embodies the concentra-tion of the designer. As the previous office was in Chinese style with redwood furniture, in order to have good effect of the overall space, the designer discussed with the own-er repeatedly, strive to change into a modern style, which matches more with their products, clients, competitors, brand culture and temperament of the of-fice, younger staff, etc., in the end, this design shows up. This is a ring-shaped office space with same walls and same core tubes, which make people easily disoriented. By the principle of 5 elements - metal, wood, water, fire and earth, the designer placed the reception and exhibition room in the middle, and painted in yellow, corresponding to central earth. According to this principle, the R & D department on the east side is decorat-ed in green, corresponding to wood, also, the market and finance department on the south side is orange, corresponding to fire. Service department on the west is white color representing metal, CEO and QC office on the north side is given black color, representing water. 5 directions are painted in 5 colors, which make people clearly distinguish departments and directions. The building wall of the void area has a huge sloped beam, which causes poor visual experience. To solve this problem, the designer creates a magnificent X-shaped style by making use of the original beam structure. Its perforated sides and the luminous aluminum plates are very sci-fi, showing a similar vision of X-Men headquarters. The interaction, communication and intersection among people are the key points of designing moving lines. Their optimization brings closer collaboration among departments,shorten the distance that people have to walk in the space, such as in conference rooms, negotiation rooms, recreation area, water bar, reception area. Reasonable moving lines make discussion and communication between people, de-partments, and customers more efficient. At the same time, different spaces create different atmospheres and emotions, relax, or serious, or leisurable, etc., so as to meet needs of different moments. In addition, the designer GAO Zhiqiang said, "We want to create a feeling of flowing clouds. Lights and curves create moving lines, and give a sense of freedom." To remove the shackles of traditional office designs, and give a space infi-nite vitality is not just a change in form, it is more about 'people' them-selves. Here, everyone has a very large degree of freedom, and they can feel the infinite possibilities of future. Initiative and creativity are stimulated at the same time. Once people create the environment, areas interact with each other, and the power of design emerges. Soft curve is a visual expression of tolerance and infinite possibilities. The spatial layout breaks isolation and shortens the distance of human hearts. High efficiency while no boundaries, and everywhere has space for independent thinking and solitude. The space respects each individual and can also unit as a whole. Gaudi, the most famous Spanish architect, once said that straight lines belong to human, and curves belong to the God. It is probably that the curves give birth to too many wonderful changes. In this space, the curves are formed smoothly, either on the ground or ceiling, or a room, a partition. "Spatial emotion design" advocates bringing human attributes to spatial func-tions. By designing and shaping the space, people are able to work in the best state of physiological and psychological emotions. Therefore, AFFD is trying their best to create comfortable working environments for employees, to ensure efficient work, as well as physical and mental health of staff.

Example of a 1950s staircase design in Orange County