Traditional home in the heart of Savannah's Historic Landmark District that was built in 1999 had an 8' by 11' kitchen completely cut off from the rest of the house. We pushed out the back of the house three feet to create a bay to hold a sink, allowing us to completely open up the floorplan. The island color was based on the clients favorite shade of red (it also matches the front door). The rest of the palette is kept light and soft with a play of materials like the original pine floors, grass cloth wallpaper, Walker Zanger backsplash tile, and Viaterra Quartz 'marble' counters. The cabinets are all fully custom including an integrated dishwasher. It is a complete transformation from where we started! Photos by Richard Leo Johnson of Atlantic Archives

San Marino based clients were interested in developing a property that had been in their family for generations. This was an exciting proposition as it was one of the last surviving bayside double lots on the scenic Coronado peninsula in San Diego. They desired a holiday home that would be a gathering place for their large, close- knit family. San Marino based clients were interested in developing a property that had been in their family for generations. This was an exciting proposition as it was one of the last surviving bayside double lots on the scenic Coronado peninsula in San Diego. They desired a holiday home that would be a gathering place for their large, close-knit family. Facing the Back Bay, overlooking downtown and the Bay Bridge, this property presented us with a unique opportunity to design a vacation home with a dual personality. One side faces a bustling harbor with a constant parade of yachts, cargo vessels and military ships while the other opens onto a deep, quiet contemplative garden. The home’s shingle-style influence carries on the historical Coronado tradition of clapboard and Craftsman bungalows built in the shadow of the great Hotel Del Coronado which was erected at the turn of the last century. In order to create an informal feel to the residence, we devised a concept that eliminated the need for a “front door”. Instead, one walks through the garden and enters the “Great Hall” through either one of two French doors flanking a walk-in stone fireplace. Both two-story bedroom wings bookend this central wood beam vaulted room which serves as the “heart of the home”, and opens to both views. Three sets of stairs are discretely tucked away inside the bedroom wings. In lieu of a formal dining room, the family convenes and dines around a beautiful table and banquette set into a circular window bay off the kitchen which overlooks the lights of the city beyond the harbor. Working with noted interior designer Betty Ann Marshall, we designed a unique kitchen that was inspired by the colors and textures of a fossil the couple found on a honeymoon trip to the quarries of Montana. We set that ancient fossil into a matte glass backsplash behind the professional cook’s stove. A warm library with walnut paneling and a bayed window seat affords a refuge for the family to read or play board games. The couple’s fine craft and folk art collection is on prominent display throughout the house and helps to set an intimate and whimsical tone. Another architectural feature devoted to family is the play room lit by a dramatic cupola which beacons the older grandchildren and their friends. Below the play room is a four car garage that allows the patriarch space to refurbish an antique fire truck, a mahogany launch boat and several vintage cars. Their jet skis and kayaks are housed in another garage designed for that purpose. Lattice covered skylights that allow dappled sunlight to bathe the loggia affords a comfortable refuge to watch the kids swim and gaze out upon the rushing water, the Coronado Bay Bridge and the romantic downtown San Diego skyline. Architect: Ward Jewell Architect, AIA Interior Design: Betty Ann Marshall Construction: Bill Lyons Photographer: Laura Hull Styling: Zale Design Studio

photography by Rob Karosis
Eat-in kitchen - large traditional galley light wood floor eat-in kitchen idea in Portland Maine with a farmhouse sink, shaker cabinets, white cabinets, granite countertops, white backsplash, ceramic backsplash and stainless steel appliances

Spacecrafting
Mountain style carpeted and gray floor sunroom photo in Minneapolis with a standard ceiling

This brownstone, located in Harlem, consists of five stories which had been duplexed to create a two story rental unit and a 3 story home for the owners. The owner hired us to do a modern renovation of their home and rear garden. The garden was under utilized, barely visible from the interior and could only be accessed via a small steel stair at the rear of the second floor. We enlarged the owner’s home to include the rear third of the floor below which had walk out access to the garden. The additional square footage became a new family room connected to the living room and kitchen on the floor above via a double height space and a new sculptural stair. The rear facade was completely restructured to allow us to install a wall to wall two story window and door system within the new double height space creating a connection not only between the two floors but with the outside. The garden itself was terraced into two levels, the bottom level of which is directly accessed from the new family room space, the upper level accessed via a few stone clad steps. The upper level of the garden features a playful interplay of stone pavers with wood decking adjacent to a large seating area and a new planting bed. Wet bar cabinetry at the family room level is mirrored by an outside cabinetry/grill configuration as another way to visually tie inside to out. The second floor features the dining room, kitchen and living room in a large open space. Wall to wall builtins from the front to the rear transition from storage to dining display to kitchen; ending at an open shelf display with a fireplace feature in the base. The third floor serves as the children’s floor with two bedrooms and two ensuite baths. The fourth floor is a master suite with a large bedroom and a large bathroom bridged by a walnut clad hall that conceals a closet system and features a built in desk. The master bath consists of a tiled partition wall dividing the space to create a large walkthrough shower for two on one side and showcasing a free standing tub on the other. The house is full of custom modern details such as the recessed, lit handrail at the house’s main stair, floor to ceiling glass partitions separating the halls from the stairs and a whimsical builtin bench in the entry.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

This powder room room use to have plaster walls and popcorn ceilings until we transformed this bathroom to something fun and cheerful so your guest will always be wow'd when they use it. The fun palm tree wallpaper really brings a lot of fun to this space. This space is all about the wallpaper. Decorative Moulding was applied on the crown to give this space more detail. JL Interiors is a LA-based creative/diverse firm that specializes in residential interiors. JL Interiors empowers homeowners to design their dream home that they can be proud of! The design isn’t just about making things beautiful; it’s also about making things work beautifully. Contact us for a free consultation Hello@JLinteriors.design _ 310.390.6849_ www.JLinteriors.design

© Josh Partee 2013
Living room - contemporary open concept living room idea in Portland with white walls

US Made 2 door Greenwich TV lift furniture cabinet buffet is by "Best of Houzz 2014" for service, Cabinet Tronix. This Designer grade made to order TV lift cabinet's dimensions will be based on your TV size and other technology component needs. This piece shows our Black Satin finish, a beautiful finish on such an elegant piece. All carvings, decoratives and panel molding is hand done. You can select from over 120 of our TV lift cabinet designs and let us know if you would like them set up for the foot of the bed, against a wall/window or center of the room configurations. You can also opt to include our optional 360 TV lift swivel system. With 12 years-experience specializing TV lift cabinet furniture, Cabinet Tronix US made designer grade furniture is perfectly married with premium US made TV lift system. This Greenwich TV lift furniture piece comes in 16 amazing designer finishes. Custom finishing, configurations and sizing available. All designs are finished on all 4 sides with the exact same wood type and finish. All Cabinet Tronix TV lift cabinet models come with HDMI cables, Digital display universal remote, built in Infrared repeater system, TV mount, wire web wrap, component section and power bar. http://www.cabinet-tronix.com/other.html California, New York, Texas, Florida, North Carolina, Maryland, Manhattan, Michigan, Virginia, Chicago, Boston, San Diego, Orange County

This modern credenza would make the perfect storage cabinet in nearly any environment. It is handcrafted by us here in the USA utilizing only the highest quality materials and it’s made to last a lifetime. It sits atop a black platform base (wrapped in vinyl to give a little texture). The raised geometric pattern of the doors add a touch of modernism. It is a very versatile piece and would be well-suited as a modern TV stand/console, credenza, buffet, or stylish sideboard. Behind each door you’ll find an adjustable inner shelf for maximum flexibility. Push-to-open doors eliminate the need for handles or knobs on the front so as to not distract from the stylish, modern look of the doors. In addition to making these in many different widths and heights, we can also build yours in nearly any configuration. Want a more “open”, “airy” look? We can make yours with an open middle section (meaning doors only on the outsides). Or, need drawers? We can do that as well! It is shown here in rich brown walnut, but yours can be made in any of the woods shown on our wood options page. Other door colors are available as well. For a more vintage look, consider our vintage orange doors. Or, for a more Hollywood glam look, go bold with our gold! See our other items for examples in different color and configurations. Looking for a more mid-century look? Take a look at this unit with our tapered, gold spindle legs as opposed to the platform base. For many years of trouble-free use, we use only top-of-the-line hardware (hinges, push to open mechanisms) from Blum and Salice. Only the highest quality furniture-grade veneers are used as well. Like any natural material, expect some slight variations in grain and coloration. Using this to store electronic devices that need power? Let us know and we’re happy to add holes in the back for cables to exit for no additional charge. Need a different width? Yours can be made with any number of doors. Dimensions: approximately 82.75" wide x 19" deep x 25.25" high . (The dimensions are the exterior dimensions of the cabinet. The patterns on the doors will extend slightly past the cabinet) Model: Regency (shown in walnut with white doors and platform base). Please inquire for information and pricing on any changes you would like. We also create many other custom pieces in this and other styles, so, please contact us if you are looking for conference tables, credenzas, industrial office shelving, or any other furniture. We would love to discuss how we can work together to design a unique piece to fit your needs! To see more options and to learn more about us, visit us at: www.combine9.com In addition to countless wonderful homeowners and small businesses around the country, some of our past clients include companies such as Google, Disney, Hilton Hotels, YouTube, Linked In, Living Social, Wyndham Hotels, Trip Advisor, Hard Rock Hotel & Casino, Vans Shoes, Vibram Shoes, Mishimoto, Starwood Hotels, and Bose retail stores. We’ve also been in numerous national publications and TV shows including HGTV’s “House Hunters”, a nation-wide Verizon TV commercial, a nation-wide Microsoft TV commercial, NBC’s “About a Boy” TV show, Dwell (for their Dwell Labs exhibit), Sound & Vision magazine, Living Spaces magazine, etc. We’ve even had several A-list celebrities (that we’ve been asked to not mention by name)! ABOUT US: We create custom, unique furniture, unlike anything you will find. Our intention is to give you a piece of furniture that you will admire and enjoy for years to come and that will leave your house-guests envious. Our work is handcrafted in the United States and made to last a lifetime. These unique pieces fit perfectly with any urban/modern, mid-century, or rustic décor. All of our pieces can be made in many configurations and sizes to suit your specific style and needs. There are many options available as each piece is designed just for you, so, if you have any thoughts, please contact us and we would be happy to let you know what your options are. * All rights reserved; Combine 9 Design, LLC

Jim Schmid Photography
This is an example of a traditional front porch design in Charlotte.

Tricia Shay Photography
Inspiration for a mid-sized contemporary concrete floor and brown floor great room remodel in Milwaukee with a two-sided fireplace and white walls

A beautiful Mamaroneck Tudor with its original tiny kitchen was badly in need of renovating. The homeowners shifted and enlarged the rear of the house to create a peaceful space with earthy toned charcoal grey Oak base cabinets and shiny back painted white wall cabinetry. Six integrated gas burners from Netherland's Pitt Cooking were fitted into the island, with Gaggenau’s tappenyaki grille for a efficient and beautiful integrated cooking and serving area. Floor tile, Ceramica Gazzini Urban Style. Oven by Bosch; refrigerator by SubZero; range hood by Futuro Futuro, Microwave by Wolf; countertops by Caesarstone in Organic White; Charlie stools by CB2; Sink by Franke; Faucet by Groehe; pulls by Topex-- Decorative Hardware Round Stainless Steel Tube.

By moving the exterior wall to the patio out two feet, we were able to create an open kitchen/dining/living space in perfect proportion for this mid-century style home. This extra space allowed us to transform the existing galley kitchen into a U-shape with a peninsula bar. The blue base cabinets pack a punch of color, while the white uppers and backsplash create a light and airy space that looks bigger than the actual square footage.

The clean, calm, restful interiors of this heart-of-the-city home are an antidote to urban living, and busy professional lives. As well, they’re an ode to enduring style that will accommodate the changing needs of the young family who lives here. Photos by June Suthigoseeya

Steven Long Photography
Inspiration for a transitional white two-story gable roof remodel in Nashville

Inspiration for a contemporary bedroom remodel in DC Metro with beige walls

We designed this writer's studio in tandem with an urban backyard and hardscaping renovation. Originally this building was to be a new garage, but the owner liked it so much that halfway through the process, he decided to forgo a garage in favor of an office. Photo: Anna M Campbell: annamcampbell.com

Ashley Avila Photography
1950s wood gable roof idea in Grand Rapids