Search results for "Build interactions" in Home Design Ideas

The site is located on the Mitchell House preparatory school campus in Polokwane. The client's brief
called for an early childhood development centre which would accommodate 122 learners and
requested that the building be evident of it's young and playful users.
Curiosity, wonder and intrigue would become defining criteria in an attempt to create a conducive
learning environment for young learners to grow, a building where children would be encouraged to
interact with their environment. The construction methodology of the building would remain apparent,
allowing its users to analyse the assembly of components.
Due to the age group of the users, the building would need to function semi-autonomously from the
rest of the school, while allowing for controlled interaction and inclusivity as is the norm for Mitchell
House. A linear plan which coincides with the developmental progress of the learners was identified
as the appropriate building typology. The spatial constraints of the site required this plan to be
moulded into the available space between the existing infrastructure, however the linear process was
maintained.
From the access-controlled reception and administration area one would move past the creative arts
and exhibition space towards the Northern wing where the youngest learners are taught. These would
share connected ablutions and storerooms between classes to enable fluid movement and
assistance throughout the teaching and service spaces. The East wing of the centre would house the
elder learners who would be in the process of being integrated with the fabric of the main school
campus. These classrooms include storage areas, however, have separate ablution facilities. The two
wings of the building surround a courtyard where play and interaction are in abundance.

The site is located on the Mitchell House preparatory school campus in Polokwane. The client's brief
called for an early childhood development centre which would accommodate 122 learners and
requested that the building be evident of it's young and playful users.
Curiosity, wonder and intrigue would become defining criteria in an attempt to create a conducive
learning environment for young learners to grow, a building where children would be encouraged to
interact with their environment. The construction methodology of the building would remain apparent,
allowing its users to analyse the assembly of components.
Due to the age group of the users, the building would need to function semi-autonomously from the
rest of the school, while allowing for controlled interaction and inclusivity as is the norm for Mitchell
House. A linear plan which coincides with the developmental progress of the learners was identified
as the appropriate building typology. The spatial constraints of the site required this plan to be
moulded into the available space between the existing infrastructure, however the linear process was
maintained.
From the access-controlled reception and administration area one would move past the creative arts
and exhibition space towards the Northern wing where the youngest learners are taught. These would
share connected ablutions and storerooms between classes to enable fluid movement and
assistance throughout the teaching and service spaces. The East wing of the centre would house the
elder learners who would be in the process of being integrated with the fabric of the main school
campus. These classrooms include storage areas, however, have separate ablution facilities. The two
wings of the building surround a courtyard where play and interaction are in abundance.

Frogman Interactive
Mid-sized elegant medium tone wood floor kitchen/dining room combo photo with beige walls and no fireplace
Mid-sized elegant medium tone wood floor kitchen/dining room combo photo with beige walls and no fireplace
Find the right local pro for your project

What began as a renovation project morphed into a new house, driven by the natural beauty of the site.
The new structures are perfectly aligned with the coastline, and take full advantage of the views of ocean, islands, and shoals. The location is within walking distance of town and its amenities, yet miles away in the privacy it affords. The house is nestled on a nicely wooded lot, giving the residence screening from the street, with an open meadow leading to the ocean on the rear of the lot.
The design concept was driven by the serenity of the site, enhanced by textures of trees, plantings, sand and shoreline. The newly constructed house sits quietly in a location advantageously positioned to take full advantage of natural light and solar orientations. The visual calm is enhanced by the natural material: stone, wood, and metal throughout the home.
The main structures are comprised of traditional New England forms, with modern connectors serving to unify the structures. Each building is equally suited for single floor living, if that future needs is ever necessary. Unique too is an underground connection between main house and an outbuilding.
With their flowing connections, no room is isolated or ignored; instead each reflects a different level of privacy and social interaction.
Just as there are layers to the exterior in beach, field, forest and oceans, the inside has a layered approach. Textures in wood, stone, and neutral colors combine with the warmth of linens, wools, and metals. Personality and character of the interiors and its furnishings are tailored to the client’s lifestyle. Rooms are arranged and organized in an intersection of public and private spaces. The quiet palette within reflects the nature outside, enhanced with artwork and accessories.

Conceived more similar to a loft type space rather than a traditional single family home, the homeowner was seeking to challenge a normal arrangement of rooms in favor of spaces that are dynamic in all 3 dimensions, interact with the yard, and capture the movement of light and air.
As an artist that explores the beauty of natural objects and scenes, she tasked us with creating a building that was not precious - one that explores the essence of its raw building materials and is not afraid of expressing them as finished.
We designed opportunities for kinetic fixtures, many built by the homeowner, to allow flexibility and movement.
The result is a building that compliments the casual artistic lifestyle of the occupant as part home, part work space, part gallery. The spaces are interactive, contemplative, and fun.
More details to come.
credits:
design: Matthew O. Daby - m.o.daby design /
construction: Cellar Ridge Construction /
structural engineer: Darla Wall - Willamette Building Solutions /
photography: Erin Riddle - KLIK Concepts

We are a full service, residential design/build company specializing in large remodels and whole house renovations. Our way of doing business is dynamic, interactive and fully transparent. It's your house, and it's your money. Recognition of this fact is seen in every facet of our business because we respect our clients enough to be honest about the numbers. In exchange, they trust us to do the right thing. Pretty simple when you think about it.

? “Crafting Closets: Custom Wardrobe in Dark Hues, Limitless Functionality” ?
In our recent video, witness the unveiling of a custom wardrobe in rich, dark tones—a masterpiece with numerous compartments and niches. The craftsman behind this marvel showcases its functionality, presenting it to clients post-installation.
The Essence of Collaboration:
This presentation isn’t just about the wardrobe; it’s a testament to collaboration. The interaction between creator and client isn’t a mere transaction—it’s a partnership.
Understanding Needs: Collaborating with clients allows for a deep understanding of their needs. The designer comprehends preferences, ensuring every compartment resonates with the client’s lifestyle.
Tailored Solutions: This interaction enables tailored solutions. It’s not just about selling a product; it’s about crafting a solution that perfectly fits the client’s requirements.
Real-time Feedback: Direct interaction post-installation fosters real-time feedback. It’s a chance for clients to voice their thoughts, allowing any tweaks for absolute satisfaction.
Building Trust: Such interactions build trust. Clients feel heard and valued, enhancing trust in the brand and fostering long-term relationships.
The beauty of collaboration isn’t just in the creation of exceptional furniture; it lies in the relationship between creator and client. This synergy births not just furniture but functional art crafted precisely for you. ✨

Sponsored
Columbus, OH
Hope Restoration & General Contracting
Columbus Design-Build, Kitchen & Bath Remodeling, Historic Renovations

A beautiful stone fireplace provides additional ambiance during colder months. A seating area provides the perfect spot for social interactions. Photo: Gregg Willett

Farmhouse dark wood floor and brown floor living room photo in Seattle with white walls, a standard fireplace and a brick fireplace

We had the pleasure of doing the home automation and entertainment solutions for a featured home in The New York Times. Check out the spread on this "Micro - Community" created by three apartments combining in the heart of SoHo. All photography credit to Brittany Ambridge for The New York Times.
http://www.nytimes.com/slideshow/2015/10/25/realestate/on-location-

We had the pleasure of doing the home automation and entertainment solutions for a featured home in The New York Times. Check out the spread on this "Micro - Community" created by three apartments combining in the heart of SoHo. All photography credit to Brittany Ambridge for The New York Times.
http://www.nytimes.com/slideshow/2015/10/25/realestate/on-location-

Conceived more similar to a loft type space rather than a traditional single family home, the homeowner was seeking to challenge a normal arrangement of rooms in favor of spaces that are dynamic in all 3 dimensions, interact with the yard, and capture the movement of light and air.
As an artist that explores the beauty of natural objects and scenes, she tasked us with creating a building that was not precious - one that explores the essence of its raw building materials and is not afraid of expressing them as finished.
We designed opportunities for kinetic fixtures, many built by the homeowner, to allow flexibility and movement.
The result is a building that compliments the casual artistic lifestyle of the occupant as part home, part work space, part gallery. The spaces are interactive, contemplative, and fun.
More details to come.
credits:
design: Matthew O. Daby - m.o.daby design
construction: Cellar Ridge Construction
structural engineer: Darla Wall - Willamette Building Solutions
photography: Erin Riddle - KLIK Concepts

2013 Sunset Magazine Idea Home in Seabrook WA, featuring ASC Building Products' beautiful metal standing seam Skyline Roofing. Photo Credit Sunset Magazine.

Sponsored
Westerville, OH
Custom Home Works
Franklin County's Award-Winning Design, Build and Remodeling Expert

Conceived more similar to a loft type space rather than a traditional single family home, the homeowner was seeking to challenge a normal arrangement of rooms in favor of spaces that are dynamic in all 3 dimensions, interact with the yard, and capture the movement of light and air.
As an artist that explores the beauty of natural objects and scenes, she tasked us with creating a building that was not precious - one that explores the essence of its raw building materials and is not afraid of expressing them as finished.
We designed opportunities for kinetic fixtures, many built by the homeowner, to allow flexibility and movement.
The result is a building that compliments the casual artistic lifestyle of the occupant as part home, part work space, part gallery. The spaces are interactive, contemplative, and fun.
More details to come.
credits:
design: Matthew O. Daby - m.o.daby design
construction: Cellar Ridge Construction
structural engineer: Darla Wall - Willamette Building Solutions
photography: Erin Riddle - KLIK Concepts

Frogman Interactive
Example of a mid-sized classic u-shaped medium tone wood floor eat-in kitchen design with a drop-in sink, beige cabinets, granite countertops, beige backsplash, stainless steel appliances and an island
Example of a mid-sized classic u-shaped medium tone wood floor eat-in kitchen design with a drop-in sink, beige cabinets, granite countertops, beige backsplash, stainless steel appliances and an island

This beautiful home is an example of what can be achieved on a small lot. Interactive Construction was able to provide these homeowners with a Passive House that fit perfectly into their heritage neighbourhood, onto their narrow lot, and with their personalities.
There are huge energy savings built into the design of this home. In keeping with Passive House principles, the house is insulated everywhere to minimize heat loss meaning this house doesn’t require a conventional heat source. There is an extremely efficient Heat Recovery Ventilation (HRV) system that quietly manages airflow throughout the building and takes the heat from showers and cooking before expelling cool, filtered air. Triple glazed windows cut down on heat loss and are almost all openable to aid in cooling instead of a costly air conditioner.
Environmental considerations in this build go beyond energy savings. The decision to use prefabricated wall panels and roof trusses to cut down on waste and aid in site storage of lumber.
This house’s innovation comes from it being a modern design passive house that it somehow fits very well in a neighbourhood filled with heritage houses. We managed to squeeze a lot of house onto a postage sized lot and still have it feel roomy inside and in the yard.
And check out those funky stairs!
What the homeowners had to say:
Despite the huge and unforeseen challenges of building safely and efficiently during the 2020 Covid pandemic, especially on a very narrow lot, Interactive's exceptional crew and their team of skilled subcontractors delivered our dream house.

Conceived more similar to a loft type space rather than a traditional single family home, the homeowner was seeking to challenge a normal arrangement of rooms in favor of spaces that are dynamic in all 3 dimensions, interact with the yard, and capture the movement of light and air.
As an artist that explores the beauty of natural objects and scenes, she tasked us with creating a building that was not precious - one that explores the essence of its raw building materials and is not afraid of expressing them as finished.
We designed opportunities for kinetic fixtures, many built by the homeowner, to allow flexibility and movement.
The result is a building that compliments the casual artistic lifestyle of the occupant as part home, part work space, part gallery. The spaces are interactive, contemplative, and fun.
More details to come.
credits:
design: Matthew O. Daby - m.o.daby design /
construction: Cellar Ridge Construction /
structural engineer: Darla Wall - Willamette Building Solutions /
photography: Erin Riddle - KLIK Concepts

Sponsored
Columbus, OH
Hope Restoration & General Contracting
Columbus Design-Build, Kitchen & Bath Remodeling, Historic Renovations

We had the pleasure of doing the home automation and entertainment solutions for a featured home in The New York Times. Check out the spread on this "Micro - Community" created by three apartments combining in the heart of SoHo. All photography credit to Brittany Ambridge for The New York Times.
http://www.nytimes.com/slideshow/2015/10/25/realestate/on-location-

This open-concept living space is the epitome of modern living, where the kitchen and living room merge seamlessly to create an expansive and interactive environment. The kitchen boasts sleek cabinetry, stainless steel appliances, and a central island with bar seating, perfect for casual dining or entertaining. Above, unique pendant lights add a touch of sophistication. The juxtaposition of soft textiles against the hard lines of modern furniture and the geometric kitchen backsplash creates a dynamic yet harmonious space that invites both relaxation and social interaction.

Will Calhoun - photo
This is the view from the Entry. Note the first of two columns that flank the Dining Table. the columns are placed there by the architect to unsettle your interaction with other dinner guests sharing the table.
15