The Potrero Residence is the archetype for Architecture Office’s iterative process. Nestled in the Santa Monica mountains and surrounded by avocado farms, our client asked us to design a monumental hilltop home with views facing every direction and an underground ten car garage. We developed three concepts, choosing one developed by modelling a floorplate and populating it with cube forms. Using modelling software, we “sliced” the cubes at different points and rotated them across the plate. Via the interplay of these segmented cubes, this process created unique trapezoidal forms on each floorplate. Each floor in the Potrero residence functions as a unique relationship of forms and voids. In this building, each exterior-facing void⁠—the spaces between the rotated cubes⁠—is either walled with glass to create a floor to ceiling window, or subtracted to create a balcony. These punctures provide each exterior facing room in the house with a panoramic view over a different area of the property. The balconies give this home a variety of lighting conditions throughout the day, sometimes dark and sometimes light, reminiscent of cave dwellings. This design process creates a unique exterior wall across every face of the building. The driveway-facing facade is sculpted to resemble a traditional gable roofed house. Working around the house reveals a much more complex and digitally derived form. In the center of the house, a gem-shaped courtyard offers light within the relatively deep floor plates. Following the form building process, we developed a material solution using cast-in-place, board formed concrete—giving the house a weighty appearance and reinforcing its cave-like volumes. The rotated cube forms create diverse atmospheres within the interior, and singular aesthetic relationships to the exterior environment. Though grand in scale, our design process creates a fundamentally simple form, while the interior’s spatial conditions evoke the comforts of home.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation. Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land. This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage. Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form.

Without adding or subtracting furniture in the subterranean billiards room of historic Earhart Manor, we styled and accessorized a game room for 1950s 20-somethings to plan a summer sailing adventure, read, exchange gifts, and play Clue.

The Potrero Residence is the archetype for Architecture Office’s iterative process. Nestled in the Santa Monica mountains and surrounded by avocado farms, our client asked us to design a monumental hilltop home with views facing every direction and an underground ten car garage. We developed three concepts, choosing one developed by modelling a floorplate and populating it with cube forms. Using modelling software, we “sliced” the cubes at different points and rotated them across the plate. Via the interplay of these segmented cubes, this process created unique trapezoidal forms on each floorplate. Each floor in the Potrero residence functions as a unique relationship of forms and voids. In this building, each exterior-facing void⁠—the spaces between the rotated cubes⁠—is either walled with glass to create a floor to ceiling window, or subtracted to create a balcony. These punctures provide each exterior facing room in the house with a panoramic view over a different area of the property. The balconies give this home a variety of lighting conditions throughout the day, sometimes dark and sometimes light, reminiscent of cave dwellings. This design process creates a unique exterior wall across every face of the building. The driveway-facing facade is sculpted to resemble a traditional gable roofed house. Working around the house reveals a much more complex and digitally derived form. In the center of the house, a gem-shaped courtyard offers light within the relatively deep floor plates. Following the form building process, we developed a material solution using cast-in-place, board formed concrete—giving the house a weighty appearance and reinforcing its cave-like volumes. The rotated cube forms create diverse atmospheres within the interior, and singular aesthetic relationships to the exterior environment. Though grand in scale, our design process creates a fundamentally simple form, while the interior’s spatial conditions evoke the comforts of home.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation. Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land. This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage. Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation. Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land. This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage. Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation. Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land. This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage. Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form. Construction is scheduled to begin in the spring of 2020.

Large elegant dark wood floor eat-in kitchen photo in Other with an undermount sink, shaker cabinets, dark wood cabinets, quartz countertops, green backsplash, porcelain backsplash, stainless steel appliances and an island

Liz selected IKEA BODBYN cabinetry for two simple reasons: Cost, and the abundance of organizational options IKEA cabinetry provided. “I could’ve gotten non-stick cabinets or previously assembled cabinets from big box stores for around the same price, but they all would’ve been bare-bones with a stationary shelf. I love that IKEA uses BLUM hardware with soft-close glides as standard,” she says. To that end, the off white IKEA BODBYN upper cabinetry provides tremendous storage and organizational options. It flows from the refrigerator, around to the sink and onto the other side (on either side of the sink-side window) where it continues to the other side of the pantry, then around the microwave and ending above the peninsula countertop. This is complemented stylistically and functionally by the gray IKEA BODBYN base cabinetry, which follows the same path, running around the dishwasher to the pantry door and continuing on the other side to the range and ending at the peninsula. She adds: “The MAXIMERA drawers are awesome and they were one of the easiest things to assemble. I love all of the drawers and pull out trays in the kitchen. It’s so much easier to see everything in the back of the cabinet. I also love the IKEA warranty and the consistently excellent ratings on the cabinets.” She also used IKEA SEKTION toekicks, cover panels, and deco strips throughout.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation. Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land. This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage. Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form.

A slim, refined dining table with a metal structure, relying on the extreme beauty of clean forms and an aesthetic based on subtraction. The four rounded metal legs are positioned in line with the four outer corners to support the top, a thin sheet of marble or wood. ISEO is an archetypal table in terms of form, sophisticated in its choice of materials, balanced in its proportions and thicknesses.

According to Liz, the biggest obstacle was coming up with a layout that worked to meet her design wish list. She explains: “The refrigerator used to open up next to the column. The area between the fridge and the column was the primary traffic pattern from the kitchen to the living room. When the fridge door was opened it would block that access path entirely.” This also limited the style of refrigerator that would fit the space. For instance, a French Door refrigerator with freezer wasn’t an option because the freezer drawer wouldn’t open all the way. This is another reason she opted to keep her existing Whirlpool refrigerator. “Correcting this traffic pattern was a big challenge for me,” she adds. “I actually spent years trying to figure out how to correct it. Plus, because the column was just sitting out in the middle of the room, it was very disconnected and detracted from the rest of the space.” She adds that previously all of the counter space were literally swaths of counter every two feet or so. Not very conducive to food prep or work flow! To remedy this, Liz had added an island cart years ago in the hopes of creating more space. However like the column, that too began to feel disconnected and not cohesive. She explains: “We had to walk around it to get from the fridge to the pantry, oven, and stove. The pantry was also on the opposite side of the kitchen from the fridge and made meal preparation cumbersome.” With IKD’s help, the solution presented itself. She explains: “By moving the pantry next to the fridge and extending the corner and adding the peninsula, we gained large areas of counter space as well as correcting the cumbersome traffic pattern. Baking and meal prep is now so efficient! All of the food is right next to each other. We have dedicated baking and prep areas, and a dedicated cooking area. Previously all of the food, prep, and cooking was all broken up throughout the space.” “As for installation, the only issue was that I gave an incorrect dimension to IKD on the location of the window over the sink. I ended up needing to get different dimension cabinets on both sides of the sink and window. Thankfully I noticed this at the very beginning and we were able to recover really easily from the mistake,” she concludes.

The Brooke Residence ‘Addi- tion by Subtraction’ remodeling project was recognized with numerous regional and national awards and was selected for Fine Homebuilding’s Annual Issue on Houses. This 1920’s Craftsman Bungalow had been poorly modified in the 70’s in an attempt to address poor energy performance with a scabbed on solarium. The design solution removed the solarium and completely reimagined the floor plan: The kitchen was relocated to the rear; the stairway was relocated to enhance function, and a better connection to the family room was created.

The Brooke Residence ‘Addi- tion by Subtraction’ remodeling project was recognized with numerous regional and national awards and was selected for Fine Homebuilding’s Annual Issue on Houses. This 1920’s Craftsman Bungalow had been poorly modified in the 70’s in an attempt to address poor energy performance with a scabbed on solarium. The design solution removed the solarium and completely reimagined the floor plan: The kitchen was relocated to the rear; the stairway was relocated to enhance function, and a better connection to the family room was created.

The Brooke Residence ‘Addi- tion by Subtraction’ remodeling project was recognized with numerous regional and national awards and was selected for Fine Homebuilding’s Annual Issue on Houses. This 1920’s Craftsman Bungalow had been poorly modified in the 70’s in an attempt to address poor energy performance with a scabbed on solarium. The design solution removed the solarium and completely reimagined the floor plan: The kitchen was relocated to the rear; the stairway was relocated to enhance function, and a better connection to the family room was created.

Looking back at her IKEA kitchen design experience, Liz shares some practical advice for IKEA customers who are planning to install their project themselves. “The assembly and installation of the IKEA cabinetry really isn’t that difficult. If you feel confident putting together IKEA furniture you can do this too!” she says. “If you decide to assemble yourself, take your time putting the screws and everything in straight and ensuring the box is square. Having tweaked cabinet boxes makes assembly more difficult.”

Eat-in kitchen - large traditional dark wood floor eat-in kitchen idea in Other with an undermount sink, shaker cabinets, dark wood cabinets, quartz countertops, green backsplash, porcelain backsplash, stainless steel appliances and an island

Example of a large classic dark wood floor eat-in kitchen design in Other with an undermount sink, shaker cabinets, dark wood cabinets, quartz countertops, green backsplash, porcelain backsplash, stainless steel appliances and an island

Seamless Elegance is a story bringing together both old and new. A cramped kitchen and a seldom-used den in a 100 year-old house were opened up to create a sprawling 300-sqft paradise. Obsessing over the little details was important to achieving our goal of seamless elegance. The archway and molding detail between the dining and living room was perfectly mirrored between the dining room and kitchen, right down to the hidden closets. A faux brick wall painted white was added to the back wall of the kitchen to give the illusion that the previous expansion was always there. The existing 1.5” wide beautiful oak hardwood floor was matched to the rest of the house and continued into the kitchen. The flooring throughout the house was re-done at the same time to solidify the marriage between old and new; the result was a seamless transition into functionality. The character brought into the space by the oak hardwood floor and brick wall off sets the contemporary high gloss white cabinets. No upper cabinets were used in this design because we wanted to showcase the brick accent wall. The storage lost from zero upper kitchen cabinets was more than made up in floor-to-ceiling pantry. This corner pantry accommodates the bulk of storage for food and dishes in the kitchen. The subtraction of the upper cabinets allows the Tom Dixon pendant lights to be boldly featured over the eating peninsula. Visual lines were a key aspect in this design helping the eye move throughout the space. The cabinet break lines are at the same height as the counter tops creating one continuous line. The paneled dishwasher blends perfectly with the rest of the kitchen cabinetry. The white quartz countertop flows down into a waterfall edge at the end of the eating peninsula, being the final grounding piece to visual lines. Although the kitchen is all white, it is offset and given visual interest through texture and the use of different materials. The white allows the beautiful expensive appliances to be showcased along with the newly refinished flooring. The clean crisp kitchen will be the perfect backdrop to show case boldly colored art and accessories.